A very fine impression, with exquisite detailing and clarity in the complex patterning of shades and textures in the buildings, street and sky.

The impression quality is evidence that this is an early impression. In addition Ensor's signature conforms to that found in the early printings; it is quite likelythat this was signed about the time the print was created (Ensor had impressions made over a number of years).

This is a view of the seaside town roofs of Ostend, from Ensor's studio. In many of his etchings and paintings of the town he filled the streets with people, but here the streets are vacant, but for two tiny carriages parked halfway up the street.