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Lot ID: 17962
Kehinde  Wiley:   Louis XVI, the Sun King
 
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Estimate
US$1,500–2,500
End Time
November 25, 2009
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Description
Artist: Wiley Kehinde
Title: Louis XVI, the Sun King
Style: Contemporary
Medium: Prints, Mixed Media, Other Cast Metals. Multiples:/Cast marble dust and resin
Year: 2006
Print/Casting Year: 2006
Size: height - 9.5 in, width - 10 in, depth - 3 in cm
Markings: signed, on bottom of bust base
Edition: 250
Foundry/Publisher: Cerealart
Estimate: from US$1,500 to US$2,500

Seller's Description:
Kehinde Wiley
Louis XVI, the Sun King, 2006
Cast marble dust and resin
9.5 x 3 x 10 in. (24 x 8 x 25 cm.)
Edition of 250 hand signed and numbered

The bust is a Bernini influenced, Baroque style composition positioning a young man dressed in contemporary urban street attire styled as a 17th Century monarch. he heroic pose is vigorously alive and imperious. The cloak, or hoodie in this case, is swept up, as if by a gust of wind, and the figure turns with resolute composure in the direction of the wind, as if calmly facing a challenge.

Kehinde Wiley’s (b. 1977) portraits of African American men collate modern culture with the influence of Old Masters. Incorporating a range of vernaculars culled from art historical references, Wiley’s work melds a fluid concept of modern culture, ranging from French Rococo to today’s urban landscape. By collapsing history and style into a unique contemporary vision, Wiley interrogates the notion of master painter, “making it at once critical and complicit.” Vividly colorful and often adorned with ornate gilded frames, Wiley’s large-scale figurative paintings, which are illuminated with a barrage of baroque or rococo decorative patterns, posit young black men, fashioned in urban attire, within the field of power reminiscent of Renaissance artists such as Tiepolo and Titian.
- "Hip Hop and Contemporary Portraiture", National Portrait Gallery, Washington DC
  • Condition Report
    • Current lot doesn't have any damage.
  • Shipping Information
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      Shipping Weight: 9 lbs
      Framing: No
      Item Location: Pennsylvania, USA
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Biography & Links
Kehinde Wiley Biography
1977
Born in Los Angeles, CA.
1999
BFA San Francisco Art Institute, San Francisco, CA
2000
Painting and Popular Culture, Southern Connecticut University, School of Art, New Haven, CT
2001
MFA, Yale University, School of Art, New Haven, CT
2001
A Conversation with John Wilson, Yale University Art Gallery, New Haven, CT
2001
Notes on Modernism, Yale University Art Gallery, New Haven, CT
2002
Rema Hort Mann Foundation Grant Recipient
2002
The Artist Voice, The Studio Museum in Harlem, NY,NY
2003
Kehinde Wiley, Boston Museum School of Fine Art, Boston, MA
2008
Americans for the Arts, Young Artist Award for Artistic Excellence
2010
USA Network, Character Approved Award
Selected Exhibitions
2001
Its Bigger Than Hip Hop, Rush Arts, New York, NY
2002
Passing/Posing, Rhona Hoffman Gallery, Chicago, IL
Painting as Paradox, Artist Space, New York, NY
Mass Appeal, Gallery 101, Ottawa, Canada
Ironic/ Iconic, The Studio Museum in Harlem, New York, NY
Black Romantic, The Studio Museum in Harlem, New York, NY
2003
Re: Figure, College of DuPage, The Guhlberg Gallery, Glen Ellyn, IL
Peripheries Become the Center, Prague Biennale 1, Galleria Nazionale Veletrzni Palac Dukelskych Hrdinu 47, Prague
New Wave, Kravets Wehby Gallery, New York, NY
Faux/Real, Deitch Projects, New York, NY
Pictures at an Exhibition, Roberts & Tilton, Los Angeles, CA
Superreal, Marella, Milan, Italy
2004
Eye of the Needle, Roberts & Tilton, Los Angeles, CA
Passing/Posing, The Paintings of Kehinde Wiley, The Brooklyn Museum of Art, October 8 - Brooklyn, NY (solo)
Glory, Glamour & Gold, The Proposition, New York, NY
She’s Come Undone, Greenberg Van Doren, New York, NY
The New York Mets and Our National Pastime, Queens Museum of Art, Queens, NY
Beauty, Kravets + Wehby, New York, NY
African American Artists in Los Angeles, A Survey Exhibition: Fade, City of Los Angeles Cultural Affairs Department, CA
Easter Realness, Rhona Hoffman Gallery, Chicago, IL (solo)
2005
Rumors of War, Deitch Projects, New York (solo)
WHITE, Conner Contemporary, Washington, D.C. (solo)
BOUND, Franklin Art Works, Minneapolis, MN (solo)
Relics and Remnants, Jamaica Center for Arts and Learning, New York
Neovernacular, Turner Gallery, Los Angeles, California
Maximum Flavor, ACA Gallery, Atlanta College of Art
Neo-Baroque / Tema Celeste , Verona, Italy
Wiley/Sabeen Raja: New Paintings, Conner Contemporary Art, Washington, D.C.
2006
Columbus, Roberts & Tilton, Los Angeles, CA, May/June (solo)
Infinite Mobility, Columbus Museum of Art, September 11th-January 7th (solo)
Rhona Hoffman Gallery, Chicago, IL, August/September (solo)
Kehinde Wiley, Sorry We're Closed, Belgium, June/July (solo)
Down By Law, Wrong Gallery at the Sondra Gilman Gallery, Whitney Museum, New York, NY; January 21st to May 15th
Do Not Stack, Roberts & Tilton, Los Angeles, CA
Black Alphabet: ConTEXTS of Contemporary African-American Art ,Zacheta, National Gallery of Art, Warsaw, Poland
Hangar—7 Edition 4,Salzburg Airport, Salzburg, Austria
Redefined: Modern and Contemporary Art from the Collection, Corcoran Gallery of Art, Washington, D.C.
Relics and Remnants, Jamaica Center for Arts and Learning, Jamaica, NY
2007
Commemorating 30 Years (1976-2007): Part Three (1991 – 2007), Rhona Hoffman Gallery, Chicago, IL
Portland Art Museum, Portland Art Museum, Portland, OR
The World Stage: China John Michael Kohler Arts Center, Sheboygan, WI
Crossing the Line: African American Artists in the Jacqueline Bradley and Clarence Otis Jr. Collection, Cornell Fine Arts Museum, Orlando, FL
New York States of Mind, Queens Museum of Art, New York City, NY
The Blake Byrne Collection , The Nasher Museum of Contemporary Art, Duke University, NC
Clarence Otis, Jr.Collection, Cornell Fine Arts Museum, Orlando, FL
2008
Recognize! Hip Hop and Contemporary The National Portrait Gallery, Washington DC
FOCUS: Kehinde Wiley, The Modern Art Museum of Fort Worth, Fort Worth, TX
The World Stage: Africa, Dakar-Lagos The Studio Museum in Harlem, New York, NY
Down, Deitch Projects, New York, NY
30 Americans, Rubell Family Collection, Miami FL
Macrocosm, Roberts & Tilton, Culver City, CA
21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY
Selected Drawings Museum of Contemporary Art, Cleveland, OH
2009
The World Stage: Africa, Lagos, ArtSpace, San Antonio, TX, catalogue (solo)
The World Stage: Brazil , Roberts and Tilton, Los Angeles, CA, catalogue (solo)
Black Light Deitch Projects, New York, NY(solo)
Reconfiguring the Body in American Art, 1820-2009, National Academy Museum, New York, NY
Creating Identity: Portraits Today 21C Museum, Louisville, KY
Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA
2010
The World Stage: India-Sri Lanka Rhona Hoffman Gallery, Chicago, IL, catalogue (solo)
From Then to Now: Masterworks Contemporary African American Art Curated by Margo Ann Crutchfield, Museum of Contemporary Art, Cleveland, Cleveland, OH
The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor Victoria H. Myhren Gallery, Denver, CO
Searching for the Heart of Black Identity: Art and the Contemporary African American Experience Kentucky Museum of Art and Craft, Louisville, KY
The Library of Babel / In and Out of Place 176 Zabludowicz Collection, London, England
Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook Plains Art Museum, Fargo, ND, catalogue
Summer Surprises Pennsylvania Academy of the Fine Arts, Philadelphia, PA
Wild Thing Roberts & Tilton, Culver City, CA
Pattern ID Akron Art Museum, Akron, OH, catalogue
Personal Identities: Contemporary Portraits Sonoma State University Art Gallery, Sonoma, CA
The Global Africa Project Exhibition Museum of Arts and Design, New York, NY
2011
The World Stage: Israel Roberts & Tilton, Culver City, CA, catalogue (solo)
Human Nature: Contemporary Art from the Collection Los Angeles County Museum of Art, Los Angeles, CA
30 Americans: Rubell Family Collection Corcoran Gallery of Art, Washington, D.C., catalogue
RE-Envisioning the Baroque I.D.E.A. at Colorado College, Colorado Springs, CA
Who, What, Wear: Selections from the Permanent Collection,The Studio Museum in Harlem, New York, NY
For a Long Time…, Roberts & Tilton, Santa Monica, CA
Capital Portraits: Treasures from Washington Private Collections 1730-2010, National Portrait Gallery, Smithsonian Institution, Washington, D.C.
Building the Contemporary Collection: 5 Years of Acquisitions, Nasher Museum of Art at Duke University, Durham, NC
Being American, School of Visual Arts, New York, NY
2012
The World Stage: Israel, The Jewish Museum, New York, NY(solo)
Literature
2001
McKanic, Arlene."Death, Pain, Anger, Redemption: It’s Bigger than Hip Hop." Greenwich Village Gazette
2002
Plagens, Peter. "Kitsch as Kitsch Can." News Week, May 6, 2002
2002
Gessell, Paul. "At the Hip Hop." Ottawa Citizen, August 30, 2002
2002
Euteneier, Anita. "Hip Hop Appeal." Express, August 29, 2002
2002
Foster, Tonya. "(Re)Direct(ing) Light: Black is and Black Ain’t." Representations, ArtsWire Current, Summer 2002
2002
Samuel Menin & Michele Robecchi. "Focus Painting." Flash Art, October, 2002
2002
Cotter, Holland. "Ironic/Iconic." The New York Times, August 7, 2002
2002
Yablonsky, Linda. "Failing in Love." Time Out Magazine, May 9, 2002
2002
Kimmelman, Michael. " A Black World of Ins and Outs."
2002
The New York Times,April 26, 2002
2002
Saltz, Jerry. "A World Apart." Artnet.com. May 8, 2002
2002
Ross, Andrew. "Andrew Ross on Black Romantic." Art Forum, April 2002
2003
Murray, Derek. "Ironic/Iconic." Art in America, March Issue 2003
2003
Kerr, Merrily. "New Wave." Flash Art, March/ April 2003
2003
Cohen, Mark Daniel. "Real Art Ways." Hartford Current 2003
2003
Kim, Christine Y. “Kehinde Wiley Faux Real.” Issue Magazine, December
2003
Myers, Holly. “Scenes far, far out of Tiepolo.” Los Angeles Times, November 7
2003
Wood, Eve. “Acerbic Beauty.” Artnet.com, October
2003
Thompson, Bonsu. “Benefit II Society.” King Magazine, September-October
2003
Stillman, Nick. “Art Seen.” The Brooklyn Rail, August-September
2003
Sirmans, Franklin. “A Bling Bling Baroque.” One World Magazine, August-September.
2003
Weisen, Barbara. “Re: Figure.” College of DuPage, The Guhlberg Gallery, April 3-May 22.
2003
Jackson, Brian Keith. “B-Boy Stance.” Vibe, August
2003
Cortez, Jaime. “Corpus No.1, An HIV Prevention Publication.” APLA, Los Angeles
2003
Stein, Lisa. “Re: Figure Plays With Figurative Painting.” Chicago Tribune, May 5
2004
Fineman, Mia, The History of Art, in Baggy Jean and Bomber Jackets, New York Times, Arts & Leisure, December 19, 2004
2004
Brew-Hammond, Nana Ekua, It’s Bigger than hip-hop, METRO, NY Edition, December 21, 2004
2004
Kehinde Wiley, Museums Magazine Special Edition, 2004
2004
McGee, Celia, Artist going for Baroque on Harlem, New York, Daily News, October 7, 2004
2004
Gonzales, Michael A., Kehinde Wiley: Urban Baroque, Essence Magazine, November 2004
2004
Mwangaguhunga, Ron, Two new shows on the color line, New York Magazine, Sept. 13, 2004
2004
Walker, Dionne, A Portrait of the Artist as a Young Black Man: Kehinde Wiley, BET.com, September 2004
2004
Korot, Joyce B., The Neo-Baroque Era, Tema Celeste, Italy, New York, Issue No. 104
2004
Fashion Issue, Black Book Magazine, New York, Fall 2004
2004
Interview with Kehinde Wiley, Loyal Magazine, Stockholm, New York, Issue No. 8
2004
Fitch, Elizabeth, A Portrait of artist Kehinde Wiley, Amsterdam News, Vol.95, No.29/ July
2004
Kehinde Wiley: Prince of Hip Hop Portraiture, SEULE Magazine, Summer 2004
2004
Hawkins, Margaret. "Gallery Glance: Kehinde Wiley." Chicago Sun Times, May 21
2004
Warsh, Larry. "Kehinde Wiley/ Museums Collect." Museums New York, Spring 2004 Issue
2005
Lewis, Sarah, De(i)fying the Masters, Art in America, April 2005
2005
Kehinde Wiley, Top Ten, ArtForum, April 2005
2005
Detrick, Ben, Paint it Black, Complex Magazine, April/ May 2005
2005
Golfar, Fiona, A Season for All Women: Ilona Rich, British Vogue, April 2005
2005
Wood, Eve, Kehinde Wiley Brooklyn Museum review, Flash Art, Jan-Feb 2005
2005
Golden, Thelma, Interview Magazine, October 2005
2006
Berwick, Carly, The New York Sun, March 9, 2006
2006
Mason, Christopher, Whitewall Magazine, Premier Issue March 2006
2006
Colman, David, Elle Décor Magazine, March 2006
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