Willy Heeks  (American, 1951) 

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Find Willy Heeks artworks for sale worldwide, artworks that sold at auction, a detailed biography, and more information on the artist below.
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Artworks for sale (12)
In Art Galleries (12)
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In Past Auctions (21)

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Exhibitions (1)

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Artworks for sale (12)

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Willy Heeks, The Inlet

 

Willy Heeks
The Inlet
2013

Gallery Sam
Willy Heeks, Dialogue

 

Willy Heeks
Dialogue
2013

Gallery Sam
Willy Heeks, After Image 2

 

Willy Heeks
After Image 2
2013

Gallery Sam
Willy Heeks, Knot

 

Willy Heeks
Knot
2012

Scott White Contemporary Art
Willy Heeks, Navigation

 

Willy Heeks
Navigation
2011

Gallery Sam
Willy Heeks, Tu Es Fou

 

Willy Heeks
Tu Es Fou
2010

Scott White Contemporary Art
Willy Heeks, Untitled

 

Willy Heeks
Untitled
1987

Gallery Sam
Willy Heeks, Balcony In Verduno

 

Willy Heeks
Balcony In Verduno
2008

Gallery Sam
Willy Heeks, The Bell Wave

 

Willy Heeks
The Bell Wave
2008

Scott White Contemporary Art
Past auction results (21)  View All
Willy Heeks, Balcony

 

Willy Heeks
Balcony, 1998
oil on canvas

 

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Willy Heeks, Relic

 

Willy Heeks
Relic, 1991
color lithograph

 

View Details
Willy Heeks, Relic

 

Willy Heeks
Relic, 1991
color lithograph

 

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1973   Independent Study Program Whitney Museum of American Art, New York, NY
1973   BFA University of Rhode Island, Kingston, RI
1977   Tyler School of Art, Graduate Program, Philadelphia, PA
1978   Artist Fellowship, National Endowment for the Arts
1980   Recipient: Visual Artist Fellowship, Yaddo, Saratoga Springs
1982   Special Projects Exhibition, P.S.l, Long Island City, NY
1984   Recipient:Harriet and Esteban Vicente Fellowship in Painting
1984   Recipient: Visual Artist Fellowship, Yaddo, Saratoga Springs
1985   Recipient:Louis Comfort Tiffany Award
1987   Recipient:Artist Fellowship, National Endowment for the Arts
1989   Recipient:Artist Fellowship, National Endowment for the Arts
1989   Recipient:Painting Award, American Academy & Institute of Arts & Letters
1995   Recipient:Honorary Doctor of Fine Arts, Rhode Island College
1997   Recipient: Pollock-Krasner Foundation Grant
2001   Recipient: Pollock-Krasner Foundation Grant
2004   Recipient: Adolph and Esther Gottlieb Foundation Grant
  Born in Providence, RI
2010   Ocean House Paintings, Scott White Contemporary Art, San Diego, CA
2009   New Paintings, Elizabeth Leach Gallery, Portland, OR. Nov 2009 – Jan 2010
2009   Summer Group Exhibition, Scott White Contemporary Art, San Diego, CA
2008   Group Exhibition, Scott White Contemporary Art, San Diego, CA
2008   Monotypes from the Anderson Collection, deYoung Museum, San Francisco, CA
2008   Recent Paintings, Brian Gross Fine Art, San Francisco, CA
2008   Intuitions: New Paintings, Bentley Gallery, Scottsdale, AZ
2007   Echoes, Recent Paintings, Elizabeth Leach Gallery,Portland, OR
2007   Tanigible, Benton/Nyce Gallery, Greenport, NY
2007   Year in Review, Scott White Contemporary Art, San Diego, CA
2006   Abstract R.I. ,Charlestown Art Gallery,Charlestown, RI
2006   Benton/Nyce Gallery, Greenport, NY
2006   Webs, Loops, and Skeins in Modern and Contemporary Art, Rhode Island School of Design Museum, Providence, RI
2006   Nature Interrupted, New Bedford Art Museum, New Bedford, MA - Elga Wimmer, Curator
2006   Willy Heeks, New Paintings, Scott White Contemporary Art, San Diego, CA
2005   Paintings x 26 Painters, Selections from the Raimondi Collection, Vitale, Caturano & Company, Charlestown, MA
2005   PAINT, Elizabeth Leach Gallery, Portland, OR
2004   Brian Gross Fine Art, San Francisco, CA
2004   Paintings & works on paper, Elizabeth Leach Gallery, Portland, OR
2004   New Monotypes, Aurobora Press, San Francisco, CA
2003   Landscapes Seen and Imagined, Sense of Place, Part II, Decordova Museum and Sculpture Park, Lincoln, MA
2003   Eleven Painters, Eleven Views of Abstraction, Chiaroscuro Contemporary Art, Santa Fe, New Mexico
2001   Works on Paper, David Beitzel Gallery, New York, NY
2000   Summer Group Exhibition, David Beitzel Gallery New York, NY
2000   Willy Heeks: Monotypes, Aurobora Press San Francisco, CA
2000   Works on Paper, Brian Gross Fine Art San Francisco, CA
1999   Cleveland Collects Contemporary Art, Cleveland Museum of Art Cleveland, OH
1999   David Beitzel Gallery
1999   Mind's Eye, Booth Contemporary Art Wakefield, RI
1999   Summer Group Exhibition, David Beitzel Gallery New York, NY
1998   The Forty-fifth Biennial: The Corcoran Collects, 1907-1998, Corcoran Gallery of Art Washington, DC
1998   Brian Gross Fine Art San Francisco, CA
1997   SOMA Gallery La Jolla, CA
1997   Mark Moore Gallery Santa Monica, CA
1997   Summer Group Show, David Beitzel Gallery New York, NY
1997   Essence, Twenty Abstract Painters, Radix Gallery New York, NY
1997   , Larry Becker Contemporary Art Philadelphia, PA
1997   David Beitzel Gallery New York, NY
1996   Nielsen Gallery Boston, MA
1996   Abstractions, Barbara Scott Gallery Miami Beach, FL
1996   Newance, Stephen Wirtz Gallery San Francisco, CA
1996   (Ap)praising Abstraction, Art Initiatives New York, NY
1995   Optical Consciousness, Gallery Stelling, Leiden, Holland Italy
1995   Extraordinary Experience: Ordinary Object, Nielsen Gallery Boston, MA
1995   New Acquisitions, Museum of Art, Rhode Island School of Design Providence, RI
1995   David Beitzel Gallery New York, NY
1995   SOMA Gallery San Diego, CA
1995   Mark Moore Gallery Santa Monica, CA
1995   , Bannister Gallery, Rhode Island college Providence, RI
1995   Barbara Scott Gallery Bay Harbor Islands, FL
1994   David Beitzel Gallery New York, NY
1994   University of Montana Missoula, MT
1994   Elizabeth Leach Gallery Portland, OR
1994   Nancy Drysdale Gallery Washington, DC
1994   Paintings from new jersey collections, New jersey Center for Visual Arts Summit, NJ
1994   Creative Collecting: Paintings and Sculptures from the Gift of Mr. and Mrs. William Small, Smith College Museum of Art Northampton, MA
1994   Prints from Experimental Workshop, Olga Dollar Gallery San Francisco, CA
1994   Prints from Solo Impression, Inc., New York, College of Wooster Art Museum Wooster, OH
1993   BOMB Magazine Benefit, Fawbush Gallery New York, NY
1993   Fantastic Wanderings, Connecticut College New London, CT
1993   Paintings from New York, Elizabeth Leach Gallery Portland, OR
1993   SOMA Gallery San Diego, CA
1992   David Beitzel Gallery New York, NY
1992   Nielsen Gallery Boston, MA
1992   Galerie Barbara Farber Amsterdam
1992   Marsha Fogel Gallery East Hampton, NY
1992   Elga Wimmer Gallery New York, NY
1992   Paper Houses, David Beitzel Gallery New York, NY
1992   In the Spirit of Landscape, Nielsen Gallery New York, NY
1992   Focus, 13th Annual Chicago International Art Exposition Chicago
1992   New Year - New Work, Galerie Barbara Farber Amsterdam
1992   Works on Paper, Larry Becker Contemporary Art Philadelphia, PA
1991   Art for Your Collection XXVIII, Museum of Art, Rhode Island School of Design Providence, RI
1991   Art on Paper, Weatherspoon Art Gallery University of North Carolina, Greensboro, NC
1991   Five Abstract Painters, Nancy Drysdale Gallery Washington, DC
1991   42nd Biennial of Contemporary American Painting, Corcoran Gallery of Art Washington, DC
1991   Vital Forces: Nature in Contemporary Abstractions, Heckscher Museum Huntington, NY
1991   Issues (Drawing), Ruggiero Gallery New York, NY
1990   Organic Abstraction, The Nelson-Atkins Museum of Art Kansas City, MO
1990   30th Anniversary Exhibition of the Peter Stuyvesant Collection, Turmac Tobacco Company, BV Zevenaar, The Netherlands
1990   The Unique Print; the 70's into the 90's, Boston Museum of Fine Arts Boston, MA
1990   The Ends of Paintings; the Edges of Abstractions, Shoshana Wayne Gallery Santa Monica, CA
1990   Works on Paper, Rena Bransten Gallery San Francisco, CA
1990   David Beitzel Gallery New York, NY
1989   Galerie Barbara Farber Amsterdam
1989   , Trans Avant Garde Gallery Austin, TX
1989   Rena Bransten Gallery San Francisco, CA
1988   David Beitzel Gallery New York, NY
1988   McNeil Gallery Philadelphia, PA
1987   Galerie Barbara Farber Amsterdam
1987   David Beitzel Gallery New York, NY
1986   University of Rhode Island Kingston, RI
1986   McNeil Gallery Philadelphia, PA
1985   Middle Tennessee State University Murfreesboro, TN
1985   McNeil Gallery Philadelphia, PA
1984   Protetch/McNeil Gallery New York, NY
1984   "Drawing with Respect to Painting", New York Studio School, New York, NY, curated
1984   Invitational, Matthews Hamilton Gallery, Philadelphia, PA
1984   "Nature", Dramatis Personae Gallery, New York, NY
1982   "Making It", University of Rhode Island Main Gallery, Kingston, RI
1982   P.S. 1 Long Island City, NY
1981   "Five Young New York City Artists", Ericson Gallery, New York, NY
1980   "Times Square Show", sponsored by Colab, New York, NY
1979   "Accumulation/Arrangement", Eric Makler Gallery, Philadelphia, PA, curated by Richard Flood
1978   Woods-Gerry Gallery, Rhode Island School of Design, Providence, RI
1978   "Situations/Scenarios", University of Rhode Island, Kingston, RI, 1978, curated by
2008    John Rapko, “Willy Heeks at Brian Gross Fine Art”, review Artweek, Vol. 39, Issue 8, October, 2008
2008    Kenneth Baker, “Heeks changes techniques to keep work alive”, San Francisco Chronicle, pE10, Datebook, August 9, 2008
2006    Doug Norris,Review, South County Independent , Exhibit C2, September 7, 2006
2006    Robert L. Pincus, Art Review, The San Diego Union Tribune, p.30, July 6, 2006
2006    Bill Rodriguez, “Variations and Themes, Webs, Loops and Skeins at the RISD Museum”, The Providence Phoenix , Art,p.16, March 17, 2006
2006    The Providence Phoenix , Art,p.16, March 17, 2006
2004    Kenneth Baker,”Heeks Monotypes at Aurobora Press”, San Francisco Chronicle, Saturday, August 28, 2004
2004    Bill Van Siclen. “A Pure Painter”, The Providence Journal, “Art Scene”, p12-13, March 4, 2004
2000    Jennifer Matoney. "Artistic Reunion," Narragansett Times, October 27, 2000, Time Out section pp1, 12
2000    Megan Southard. "A portrait of friendship," Bristol Phoenix, November 1, 2000, Section B pp1, 20
1999    Ann Landi. "New York: Reviews, Willy Heeks at David Beitzel Gallery," ARTnews, December, P.174,
1999    Mario Naves, “Beauty is Back? Willy Heeks' Tender, Sensuous Pictures," The New Yor kObserver, September 27, 1999 pp.17&19
1999    Ken Johnson, New York Times, September 24, 1999
1999    Edith Newhall, "Fall Preview Galleries", NewYork Magazine, September 20,1999, pp. 83 & 86
1999    Bill Van Siclen, “State of the Art,” Providence Journal, August 22, 1999. Section E, pp.1 & 6
1999    Bill Van Siclen, “Mind’s Eye at Booth Contemporary Art,” Providence Journal, August 5,1999, Sec.LIVE p. 28
1999    Karen Gavin, “Time for a Change,” Arts, South County Independent, July 8, 1999, Section B pp.1 and 7
1999    Peter Pan, “East Coast Notes,” Peter Pan Kick Out Section, Longboard Magazine, July 1999, page 150
1999    Karen Gavin, “It’s an Abstract World,” South County Independent, April 22, 1999, pp. B1 – B3
1999    Bill Van Siclen, “Art Review, Willy Heeks: Colorist a Juggler Who Pushes Himself,” The Providence Journal, April 16, 1999, pp. E1 and E8
1998    Carolyn S. Jirousek, Cleveland Collects Contemporary Art, Catalogue Contributions, Cleveland Museum of Art, Cleveland, OH, 1998
1998    Terrie Sultan, The Forty-Fifth Biennial: The Corcoran Collects 1907, Catalog Essay.
1997    Corcoran Gallery of Art, Washington, D.C.1998 "Noted Artist at University of Tampa for Studio-f Program," Tampa Record, October 2, 1997 "Artist Willy Heeks at Studio-f,"
1997    Tampa, Insighter, October, 1997 "Willy Heeks Scheduled to Appear at Studio-F,"
1997    The Free Press Weekly, September 27, 1997
1997    Tom Ceaszar, "Willy Heeks," New Art Examiner, September, 1997
1997    George Melrod, "Optical Illusions," Art & Antiques, June 1997, p. 30
1997    Edward J. Sozanski, The Philadelphia Inquirer, Friday, May 2, 1997
1997    Miles Unger, "Willy Heeks," Art New England, April/May, 1997
1997    Kelly Spalding, "Willy Heeks," artsMEDIA, January, 1997
1997    Bill Van Siclen, "Arts Year '95," The Providence Journal, December 31, 1995
1995    Bill Van Siclen, "Willy Heeks paintings carry the weight of his feelings," The Providence Journal, April 7, 1995
1995    Helen Kohen, "Abstractions," Miami Herald, March 3, 1995
1995    Sue Scott, "Willy Heeks," ARTnews, February 1995, p. 126
1995    Krisjohn Horvath, Willy Heeks Paintings: 1986-1993, Catalog Essay. Rhode Island College,Providence, RI, 1995
1995    Willem Sanders,Optical Consciousness, (catalog), Leiden, Holland and Verduno, Italy 1995
1994    John Villani, "Capital Art," Southern Accents, Vol. 17, no. 5, September - October 1994, p. 150
1994    Mary McCoy, "Heeks at Drysdale," The Washington Post, January 22, 1994
1994    Barry Schwabsky, Poised At The Edge, Catalog Essay. Rhode Island College, Providence, RI, 1994
1993    William Zimmer, "Art", The New York Times, October 17, 1993
1993    Robert L. Pincus, "Heeks will drive you to abstraction," The San Diego Union Tribune, May 20, 1993. p. 24
1993    Julia Robinson, "Mindscapes, The Kaleidoscopic Poetry of Willy Heeks", Art,Entertainment &Travel Magazine, April - May, 1993
1993    Mario Naves, "Willy Heeks", New Art Examiner, April 1993. p.32
1992    Michael Kimmelman, "Willy Heeks," The New York Times, December 18, 1992
1992    Nancy Stapen, "New Paintings", The Boston Globe, October 22, 1992, p. 41
1992    Paul Depondt, "Modern Drippings Met Slierten en Cirkels", de Volkskrant, March 5, 1992
1992    Thea Figee, "Heeks Citeert Met Veel Respect", Trouw, March 5, 1992
1992    Donald Kuspit, "42nd Biennial", Artforum, February 1992, pp. 121-122.
1992    Edward J. Sozanski, "Art", The Philadelphia Inquirer, January 3, 1992, p. 27
1991    Lee Fleming, "42nd Corcoran Biennial Goes National: Polite Formalities", New Art Examiner, December 1991, Vol. 19, No. 4, pp. 22-23
1991    Kenneth Baker, "Abstract Painting with a Twist", San Francisco Chronicle, November 6, 1991.
1991    Alice Thorson, "Brushing the Surface", the City Paper, September 26, 1991
1991    Andrew Decker, "Auctions: Furniture from Old France, A Queen Kong Diamond, and a Great Gris", New York, September 23, 1991, p. 150-152
1991    Eric Gibson, "Corcoran Puts Painting to Test as Viable Form", The Washington Times, September 6, 1991
1991    Paul Richard, "Abstract and Personal: At the Corcoran Biennial, A Passionate Bow to the Past", The Washington Post, September 6, 1991, pp. F1 & 6
1991    Helen A. Harrison, "The Natural World and Its Mysteries", The New York Times, August 11, 1991, p.13
1991    Roberta Smith, "Huntington", The New York Times, August 9, 1991, p. C22
1991    "Nine Abstract Artists at the Heckscher", The Long Islander, June 27, 1991, p. 2
1991    Karin Lipson, "Nature in the Abstract, Around Us and Within", Newsday, July 26, 1991, p. 86
1991    "Contemporary Arts at the Heckscher", The Dix Hillan, June 26, 1991, p. 7
1991    Gregory Galligan, "Steamed-Up Mirrors and Boogie-Woogies", Art International,Spring/Summer, p.69
1991    Charles Hagen, "Willy Heeks", Artforum, March 1991, p. 130
1991    Ken Johnson, "Willy Heeks", Art in America, February 1991, p. 151
1991    Faye Hirsch, "Willy Heeks", Arts, February 1991, vol. 65, no. 6, p. 83
1991    David Pagel, "The Edges of Abstractions", Artspace, January- February 1991, p. 42-49
1991    Deni MacIntosh McHenry, Organic Abstraction, Catalog Essay. The Nelson-Atkins Museum of Art, Kansas City, MO. 1991
1991    Terrie Sultan, 42nd Biennial Exhibition of Contemporary American Painting, Catalog Essay. Corcoran Gallery of Art, Washington, D.C., 1991
1990    Laura Caruso, "Biology vs. Geometry", Kansas City Star, December 16, 1990, pp. H1 and 5
1990    Barbara Rose, editor, "Natural Selection at the Nelson- Atkins", The Journal of Art, December 1990, vol. 3, no. 3, p. 19
1990    "Goings on about Town, Art - Willy Heeks", The New Yorker, December 3, 1990, p. 20
1990    Ruth Gilbert, "Hot Line; the Tops in Town this Week - Art", New York, December 3, 1990, vol. 23, no. 47, p. 38
1990    Edith Newhall, "Fall Preview - Galleries", New York, September 10, 1990, vol. 23, no. 35, p. 55
1990    David Pagel, The Ends of Paintings: The Edges of Abstraction, Catalog Essay. Shoshana Wayne Gallery, Santa Monica, CA. 1990
1990    Gregory Galligan, Solo Exhibition Catalog Essay. David Beitzel Gallery, New York, NY. 1990
1990    Susan Loving, "Art Took Willy Heeks... ", Bristol, RI, Phoenix, July 20, 1989, pp. 1 & 3
1990    Miriam Seidel, "Five Artists Exhibit Works on Paper", The Philadelphia Inquirer, Friday, June 15, 1990, p. 42
1990    Nancy Stapen, "Warm, Sensual Gallery Show a Welcome Respite from Cold", Boston Herald, January 1, 1990
1989    Jan Bart Klaster, "Gedateerd Modernisme", Het Parool(Holland), June 2, 1989
1989    Ed Wingen, "Explosieve abstracties van Willy Heeks", Kunstbeeld (Holland), May 5, 1989
1989    Rob Bouber, "Heeks' Abstracten", Dagblad Kennemerland (Holland), May 20, 1989
1989    Mark Smith, "Heeks' Work Consolidates Structure, Chaos", Austin, American-Statesman, April 20, 1989
1989    John Russell, "The Reunion of Distant Cousins", The New York Times, June 16, 1989
1989    Gregory Galligan, "New York Letter: Willy Heeks", Art International, Spring1989, p. 58
1989    Carter Ratcliff, "Art: Swamp Things", Vogue, April 1989, pp. 282-288
1989    Kenneth Baker, "Willy Heeks", The San Francisco Chronicle, March 2, 1989
1989    Peggy Cyphers, "Willy Heeks", Arts, February 1989, p.101
1988    Meyer Raphael Rubinstein, "Willy Heeks, David Beitzel Gallery, November, 1988" ETC, Montreal, Spring 1989, p. 74
1988    Kay Larson, "Willy Heeks", New York, December 1988
1988    Margaret Moorman, "Transcendent", ARTnews, December 1988
1988    Edith Newhall, "Fall Preview: Galleries", New York, September 12, 1988, p. 70
1988    Jed Perl, "Art", Vogue, July 1988
1988    Edward J. Sozanski, "Styled Spontaneity Marks an Exhibit of Willy Heeks' Works", The Philadelphia Inquirer, May 5, 1988, p. 5, Sec. D
1988    Portfolio, Bomb, Spring, 1988, pp. 28-29
1988    Jed Perl, "What's Major? What's Minor?" The New Criterion, March 1988, p. 58
1988    Patricia Lowry, "Carnegie Exhibit Reviews Art of Abstraction", The Pittsburgh Press, February 23, 1988
1988    Bill Homisak, "The Unbearable Lightness of the 'New' Abstraction", The Tribune, February 14, 1988
1988    Kay Larson, "Art", New York, February 1, 1988, p. 102-104, vol. 21, no. 5
1988    Barry Schwabsky, "Natural, Anti-Naturalism, Painting", Flash Art, Jan – Feb, 1988, p. 102
1988    Donald Miller, "Abstract Styles: Ten Artists on Display", Pittsburgh Post - Gazette, Jan. 29, 1988
1988    John Caldwell, Ten Americans, Catalog Essay. Carnegie Museum of Art, Pittsburgh, PA. 1988
1987    Dan Cameron, "Opening Salvos, Part One", Arts, December, 1987, pp. 89-93
1987    Barry Schwabsky, "Willy Heeks", Artscribe International, 1987, pp. 80-81
1987    Stephen Westfall, "Willy Heeks", Art in America, November, 1987, p. 182
1987    Ellen Handy, "The Four Corners of Abstraction", Arts, November, 1987, p. 108
1987    Ellen Lee Klein, "Willy Heeks", Arts, June/Summer, 1987, p. 109
1987    Meyer Raphael Rubinstein, "Willy Heeks", Arts, June/Summer, 1987, p. 99
1987    Artextreme, Spring- Summer, 1987, no. 7, cover, pp.4-7
1987    John Yau, "Willy Heeks", Artforum, April, 1987, p. 123
1987    Ed Wingen, "Willy Heeks: Maakt Explosief Gebaar", De Telegraaf, April 16, 1987
1987    Anna Tilroe, "Couleur Locale", de Volkskrant , April 25, 1987
1986    Jed Perl, "At the Beginning of the Season", The New Criterion, December, 1986, pp. 65-70
1986    Dan Cameron, "In The Realm of The Hyper-Abstract", Arts, November, 1986, pp. 36 - 40
1986    John Pantalone, "Willy Heeks: Paintings", Art New England, Nov, 1986, vol. 7, no. 10, p. 18
1986    John Pantalone, "What is Abstract", Newport This Week, September, 25, 1986, p. 19
1986    Bill Van Siclin, "Fostering Art", Sunday Providence Journal, September 21, 1986, pp. A-l, H-1 and 10
1986    Dan Cameron, "Ten to Watch", Arts, September, 1986, p. 40-5
1986    Victoria Dunohoe, "A Revitalization of Abstraction: Willy Heeks at Vanguard", The Philadelphia Inquirer, May 9, 1986, p. 38
1986    Lillian Bregman, "Willy Heeks at Vanguard", Philadelphia Magazine, April, 1986, vol. 77, no.4, p. 31
1986    Susan W. Knowles, "Willy Heeks: Painting", Art Papers, January - February, 1986, vol. 10, no. l, p. 62
1985    Barry Schwabsky, "After The Great Separation: On One Tendency in Recent Abstract Painting and Its Background", Arts, November, l985, pp. 22-25
1985    Donald Chant Bohn, New Art Examiner, Summer, 1985, p.57
1985    Edward J. Sozanski, "Two Views of Abstraction", The Philadelphia Inquirer, April 25, 1985
1984    Grace Glueck, "Willy Heeks", The New York Times, March 2, 1984, Sec. C, p. 20.
1984    Michael Brenson, "Drawing with Respect to Painting", The New York Times, March 2, 1984, Sec. C, p. 22
1984    Appearances, Winter, 1984, no. 10, pp. 23-24
1984    Richard Flood, Editor. Notations, Regarding Today's Art, Foundation for Today's Art, Philadelphia, PA, 1984, p.3-16