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Sander's Children:
Figurative Photography in the Tradition of August Sander    Dec 3 - Jan 17, 2008

Forester's Child, Westerwald
August Sander
Forester's Child, Westerwald, 1931
 
Young Farmers
August Sander
Young Farmers, 1914
 
Painter (Anton Raderscheidt)
August Sander
Painter (Anton Raderscheidt), 1926
 
Girl in a fairground wagon
August Sander
Girl in a fairground wagon, circa 1930
 
Country Girls
August Sander
Country Girls, 1925
 
Ponteland High School, Newcastle U.K.
Rineke Dijkstra
Ponteland High School, Newcastle U.K., 2000
 
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The exhibition "Sander's Children" looks at the significant, lasting, and acknowledged influence August Sander has had on many photographers. Most active from the early 1900s through the 1920s, Sander's cool, objective style of portraiture anticipated work ranging from Irving Penn's "Small Trades" series to Richard Avedon's outdoor portraits and has continued to influence photographers to this day.

Sander's credo was simple: "I am not concerned with providing commonplace photographs like those made in the finer large-scale studios of the city, but simple, natural portraits that show the subjects in an environment corresponding to their own individuality."

Sander's monumental photographic project "Man of the Twentieth Century" sought to document the people and typologies of his native Westerwald. He photographed people from all walks of life and became best known for the straightforward full length portraits that recorded his subjects not only with great objectivity but also with a subtle artfulness and psychological depth that has made them the definitive template of what a photographic portrait should be.

The exhibition "Sander's Children" will present work by a selection of photographers whose work can be seen in the tradition of Sander. Without exception, they can all recall how Sander's images were a formative influence on their work.

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