|
|
Tony Feher Biography
|
 |
 |
|
1956 |
|
Born in Albuquerque, New Mexico
|
|
1978 |
|
B.A. The University of Texas, Austin
|
|
2006 |
|
Aspen Award for Art, Aspen Art Museum, Aspen, CO
|
|
|
|
Lives and works in New York
|
|
|
| Selected Exhibitions |
|
|
|
2011
|
|
Ball Game, Dunn and Brown Contemporary, Dallas, TX
|
|
2011
|
|
Works of Paper, ACME., Los Angeles, CA
|
|
2010
|
|
On the Square, PaceWildenstein, New York, NY
|
|
2010
|
|
Look Again, Marlborough Gallery, New York, NY, curated by Casey Fremont and Karline Moeller
|
|
2010
|
|
Movement Schmoovement, La Mama La Galleria, New York, NY
|
|
2010
|
|
Reflection, Nathan A. Bernstein & Co., Ltd., New York, NY, curated by Nicole Berry
|
|
2010
|
|
At Home / Not at Home: Works from the Collection of Martin and Rebecca Eisenberg, Center for Curatorial Studies, Bard College, Annadale-on-Hudson, New York, NY
|
|
2010
|
|
50 Years at Pace, The Pace Gallery, New York, NY
|
|
2009 - 2010
|
|
Vortexexhibition Polyphonica, Henry Art Gallery, University of Washington, Seattle, WA
|
|
2009 - 2010
|
|
What Matters, Worcester Museum of Art, Worcester, MA
|
|
2009
|
|
Don’t Perish, Leo Koenig Inc. Projekte, New York, NY
|
|
2009
|
|
Slough, David Nolan Gallery, New York, NY
|
|
2009
|
|
ACME, Los Angeles, CA
|
|
2009
|
|
Paper Trail v. 5: Intimate Gestures, Judi Rotenberg Gallery, Boston, MA
|
|
2009
|
|
Tony Feher: Wall Show, D’Amelio Terras, New York, NY (solo)
|
|
2009
|
|
Tony Feher, Allison Miller and Mitzi Pederson ACME., Santa Monica, LA
|
|
2009
|
|
Material Intelligence, Kettle’s Yard, Cambridge, UK
|
|
2009
|
|
A Work in Progress, Usdan Gallery, Bennington College, Bennington, VT
|
|
2008
|
|
Anthony Meier Fine Arts, San Francisco, CA (solo)
|
|
2008
|
|
Pace Wildenstein, New York, NY (solo)
|
|
2008
|
|
D’Amelio Terras, New York, NY (solo)
|
|
2008
|
|
Intimacy, The Fireplace Project, East Hampton, NY
|
|
2008
|
|
Re: Place, Contemporary Arts Center, New Orleans, LA
|
|
2008
|
|
Waste Not, Want Not, Socrates Social Park, Long Island City, NY
|
|
2008
|
|
Styrofoam, RISD Museum of Art, Providence, RI
|
|
2007
|
|
Tony Feher: Some Time Soon, Art Museum of South Texas, Corpus Christi, TX
|
|
2007
|
|
Tony Feher: Western Edition, ACME, Los Angeles, CA
|
|
2007
|
|
Tony Feher: A Single Act of Carelessness Will Result in the Eternal Loss of Beauty, Efroymson Entrance Pavilion, Indianapolis Museum of Art, Indiana
|
|
2007
|
|
Everyday Eden, a Public Art Fund Project, Brooklyn, NY
|
|
2007
|
|
Extra-Ordinary: The Everyday Object In American Art, Austin Museum of Art, Austin, TX
|
|
2007
|
|
Salvaged, Pace Wildenstein, New York, NY
|
|
2007
|
|
Like color in pictures, Aspen Art Museum, Aspen, CO
|
|
2006
|
|
Tony Feher, The Suburban, Oak Park, IL
|
|
2006
|
|
New York, Interrupted, PKM Gallery, Beijing, China
|
|
2006
|
|
Aisle Five, Des Moines Art Center, Des Moines, IA
|
|
2006
|
|
Water, Water, Everywhere, Contemporary Art Center of Virginia, Virginia Beach, VA
|
|
2006
|
|
The Last Picture Show, Numark Gallery, Washington, DC
|
|
2006
|
|
181st Annual: An Invitational Exhibition of Contemporary American Art, National Academy Museum, New York, NY
|
|
2006
|
|
Transitional Objects, Neuberger Museum of Art, Purchase College, Purchase, NY
|
|
2006
|
|
Contemporary Masterworks: St. Louis Collects, Contemporary Art Museum St. Louis, St. Louis, MO
|
|
2005 - 2006
|
|
Tony Feher, Chinati Foundation, Marfa, TX
|
|
2005
|
|
Anthony Meier Fine Arts, San Francisco, CA (solo)
|
|
2005
|
|
The Chinati Foundation, Marfa, TX (solo)
|
|
2005
|
|
Atomica: making the invisible visible, Esso Gallery and Lombard-Freid Fine Arts, New York, NY,
|
|
2005
|
|
Spectrum, Galerie Lelong, New York, NY
|
|
2005
|
|
Frontiers: Collecting the Art of Our Time, Worcester Art Museum, Worcester, MA
|
|
2005
|
|
Decelerate, Kemper Museum of Contemporary Art, Kansas City, MO
|
|
2005
|
|
Material Matters , Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
|
|
2005
|
|
Water, Water Everywhere…, Marilu Knode, Scottsdale Museum of Contemporary Art, Scottsdale, AZ
|
|
2005
|
|
One-Armed Bandit, D'Amelio Terras, New York, NY
|
|
2004
|
|
The Wart on the Bosom of Mother Nature, D’Amelio Terras, New York, NY (solo)
|
|
2004
|
|
Transport to Summer, Foundación La Caixa, Lleida, Spain (solo)
|
|
2004
|
|
Bottle: Contemporary Art and Vernacular Tradition, Aldrich Contemporary Art Museum, Ridgefield, CT
|
|
2004
|
|
How Sculptors See, Worcester Art Museum, Worcester, MA
|
|
2004
|
|
Carl Berg Gallery, Los Angeles, CA
|
|
2004
|
|
The Making of Things, Triple Candle, New York, NY
|
|
2004
|
|
Disturbing the Peace, Danese Gallery, New York, NY
|
|
2004
|
|
Atomica: Making the Invisible Visible, Esso Gallery and Lombard-Freid Fine Arts, New York, NY
|
|
2004
|
|
Centraal Museum, Utrecht, the Netherlands, 'Vis Vitalis,' curated by Siebe Tettero (February 7 May 9)
|
|
2004
|
|
Serpentine Gallery, London, UK, 'State of Play,' curated by Rochelle Steiner (February 3 March 28)
|
|
2004
|
|
La Fundación La Caixa, Lleida, Spain, curated by Cira Pasqual Marquina (January 22 February)
|
|
2003
|
|
Addison Gallery of American Art, Andover, MA, 'Tracing the Sublime' (December 16 March 21, 2004)
|
|
2003
|
|
Various venues, Istanbul, Turkey, 'Poetic Justice: 8th International Istanbul Biennial,' curated by Dan Cameron (September 20 November 16)
|
|
2003
|
|
Museum of Contemporary Art, Chicago, IL, 'Basic Instinct: Minimalism Past, Present, and Future,' curated by Dominic Molon (May 31 September 14)
|
|
2003
|
|
Tony Feher, Arturo Herrera, Nancy Shaver, and Richard Tuttle, Brent Sikkema, New York, NY
|
|
2003
|
|
Beside, ACME, Los Angeles, CA
|
|
2003
|
|
Paper Chase, müller dechiara, Berlin, Germany
|
|
2003
|
|
Plastic, Weatherspoon Art Museum, Greensboro, NC
|
|
2003
|
|
Today’s Man, John Connelly Presents, New York, NY, travels to Hiromi Yoshii Gallery, Tokyo, Japan
|
|
2003
|
|
Transparent, Numark Gallery, Washington, DC
|
|
2003
|
|
Vessels: Fragments from the Lexicon, Jane Hartsook Gallery at Greenwich House Pottery, New York, NY
|
|
2003
|
|
Stacked, D’Amelio Terras, New York, NY
|
|
2002
|
|
Devin Borden Hiram Butler Gallery, Houston, TX (solo)
|
|
2002
|
|
Cheryl Numark Gallery, Washington, D. C. (solo)
|
|
2002
|
|
Miami Device 2002, Art Basel Miami Beach, curated by James Rondeau
|
|
2002
|
|
Interstate, Texas Fine Arts Association / The Jones Center for Contemporary Art, Austin, TX
|
|
2002
|
|
Aspects of Color, Anthony Meier Fine Arts, San Francisco, CA
|
|
2002
|
|
New York, New Work, Now, The Currier Gallery, Manchester, NH
|
|
2002
|
|
Systems Order Nature, Devin Borden Hiram Butler Gallery, Houston, TX
|
|
2002
|
|
Strolling Through an Ancient Shrine and Garden, ACME, Los Angeles
|
|
2002
|
|
5 Sculptures, D’Amelio Terras, New York, NY
|
|
2002
|
|
Art Gallery of Ontario, Toronto, ON, Canada, 'Provisional Worlds,' curated by Jessica Bradley (November 20 March 31, 2003)
|
|
2002
|
|
Colección Jumex, Mexico City, 'Leisure Theory,' curated by Dan Cameron (Feb 1 June)
|
|
2002
|
|
University of California, Berkeley Art Museum, Berkeley, CA, Matrix 201a: 'I'm Tired of Toast,' curated by Adrienne Gagnon (September 22 October 27)
|
|
2002
|
|
Worcester Art Museum, Worcester, MA, 'Maybe/Enjoy' (April 25 August 11)
|
|
2001
|
|
D'Amelio Terras, New York, NY, 'Maybe' (November 17 - December 22)
|
|
2001
|
|
UCLA Hammer Museum, Los Angeles, CA, 'Red Room and More' (November 13 - January 27, 2002)
|
|
2001
|
|
Center for Curatorial Studies, Bard College, Annandale-on-Hudson, 'Red Room and More' curated by Amada Cruz (June 24 - September 9)
|
|
2001
|
|
Group Show, ACME, Los Angeles, CA
|
|
2001
|
|
Plant Life, curated by Patrick Callery, K.S. Art, New York, NY
|
|
2001
|
|
Waterworks: U.S.Akvarell 2001, curated by Kim Levin, Nordiska Akvarellmeseet, Skarhamm, Sweden
|
|
2001
|
|
New Work: Recent Additions to the Collection, Addison Gallery of American Art, Andover, MA
|
|
2001
|
|
Re-Hacer: Selected Works from the Jumex Collection, Ex Teresa Art Actual, Mexico City, Mexico
|
|
2001
|
|
Locating Drawing, curated by Maureen Mahoney, Lawing Gallery, Houston, TX
|
|
2001
|
|
Highlights from the Permanent Collection: Pollock to today, (on continuous view) Whitney Museum of American Art, New York, NY
|
|
2000
|
|
Summer Group Exhibition, Paula Cooper Gallery New York, NY
|
|
2000
|
|
Vanitas in Cantemporary Art: Meditation on Life and Death, Virginia Museum of Fine Arts Richmond, VA
|
|
2000
|
|
Drawings and Photographs, Matthew Marks Gallery, New York, NY
|
|
2000
|
|
Balls, James Cohan Gallery, New York, NY
|
|
2000
|
|
Summer Group Show, D’Amelio Terras, New York, NY
|
|
2000
|
|
Déjà vu, curated by Amada Cruz, Art Miami 2000, Miami, FL
|
|
2000
|
|
Anthony Meier Fine Arts, San Francisco, CA (solo)
|
|
2000
|
|
Acme Los Angeles, CA
|
|
2000
|
|
ASISWAS, Storefront for Art and Architecture New York, NY
|
|
1999
|
|
D'Amelio Terras New York, NY
|
|
1999
|
|
Numark Gallery Washington, DC
|
|
1999
|
|
Mercer Union, Toronto, Ontario, Canada (solo)
|
|
1999
|
|
Probably best seen in the dark with the T.V. on, Addison Gallery of American Art, Phillips Academy, Andover, MA (solo)
|
|
1999
|
|
Works on Paper, D'Amelio Terras New York, NY
|
|
1999
|
|
Neither/Nor, Grand Arts Kansas City, MO
|
|
1999
|
|
Hindsight: Recent Aquisitions to the Permanent Collection, Whitney Museum of American Art New York, NY
|
|
1999
|
|
1999 Drawings, Alexander and Bonin, New York, NY
|
|
1999
|
|
Hubcap Star Solo, curated by Christopher Miles, The Claremont Graduate University, Claremont, CA
|
|
1998
|
|
Polly Apfelbaum & Tony Feher, Koyanagi Gallery, Tokyo, Japan
|
|
1998
|
|
Simple Matter, Numark Gallery, Washington, D.C.
|
|
1998
|
|
Humble County, D'Amelio Terras, New York, NY
|
|
1998
|
|
Aids Worlds: Between Resignation and Hope, curated by Frank Wagner, Center for Contemporary Art, Geneva, Austria
|
|
1998
|
|
After Eden: Garden Varieties in Contemporary Art, Middlebury College Museum of Art, Middlebury, VT
|
|
1998
|
|
Alternative Measures, curated by Susan Canning, Castle Gallery College of New Rochelle, New Rochelle, NY
|
|
1998
|
|
Richard Telles Fine Art Los Angeles, CA (solo)
|
|
1997
|
|
Sculpture, D'Amelio Terras New York, NY
|
|
1997
|
|
Sculpture, James Graham and Sons, New York, NY
|
|
1997
|
|
Summer Exhibition, Wooster Gardens, New York, NY
|
|
1997
|
|
Siempre Contigo, Ezra and Cecile Zikha Gallery, Wesleyan University, Middletown, CT
|
|
1996
|
|
Project Room: Tony Feher, Boesky and Callery Fine Arts, New York, NY (solo)
|
|
1996
|
|
Broadway Window Project, New Museum of Contemporary Art, New York, NY (solo)
|
|
1996
|
|
Group Exhibition, Paula Cooper Gallery New York, NY
|
|
1996
|
|
Thin Air: Examining the Ethereal, curated by Jane Dickson, Elsa Mott Ives Gallery, YWCA, New York, NY
|
|
1996
|
|
no show, St. Marks Church-in-the-Bowery, New York,
|
|
1996
|
|
Water, James Graham and Sons, New York, NY
|
|
1996
|
|
Arts' Communities - AIDS Communities: Realizing the Archive Project, Center for the Arts, Boston, MA
|
|
1995
|
|
Thresholds: 10 American Sculptures, Serralves Foundation Porto, Portugal
|
|
1995
|
|
Fresh Air/Tony Feher - Reading Room, Schmidt Contemporary Art, St. Louis, MO
|
|
1995
|
|
Inaugural Exhibition, Paul Morris Gallery, New York, NY
|
|
1995
|
|
In a Different Light, University Art Museum, University of California at Berkeley, Berkeley, CA
|
|
1995
|
|
Richard Anderson Fine Arts New York, NY
|
|
1995
|
|
Acme Los Angeles, CA
|
|
1994
|
|
Tony Feher and Michael Jenkins, Wooster Gardens, New York, NY
|
|
1994
|
|
The Gramercy International, New York, with Paula Cooper Gallery, New York, NY
|
|
1994
|
|
A Garden, Barbara Krakow Gallery, Boston, MA
|
|
1994
|
|
Polly Apfelbaum, Tony Feher, and Claudia Matzko, Patrick Callery, New York, NY
|
|
1994
|
|
Exhibition of Invited Artists, Paula Cooper Gallery New York, NY
|
|
1994
|
|
Spring 1994 Exhibitions with Thomas Busch, P.S.1 Museum Long Island City, NY
|
|
1994
|
|
Installation for Poetry and Performance, organized by Simon Watson, The Contemporary, New York, NY (solo)
|
|
1994
|
|
Tony Feher at Wooster Gardens, The Gramercy International, New York, NY (solo)
|
|
1993
|
|
The Return of the Cadavre Exquis, The Drawing Center, New York, NY
|
|
1993
|
|
Guest Room with Andrew Ong, Akim Kubinski, New York, NY
|
|
1993
|
|
Futura Book Collection, Air de Paris, Nice, France
|
|
1993
|
|
Wilhelmi-Holland Gallery, Corpus Christi, TX
|
|
1993
|
|
Outside Possibilities '93, curated by Bill Arning, The Rushmore Festival, Woodbury, NY
|
|
1993
|
|
Art Around the Park, Tompkins Square Park, New York, NY
|
|
1993
|
|
The Art of Self-Defense and Revenge ... It's Really Hard, Momenta Art, New York, NY
|
|
1993
|
|
Blur, curated by d.d. Chapin, 15 Renwick Street, New York, NY
|
|
1993
|
|
Yours, organized by Michael Jenkins, Wooster Gardens, New York, NY
|
|
1993
|
|
Tony Feher Sculpture, Wooster Gardens New York, NY
|
|
1992
|
|
The Auto-Erotic Object, curated by Julie Carson, Hunter College Gallery, New York, NY
|
|
1992
|
|
The Anti-Masculine (Overlapping, but not corresponding to the feminine), Kim Light Gallery Los Angeles, CA
|
|
1991
|
|
Queer Show, Minor Injury, Brooklyn, NY
|
|
1991
|
|
New Era Space, New York, NY
|
|
1991
|
|
Tony Feher, Paula Hayes, Curtis Mitchell, Andrea Rosen Gallery, New York, NY
|
|
1991
|
|
Gulliver's Travels, Sopgia Ungers, Koln, Germany
|
|
1990
|
|
Looking at a Revolution: Documenting the AIDS Activist Movement, Simon Watson Gallery, New York, NY
|
|
1990
|
|
Andrea Rosen Gallery, New York, NY
|
|
1990
|
|
Tony Feher - Nancy Brooks Brody, 134 Charles Street, New York, NY
|
|
1990
|
|
AIDS/SIDA, Real Art Ways Hartford, CT
|
|
1989
|
|
Atomic Art, Max Fish New York, NY
|
|
1987
|
|
179 Ludlow, New York, NY
|
|
1985
|
|
New Work, Tower Gallery, New York, NY
|
|
1984
|
|
Group Show, 148 Church, New York, NY
|
|
1981
|
|
Corpus Christi State University, Corpus Christi, TX
|
|
1981
|
|
First Time Out, Ceramics Invitational South Texas Art Mobile, Corpus Christi, TX
|
|
1980
|
|
Foundation Show, curated by Linda Cathcart, Art Museum of South Texas, Corpus Christi, TX
|
|
1980
|
|
Underground Artists of the City, Gaslight Theater, Austin, TX
|
|
|
| Selected Public Collections |
|
|
|
|
|
San Francisco Museum of Modern Art, California
|
|
|
|
Solomon R. Guggenheim Museum, New York
|
|
|
|
Walker Art Center, Minneapolis, Minnesota
|
|
|
|
Whitney Museum of American Art, New York
|
|
|
|
Worcester Art Museum, Massachusetts
|
|
|
|
Addison Gallery of American Art, Andover, Massachusetts
|
|
|
|
Baltimore Museum of Art, Maryland
|
|
|
|
The Art Institute of Chicago, Illinois
|
|
|
|
Des Moines Art Center, Iowa
|
|
|
|
Henry Art Gallery, Seattle
|
|
|
|
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York
|
|
|
|
La Colécion Jumex, Mexico City
|
|
|
|
Modern Art Museum of Fort Worth, Texas
|
|
|
|
Museum of Fine Arts, Houston
|
|
|
| Literature |
|
|
|
2008
|
|
Clarkson, Lamar. “Everyday Eden,” ARTnews, January 2008, pp. 131, illus.
|
|
2008
|
|
D’Arcy, David. “Spare Time,” Town and Country Magazine, January 2008, pp. 130-131, illus.
|
|
2008
|
|
Sheets, Hilarie M. “Message in a Bottle,” ARTnews, February 2008, pp. 110-113, illus.
|
|
2008
|
|
“The RISD Museum of Art Presents Styrofoam,” artdaily.org, 17 March 2008.
|
|
2008
|
|
“Tony Feher: Pick,” http://www.artcal.net/event/view/3/6661, 19 March 2008.
|
|
2007
|
|
Clonts, Lauren. “Extra-Ordinary: The Everyday Object In American Art,” austin360.com, August 2007.
|
|
2007
|
|
Maine, Stephen. “Welcome to the Junkyard,” The New York Sun, 19 July 2007.
|
|
2006
|
|
Ferguson, Russell. “Disregarded, Ordinary, and Suspect,” Chinati Foundation Newsletter, Vol 11, pp. 36-43, illus.
|
|
2006
|
|
Cudlin, Jeffry, “The Last Picture Show,” Washington City Paper, 1 December 2006.
|
|
2006
|
|
Marx, Jonathan, “New Frist exhibit gives visitors a colorful tour through modern world,” Tennessean.com, 10 November 2006.
|
|
2006
|
|
Morain, Michael, “Cleanup in ‘Aisle 5’? Not here,” DesMoinesRegister.com, 29 October 2006.
|
|
2006
|
|
“Transitional Objects: Contemporary Still Life,” artdaily.org, 17 October 2006.
|
|
2006
|
|
Selby, Mary. “ArtCRUSH,” The Aspen Times, August 26, 2006.
|
|
2006
|
|
Johnson, Ken. “For a Broad Landscape, an Equally Wide Survey,” New York Times, May 31, p. E5.
|
|
2006
|
|
Janku, Laura Richard, “Tony Feher,” artUS, March-April 2006.
|
|
2006
|
|
“Spectrum,” New Yorker, 23 January 2006.
|
|
2006
|
|
Thorson, Alice. “Deliberate Deceleration,” The Kansas City Star, January 8, illus.
|
|
2006
|
|
Malloy, Nancy. “Tony Feher,” The 181st Annual Exhibition, exhibition catalog, National Academy Museum, New York, illus.
|
|
2005
|
|
Dunbar, Elizabeth. Decelerate, exhibition catalog, Kemper Museum of Contemporary Art, Kansas City, MO
|
|
2005
|
|
Knode, Marilu. “Adapting Modernity,” Water, Water Everywhere…, exhibition catalog, Scottsdale Museum of Contemporary Art, Scottsdale, AZ
|
|
2005
|
|
Richer, Francesca and Rosenzweig, Matthew. “Tony Feher,” No 1: First Works by 362 Artists, p. 130, illus.
|
|
2005
|
|
Chinati Foundation Newsletter, Vol 9, p. 85-86, illus.
|
|
2005
|
|
Bae, James, “Feher Transforms the Ordinary into Compelling Spaces,” The Big Bend Sentinel, October 6, 2005 Vol. 72 No. 27, p. 1-3, illus.
|
|
2004
|
|
Lentini, Lara Kristin, “New York, New York,” Art Papers, September/October 2004, p. 48.
|
|
2004
|
|
Tettero, Siebe. “Tony Feher: The Wart on the Bosom of Mother Nature,” Contemporary, No. 65, p. 69.
|
|
2004
|
|
Stern,, Steven, “Tony Feher,” Time Out New York, 24 June -1 July 2004, p. 70.
|
|
2004
|
|
Harris, Jane. “Genie in a Bottle: Tony Feher’s Witty, Twisted Readymades,” Village Voice, May 28, 2004.
|
|
2004
|
|
Spiher, David. “Glitter in a Magpie’s Eye,” Gay City News, 20-26 May, 2004.
|
|
2004
|
|
Johnson, Ken. “Tony Feher: The Wart on the Bosom of Mother Nature,” The New York Times, May 21, 2004, p. E27.
|
|
2004
|
|
Cullinan, Nicholas. “Review: State of Play,” Frieze. April, pp. 93-94.
|
|
2004
|
|
Millett, Ann. “Review: One Word: Plastic,” Art Papers. March-April, pp. 42-43.
|
|
2004
|
|
Falconer, Morgan. “Deep Play,” Art Monthly. March, pp. 7-10.
|
|
2004
|
|
Steiner, Rochelle. State of Play. London: Serpentine Gallery. ISBN 1870814126.
|
|
2004
|
|
Eleey, Peter. '8th Istanbul Biennial,' Frieze. January-February, p. 97.
|
|
2003
|
|
Bradley, Jessica. 'Provisional Worlds,' in Provisional Worlds. Toronto: Art Gallery of Ontario.
|
|
2003
|
|
Dixon, Glenn. 'The Pickup Artist,' City Paper, June 14-20, pp. 52-53, illus.
|
|
2003
|
|
Fyfe, Joe. 'Tony Feher at D'Amelio Terras', Art In America, April, p. 145, illus.
|
|
2003
|
|
Heartney, Eleanor. “Mending the Breach,” Art in America. December, pp. 74-79 and 118, illus.
|
|
2003
|
|
Kleeblatt, Norman. “Istanbul Biennial,” ARTnews. December, Vol. 102, No. 11, p.128.
|
|
2003
|
|
Morgan, Robert C. “Whose Justice? Reflections on the Istanbul Biennial,” NY Arts Magazine, November / December 2003, Vol. 8, No. 11/12, p. 43.
|
|
2003
|
|
Altug, Evrim. “Insanligin mavi kader çizgisi,” Radikal, September 22, 2003.
|
|
2003
|
|
Harwood, Andrew. “Art Chicago 2003: The Art Industrial Complex,” C: International Contemporary Art, Summer 2003, p. 48.
|
|
2003
|
|
Janku, Laura Richard. “San Francisco: ‘Aspects of Color,’” Sculpture, Vol. 22, No. 3, April 2003.
|
|
2003
|
|
Harwood, Andrew. “Provisional Worlds,” Flash Art, March/April 2003, p. XX.
|
|
2003
|
|
Deitcher, David. “Stacked: D’Amelio Terras, through Mar 22,” Time Out New York, March 13-20, 2003, Issue 389, p. 73.
|
|
2003
|
|
Johnson, Ken. “Art Guide,” The New York Times, Friday March 7, 2003, p. E46.
|
|
2003
|
|
Johnson, Ken. “Art in Review,” The New York Times, Friday, February 28, 2003, p. E45.
|
|
2002
|
|
Van der Voort, Jane. “Future in Plastics,” Toronto Sunday Sun, December 15, p. 26.
|
|
2002
|
|
Milroy, Sarah. “Out of the ordinary,” The Globe and Mail, December 3, p. R5.
|
|
2002
|
|
Goddard, Peter. “An art world made up of stuff,” Toronto Star, November 23, p. J8.
|
|
2002
|
|
Bradley, Jessica. “Provisional Worlds,” in Provisional Worlds. Toronto: Art Gallery of Ontario.
|
|
2002
|
|
Baker, Kenneth. “Minimalists under lens in ‘Aspects of Color,’” San Francisco Chronicle, November 9, p. D1.
|
|
2002
|
|
Hullinghorst, Joni. “The Currier goes to New York,” The Keene Sentinel, November 8, p. 13.
|
|
2002
|
|
Uncredited. “New art from New York,” New Hampshire Sunday News, September 29, E5.
|
|
2002
|
|
Shamaly, Erica. “Interstate: Tony Feher, Donald Moffett, Kay Rosen, and Leo Villareal,” Artlies, fall, pp. 64-65.
|
|
2002
|
|
Dawson, Jessica. “Tony Feher Makes His Point-of-Sale,” The Washington Post, June 20.
|
|
2002
|
|
Dixon, Glenn. “The Pickup Artist,” The Washington City Paper, June 14-20, 2002.
|
|
2002
|
|
Fyfe, Joe. “Tony Feher at D’Amelio Terras,” Art in America, April 2002
|
|
2002
|
|
Isé, Claudine. “Tony Feher,” Essay printed by the UCLA Hammer Museum to coincide with the exhibition by the artist, 13 November 2001 – 27 January 2002.
|
|
2002
|
|
Baker, Kenneth. “Minimalists under lens in Aspects of Color,” San Francisco Chronicle, Saturday, November 9, 2002.
|
|
2001
|
|
The New Yorker, “Tony Feher”, December 10, pp. 16-20
|
|
2001
|
|
Eisgrau, Robin “Isn’t that just crate?” offoffoff.com, 29 November 2001.
|
|
2001
|
|
Cotter, Holland. “Across the Hudson Highlands, Sculptures Are Sprouting Inside and Out,” The New York Times, Friday, July 20, 2001. p E35.
|
|
2001
|
|
LaBelle, Charles. “Lost and Found,” Frieze, February 2001, #56. pp. 88 - 89.
|
|
2001
|
|
Mahoney, Robert. 'Tony Feher, Maybe', Time Out New York, December 13-27, p. 85, illus.
|
|
2001
|
|
Ise, Claudine. 'Tony Feher', exhibition brochure, UCLA Hammer Museum, Hammer Projects, Los Angeles.
|
|
2001
|
|
Cruz, Amada. Tony Feher. Annondale-on-Hudson, NY: Center for Curatorial Studies Museum, Bard College. Essays by Bill Arning,Amada Cruz and John Lindell, interview with the artist by Adam Weinberg.
|
|
2000
|
|
Levin, Kim. “Tony Feher,” The Village Voice, February 8, 2000.
|
|
2000
|
|
Smith, Roberta. “Tony Feher,” The New York Times, February 4, 2000. p. E33.
|
|
2000
|
|
Miles, Christopher. “Tony Feher. ACME,” Artforum, Summer 2000. p. 189.
|
|
2000
|
|
Lindell, John. “Tony Feher,” Purple, Summer 2000. p. 306.
|
|
2000
|
|
Moreno, Gean. “Déja vu,” New Art Examiner, May 2000. p.59.
|
|
2000
|
|
Morgan, Robert C. “Tony Feher,” Artpress, May 2000. p. 67.
|
|
2000
|
|
“Tony Feher,” Storefront for Art and Architecture brochure, January 13 - February 12, 2000.
|
|
2000
|
|
“Art & About: Untitled Tony Feher show,” Glue Magazine, March/April 2000. p. 67.
|
|
1999
|
|
On View,” New York, December 13, 1999. p. 110.
|
|
1999
|
|
“Tony Feher,” The New Yorker, December 13, 1999. p. 19.
|
|
1999
|
|
“Tony Feher,” The Village Voice, December 7, 1999. p. 105.
|
|
1999
|
|
Johnson, Ken. “Tony Feher,” The New York Times, December 3, 1999. p. E41.
|
|
1999
|
|
“Tony Feher,” The Art Newspaper, December 1999. p. 74.
|
|
1999
|
|
Ebony, David. “Tony Feher at D’Amelio Terras,” artnet.com, November 25, 1999.
|
|
1999
|
|
Gilbert, Chris. “Tony Feher: No Simple Matter,” Sculpture Magazine, September 1999. pp. 10 -11.
|
|
1999
|
|
Morrow, David. “A Few of My Favorite Feher’s,” C Magazine, No. 62, August 1999. pp. 24 - 29.
|
|
1999
|
|
Wagner, Frank. Aids Worlds - Between Resignation and Hope, catalogue from exhibition at Center for Contemporary Art, Geneva, June 1999.
|
|
1998
|
|
Cameron, Dan. “Tony Feher,” Cream, London: Phaidon Press, 1998.
|
|
1998
|
|
Woznicki, Krystian. “New York Trash and Cosmic Heights,” The Japan Times, Tokyo, September 20, 1998.
|
|
1998
|
|
Arning, Bill. “Beyond Minimalism,” Gallery Koyanagi, September 1998.
|
|
1998
|
|
“Tony Feher at Richard Telles,” dART International, April/June 1998. p. 33.
|
|
1998
|
|
Miles, Christopher. “Tony Feher: Richard Telles Fine Art,” Zingmagazine, Summer 1998. pp. 180 - 181.
|
|
1998
|
|
Felshin, Nina. “Tony Feher,” Siempre Contigo, catalogue from exhibition at Wesleyan University.
|
|
1998
|
|
Heartney, Eleanor: After Eden, catalogue from the exhibition at the Middlebury College Museum of Art. pp. 8 - 9.
|
|
1998
|
|
Arning, Bill. “Tony Feher,” Honcho, March 1998, Vol. 21, No. 3. pp. 82 - 84.
|
|
1998
|
|
Zimmer, William. “Show of Work Resembling Items at Hand,” The New York Times, March 15, 1998. Weekend section, p. 16.
|
|
1998
|
|
Canning, Sue. Alternative Measures, catalogue from the exhibition at the College of New Rochelle, February 1998.
|
|
1998
|
|
Ise, Claudine. “Recycled Treasures,” The Los Angeles Times, February 6, 1998. p. F20.
|
|
1998
|
|
LaBelle, Charles. “Tony Feher,” World Art, No. 15. p. 74.
|
|
1997
|
|
Atkins, Robert. Art Speak, New York: Abbeville Press, 1997. Second Edition, pp. 164 - 165.
|
|
1997
|
|
Caniglia, Julie. “Tony Feher,” Artforum, Vol. XXXVI, No. 2, October 1997. pp. 100 - 101.
|
|
1997
|
|
Clifford, Katie. “Tony Feher,” Art Papers, Vol. 21, Issue 5, September/October 1997. p. 57.
|
|
1997
|
|
ASCII Weekly, Tokyo, September 22, 1997. pp. 53 - 53.
|
|
1997
|
|
Fineman, Mia. “Tony Feher: Alchemist,” artnet.com, July 1997.
|
|
1997
|
|
Levin, Kim. “Village Choices: Summer Exhibition,” The Village Voice, Vol. XLII, No. 29, July 22, 1997. p. 18.
|
|
1997
|
|
Greene, David A. “Tony Feher: Sculpture,” newyork.sidewalk.com. June 9, 1997.
|
|
1997
|
|
Watson, Simon. “Openings,” Simon Says, Issue: Silencio = Muerte, Volume 10, Summer 1997.
|
|
1997
|
|
Arning, Bill. “Tony Feher,” Time Out New York, June 5 – 12, 1997.
|
|
1997
|
|
“Tony Feher,” The New Yorker, May 26, 1997.
|
|
1997
|
|
Smith, Roberta. “Tony Feher,” The New York Times, May 23, 1997.
|
|
1997
|
|
Green, David A. “Object Lesson,” The Village Voice, Vol. XLII, No. 20, May 20, 1997.
|
|
1997
|
|
Cotter, Holland. “Art and Aids: The Stuff Life is Made Of...,” Art in America, Vol. 85, No. 4, April 1997. pp. 51 - 55.
|
|
1996
|
|
Lovelace, Carey. “Saying No Go to SoHo: West Chelsea becomes the hot art gallery spot,” Newsday, Friday, December 20, 1996. p. B21.
|
|
1996
|
|
Arning, Bill. “Days with Art,” The Village Voice, December 10, 1996. Vol. XLI, No. 50. p. 95.
|
|
1996
|
|
Peck, Dale. “no nudes” essay from no show, catalogue from the exhibition at St. Mark”s Church-in-the-Bowery.
|
|
1996
|
|
Arning, Bill. “Water,” Time Out New York, No. 48, August 21 – 28, 1996. p. 29.
|
|
1996
|
|
Cash, Stephanie. “Tony Feher at Richard Anderson,” Art in America, Vol. 84, No. 4, April 1996. p. 115.
|
|
1996
|
|
Isreal, Nico. “Tony Feher: Richard Anderson Gallery,” Artforum, Vol. XXXIV, No. 7, March 1996. pp. 102 - 103
|
|
1996
|
|
“Soil,” xxx fruit, Issue No. 2, January 1996. pp. 72 - 73.
|
|
1996
|
|
Arts’ Communities - AIDS Communities: Realizing the Archive Project, catalogue from the exhibition at BCA, Boston, Massachusetts. p. 37.
|
|
1996
|
|
Griffin, Tim and Pedersen, Victoria. “Gallery Gazing: Navigating the Constellations of Installations,” Paper, January 1996. p. 98.
|
|
1995
|
|
Levin, Kim. “Choices: Art Short List, Tony Feher,” The Village Voice, November 21, 1995, Vol XL, No. 47. p. 10.
|
|
1995
|
|
Mahoney, Robert. “Tony Feher,” Time Out New York, No. 8, November 15 – 22, 1995. p. 24.
|
|
1995
|
|
Smith, Roberta. “The Lasting Impact of Some Witty 70’s Ephemera,” The New York Times, November 12, 1995. p. 45.
|
|
1995
|
|
Murphy, Tim. “This Generation: Nine Gay Artists...And A Thousand Ways To Define Queer Art,” HX, Vol. 5, #46, November 11, 1995.
|
|
1995
|
|
Brea, José Luis. “Reviews - "Threshold’,” Artforum, Vol. XXXIV, No. 3, November 1995. p. 97.
|
|
1995
|
|
Threshold: Ten American Sculptors, catalogue from the exhibition at the Serralves Foundation, Porto, Portugal. Essays by Dan Cameron, Fernando Pernes and Joao Fernandes. pp. 40, 41, and supplement.
|
|
1995
|
|
Faria, Oscar. “Nos Limites da Escultura,” Público: Zoom (Porto, Portugal), June 2, 1995. p. 16 - 17.
|
|
1995
|
|
Faria, Oscar. “Escultura para ver devagar,” Público (Porto, Portugal), June 1, 1995. p. 76.
|
|
1995
|
|
In a Different Light, catalogue from the exhibition at University Art Museum, Berkeley, CA. Edited by Nayland Blake, Lawrence Rinder and Amy Scholder.
|
|
1995
|
|
Blake, Nayland., Killian, Kevin., and Rinder, Lawrence. “Preview: The Secret Histories,” Artforum, February 1995. pp. 23 -24, 104.
|
|
1995
|
|
Katz, Vincent and Victoria Pederson. “Artistic Endeavors,” Paper, January 1995. p. 82.
|
|
1994
|
|
Watson, Simon. “kampfen, klagen und auch hoffen,” Art, December 1994. pp. 52 - 55
|
|
1994
|
|
Gimelson, Deborah. “Art & Commerce,” The New York Observer, May 16, 1994.
|
|
1994
|
|
Cameron, Dan. “Critical Edge,” Art & Auction, January 1994.
|
|
1993
|
|
Levin, Kim. “Voice Choices,” The Village Voice, November 16, 1993.
|
|
1993
|
|
Holmquist, Karl. “Oppningar Och Nernissager i Stockholm Och New York,” Material, October 1993.
|
|
1993
|
|
Hirsch, David. “Random Elements, Tony Feher at Wooster Gardens,” New York Native, October 11, 1993.
|
|
1993
|
|
Harris, William. “Urgent Images, Art and AIDS,” ARTnews, May 1993.
|
|
1993
|
|
Scott-Hartland, Bree. PWA Coalition Newsline, May 1993.
|
|
1993
|
|
Fujimori, Manami. “New York Art Review,” BT, April 1993.
|
|
1993
|
|
Smith, Roberta. “Group Shows in SoHo for a Weekend of Gallery Hopping; Things of Beauty,” The New York Times, January 15, 1993.
|
|
1992
|
|
Moore, Patrick. The Estate Project for Artists With Aids Report.
|
|
1992
|
|
Glueck, Grace. “Gallery Watch,” The New York Observer, November 2, 1992.
|
|
1992
|
|
Carson, Julie. The Auto-Erotic Object, catalogue from the exhibition at Hunter College Gallery, New York.
|
|
1992
|
|
Levin, Kim. “Choices,” The Village Voice, October 30, 1992.
|
|
1992
|
|
Atkins, Robert. “Scene and Heart,” The Village Voice, August 4, 1992.
|
|
1991
|
|
Schwabsky, Barry. “Mitchell/Feher/Hayes,” Arts Magazine, November 1991.
|
|
1991
|
|
Smith, Roberta. “Three Artist Who Favor Chaos,” The New York Times, August 2, 1991.
|
|
1990
|
|
Smith, Roberta. “So Big and So Dressed Up, New Galleries Bloom in SoHo,” The New York Times, May 11, 1990.
|
|
1990
|
|
Buchuerlag, Damont. Gulliver's Travels, catalogue from the exhibition at Galerie Sophia Ungers, Köln, Germany.
|
|
1990
|
|
Hirsch, David. “Personal Monuments,” New York Native, February 12, 1990.
|
|
|
|