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1965
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Born in Seattle, Washington; Lives and works in New York
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1989
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Attended School of Visual Arts, New York (BFA)
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1995
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Art Center College of Design Pasadena, California (MFA)
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2007 |
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A Fair Tale & Garland One, Stedelijk Museum, Amsterdam |
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2007 |
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Cine y Casi Cine, Museo Nacional Centro de Arte Reina Sofia, Madrid |
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2007 |
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Passage du Temps: Selections from the François Pinault Foundation, Tri Postal, Lille, France |
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2007 |
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Talking Pictures, K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf |
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2006 |
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The World's Most Photographed, The Museum Ludwig, Cologne |
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2005 |
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T.J. Wilcox: Garlands, Frankfurter Kunstverein, Munich |
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2005 |
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Superstars: From Warhol to Madonna, Kunsthalle Wien and Kunstforum Wien, Vienna, Austria (cat.) |
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2004 |
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“A Garland for Ireland,” Temple Bar Outdoors, Dublin, Ireland (solo) |
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2004 |
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“Whitney Biennial,” Whitney Museum of American Art, New York (cat.) “North Fork/South Fork,” Parrish Art Museum, Southampton, New York |
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2003 |
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“Garlands,” Sadie Coles HQ, London; China Art Objects, Los Angeles Tate Modern, London (screening and discussion with the artist) (solo) |
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2003 |
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“Drawings,” Metro Pictures, New York “Today’s Man,” John Connelly Presents, New York; Hiromi Yoshii, Tokyo (cat.) “My People Were Fair and had Cum in Their Hair (but now they’re content to spray stars from your boughs),” Team, New York “Fast Forward, Media Art Sammlung Goetz,” KZM, Karlsruhe, Germany (cat.) “Somewhere Better Than This Place,” Contemporary Arts Center, Cincinnati (cat.) |
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2002 |
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Metro Pictures, New York (solo) |
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2001 |
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'The Americans- New Art' Barbican Art Gallery, London (cat.) |
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2001 |
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Sadie Coles HQ, London (solo) |
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2001 |
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Galerie Daniel Buchholz, Cologne (solo) |
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2001 |
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Galerie Meyer Kainer, Vienna, Austria (solo) |
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2001 |
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'W' Musée des Beaux-Arts, Dole, France |
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2000 |
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Gavin Brown’s Enterprise, New York (solo) |
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2000 |
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Kunsthaus, Glarus, Switzerland (solo) |
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2000 |
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'Greater New York' PS1, Long Island City, New York |
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2000 |
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'The American Century - Art & Culture 1900-2000' Whitney Museum of American Art, New York |
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1999 |
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'Moving Images' Galerie für Zeitgenössische Kunst, Leipzig, Germany |
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1999 |
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Center for Curatorial Studies, Bard College, Annandale-on Hudson, New York |
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1999 |
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Gavin Brown's Enterprise, New York (solo) |
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1999 |
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Sadie Coles HQ, London (solo) |
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1999 |
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Galerie Daniel Buchholz, Cologne (solo) |
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1998 |
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Institute of Contemporary Arts, London (solo)(catalogue) |
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1998 |
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'El Nino' Museum Abteiberg, Moenchengladbach, Germany |
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1998 |
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'Dialogues' Walker Art Center, Minneapolis, Minnesota (with Sam Easterson) (brochure) |
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1997 |
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XLVII Venice Biennale |
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1997 |
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'Sunshine and Noir, Art in Los Angeles, 1960-1997' Louisiana Museum of Art, Denmark; Kunstmuseum Wolfsburg, Germany; Castello di Rivoli, Italy; UCLA at The Armand Hammer Museum of Art, Los Angeles |
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1997 |
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'Whitney Biennial' Whitney Museum of American Art, New York |
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1997 |
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Galerie Daniel Buchholz, Cologne (solo) |
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1997 |
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'The Death and Burial of the First Emperor of China' Gavin Brown's Enterprise, New York (solo) |
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1996 |
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'Studio 246' Marc Foxx Gallery, Los Angeles |
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1996 |
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'Hollywood' LACE, Los Angeles |
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1996 |
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Los Angeles Center for Photographic Studies, Los Angeles |
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1996 |
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'Persona' Kunsthalle Basel, Switzerland; The Renaissance Society, The University of Chicago, Illinois (cat.) |
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1996 |
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'Affairs' The Institute for Contemporary Art Vienna, Austria |
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1996 |
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'Studio 246' Kunstlerhaus Bethanien, Berlin, Germany |
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1996 |
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'Sampler II' David Zwirner Gallery, New York |
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1996 |
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Gavin Brown’s Enterprise, New York (solo) |
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1996 |
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'Contemporary Collections' L.A.C.P.S., Los Angeles |
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1995 |
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Art Center College of Design, Pasadena, California |
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1995 |
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'The Big Night' Bradbury Building, Los Angeles |
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1995 |
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'Fabrication' The Guggenheim Gallery, Chapman University, Orange, California |
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1994 |
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'Crack babies' Art Center College of Design, Pasadena, California |
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1994 |
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'Tom Tiddler's Ground' Pasadena Plaza, Pasadena, California |
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2001 |
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Michael Archer, 'T.J. Wilcox- Sadie Coles HQ,' Artforum, April, pp. 149-50 |
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2001 |
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Charles Ruas, 'T.J. Wilcox at Gavin Brown’s Enterprise,' Art in America, June, pp. 126-7 |
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2001 |
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Sarah Gavlak, 'A Queer Sensibility,' Pride, pp. 56 |
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2001 |
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Dan Fox, 'Straight to Video,' frieze, October, pp. 68-71 |
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2001 |
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The Americans- New Art, Barbican Art Gallery, London, pp. 84-91 |
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2001 |
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Sarah Kent, 'Altered States,' Time Out London, London, December 28, pp. 60 |
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2001 |
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T.J. Wilcox, 'Cultural Tourism- The Carlyle Hotel,' frieze, September, pp. 77 |
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2001 |
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Amanda Sharp, 'The Americans,' Arena Homme +, London, Autumn |
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2000 |
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Holland Cotter, 'T.J. Wilcox,' The New York Times, November 10 |
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1999 |
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Martin Herbert, 'Review', Flash Art, October, pp. 117 |
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1999 |
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Lawrence A. Rickels, 'The Loss Generation', Art/Text, no. 64 |
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1999 |
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Sarah Kent, 'Review', Time Out/London, June |
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1999 |
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Robin Dutt, 'T.J. Wilcox: The Funeral of Marlene Dietrich,' What’s On, June 16, pp. 24 |
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1998 |
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TJ Wilcox, Institute of Contemporary Arts, London |
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1998 |
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Sarah Kent, 'Review', Time Out/London, October 21-28 |
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1998 |
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Amra Brooks, 'A Conversation with T.J. Wilcox', Zingmagazine, Summer, pp. 88-95 |
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1998 |
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Bill Arning, 'Review', Art in America, April, pp. 116 |
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1998 |
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Dialogues: Sam Easterson, T.J. Wilcox, Walker Art Center, Minneapolis |
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1997 |
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Robin Updike, 'Area artist's images score a N.Y. coup', Seattle Times, May 25 |
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1996 |
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Persona, Kunsthalle Basel, Switzerland |
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