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This artwork, Matinée d’ivresse (Morning Rapture) from Les Illuminations by Fernand Léger, is currently for sale at Masterworks Fine Art Gallery.
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Fernand Léger, Matinée d’ivresse (Morning Rapture) from Les Illuminations
 
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TITLE:  Matinée d’ivresse (Morning Rapture) from Les Illuminations
ARTIST:  Fernand Léger
WORK DATE:  1949
CATEGORY:  Prints
MATERIALS:  Original color lithograph with hand-applied Pochoir on Lana Vélin paper
MARKINGS:  SIGNED: Hand-signed by Fernand Léger (1881 – 1955) in pencil in the lower right margin. Also signed ‘F.L.’ in the stone in black in the lower right. Hand-signed by Louis Grosclaude (editor) in pencil in the lower left margin.
EDITION: Annotated ‘essai de tirage’ (or, trial proof) and hand signed by Louis Grosclaude (editor) in pencil in the lower left margin. Annotation and editor’s signature are unique to this rare, trial proof edition with hand-applied coloring
SIZE:  IMAGE SIZE: 11 1/3 in x 9 1/3 in (28.8 cm x 23.7 cm)
SHEET SIZE: 13 in x 10 in (32.8 cm x 25.2 cm)
FRAMED SIZE: 28 in x 24 7/8 in (71.1 cm x 63.2 cm)
REGION:  French
STYLE:  Contemporary
PRICE*:  Contact Gallery for Price
GALLERY:  Masterworks Fine Art Gallery  +1-510-777-9970  Send Email
DESCRIPTION:  REFERENCE: Saphire 31

DISCUSSION:
Created in 1949, this original color lithograph with hand-applied pochoir coloring was one of a series of 15 works by Fernand Léger intended to illustrated a book of poems by the writer, Arthur Rimbaud titled Les Illuminations. Printed by Roth & Sauter, Lausanne, this work is hand signed by Fernand Léger (1881 – 1955) in pencil in the lower right with his initials printed in black in the lower right of the image. Annotated ‘essai de tirage’ (or, trial proof) and hand signed by Louis Grosclaude (editor) in pencil in the lower left margin. Annotation and editor’s signature are unique to this rare, trial proof edition with hand-applied coloring.

This intriguing composition goes hand-in-hand with Rimbaud’s poem titled Génie. A lively, abstract black and white shape anchors the work, flanked by three circular organic forms in a brilliant red. Central to the piece is the phrase, ‘Assassins | Le temps des voici (Assassins | The Time is Now)’. Ominous and clearly referencing the tone and character of Rimbaud’s work, Léger has intriguingly captured the strength and essence of this written inspiration.

ABOUT THE FRAMING:
Conservation framed with archival materials and museum quality, this work is set in a delicate, Italian-inspired gold leaf frame. The tone of the moulding accentuates the bright hues and contrasting colors in this piece. The sculptural quality of the framing compliments the weight and depth of this work. Completed with white, linen-wrapped mats and a matching gold inner fillet, this work is set behind an archival Plexiglas cover.

ONLINE CATALOGUE(S):  Masterworks Fine Art Gallery Inventory Catalogue
LITERATURE:  ILLUSTRATED IN:
1. Saphire, L. (1978). Fernand Léger, The Complete Graphic Work. Listed and illustrated as catalogue raisonné no. 31 on pg. 78 and detailed on pg. 70.
 
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