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Also accompanying the work is a photo-certificate of authenticity signed and dated by Dr. Bisanz-Prakken including the following inscription: “I confirm my statement | of 26.4.2004 | that I intend to publish this drawing | in the supplement volume (V) | of the catalogue raisonné | of the Drawings by Gustav Klimt | which will appear as a publication | of the Albertina, Vienna. | Vienna, 21.6.07 | Dr. Marian Bisanz-Prakken.”

This flattering, expressive silhouette of Hermine Gallia features her seated in a lightly outline armchair, sketched effortlessly and beautifully in a way that only Klimt is able. Her visage is raised slightly, allowing light to cast a small shadow along the bridge of her nose and the crest of her lips, forming her unique and feminine features. Married to one of the leading art patrons in Hamburg at the time, Hermine was one of Klimt’s iconic muses as he painted a flattering portrait of her, for which this drawing was created. As one of the most striking and iconic artists at the turn of the century, Gustav Klimt produced several works of art which he could not complete without a series of preliminary sketches and figural studies of many of his subjects. This unique drawing gives us insight to his fascinating, artistic vision in creating a stunning portrait of friend, Hermine Gallia.

ABOUT THE FRAMING:
This work is set in a beautiful, Baroque-inspired gold moulding that gracefully complements this marvelous work. Its intricately carved detailing serves to accent Klimt’s swift hand and balanced composition, echoing the movement and fluidity of this figural study. Completed with white, linen-wrapped mats and a matching, gold inner fillet, this work is set behind a Plexiglass cover; all materials used in framing are archival to ensure lasting quality.