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Paul Hodgson    Mar 17 - Apr 23, 2010

Binary
Paul Hodgson
Binary, 2009
 
Dormant Figure (Portrait of Martin Luther)
Paul Hodgson
Dormant Figure (Portrait of Martin Luther), 2008-2009
 
Re-form
Paul Hodgson
Re-form, 2009
 
Untitled I (After Ishmael)
Paul Hodgson
Untitled I (After Ishmael), 2008-2009
 
Untitled V (After Dodge Ball)
Paul Hodgson
Untitled V (After Dodge Ball), 2009
 
Untitled X (After Beside a Cove)
Paul Hodgson
Untitled X (After Beside a Cove), 2009
 
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An exhibition of six new works by PAUL HODGSON and Publication of Cold Eye Hodgson’s response to poems by Dan Burt

17 March – 23 April 2010
Private view Tuesday 16 March 2010

“Taken all together, Paul Hodgson’s six new pictures make a powerful address to perennial questions about the self and its ability to articulate an identity, and about faith and its reasonable limits” – Andrew Motion

Hodgson’s new works are concerned with exploring different kinds of uncertainty as a key to pictorial narrative; ‘keys to narrative rather than narrative itself’ he says. In the catalogue text Motion identifies in the six new “heroic” works elements of doubtfulness, introspection and anguish and suggests that the power and originality of the pictures in fact derives from this intrinsic uncertainty.

Hodgson’s working methods are complex and fascinating. The process starts with photographing a model in the studio and using the images to begin a full sized painting and a series of studies. These paintings are then photographed and digitally collaged onto an image of the model and then printed onto a separate canvas. Areas of the initial full sized painting are cut and removed in order to incorporate sections of this print. Hodgson then continues to paint on the new, hybrid surface - sometimes scraping back to reveal, sometimes cutting away further sections in order to introduce more of the photographic source.

Published in association with Lintott Press, Cold Eye, is Hodgson’s response to ten poems by Dan Burt. The images deal with Burt’s themes of mortality and moral failure. The book will appear in a limited edition of 100 copies, including an original lithograph, as well as a standard edition.

An illustrated catalogue will be published. For further information, please contact Geoffrey Parton, Frankie Rossi or Kate Austin on 0207 629 5161 or gparton@marlboroughfineart.com

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