Hong often uses repetition in his photographs to redefine and re-evaluate the meanings of objects and events. In this work, propaganda materials from the historical Long March — maps, drawings, paintings, pamphlets, booklets, photographs, badges and hats — are displayed in an encyclopedic array, crowding onto the flat surface of the picture plane. The title refers to the Panjiayuan antique markets in Beijing, the largest second-hand markets in Asia, where tourists and collectors gather every weekend and stalls selling copious quantities of Mao memorabilia (both fake and genuine) proliferate.