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1973 - 1976
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Chelsea School of Art and Design, London
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1976 - 1977
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British Council/DAAD Scholarship to Berlin
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1977 - 1979
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Postgraduate studies, Slade School of Fine Art, London
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1981 - 1985
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Living and working in Japan
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1986 - 1991
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Living and working in London
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1992
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Living and working in Dartmoor, Devon
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2008 Prix Pictet, Shortlisted Artist
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2006-07 The Stille Room, Fyllingsdaten Nursing Home, Bergen, Norway
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2004-05 Eden Project Education Centre/Solar Terrace
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1993 South West Arts Major Award
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1982-83 Postgraduate Research Tsukuba University, Japan
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1981-82 Rotary Foundation Award, Japan
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1979 Boise Travel Scholarship to Holland
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2010 - 2011 |
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Shadowcatchers, The Art of Camera- Less Photography Victoria & Albert Museum, London |
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2010 |
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Dust in the Mirror, Djanogly Art Gallery, University of Nottingham |
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2009 |
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Hitchhikers to the Galaxy, Daejeon Museum of Art, Korea |
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2009 |
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Purdy Hicks Gallery, London (solo) |
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2008 |
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Water, Prix Pictet, Palais de Tokyo, Paris |
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2008 |
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Johyun Gallery, Seoul and Busan, South Korea (solo) |
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2008 |
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Susan Derges and Hildegard van Bingen, Ingleby Gallery, Edinburgh (solo) |
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2008 |
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A History of Photography, Victoria & Albert Museum, London |
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2008 |
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Night, RWA Galleries, Bristol |
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2007 - 2008 |
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Something that I�ll never really see: Contemporary Work from the V&A, Sainsbury Centre for the Visual Arts, University of East Anglia, Norwich; Castle Museum, Nottingham |
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2006 - 2008 |
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Gregor Mendel: Planting the Seeds of Genetics, The Field Museum, Chicago. Touring to COSI, Columbus, Ohio; Memphis Museum, Tennessee; Academy of Natural Sciences, Philadelphia |
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2007 |
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Trace and Transience, Centre for Contemporary Art and the Natural World, Exeter |
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2006 - 2007 |
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Alchemy, Harewood House, Leeds; Purdy Hicks Gallery, London; Abbot Hall Art Gallery, Kendal; Djanogly Art Gallery, University of Nottingham |
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2006 |
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Picturing Eden, George Eastman House, New York |
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2006 |
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Purdy Hicks Gallery, London (solo) |
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2006 |
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Ingleby Gallery, Edinburgh (solo) |
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2005 - 2006 |
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Bodies of Water, Victoria Art Gallery, Bath; Southampton City Art Gallery |
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2005 |
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Photographs Without a Camera, Gallery 314, Bergen (solo) |
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2005 |
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Appearance, Whitehall Waterfront, Leeds |
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2005 |
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Made in Britain, Huis Marseille, Amsterdam |
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2004 |
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Lightfall, Brewhouse, Taunton |
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2004 |
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Photo Synthesis, Royal Albert Memorial Museum, Exeter |
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2004 |
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From Here To Eternity, Ingleby Gallery, Edinburgh |
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2004 |
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FotoFest 2004 � Water, Houston, Texas (solo) |
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2004 |
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Dark Waters, The Terrace Gallery, Harewood House, Leeds (solo) |
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2004 |
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Recent Work, Galerie Nichido, Paris (solo) |
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2004 |
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Recent Work, Photo London (solo) |
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2003 |
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New Work, Paul Kasmin Gallery, New York (solo) |
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2003 |
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Transience of Nature, Nichido Contemporary Art, Tokyo Design Centre (solo) |
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2003 |
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Ingleby Gallery (solo) |
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2003 |
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Several Exceptionally Good Recently Acquired Pictures, Fraenkel Gallery, San Francisco |
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2003 |
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Recycling Lucifer's Fall, Houldsworth Gallery, London |
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2003 |
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Observed: Photographs, Gallery Kayafas, Boston |
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2003 |
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The Camera-less Image, Photo-eye, santa Fe, NM |
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2003 |
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New to View: Recent Acquisitions in Photography, The Art Institute of Chicago, Chicago, USA |
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2003 |
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The Disembodied Spirit, Bowdoin College Museum of Art, Brunswick, ME |
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2003 |
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Prima Facie, Nina Freudenheim Gallery, buffalo, New York, USA |
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2003 |
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The Camera-less Image, Photo-eye, santa Fe, NM |
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2003 |
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New to View: Recent Acquisitions in Photography, The Art Institute of Chicago, Chicago, USA |
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2003 |
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The Disembodied Spirit, Bowdoin College Museum of Art, Brunswick, ME |
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2003 |
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Synthetic Lightening: Complex Simulations of Nature, Center for Photography at Woodstock, Woodstock, NY |
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2002 |
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Natural Magic, Michael Hue-Williams Fine Art, London |
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2002 |
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The Genius of Genetics Gregor Mendel, Abbey of St Thomas, Brno |
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2002 |
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Landscape and Photography, Ingleby Gallery |
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2002 |
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Now What is Photography, Gana Art Gallery, Seoul, Korea |
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2002 |
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New Work, Michael Hue-Williams Fine Art, London (solo) |
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2002 |
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Liquid Form, Ediciones Wu, Lima (solo) |
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2002 |
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The Streens, Trace Gallery, Weymouth, Dorset (solo) |
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2002 |
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Metamorphing, Science Museum, London |
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2001 |
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Summer Exhibition, Paul Kasmin Gallery, New York |
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2001 |
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From The Dark Room, Michael Hue-Williams Fine Art, London |
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2001 |
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Sea Change, Spacex Gallery. Exeter |
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2001 |
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Kingswood, St Mary�s Church, Ashford, Kent (solo) |
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2001 |
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Natural Magic, Museum of History and Science, Oxford (solo) |
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2001 |
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This is not a Photograph, traveling exhibition through 2002 |
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2000 |
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Susan Derges/Christopher Bucklow, Recent work, Vaknin Schwartz, Atlanta |
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2000 |
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Liquid Form, Howard Yezerski Gallery, Boston |
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2000 |
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Now! Modern Photography from the Permanent Collection, Metropolitan Museum of art, NY |
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2000 |
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New Art Centre Sculpture Park & Gallery, Roche Court, Wilshire (with Hideo Furuta) |
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2000 |
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Howard Yezerski Gallery, Boston (solo) |
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2000 |
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Particle Accelerators: At the Intersection of Photography, Science & Technology Photographic Resource Center, Boston |
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2000 |
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This is Not a Photograph, Pace University Choate Art Gallery (touring) |
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2000 |
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Summer 2000 Unique Photographs, Paul Kasmin Gallery |
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2000 |
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Anti-Memory, Yokohama Museum of Art |
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200 - 2000 |
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Fluid Flow, James Graham & Sons, NY |
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1999 |
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Phenomena, Ansel Adams Center for Photography, San Francisco |
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1999 |
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Woman Thinking River, James Danziger Gallery, New York (solo) |
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1999 |
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Woman Thinking River, Fraenkel Gallery, San Francisco (solo) |
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1999 |
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Recent Work, Michael Hue Williams Fine Art (solo) |
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1999 |
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Ingleby Gallery (with Patricia Macdonald) |
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1999 |
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20 Twenty, Fraenkel Gallery |
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1998 |
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Woods and Water, Kettle�s Yard, Cambridge (with Andrew Smith) |
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1998 |
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River Taw (two person exhibition) Inverleith House, Royal Botanical Gardens, Edinburgh |
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1998 |
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Dark Matter, Harris Museum & Art Gallery, Preston; Turnpike Gallery, Leigh (touring) |
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1998 |
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Dust Breeding, Fraenkel Gallery |
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1998 |
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Silver and Syrup, Victoria & Albert Museum, London |
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1998 |
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River Taw, Newlyn Art Gallery, Newlyn, Cornwall (solo) |
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1998 |
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River Taw, Musee D�Elysee, Lausanne (solo) |
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1998 |
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River Taw, Spacex Gallery, Exeter (solo) |
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1998 |
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Recent work, Gallery Mocca, Gottenberg, Sweden |
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1997 - 1998 |
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About Painting, Robert Miller Gallery, New York |
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1997 |
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On the Bright Side of Life - Contemporary British Photography, Neue Gesellschaft fur Bildende Kunst, Berlin |
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1997 |
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Eye of the Beholder: Photographs from the Avon Collection, International Centre of Photography, New York |
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1997 |
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River Taw, Michael Hue-Williams Fine Art (solo) |
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1997 |
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Several Exceptionally Good Recently Acquired Pictures XI, Fraenkel Gallery |
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1996 |
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Under the Sun, Fraenkel Gallery |
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1996 |
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Elective Affinities, Michael Hue-Williams Fine Art |
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1996 |
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Light, Time, Focus, The Museum of Contemporary Photography, Chicago |
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1995 |
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Possibilities of Extention, Aspex Gallery, Portsmouth |
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1995 |
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Heaven�s Embroidered Cloths, National Museum of Film, Photography & Television, Bradford |
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1995 |
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Content and Discontent in Today�s Photography, Ansel Adams Centre for Photography |
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1995 |
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Print Room, The Photographers� Gallery, London (solo) |
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1995 |
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James Danziger Gallery (solo) |
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1995 |
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Embodied, Arnolfini Gallery, Bristol (solo) |
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1994 |
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The Observer and the Observed, James Danziger Gallery (solo) |
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1994 |
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Wellsprings, Bath Festival, Bath |
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1994 |
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Growth and Form, Ruskin Gallery, Sheffield |
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1994 |
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Umbra Penumbra Signals Festival of Women Photographers, Spacex Gallery |
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1994 |
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Cameraless Photography, Yokohama Museum of Art, Yokohama |
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1993 |
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Between Sun and Earth, The Photographers� Gallery (solo) |
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1993 |
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Full Circle, Cairn Gallery, Stroud (solo) |
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1992 |
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Salama-Caro Gallery, London |
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1992 |
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New Inhabitants, Royal Albert Museum and Art Gallery |
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1992 |
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New Acquisitions, Arts Council Collection, South Bank Centre, London |
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1991 |
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Post Modern Prints, Victoria & Albert Museum |
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1989 |
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Machine Dreams, The Photographers Gallery�, London |
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1989 |
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AVE Festival of Audio Visual Arts, Arnhem |
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1989 |
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Phenomenart, Saibu Gas Museum, Fukuoka |
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1989 |
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Gallery ON, Poznan (solo) |
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1989 |
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Tokyo Science Museum, Exploratorium, Tokyo (video) (solo) |
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1989 |
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Studio 2000, Seibu Department Store, Tokyo |
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1988 |
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Presence 2, Gallery ON Poznan |
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1987 |
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O� Art Museum, Tokyo (video) (solo) |
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1985 |
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JVC VIC Centre, Tokyo (video) (solo) |
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1985 |
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Gallery Okazaki, Tokyo (solo) |
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1985 |
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High Technology Art, Seibu Department Store, Tokyo |
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1984 |
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Art Space Niji, Kyoto (solo) |
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1984 |
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Art and Technology, Gekkoso Gallery and Seibu Department Store, Tokyo |
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1984 |
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Hara Annual, Hara Museum of Contemporary Art, Tokyo |
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1983 |
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Union des Femmes Peintres, Luxembourg Museum, Paris |
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1981 |
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The House Construction Show, House Gallery, London |
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1981 |
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Art into Architecture, Swiss Cottage Library, London |
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1980 |
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Galerie im Zentrum, Berlin (solo) |
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1978 |
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Kunstlerhaus Bethanien, Berlin (solo) |
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1978 |
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Hayward Annual, Hayward Gallery, London |
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Victoria & Albert Museum, London |
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National Museum of Film, Photography and Television, Bradford |
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Huis Marseille, Amsterdam |
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Kunstlerhaus Bethanien, Berlin |
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Neuer Berliner Kunstverein, Berlin |
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Museum of Fine Arts Boston |
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The Art Institute of Chicago |
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Museum of Fine Arts Houston |
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Metropolitan Museum of Art, New York |
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San Francisco Museum of Modern Art |
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Saibu Gas Museum, Fukuoka |
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The Hara Art Museum, Tokyo |
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Citibank Private Bank Collection, London |
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Hess Collection Napa, Bern, London |
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2006 |
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Stilled Lives – Contemporary Still Life Photography by Women, Ffoto Gallery |
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2006 |
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Picturing Eden, George Eastman House (Steidl) |
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2005 |
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Surface, University of Plymouth |
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2003 |
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Transience of Nature (catalogue) Nichido Contemporary Art, Tokyo |
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2003 |
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Next Level Magazine, London |
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2003 |
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Recycling Lucifer’s Fall (catalogue) Houldsworth Fine Art, London |
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2002 |
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Kingswood (book) Photoworks and Stour Valley Arts Project |
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2002 |
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Now What is Photography (catalogue) Gana Art Gallery, Seoul |
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2002 |
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Portfolio Magazine Issue 34 |
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2002 |
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The Genius of Genetics Gregor Mendel (catalogue) ARTAKT |
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2000 |
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20 Twenty (catalogue) Fraenkel Gallery, San Francisco |
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1999 |
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Woman Thinking River (book) Fraenkel and Danziger Galleries, US, |
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1999 |
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Susan Derges Liquid Form (book) Michael Hue Williams Fine Art, London. |
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1999 |
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Essay by Martin Kemp |
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1998 |
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Dark Matter (catalogue) Harris Museum, Preston, and Turnpike Gallery, Leigh |
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1998 |
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Essays by Clive Cazeau, Michael Petry and David Peat |
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1998 |
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Dust Breeding - Photographs, Sculpture & Film Fraenkel Gallery. Essay by Steve Wolfe |
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1997 |
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River Taw (book) Michael Hue-Williams Fine Art. Essay by Richard Bright. |
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1996 |
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Elective Affinities (catalogue) Michael Hue-Williams Fine Art. Essay by Mark Haworth - Booth |
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1996 |
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Under the Sun (catalogue) Fraenkel Gallery, San Francisco. Essay by David Alan Mellor |
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1996 |
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On the Bright Side of Life - Contemporary British Photography, Neue Gesellschaft fur Bildende Kunst, Berlin. Essays by David Chandler, Val Williams, David A. Bailey, David Alan Mellor, Brett Rogers |
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1995 |
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Possibilities of Extension (catalogue) Aspex Visual Arts Trust, Portsmouth. Essay by Lisa Moran |
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1995 |
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Content and Discontent in Today’s Photography Independent Curators Incorporated, New York. Essay by Andy Grundberg. |
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1995 |
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Embodied (catalogue) Arnolfini, Bristol. Essays by Tessa Jackson and Christopher Bucklow |
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1994 |
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Umbra Penumbra (catalogue) Spacex Gallery, Exeter |
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1994 |
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Well Spring (catalogue) Bath Festivals Trust, Bath. Essay by Antonia Payne |
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1993 |
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New Inhabitants - Seven Artists on Dartmoor (catalogue) Royal Albert Museum & |
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1993 |
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Between Sun and Earth (catalogue) Photographers’ Gallery, London. Essays by David Chandler and Christopher Bucklow |
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1989 |
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Phenomenart (catalogue) Saibu Gas Museum, Fukuoka |
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1984 |
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Hara Annual (catalogue) Hara Museum of Contemporary Art, Tokyo |
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1978 |
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Hayward Annual 1978 (catalogue) Arts Council of England |
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