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1991
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Alliance of Independent Colleges of Art Independent Study, New York
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1993
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BFA, Milwaukee Institute of Art & Design, Milwaukee, WI
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1995
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MFA, Cranbrook Academy of Art, Bloomfield Hills, MI
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Lives and works in New York
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2010 |
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Tony Matelli: Mise en Abyme, stephane simoens, Knokke-Zoute, Belgium (solo) |
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2008 |
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The Old Me, Leo Koenig Inc, New York, New York (solo) |
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2008 |
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Evolution, Max Lang, New York, NY |
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2008 |
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Philip Akkerman & Tony Matelli, Self-Portraits, Stephane Simoens Contemporary Fine Arts, Knokke-Zoute, Belgium |
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2008 |
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Esculturismo, la Suma de Todas, Madrid, Spain (catalogue) |
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2008 |
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Attention to Detail, curated Chuck Close, The FLAG Art |
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2008 |
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Foundation, New York, NY |
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2007 - 2008 |
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Betes et Hommes, Grande Halle de la Villette, Paris, France (catalogue) |
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2007 |
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Stranger than Paradise, curated by Max Henry, Galerie Charlotte Moser, Geneva, Switzerland |
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2007 |
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New Works, Leo Koenig Inc, New York, New York (solo) |
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2007 |
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I AM AS YOU WILL BE, Skeletons in Art, Cheim & Read, NY, New York |
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2007 |
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Pull My Finger, curated by Joe Zane, Allston Skirt Gallery, Boston, MA |
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2007 |
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Die Macht des Dinglichen – SCULPTUR HEUTE! (The Power of the Physical – SCULPTURE TODAY!), Georg-Kolbe-Museum, Berlin, Germany (catalogue) |
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2007 |
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Baroque Biology, (with Alexis Rockman), CAC in Cincinnati |
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2006 - 2007 |
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Hysteria Siberiana, curated by Marc-Olivier Wahler, Cristina Guerra Contemporary Arts, Lisbon, Portugal |
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2006 |
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Five Billion Years, Palais de Tokyo, Paris. France |
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2006 |
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The Furnace, curated by Goschka Macuga, AFoundation, Liverpool, UK |
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2006 |
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Helter, Helter, curated by Max Henry, Galerie Anne de Villepois, Paris |
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2006 |
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Andrehn Schiptjenko, Stockholm, Sweden (solo) |
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2006 |
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Charlotte Moser Gallery, Geneva, Switzerland (solo) |
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2006 |
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Into Me, Out of Me, curated by Klaus Biesenbach, PS1 / MOMA Contemporary Art Institute, Long Island City, NY |
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2005 |
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Emmanuel Perrotin Gallery, Paris, France (solo) |
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2005 |
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Self Preservation Society, Leo Koenig Inc., NYC |
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2005 |
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Leaving Cockaigne, Leo Koenig Inc., NYC |
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2005 |
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Fairy Tales Forever, Homage to H.C. |
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2004 |
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Abandon, Kunsthalle Wien, Vienna, Austria (catalogue) (solo) |
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2004 |
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Kunstraum Dornbirn, Dornbirn, Germany (solo) |
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2004 |
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Altered States, Leo Koenig Inc., NYC |
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2004 |
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Making Visible, Galerie Faurschou, Copenhagen, Denmark |
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2003 |
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Andrehn Schiptjenko, Stockholm, Sweden (solo) |
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2003 |
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Sies & Hoeke Gallery, Dusseldorf, Germany (solo) |
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2002 |
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Emmanuel Perrotin Gallery, Paris, France (solo) |
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2002 |
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Gian Enzo Sperone, Rome (solo) |
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2002 |
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Sperone Jr., Rome, Italy (solo) |
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2002 |
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Bailey Fine Art, Toronto (solo) |
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2001 |
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Art Dealers Invitational, Marseilles, France (solo) |
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2001 |
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Leo Koenig Inc. (solo) |
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2000 |
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Sies+ Hoeke Gallery, Dusseldorf, Germany (solo) |
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2000 |
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Ten in One Gallery, NYC (solo) |
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2000 |
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Torch Gallery, Amsterdam, Holland (solo) |
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2000 |
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Gallery du Triangle, Bordeaux, France (solo) |
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2008 |
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Montornes, Frederic, Una lucha por la supervivencia, Exit Express, Issue #36, May 2008, pg 25 |
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2008 |
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Conduit, Illustration: “Sleepwalker,”, Issue #19, Spring 2008 |
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2008 |
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Matelli, Tony, Tony Matelli, Fucked and Ancient Echo, Contemporary Arts Center, Cincinnati , Essay Matt Distal,(ISBN 978-0-917562-81-5) |
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2007 |
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Boutet do Monvel, Violaine, “Promenade: Divers lieux, New York, January 2007,” Artpress333, Paris, April |
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2007 |
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Keely, Amanda, “A-Z from the Armory Show, New York 2007,“Whitewall, Issue 6, Summer, pp. 158-159 |
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2007 |
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“Nar kunsten bliver en privat passion,“ Observer Danmark, Nr. 8, July 26 |
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2007 |
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Thorsen, Nils, “Farlig kunst over sofaen,“ December |
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2007 |
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“Efterarets, hojdepunkter, Berlingske, September 14 |
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2007 |
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Johnson, Ken, “Pointing Out Creativity’s Goofy Side,“ The Boston Globe,(www.boston.com),July 17 |
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2007 |
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Steel, Sharon, “Putting the ’art’ in ’fart,’“ The Pheonix, (www.thepheonix.com), July 6 |
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2007 |
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Nungesser, Michael, “Die Macht des Dinglichen, Kunstforum, May-June |
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2007 |
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Fiest, Peter H., “Material und Ironie,” Neues Deutschland, April 10, p. 19 |
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2007 |
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Styrie, Hanna, “Venus mit Gummiohren,” Kolnische Rundschau, April 4, p. 11 |
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