Manfred Mohr: 1964 - 2011, Reflexions sur une esthétique programmée

Manfred Mohr: 1964 - 2011, Reflexions sur une esthétique programmée

untitled (2x2 seriography set) by manfred mohr

Manfred Mohr

Untitled (2x2 seriography set), 1968

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p-188 by manfred mohr

Manfred Mohr

P-188, 1975–1978

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bild 251/66 by manfred mohr

Manfred Mohr

Bild 251/66, 1966

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p-021 by manfred mohr

Manfred Mohr

P-021, 1970–1983

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Friday, September 9, 2011Saturday, October 15, 2011


New York, NY USA

It was May 11, 1971 when the Musée d'Art Moderne de la Ville de Paris opened the influential exhibition “Computer Graphics - Une Esthétique Programmée”. A solo exhibition by Manfred Mohr, it featured the first display in a museum of works entirely calculated and drawn by a digital (rather than analog) computer. Revolutionary for its time, these drawings were more than mere curiosities – they signaled a new era of image creation, setting in motion a trajectory of modernism and information aesthetics.

Using Manfred Mohr’s work as a touchstone, "1964 - 2011, Reflexions sur une Esthétique Programmée" reveals, through his art work, a critical period of development in media arts. It examines shifting perspectives in art and the working methods that made the visual conversation of information aesthetics possible. Discovering the theoretical writings of the German philosopher Max Bense in the early 1960’s, Mohr was fascinated by the idea of a programmed aesthetic, which coincided with his strong interest in designing electronic sound devices and using scientific imagery in his paintings.