Contemporary By Angela Li

Du Yuqing: Each According to its Kind

Du Yuqing: Each According to its Kind

four-ball by du yuqing

Du Yuqing

Four-ball, 2013

Price on Request

untitled by du yuqing

Du Yuqing

Untitled, 2014

Price on Request

rationalist by du yuqing

Du Yuqing

Rationalist, 2013

Price on Request

untitled by du yuqing

Du Yuqing

Untitled, 2013

Price on Request

untitled by du yuqing

Du Yuqing

Untitled, 2013

Price on Request

Saturday, June 28, 2014Saturday, July 26, 2014 (Opening Reception: Friday, June 27, 2014, 6 p.m. (EST))

G/F, 248 Hollywood Road, Sheung Wan
Hong Kong, China

From 28 June to 26 July, Contemporary by Angela Li presents young artist Du Yuqing’s solo exhibition - Each According to its Kind, a series of works that he attempts to go beyond a realistic and meticulous style of depiction. To him, over-emphasizing directivity and skills is an ostentatious constraint to creativity. He fuses unexpected and bizarre elements onto the canvas as a way to observe their dynamism of mutually existing in time and space. The mass yet spontaneous production of artworks has given the artist an opportunity to refine his ideas and affirm his creative direction.

Du Yuqing was born in Liaoning Province, China in 1982. In 2009, he obtained MFA in Oil Painting from Luxun Academy of Fine Arts in Liaoning Province. He participated in the Busan Biennale in Korea in 2011 and also exhibited his artworks in Beijing and Shanghai.

Suspended Imagery and Collaged Images Cang Xin

“There are a few key terms for the decoding of Du Yuqing’s art: disjointed time, virtual space, the juxtaposition of psychology and reality, the attempt to create a grasp of the true existence of a moment within a fragmented scene.

First, a spectacle figure is turned into a case protagonist within a self-made time and space, using self-supposed elements to deduce a reality: “Within the level of the present, man is wrapped in layers of uncertain energy, roaming awareness and unknowable events, which emerge as fragmented memories.”

Second, unique individual experience defines the relationship between the spatiotemporal setting and the figure, alluding to the process of life as an elaborate, compelling stage arrangement, with the people and things within carrying out secret tasks, tasks which define Du Yuqing’s probing of the meaning of existence: “the swallowed limbs”, “the sword swallowers”, “the person watching the target”, “the child at play” and the others all construct the possibility for the decoding of the meanings produced by each character.

Du Yuqing has used brilliant staging techniques to create a series of semantic codes that are at once unfamiliar and enticing. I have only decoded part of the meaning, and am at a loss to generalize this work. I hope that more viewers can join in this game of decoding.”