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DESCRIPTION:
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In Rosenweg Scheibitz doesn't paint a subject, but offers a panoptic view as a solidified whole. Adopting the flatness of medieval painting, perspective is delineated through overlapping layers and scale. Flower, building and mountain integrate as an abridged version of space, a synopsis of grandeur. Scheibitz presents the sublime as an algorithmic formula: mysticism denuded into a composite of shapes and patterns. A super-modern reinvention of the romantic landscape, Scheibitz creates a sense of awe not in the picture itself, but in the graphic simplicity with which such an overwhelming concept is inferred. www.saatchi-gallery.co.uk/artists/thomas_scheibitz.htm
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