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Biography |
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1925 |
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Born in Nassau, Bahamas. Moved to Glasgow, Scotland as a child |
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1950 |
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Moved to Edinburgh |
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1961 |
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Founded The Wild Hawthorn Press with Jessie McGuffie |
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1962 |
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Founded the periodical ‘Poor. Old. Tired. Horse.’offset at the Wild Hawthorn Press. |
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1966 |
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Moved to Stonypath in the Southern Uplands of Scotland, where he immediately set about creating the world-famous garden ‘Little Sparta’ |
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1979 - 1984 |
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Founded the Saint – Just Vigilantes and planned and took part in the First Battle of Little Sparta, February 4, 1983 (between Strathclyde Region and Little Sparta) |
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1985 |
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Shortlisted for the Turner Prize, Tate Gallery, London |
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1987 |
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Awarded Honorary Doctorate by the University of Aberdeen |
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1993 |
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Awarded Honorary Doctorate from the Heriot-Watt University, Glasgow |
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1999 |
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Awarded honorary professorship from the University of Dundee |
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2003 |
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Awarded CBE in New Year’s Honors |
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2003 |
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Awarded Scottish Horticultural Medal by the Royal Caledonian Horticultural Society |
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2003 |
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Scottish Arts Council Creative Scotland Award |
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2006 |
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Died, Lanark, Scotland |
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Exhibitions |
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2008 |
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Neoclassicism – A Noble Arrow, Nolan Judin Berlin (solo) |
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2008 |
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Conversations, Kettle’s Yard, Cambridge, UK |
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2007 |
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Ian Hamilton Finlay & Cerith Wyn Evans, Ingleby Gallery, Edinburgh |
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2007 |
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The Sonnet is a Sewing-Machine for the Monostich, Victoria Miro Gallery, London (solo) |
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2006 |
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Tate Triennial, Tate Britain, London |
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2006 |
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Certain Trees: The Constructed Book, Poem and Object 1964-2006, Centre des Livres D’Artistes, Saint-Yrieix-La-Perche |
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2006 |
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Word Power: Concrete Poetry and it’s Influences, Peacock Visual Arts, Aberdeen & the Changing Room, Stirling |
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2006 |
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How to Change the World: 60 Years of British Art, Arts Council Collection, Hayward Gallery, London |
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2005 |
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Down the Garden Path: The Artist's Garden After Modernism, Queens Museum of Art, New York |
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2005 |
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Edition, Ingleby Gallery, Edinburgh |
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2005 |
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Nolan/Eckman Gallery, New York (solo) |
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2005 |
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Sentences, Inverleith House, Royal Botanic Garden, Edinburgh (solo) |
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2005 |
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L’Idylle des Cerises, Ingleby Gallery, Edinburgh (solo) |
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2005 |
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Early Works from the Wild Hawthorne Press, 1964-1971, National Scottish Poetry Library, Edinburgh (solo) |
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2005 |
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Of Conceits and Collaborators, National Library of Scotland, Edinburgh (solo) |
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2004 |
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Nolan/Eckman Gallery, New York (solo) |
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2004 |
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Works on Paper, 1968-2000, UBS Gallery, New York (solo) |
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2004 |
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Vessels, The Arts Club of Chicago, Chicago (solo) |
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2004 |
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Art and the Garden, Tate Britain, London |
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2004 |
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Bang, Colgate University, Hamilton, New York |
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2003 |
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Idylls and Interventions, Victoria Miro Gallery, London (solo) |
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2002 |
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Maritime Works, Tate St. Ives, Cornwall, England; Nolan/Eckman Gallery, New York (solo) |
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2002 |
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Ian Hamilton Finlay, Ingleby Gallery, Edinburgh (solo) |
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2001 |
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Souvenirs & Postcards by Ian Hamilton Finlay, The Scottish National Gallery of Art, Edinburgh (solo) |
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2001 |
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Ian Hamilton Finlay, Stampa, Basel (solo) |
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2000 |
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Garden Works, Nolan/Eckman Gallery, New York (solo) |
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2000 |
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Souvenirs, Städtische Galerie Grevenbroich im Haus Hartmann, Grevenbroich, Germany (solo) |
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2000 |
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Ian Hamilton Finlay/Richard Tuttle, Stampa, Basel (solo) |
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2000 |
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Nature Over Again After Poussin, McMaster Museum of Art, Hamilton (solo) |
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2000 |
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Encounters, National Gallery, London |
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1999 |
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Heads Will Roll, Victoria Miro Gallery, London |
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1999 |
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Musee d’Art Contemporain de Montreal, Montreal |
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1999 |
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La Biennale de Montreal, Centre International d’Art, Montreal |
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1999 |
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Variation on Several Themes, Joan Miro Foundation, Barcelona (solo) |
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1998 |
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Modern Antiquities, Landesmuseum, Mainz, Germany (solo) |
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1998 |
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Les Capteurs de Rives, 1st Biennale de Montreal, commissaire; Claude Gosselin, Montreal |
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1997 |
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Material Culture, Hayward Gallery, London |
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1997 |
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Grenzgänger, Deutscher Sparkassen Verlag, Stuttgart |
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1997 |
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The Pleasure of Reading, John Gibson Gallery, New York |
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1997 |
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Wortwechsel, Künstlerwerkstatt Lothringer Str., Munich |
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1997 |
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Prints, 1963-1997 (traveling exhibition), Museum am Ostwall, Dortmund (solo) |
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1997 |
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Stadsgalerij, Heerlen, Netherlands (solo) |
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1997 |
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Galerie Stadtpark, Krems, Austria (solo) |
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1997 |
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Buro Sophia Ungers, Cologne (solo) |
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1997 |
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Wild Hawthorne Press, Academie Beelende Kunsten, Maastricht (solo) |
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1996 |
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Reef-Points, Nolan/Eckman Gallery, New York (solo) |
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1996 |
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Grains of Salt, Oriel Mostyn, Llandudno, Wales (solo) |
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1996 |
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Galerie Stampa, Zurich |
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1996 |
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Schwere-Los-Skulpturen, Landesmuseum Linz |
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1996 |
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Public Works, Peninsula & Van Abbemuseum, Eindhoven |
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1995 |
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Wege der Birke, Bern |
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1995 |
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Where is Abel, Thy Brother? The Zacheta Gallery, Warsaw |
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1995 |
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Lesen im Buch der Kunst, Library of Baden, Karlsruhe |
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1995 |
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The Green Room, Sydney Gardens, Bath |
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1995 |
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Paperworks, Stampa, Basel (solo) |
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1995 |
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Works: Pure and Political, Deichtorhalle, Hamburg (solo) |
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1995 |
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70th Birthday Show, Victoria Miro Gallery, London (solo) |
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1995 |
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Houghton Library, Harvard University, Cambridge (solo) |
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1994 |
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Streiflichter: Fragments from the French Revolution, Nolan/Eckman Gallery, New York (solo) |
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1994 |
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3 Sailboats, Victoria Miro Gallery, London (solo) |
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1994 |
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Icons and Proposals, Laumeire Sculpture Park and Museum, St. Louis (solo) |
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1994 |
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Das Jahrhundert des Multiple, Deichtorhallen, Hamburg |
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1994 |
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East of Eden, Museum Schloss Mosigkau, Dessau-Mosigkau, Germany |
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1994 |
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Translokation, Haus der Architektur, Graz |
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1993 |
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CAYC, Buenos Aires (solo) |
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1993 |
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Tate Gallery, London (solo) |
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1993 |
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Wildwachsende Blumen, Lenbachhaus, Munich (solo) |
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1993 |
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The Sonnet is a Sewing Machine for the Monositch, Crawford Arts Centre, St. Andrews (solo) |
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1993 |
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12/1794, Galerie Busche, Berlin (solo) |
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1993 |
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Inscriptions, Massimo Minini Gallery, Brescia (solo) |
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1993 |
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A Proposal for the Leasowes and Other Works, MBC Dudley, England (solo) |
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1993 |
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Konfrontation, Museum Moderner Kunst, Vienna |
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1993 |
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Die Sprache der Kunst, Kunsthalle Wien, Frankfurter Kunstverein, Frankfurt |
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1993 |
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Skultur statt Denkmal, Galerie Fricke, Düsseldorf |
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1993 |
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Words, Galerie Sfeir-Semler at the Galerie Jergen Becker, Hamburg |
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1992 |
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Three British Book Artists', Mandeville Gallery, Univ. of California, San Diego |
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1992 |
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Force Sight, Schloss Presteneck, Neuenstadt, Stein am Kocher, Germany |
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1992 |
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Lux Eurpoae, Lux Europae Trust, Edinburgh |
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1992 |
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Verzmelde Werken, Centrum Beeldende Kunst, Groningen, Netherlands |
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1992 |
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Instruments of the Revolution and Other Works, Institute of Contemporary Art, London (solo) |
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1992 |
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City Art Gallery, Leeds (solo) |
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1992 |
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10 Maquettes for Neo-Classical Structures, Victoria Miro Gallery, London (solo) |
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1991 |
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Ideologische Äusserungen, Kunstverein Frankfurt, Frankfurt (solo) |
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1991 |
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Gallery Stadtpark, Krems, Austria (solo) |
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1991 |
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Tate Gallery, Liverpool (solo) |
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1991 |
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Wadsworth Atheneum, Hartford (solo) |
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1991 |
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Philadelphia Museum of Art, Philadelphia (solo) |
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1991 |
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Gulfs and Wars, Kunstverein Friedrichshafen (solo) |
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1991 |
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Malerisamling Lillehammer, Lillehammer (solo) |
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1991 |
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Pastorales, Overbeck-Gesellschaft, Lübeck, Germany (solo) |
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1991 |
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Definitions, Galerie Sfeir-Semler, Kiel, Germany (solo) |
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1991 |
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The Poor Fisherman, Talbot Rice Gallery, Edinburgh (solo) |
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1991 |
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Wadsworth Atheneum, Hartford (solo) |
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1991 |
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Ian Hamilton Finlay & The Wild Hawthorne Press, Fruitmarket Gallery, Edinburgh (solo) |
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1991 |
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A Wartime Garden, Galleria Victoria Miro, Florence (solo) |
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1991 |
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Rhetorical Image, The New Museum of Contemporary Art, New York Metropolis, Berlin |
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1991 |
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Night Lines, Centraalmuseum, Utrecht |
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1991 |
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Virtual Realities, Traveling Gallery Exhibition, Scotland |
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1990 |
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Von der Natur in der Kunst, Messepalast, Vienna |
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1990 |
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Allegorie, Galerie Sfeir-Demmle, Kiel |
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1990 |
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Glasgow’s Great British Art Exhibition, Messepalast Halle E, Vienna |
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1990 |
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Poesis, Graeme Murray Gallery, Edinburgh |
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1990 |
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British Art Now: A Subjective View, Stagaya Art Museum, Fukuoka Art Museum, Fukuoka, Japan |
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1990 |
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Kunsthalle Basel, Switzerland (solo) |
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1990 |
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Galerie Schedle & Arpagas, Zurich (solo) |
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1990 |
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ACTA & Galleria, Milano (solo) |
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1990 |
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Stampa, Basel (solo) |
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1990 |
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Christine Burgin, New York (solo) |
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1990 |
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Galerie Jule Kewenig, Frechen, Bachem (solo) |
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1990 |
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Idylls, Victoria Miro Gallery, London (solo) |
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1990 |
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The Ocean and the Revolution, Burnett Miller Gallery, Los Angeles (solo) |
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1990 |
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Ian Hamilton Finlay & the Wild Hawthorne Press 1958-1990, Firth Street Gallery, London (solo) |
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1990 |
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Holzwege, Neuer Aachener Kunstverein, Aachen (solo) |
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1990 |
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A Wartime Garden, Graeme Murray Gallery, Edinburgh (solo) |
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1989 |
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1789-1794, Kunsthalle Hamburg (solo) |
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1989 |
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Galerie Wernicke, Stuttgart (solo) |
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1989 |
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Städtische Galerie am Markt, Schwäbisch-Hall (solo) |
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1989 |
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Paperworks, Galerie Hubert Winter, Vienna (solo) |
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1989 |
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Works, Butler Gallery, Kilkenny Castle (solo) |
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1989 |
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Bicentenary Celebrations, Kellie Lodging Gallery, Pittenween (solo) |
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1989 |
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Prospect 89, Schirn Kunsthalle, Frankfurt |
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1989 |
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2000 Jahre-Die Gegenwart der Vergangenheit, Bonner Kunstverein, Bonn |
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1989 |
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Hier Wird Getanzt, XPO Galerie, Hamburg |
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1989 |
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British Sculpture 1960-1988, Museum van Hedendaagse Kunst, Antwerpt |
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1989 |
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Bühnen-Stücke, Kunstverein, Munich |
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1989 |
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Freiheit-Gleichheit-Brüderlichkeit, Germanisches Nationalmuseum, Nuremberg; Stampa, Basel |
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1988 |
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Musee d’Art Contemporain, Dunkerque, France (solo) |
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1988 |
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An Exhibition on Two Themes, Galerie Jule Kewenig, Frechen/Bachem, Germany (solo) |
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1988 |
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Michael Klein Gallery, New York (solo) |
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1988 |
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Starlit Waters: British Sculpture 1968-88, Tate Gallery, Liverpool |
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1988 |
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Saturne en Europe, Musee de la Ville de Strasbourg |
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1988 |
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Triennale Milano |
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1988 |
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Pyramiden, Galerie Jule Kewenig, Frechen/Bachem |
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1988 |
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Art in the Garden, Garden Festival, Glasgow |
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1988 |
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Camouflage, Curt Marcus Gallery, New York |
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1988 |
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Brittannica: 30 Ans de Sculpture, Le Havre |
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1988 |
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Skulpturen Republik, exhibition of the Vienna Festival, Vienna |
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1987 |
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Documenta 8, Kassel |
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1987 |
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The Unpainted Landscape, Scottish National Gallery of Modern Art, Edinburgh |
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1987 |
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Inter Artes et Naturam, Musee d'Art Moderne de la Ville de Paris (solo) |
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1987 |
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Foundation Cartier pour l'Art Contemporain, Jouy-en-Josas (solo) |
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1987 |
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Midway, Bibliotheque Nationale, Paris (solo) |
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1987 |
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Pastorales, Galerie Claire Burrus, Paris (solo) |
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1987 |
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Poursuites Revolutionnaires, Foundation Cartier pour l’Art, Jouy-en-Josas (solo) |
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1987 |
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Homage to Ian Hamilton Finlay, Victoria Miro Gallery, London (solo) |
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1987 |
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Monument to Feuerbach, Summer Exhibition, Antwerp |
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1987 |
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Aphrodite of Terror, Edinburgh International Exhibition |
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1986 |
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L’Art et le Sacre Aujourd’hui, Cistercian Abbey, L’Epau |
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1986 |
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Between Object and Image, Madrid and Barcelona |
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1986 |
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Ian Hamilton Finlay, Aberdeen Art Gallery, Aberdeen, Scotland (solo) |
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1986 |
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Marat Assasine and Other Works, Victoria Miro Gallery, London (solo) |
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1985 |
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Bluecoat Gallery, Liverpool (solo) |
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1985 |
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Eric Fabre Galerie, Paris (solo) |
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1985 |
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Little Sparta and Kriegsschatz, Espace Romeau-Chapelle Sainte-Marie, Nevers (solo) |
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1985 |
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Promenades, Parc Lullin, Geneva |
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1985 |
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British Council Exhibition, Sydney, Australia |
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1984 |
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Merian Park, Basel |
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1984 |
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Talismans and Signifiers, Graeme Murray Gallery, Edinburgh (solo) |
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1984 |
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Liberty, Terror and Virtue, City Art Gallery, Southampton (solo) |
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1984 |
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Print Gallery, Peter Brattinga, Amsterdam (solo) |
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1983 |
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Hayward Gallery, London |
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1981 |
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Unnatural Pebbles, Graeme Murray Gallery, Edinburgh (solo) |
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1980 |
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Rijksmuseum Kroller-Muller, Otterlo (solo) |
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1980 |
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Nature Over Again After Poussin, Collins Exhibition Hall, University of Strathclyde, Glasgow (solo) |
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1980 |
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Graeme Murray Gallery, Edinburgh (solo) |
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1977 |
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Graeme Murray Gallery, Edinburgh (solo) |
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1977 |
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Serpentine Gallery, London (solo) |
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1977 |
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Kettle’s Yard, Cambridge (solo) |
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1977 |
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Exhibition of Contemporary Sculpture, Battersea Park, London |
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1976 |
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Coracle Press, London (solo) |
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1976 |
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Homage to Watteau, Graeme Murray Gallery, Edinburgh (solo) |
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1976 |
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City Art Gallery, Southampton (solo) |
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1974 |
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National Maritime Museum, London (solo) |
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1972 |
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Scottish National Gallery of Modern Art, Edinburgh (solo) |
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1971 |
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Winchester College of Art (solo) |
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1970 |
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Ceolfrith Bookshop Gallery, Sunderland (solo) |
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1969 |
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Pittencreiff House, Dunfermline (solo) |
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1969 |
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Demarco Gallery, Edinburgh (solo) |
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1968 |
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Axiom Gallery, London (solo) |
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1980 Kroller-Muller Sculpture Garden, Otterlo |
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1979 British Embassy, Bonn |
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1978 Bell’s Garden, Perth |
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1976 University of Liege, Liege |
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1975 Garden of the Max Planck Institut, Stuttgart |
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1975 Royal Botanic Garden, Edinburgh |
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Selected Permanent Installations |
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2004 St. Mary Axe, City of London |
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2004 Fleur de l’Air, garden in Provence, France |
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2001 Scottish National Gallery of Modern Art, The Dean Gallery, Edinburgh |
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2000 Wallraff- Richartz Museum, Cologne |
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2000 Schonthal Monestry, Switzerland |
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2000 Patumbah Park, Switzerland |
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2000 Hamilton, Scotland |
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1999 Bundesarbeitsgericht, Erfurt, Germany |
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1999 Private garden, Zurich, Lauffen, Basel, Switzerland |
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1999 BUGA, Magdeberg, Germany |
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1999 Barcelona, Spain |
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1999 Park am Goetheturm im GruGurtel, Frankfurt, Germany |
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1999 Montreal, Canada |
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1999 Dienstgebaude fur den Generalbundesanwalt beim |
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1999 Bundesgerichtshof, Karlsruhe, Germany |
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1999 Ponte Vedra, Spain |
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1999 Shell Research, Thorton Research Centre, England |
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1998 Serpentine Gallery, London |
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1998 The Ark, London |
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1998 Den Haag, the Netherlands |
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1997 Hunter Square, Edinburgh |
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1997 Kunsthalle, Hambourg |
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1996 Botanic Garden University of Durham |
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1995 Landesgartenschau, Grevenbroich |
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1994 The Gyle, Shopping Centre, Edinburgh |
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1994 Schröder Münchmeyer Hengst & Co. Bank, Frankfurt/Main |
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1994 Laumeier Sculpture Park, St. Louis |
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1993 Beelden op de Berg, Belmonte Arboretum, Wageningen, Netherlands |
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1992 Shenstone’s Leasowes, Dudley, England |
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1992 Floiadepark, Zoetermeer, Netherlands |
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1991 Stockwood Park Nurseries in the Borough of Luton, England |
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1991 Library of Baden, Karlsruhe, Germany |
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1991 Overbeck-Gesellschaft, Lubeck |
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1990 Private Library of the German architect Ungers, Cologne |
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1990 12th & K Office Tower, Sacramento, California |
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1990 Railway Bridge, Glasgow, Scotland |
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1989 Harris Museum and Art Gallery, Preston, England |
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1989 Forest of Dean, England |
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1988 Museum of Modern Art, Strasbourg |
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1987 Skulptur Projekt, Munster |
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1987 Campus of the University of California, San Diego |
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1987 Furka Pass, Switzerland |
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1987 West Princes Street Gardens, Edinburgh |
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1986 Domaine de Kerguehennec, Brittany |
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1986 Schweizergarten, Vienna |
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1986 Van Abbemuseum, Eindhoven |
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1984 Celle, Garden of Giuliano Gori (Near Florence) |
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Literature |
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2007 |
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Ian Hamilton Finlay: Remembrance, Professor Stephen Bann, Wild Hawthorn Press, Little Sparta, Victoria Miro Gallery |
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2004 |
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Fleur de l’Air – A Garden in Provence, Ian Hamilton Finlay and Pia Simig, Wild Hawthorn Press |
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2004 |
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Art of the Garden – The Garden in British Art 1800 to the Present Day, Tate Publishing |
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2003 |
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Little Sparta – The Garden of Ian Hamilton Finlay, Jessie Sheeler, photographs by Andrew Lawson, Frances Lincoln Ltd |
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2002 |
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Ian Hamilton Finlay – Maritime Works, Tate St.Ives, Cornwall |
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2000 |
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Ian Hamilton Finlay, Concrete Poetry, Galeria Bielska BWA, Bielsko-Biala, Poland |
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1998 |
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Ian Hamilton Finlay: A Proposal for the Grounds of the Serpentine Gallery, Little Sparta, Wild Hawthorn Press |
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1997 |
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Ian Hamilton Finlay: Prints 1963 – 1997, PAHLKE, Rosemarie E., SIMIG, Pia, ed. Museum am Ostwall Dortmund, Statsgalerij Heerlen and Galerie Stadtpark Krems, Cantz Verlag |
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1995 |
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Ian Hamilton Finlay: Works in Europe 1972-1995 Werke in Europa, , HUNT, John Dixon, GILONIS, Harry, -SIMIG, Pia, ed, Ostfildern, Cantz Verlag |
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1995 |
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Wood Notes Wild - Essays on the Poetry and Art of Ian Hamilton Finlay, edited by Alec Finlay , Paragon, Edinburgh |
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1994 |
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A Posse of Two: Lorine Niedecker and Ian Hamilton Finlay, Chapman |
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1993 |
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Niedecker and the Correspondence with Zukofsky, 1931-1970. Penberthy, Jenny, Cambridge: Cambridge University Press |
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1993 |
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The Visible Language of Modernism, McGann, Jerome J., Black Riders Princeton, Princeton University Press |
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1992 |
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Ian Hamilton Finlay: A Visual Primer. Yves Abrioux, introduction and commentaries, Stephen Bann. Cambridge, MA: MIT Press |
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1992 |
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POIESIS: Aspects of Contemporary Poetic Activity, Graeme Murray, Ed, The Fruit Market Gallery, Edinburgh |
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1991 |
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EVENING WILL COME THEY WILL SEW THE BLUE SAIL, Ian Hamilton Finlay & the Wild Hawthorn Press 1958-1991, Edwin Morgan and Graeme Murray Ed, The Fruitmarket Gallery, Edinburgh |
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1991 |
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Ian Hamilton Finlay: Poet of the Woodland, Krem, Galerie Stadtpark und Autoren |
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1991 |
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Ezra Pound and the Monument of Culture: Text, History, and the Malatesta Cantos. Lawrence S., Chicago: University of Chicago Press |
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1991 |
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Philosophical Fragments Schlegel, Friedrich, Trans. Peter Firchow. Minneapolis: University of Minnesota Press |
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1989 |
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Nelson, Cary, Repression and Recovery: Modern American Poetry and the Politics of Cultural Memory 1910-1945. Madison: University of Wisconsin Press |
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1988 |
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The Theory of Literature in German Romanticism. Lacoue-Labarthe, Philippe, and Nancy, Jean-Luc, Trans. Philip Barnard and Cheryl Lester. Albany: State University of New York Press |
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1987 |
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Inter Artes et Naturam, Finlay, Ian Hamilton, Paris: ARC |
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1984 |
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Letters, MacDiarmid, Hugh. Ed. Alan Bold. Athens: University of Georgia Press |
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1982 |
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1789: The Emblems of Reason Starobinski, Jean,. Trans. Barbara Bray. Charlottesville: University of Virginia Press |
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1981 |
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Romanticism and the Forms of Ruin: Wordsworth, Coleridge, and Modalities of Fragmentation,Thomas Princeton: Princeton University Press |
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1980 |
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Davenport, Guy, trans., Archilochus, Sappho, Alkman: Three Lyric Poets of the Seventh Century B.C., Berkeley: University of California Press |
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1971 |
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The Pound Era, Kenner, Hugh. Berkeley: University of California Press |
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1967 |
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Transformations in Late Eighteenth Century Art. Rosenblum, Robert, Princeton: Princeton, University Press |
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1963 |
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Rapel, Finlay’s first selection of concrete poems |
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