Linked Figures was Armitage's first major sculpture to incorporate the theme of figures grouped into a single form, and as such is the genesis of a series of sculptures that develop this theme for much of the next decade. These Giacometti-influenced works were seen by the critics of the day, notably Herbert Read, to be expressive of the post-war angst.

This work was originally sculptured at Corsham Court, the home of the Bath Academy of Art, in 1949, where Armitage was Head of Sculpture Department. It was not cast in bronze until 1960. The casting was by the German foundry of Noack, and the introduction to them was a direct result of Armitage?s move from Gimpel Fils to Marlborough Fine Art in 1959. The work was cast in an edition of 6.

This sculpture is also one of the first works Armitage produced that has two very definite sides, and the forms of the heads, arms and hand all reappear in his sculptures of the following years.