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William Louis Sonntag, October in New Hampshire, Near the Foot of Mt. Washington
TITLE:  October in New Hampshire, Near the Foot of Mt. Washington
ARTIST:  William Louis Sonntag
WORK DATE:  circa 1865
CATEGORY:  Paintings
MATERIALS:  Oil on canvas
MARKINGS:  Signed lower left: "Sonntag"
Inscribed on reverse: "Oct. in N.H./ Near the foot of/ Mt. Washington"
SIZE:  20 x 36 inches
32 x 38 inches with original, 1850s, American frame
REGION:  American
STYLE:  Hudson River School (ca. 1825-1875)
PRICE*:  Contact Gallery for Price
GALLERY:  Catherine Dail Fine Art  212 - 595 - 3550  Send Email
DESCRIPTION:  CONDITION
This painting is in exquisite, fresh condition. The canvas remains unlined and retains the original stretcher. There is zero restoration and none is recommended at this time. The painting presents beautifully and should be hung as is.

A native of East Liberty, Pennsylvania near Pittsburgh, William Sonntag was a landscape painter associated with the Hudson River School. He is best remembered for his romantic depictions of the American wilderness. From the early 1840s to the mid 1850s, he had a studio in Cincinnati and made numerous painting trips in the Ohio River Valley and into the mountains of West Virginia and Kentucky. His style of grand, sweeping vistas, and dramatic renderings was much influenced by Thomas Cole.

Sonntag's work first gained popularity because of their positive reception in the Western Art Union shows. In 1853, he first traveled to Europe, and returned in 1855 for a year's study in Florence, Italy. Upon his return, he settled in New York City and joined the National Academy of Design, where he exhibited his works for forty years. During that time he made frequent visits to the Catskill and White Mountains. His mature works of the 1860s and 1870s identify him with the Hudson River school of landscape painters and the Luminist branch of that school, in particular.

"October in New Hampshire, Near the Foot of Mount Washington" is an outstanding example of Sonntag's finest work from his best period. Here Sonntag calls into play all the grandeur associated with the father of the Hudson River School, Thomas Cole, but expands on those ideals by emphasizing both the details and the atmospherics of the scene. From 1863-1865, Sonntag affixed his name to the register at the Crawford House in North Conway, New Hampshire, along with many other great artists of the era including J.F. Cropsey, S.R. Gifford, Winslow Homer, John Kensett, and more.

A romantic and a naturalistic painter of his surroundings, Sonntag was an Associate (1860) and Academician (1861) at the National Academy of Design and a member American Water Color Society, the Artists Fund Society and the American Art Union. His work is represented in the permanent collections of the Metropolitan Museum of Art; Corcoran Gallery of Art; Peabody Institute; Berkshire Museum; Brooklyn Museum; Chrysler Museum; the Fogg Museum; Harvard University; Vassar College Art Gallery; Cincinnati Art Museum; Los Angeles County Museum; The White House, among others.

Sonntag died in New York City in 1900 one of America’s most revered landscape painters.

PROVENANCE:  The artist to
Mr. H. C. Speed, Maine, to
Mr. T. Gilbert Brouillette, New York to
Mrs. M.D. Johnson, California to
Private collection for over 25 years.
ONLINE CATALOGUE(S):  Catherine Dail Fine Art Inventory Catalogue
LITERATURE:  Moure, Nancy Dustin Wall, William Louis Sonntag: Artist of the Ideal, (1980, Los Angeles, Goldfield Press), Catalogue number 296, Page 120.
 
*Prices subject to change

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