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George Platt Lynes    Jun 9 - Sep 10, 2011

Blanchard Kennedy
George Platt Lynes
Blanchard Kennedy, 1936
 
Nude Study (Arthur Lee's Model with George Tichenor in Shadow)
George Platt Lynes
Nude Study (Arthur Lee's Model with George Tichenor in Shadow), 1939
 
Orpheus and Eros
George Platt Lynes
Orpheus and Eros, 1939
 
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Opening Reception & Book Signing
June 9th, 6-8pm

Book available:
George Platt Lynes: The Male Nudes: $60.00

Throckmorton Fine Art is pleased to offer an exhibit of photographs by George Platt Lynes. The selection includes previously unseen images made from negatives conserved in cold storage at The Kinsey Institute.

Lynes, who was born in 1907, went to Europe in 1925 to better prepare for admission to college. In Paris, Gertrude Stein befriended him, and introduced him to her circle of artists and writers. He attended Yale briefly, but dropped-out and began a career in New York as a photographer. His talent led to assignments for Harper’s Bazaar, Town & Country, and Vogue; in those magazines, Lynes showcased fashion photos and celebrity portraits. The portraits - made in New York, Hollywood, and Europe - include luminaries such as Gertrude Stein, Jean Cocteau, Katharine Hepburn, and Salvador Dali. Lynes was especially celebrated for his dance photographs: the elegant, imaginative pictures of George Balanchine and his ballet company and are among Lynes’s most acclaimed achievements.

Lynes worked exclusively in black-and-white, and his photography is marked by the influence of Surrealism, its fascination with the unconscious, dreams, sexuality, and unexpected juxtapositions. He used light—and shadows and darkness—to great dramatic effect. Lynes’s pictures, exhibited at prominent galleries in New York, were included in the Museum of Modern Art’s 1936 show, “Fantastic Art, Dada, and Surrealism.”

From the beginning of his career, Lynes photographed the male nude. Given the repressive social and political environment of the era, those intimate photographs were circulated only among his close circle of friends. Lynes considered the male nudes to be his most important work: he understood that they would establish his legacy. In 1955, when he was 48 years old and dying, he entrusted his negatives to his friend Alfred Kinsey for safekeeping. Those negatives have been in cold storage at The Kinsey Institute, unseen for the past half-century.

In collaboration with the Lynes estate, The Kinsey Institute recently opened the George Platt Lynes archives. A handsome new book entitled, George Platt Lynes: The Male Nudes (Rizzoli), includes a majority of images from that archive. On this occasion, Throckmorton Fine Art will exhibit 30 photographs of male nudes by Lynes. The works shown will include both vintage photographs and one-of-kind recent prints made from the original negatives. The exhibit honors one of the twentieth century’s pioneering photographers.

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