Vanishing Point

Vanishing Point

_doorformsbitman_6000x6000_323 (2x3) by siebren versteeg

Siebren Versteeg

_doorformsbitman_6000x6000_323 (2x3), 2013

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vanishing point installation view

Vanishing Point Installation View

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above the cloud - archaeology of social networks

Above the Cloud - Archaeology of Social Networks, 2012

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hello, hi there

Hello, Hi There, 2011

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search by image

Search by Image, 2011

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Thursday, May 30, 2013Friday, July 19, 2013


New York, NY USA

Curatorial statement by A.E. Benenson:

At the birth of modern computing, a paradox: only after Alan Turing theorizes an infinitely large computer do we begin to plausibly imagine how our world could be digitally remade as small as possible. That is, it's only after Turing fixed our technological gaze outwards onto infinity that we began our relentless dwindling inwards, towards miniaturized circuits and virtualization. Taking this contradictory movement as both its content and form, the exhibition Vanishing Point presents views of a contemporary digital vastness that is both boundless and barely there.

By understanding computing as an ongoing experiment in the incommensurate, the artists in this exhibition draw the discipline of computing into various unlikely associations: outer-space, the afterlife, Abstract Expressionism, Greek Tragedy. And yet at the same time, there is a move to deconstruct the traditional aesthetic associations with the infinite (e.g. "the sublime") in terms of a contemporary virtual sprawl that is often pathetically insignificant, banal and quotidian. These analytical impulses are tempered with modes of address that are more lyrical, less direct; formal experiments within the contradictions of a new vastness that is simultaneously too large and too small to be fully apprehended.

Here, "vanishing point" refers not only to the infinitely distant and small destination where everything rushes to converge, but also to a potential moment of disappearance - an event horizon where technology swallows something once and for all...what exactly - irrationality, expressivity, scarcity, suffering? Nothing in this exhibition claims to know with certainty. The objective is not to make predictions, but to press ourselves a little closer to the arc that bends towards the limit.

This exhibition marks the US debut of artist Boris Meister, and the NYC premiere of recent works by Kyle McDonald, Sebastian Schmieg, Clement Valla and Siebren Versteeg.