Inspired by the mass public flats characteristic of the Singaporean landscape during his 5-week
residency, British sculptor Richard Deacon produced an impressive body of over 70 works in
collaboration with the STPI workshop. As STPI’s first resident artist from the UK, Deacon worked
outside his usual oeuvre of wood, glazed ceramic and galvanized steel in exploration of the print and
paper medium. These new works are centered on two significant ideas: the concept of artist
interference on material and the use of folding as a means of construction.
Housing features clusters of marbled polygonal columns looming upwards in their trajectory. Each
constructed by the simple act of folding, they demonstrate Deacon’s ongoing intrigue with materiality
and the constructive use of the void. A dynamic interaction is created between these sculptural works
and his two-dimensional subjects. The patterned surfaces of his forms in Dog Days and Blackfriars
Blocks seem to mimic the flux of life, negotiating balances between various states of dichotomy. In
them, we see a concern for contemporary issues of community interaction, and perhaps even an
insight as to how modern scientific theories propose to describe reality.
“Richard has moved seamlessly between sculpture and printmaking,” observes Emi Eu, Director of
STPI. “These enigmatic works have emerged from the profound depths of his practice, reminding us
all of the relativity of our understanding and knowledge.”
Going beyond convention, Beware of the Dog is a compelling testament to Deacon’s admirable and
never-ending quest for experimentation and innovation. While his monumental sculptures are known
to reach six-figure sums, the works created at STPI start at S$3,000 for edition pieces, accessible for
budding collectors to acquire work by one of the most defining artists of our time.
Richard Deacon CBE (b. 1949, Bangor, Wales) has been a leading figure in British sculpture since
the 1980s. He schooled at the Somerset College of Art, Tauton (1968), Saint Martin’s School of Art,
London (1970-1973) and the Royal College of Art (1974-1977) where he obtained an MA in
Environmental Media. Winner of the 1987 Turner Prize, Deacon is best known for his inventive use of
materials to create works on a variety of scales, building subtle relationships between volume and
space. In 2011, he installed an impressive sculptural work Upper Strut at the Louis Vuitton Island
Maison in Singapore.
Exhibition walkthrough: Saturday 6 October 2012, 2.30pm
Richard Deacon new collaborative STPI works
VIP Vernissage VIP Art Fair
18 September – 7 October 2012
Interview with the artist at STPI