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Louise Lawler (American, 1947)
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Louise Lawler
Not Lizard 2002
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Louise Lawler
Not There (right) 2003-2004
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Biography |
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1947 |
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Born in Bronxville, New York; lives in New York City |
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1969 |
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Attended Cornell University (BFA) |
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Exhibitions |
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2012 - 2013 |
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This Will Have Been: Art, Love & Politics, Museum of Contemporary Art Chicago; Institute of Contemporary Art, Boston; Walker Art Center, Minneapolis |
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2012 |
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Spies in the House of Art Photography, Film and Video, The Metropolitan Museum of Art, New York |
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2012 |
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Histories de L’art, VOX Centre de l’image contemporaine, Montreal |
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2012 |
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Spies in the House of Art Photography, Film and Video, The Metropolitan Museum of Art, New York |
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2012 |
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Histories de L’art, VOX Centre de l’image contemporaine, Montreal |
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2012 |
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Louise Lawler, Galerie Neue Meister, Albertinum, Dresden (solo) |
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2011 - 2012 |
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The Deconstructive Impulse: Women Aritsts Reconfigure the Signs of Power, 1973-1991, Neuberger Museum of Art, Purchase College, New York; Nasher Museum of Art at Duke University, Durham, North Museum of Art, Purchase College, New York; Nasher Museum of Art at Duke University, Durham, North Carolina, Contemporary Arts Museum Houston |
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2011 |
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No Substitute, Glenstone Foundation, Potomac, Maryland |
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2011 |
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Shared Intelligence: American Painting and the Photograph, The Georgia O’keeffe Museum, Santa Fe, New Mexico |
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2011 |
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After Images, Jewish Museum of Belgium, Brussels |
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2011 |
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Museum of Desires, MUMOK, Vienna |
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2011 |
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The World Belongs To You, Palazzo Grassi, Venice |
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2011 |
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Fitting at Metro Pictures, Metro Pictures, New York (solo) |
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2011 |
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No Drones, Sprüth Magers, London (solo) |
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2010 - 2011 |
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Taking Place, The Stedelijk Museum, Amsterdam |
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2010 - 2011 |
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Hyper Real, Museum Moderner Kunst, Vienna |
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2010 - 2011 |
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Pictures by Women: A History of Modern Photography, Museum of Modern Art, New York |
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2010 |
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Hareng Saur: Ensor and Contemporary Art, S.M.A.K./Museum of Fine Arts, Ghent |
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2010 |
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Untitled (Ohne Titel), Neue Gesellschaft für Bildende Kunst, Berlin |
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2010 |
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Sound & Vision, Art Institute of Chicago, Chicago |
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2010 |
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El Gabinete Blanco, The Jumex Collection, Mexico City |
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2010 |
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Adaptation: Between Species, The Power Plant, Toronto |
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2010 |
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Later, Yvon Lambert, Paris (solo) |
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2009 - 2010 |
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See This Sound: Promises in Sound and Vision, Lentos Kunstmuseum, Linz |
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2009 - 2010 |
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See This Sound: Promises in Sound and Vision, Lentos Kunstmuseum, Linz |
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2009 - 2010 |
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Mondernologies: Contemporary Artists Researching Modernity and Modernism, Museu d’Art Contemporani, Barcelona; Museum of Modern Art, Warsaw |
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2009 - 2010 |
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Beg Borrow and Steal, The Rubell Family Collection Museum, Miami |
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2009 - 2010 |
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Where Do We Go From Here: Selections from the Jumex Collection, Bass Museum of Art, Miami |
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2009 |
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Nothingness and Being, The Jumex Collection, Mexico City |
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2009 |
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The Quick and the Dead, Walker Art Center, Minneapolis |
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2009 |
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The Pictures Generation: 1974-1984, The Metropolitan Museum of Art, New York |
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2009 |
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Sprüth Magers, Berlin (solo) |
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2008 |
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Sucked In, Blown Out, Obviously Indebted or One Foot in Front of the Other, Metro Pictures, New York (solo) |
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2008 |
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Whitney Biennial 2008, Whitney Museum of American Art, New York |
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2008 |
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The Museum as Medium, Museo de Arte Contemporánea de Vigo, Spain |
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2008 |
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Blasted Allegories: Works from the Ringier Collection, Kunstmuseum, Luzern |
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2008 |
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Metro Pictures, New York |
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2008 |
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Political Corect, BFAS Blondeau Fine Art Services, Geneva |
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2007 - 2008 |
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Where is the nearest camera?, Sprüth Magers, London (solo) |
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2007 |
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Metro Pictures, New York |
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2007 |
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Not for Sale, P.S. 1, New York |
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2007 |
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The 80’s: A Topography, Fundação Serralves, Porto, Portugal |
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2007 |
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Sequence 1: Selections from the Collection of François Pinault, Palazzo Grassi, Venice |
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2007 |
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The Tremaine Pictures 1984-2007, BFAS Blondeau Fine Art Services, Geneva |
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2007 |
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Studio Guenzani, Milan |
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2007 |
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No Official Estimate, Yvon Lambert, Paris |
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2007 |
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Documenta 12, Aue-Pavillon, Kassel |
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2007 |
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Museum Ludwig, Cologne |
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2007 |
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Held Together With Water, Sammlung Verbund, MAK, Vienna |
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2007 |
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Edit! Photography and Film in the Ellipse Collection, The Ellipse Foundation: Contemporary Art Collection, Portugal |
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2006 |
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Twice Untitled and Other Pictures (looking back), curated by Helen Molesworth, Wexner Center, Ohio |
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2006 |
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Galerie Greta Meert, Brussels, Belgium (solo) |
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2005 |
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Louise Lawler, National Museum of Art, Oslo |
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2005 |
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In and Out of Place: Louise Lawler and Andy Warhol, Dia, Beacon |
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2004 |
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Looking Forward, Metro Pictures, New York |
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2004 |
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Louise Lawler and Others, Museum for Gugenwartskunst, Kunstmuseum Basel, Switzerland |
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2004 |
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The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia |
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2004 |
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Not There, Sprüth Magers Lee, London (solo) |
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2003 |
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Selected Works 1980-2000, 5 Rue de la Muse, Geneva, Switzerland; Pletskud, Arken Museum for Moderne Kunst, Skøvej, Germany; The Last Picture Show: Artists Using Photography 1960-1982, Walker Art Center, Minneapolis, MN; (cat.); Designs for Living, Margo Leavin Gallery, Los Angeles |
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2003 |
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Selected Works 1980-2000, 5 Rue de la Muse, Geneva; Probably Not in the Show, Portikus, Frankfurt; New Walls, Yvon Lambert, Paris; Add to It, Portikus, Frankfurt (solo) |
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2002 |
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Open House, Casino Luxembourg, Luxembourg; Visions from America: Photographs from the Whitney Museum of American Art, Whitney Museum of American Art, New York (cat.); Extension, Magasin 3 Stockholm Konsthall, Stockholm, Sweden; Life, Death, Love, Hate, Pleasure, Pain, Museum of Contemporary Art, Chicago |
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2001 |
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American Art, Galerie Rudolfinum, The Centre of Contemporary Art, Prague, Czech Republic (cat.); Body Double: Figures of Figures, Des Moines Art Center, Iowa; Televisions, Kunsthalle Wien, Vienna, Austria |
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2001 |
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More Pictures and Other Pictures, Galerie Meert Rihoux, Brussels; Dunn-Rite and Other Pictures, Studio Guenzani, Milan; Controlled Temperature, Art & Public, Geneva (solo) |
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2000 |
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Paint, Wood, Plaster, Fabric, Glass and Other Pictures, Richard Telles Fine Art, Los Angeles; More Pictures, Neugerriemschneider, Berlin (solo) |
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2000 |
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Rot grau, (red grey) Kunsthalle Basel, Basel "Whitney Biennial," Whitney Museum of American Art, New York (cat.) |
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2000 |
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Galerie Meert Rihoux, Brussels |
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1999 |
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The Museum as Muse, Museum of Modern Art, New York; Museum of Contemporary Art, San Diego (cat.); Shelf Life, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York; Triennale Exhibition: Sentiment of the Year 2000, Triennale di Milano, Milan |
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1999 |
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Hand On Her Back, and Other Pictures, Monika Sprüth Galerie, Cologne; The Tremaine Series,1984, Skarstedt Fine Art, New York; An Exhibition of Photographs by Louise Lawler From 1985 through 1993 Selected and Installed by Jürgen Becker, Jürgen Becker, Hamburg (solo) |
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1998 |
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Pictures That May or May Not Go Together, Gallery Larsen, Stockholm (solo) |
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1997 |
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Monochrome, Hirshhorn Museum and Sculpture Garden, Washington, D.C. (brochure with text by Phyllis Rosenzweig); Farbe, Wände, Bilder, Monika Sprüth Galerie (solo) |
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1997 |
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Collected, The Photographer's Gallery, London; Foto Text Text Foto, Fotomuseum Winterthur, Switzerland; Deep Storage/Arsenale der Erinnerung, Haus der Kunst, Munich Nationalgalerie SMPK, Berlin, Germany; Kunstmuseum Dusseldorf im Ehrenhof; Henry Art Gallery, Seattle (cat.); Moving Images, Galerie für Zeitgenössische Kunst, Leipzig |
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1996 |
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Cultural Economies: Histories from the Alternative, The Drawing Center, New York; Fixed Intervals (two-person exhibition with Allan McCollum), John Weber Gallery, New York; Art at Home: Ideal Standard Life, Spiral Garden, Tokyo; Comme Un Oiseau, la Fondation Cartier pour l'art Contemporain, Paris; Architecture, Art, and Planning Department Centennial, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York; 10th Biennale of Sydney, Art Gallery of New South Wales; Artspace; and Ivan Dougherty Gallery, Australia |
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1996 |
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It Could Be Elvis and Other Pictures, Galerie Six Friedrich, Munich S.L Simpson Gallery, Toronto (solo) |
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1995 |
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A Spot on the Wall, Munich Kunstverein, Germany (solo) |
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1995 |
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The End(s) of the Museum, Fundacio Antoni Tapies, Barcelona; Passions Privees, Musée d'Art Moderne de la Ville de Paris |
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1994 |
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Radical Scavenger(s): The Conceptual Vernacular in Recent American Art, Museum of Contemporary Art, Chicago; Die Orte der Kunst, Sprengel Museum, Hannover; The Century of the Multiple: From Duchamp to the Present, Deichtorhallen, Hamburg; 4 x 1 im Albertinum, Gemaldegalerie Neue Meister, Staatliche Kunstammlungen Dresden (cat.); Temporary Translation(s): Sammlung Schurmann, Deichtorhallen Hamburg |
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1994 |
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Press-papiers, cartes postales, images et cannibalisme, Centre d'Art Contemporain, Geneva; External Stimulation, Galleria Klemens Gasser, Bolzano, Italy; Monika Spruth Galerie, Cologne; Studio Guenzani, Milan (and 2001) (solo) |
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1994 |
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Galerie Meert Rihoux, Brussels |
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1991 |
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Galerie Meert Rihoux, Brussels, Belgium (solo) |
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1988 |
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Galerie Meert Rihoux, Brussels |
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