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Monica De Cardenas Home Artists Exhibitions Art Fairs Inventory Gallery Info

   

Elizabeth Neel    Sep 18 - Nov 14, 2009

Raised Ranch
Elizabeth Neel
Raised Ranch, 2009
 
Sweet
Elizabeth Neel
Sweet, 2009
 
Come and Gone
Elizabeth Neel
Come and Gone, 2009
 
Hopers and Dreamers
Elizabeth Neel
Hopers and Dreamers, 2009
 
Climbers
Elizabeth Neel
Climbers, 2009
 
 
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Opening
Friday 18 September 2009
6 pm

START MILANO we’re open
Saturday 19th 12am-9pm
Sunday 20th 12am-7pm

Exhibition
18 September – 14 November<

Gallery Hours
Tuesday - Saturday
3 – 7 pm

Monica De Cardenas Gallery is pleased to announce the first solo exhibition in Italy of young American painter Elizabeth Neel.

Neel uses gestural mark making and representational imagery to address the violence of nature and the destabilizing effects of time on the visual world.
Based on her own experiences and on subjects from the historical record, her work marries abstraction with representation by way of a diverse range of painterly techniques.
Neel consciously engages with the history of painting, working with a palette knife, brush and oil paint to flick, drip and smear alternate areas of impasto and transparency. Images plucked from the Internet and sieved by the artist's imagination inform the tone and subject matter of her works. "I paint from a landfill scattered and layered with fragments of our culture," Neel states. Her paintings explore the problematic of emotional sincerity and the relationship between individual perception and cultural norms.

The larger works in this exhibition present a variety of scenarios of disturbance driven by vigorous paint application. While these depictions are not readable in a traditional narrative sense, they maintain distinct references to the visual world, historical events and to contemporary living conditions.

Several of the smallest canvases are based on flower arrangements. Bouquets, like gestural marks, have become cultural signifiers of emotion. Art Historically, floral still lives often fall into the tradition of “vanitas” paintings – both clichéd reminders of mortality and poignant symbols of transience.

Neel’s paintings on paper, executed in acrylic, are macro explorations of her subject matter. They rely specifically on the energy provided by impulse and the constraints of their medium. The relationship between figure and ground is particularly important in the drama created by these works.

Elizabeth Neel is represented by Deitch Projects in New York and her work was most recently on view In Abstract America at the Saatchi gallery in London.

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