Lot ID:
6175
Katy
Grannan:
Morning Call Series (Maribeth)
Opening Bid
US $X,XXX

Current Bid
US $X,XXX

Sold For
US $X,XXX

Premium
Winning Bid
US $X,XXX
Purchase now
US $X,XXX
Purchase now
US $X,XXX
artnet charges a 10% buyer's premium on all winning transactions
My Offer
US $
Estimate
US $7,000 - $9,000
End Time
Thursday, November 19, 2009, 1:52 PM EST
Your maximum bid is $Y,YYY.
You cannot place smaller maximum bid.
You are now the high bidder.
You have been out bid.
Your current maximum bid is $Y,YYY.
Congratulations, you are the winning bidder!
The seller will contact you
regarding payment and other details.
Your maximum bid of $Y,YYY was placed on Nov 27, 2009
The auction has ended.
Your maximum bid of $Y,YYY was placed on Nov 27, 2009
The auction has approved.
To add this lot to your Watch List, you must be
logged in. Not registered?
Join now - it's free.
Description
Title:
Morning Call Series (Maribeth)
Style: Contemporary (ca. 1945-present)
Medium: Photographs, Silver print, gelatin
Year: 2003
Print/Casting Year: 2003
Size: height - 20 in, width - 16 in, depth - 0 in
Markings: signed, on verso.
Edition: of 6
Estimate: from $7,000 to $9,000
Seller's Description:
Faces_Figures
Katy Grannan, Morning Call Series (Maribeth), Silver Print, 16 x 20 in. (40.6 x 50.8 cm), Edition: of 6, Signed on verso.
Katy Grannan’s striking portraits capture the desire of her subjects to offer themselves up to the camera lens. Each of her well-known series—“Poughkeepsie Journal,” “Dream America,” and “Morning Call”—began with a simple ad placed by Grannan in local newspapers: “Art Models. Artist/Photographer (female) seeks people for portraits. No experience necessary. Leave msg.” After an initial telephone conversation, Grannan travels to the caller’s home. Photographing her models in their own surroundings, she pays meticulous attention to the elements of their domestic settings: wood paneling, patterned wallpaper, and other mundane but often telling details. The subjects choose to remain clothed, to model nude, or to pause somewhere in between, working with Grannan to arrive at the pose.
The resulting images reflect the intensity of the relationship between artist and model. With subjects centrally framed and directly facing the camera, each image resonates with the tension of a first encounter. In Grannan’s series “Sugar Camp Road” and her most recent work, she moves the exercise outdoors, using a municipal park as the backdrop. Even though the parklands that serve as her set bring the private encounters of her earlier series into the public landscape, she maintains a delicate—yet charged—sense of intimacy.
Her work has been included in the Whitney Biennial, 2004, Guggenheim Museum, LACMA, and The Metropolitan Museum.
|
- Shipping Information
-
Shipping Carrier:
UPS
Shipping Weight:
8
lbs
Framing:
Yes
Item Location:
New York, USA
Shipping Options:
Shipping weight is approximate, buyer pays for shipping.
- Payment & Return Policies
-
Accepted:
Wire transfer
artnet Assurance Policy:
Every artnet Online Auctions seller has been approved by artnet after a thorough review. All of our sellers are required to accept the following artnet policy: A buyer may return an item purchased through artnet Online Auctions, if the item received is not as described in its listing, or is found to be not authentic. Please see our full Return Policy for details.