 |
 |
Back To Past Exhibitions
|
Anders Ruhwald “Temperance!” Feb 11 - Mar 13, 2010
|
 |
Anders Ruhwald Beginning and ending (version 2), 2010
|
|
 |
Anders Ruhwald For You Only, 2010
|
|
 |
Anders Ruhwald Installation View
|
|
 |
Anders Ruhwald To Be Of Use, 2010
|
|
 |
Anders Ruhwald Untitled #12 (from the functional series), 2010
|
|
|
 |
|
MIYAKO YOSHINAGA art prospects is pleased to present the second solo exhibition by the Danish-born
artist Anders Ruhwald.
For the last 10 years Anders Ruhwald has been creating ceramic objects shaped in forms long
associated with household objects (i.e. lamp, vase, mirror) but not intended to be used as such. Ruhwald
attempts to liberate these forms from their subordinating role as utilitarian objects and allow them to
quietly but mischievously interact with the viewer. His investigations shed a new light on the nominative
role certain objects play in the navigation of our daily lives. To this end, Ruhwald sets up individual
sculptures-- typically glazed earthenware in a single color--as stage props or even characters waiting for
an audience. In his new show entitled Temperance!, Ruhwald’s objects are suggestive, restrained and yet
playful. The central piece in the show, “The shades about to fall (division),” consists of 23 rectangular
ceramic forms hung from the ceiling in a straight line spanning the length of the gallery. The work
becomes a space divider that is constantly changing as the individual pieces move around themselves.
The work limits the audience’s movement in the gallery while leading them through the space as the
individual pieces gradually change hue from one piece to the next. As a counterpoint, two human-scale
yellow vases are placed at end of a large low podium intersecting the gallery. Cone-shaped with a
flattened top, the vases have protruding handles that are too small to hold, lending an air of incongruity
to this oddly proportioned yet ostensibly everyday scenery. At the other end of the gallery, a hollow
object on tripod legs seems to mimic a TV. On the wall hung from orange knobs, two chairs play with
Shaker dogmatism. Since they are only outline forms, they serve no practical purpose except to flatly
echo the ideology of a vanished era.
Anders Ruhwald (born 1974) lives and works in London and Detroit. He graduated from the Royal
College of Art in 2005. Solo exhibitions include “The state of things” at The Museum of Art and Design in
Copenhagen, Denmark, “You in Between” at Middlesbrough Institute of Modern Art in the UK as well as
various gallery solo-shows across Europe and the U.S. His 2007 solo exhibition at MIYAKO YOSHINAGA
art prospects (“We Float in Space and Cannot perceive The New Order”) was reviewed by Jonathan
Goodman for Sculpture Magazine. His work is represented in many museum and private collections
including The Victoria and Albert Museum, London (UK), The National Museum of Decorative Art
(Norway), The National Museum (Sweden). Ruhwald has lectured and taught at many universities and
colleges around Europe and North America and has held an associate professorship at the School of the
Art Institute of Chicago. Currently he is the Artist-in-Residence and Head of the Ceramics Department at
Cranbrook Academy of Art in Detroit.
|
|
|
 |
|