|
|
Stuart Arends Biography
|
 |
 |
|
1950 |
|
Born in Waterloo, Iowa, USA
|
|
1974 |
|
B.A., Western State College, Gunnison, Colorado, USA
|
|
1976 - 1977 |
|
Banff School of Fine Arts, Banff, Alberta, Canada
|
|
1981 |
|
M.F.A. Otis Art Institute, Los Angeles, California, USA
|
|
|
|
Lives and works in Willard, New Mexico, USA
|
|
|
| Selected Exhibitions |
|
|
|
2010
|
|
Past & Present. Early paintings, drawings & the new PDF series, James Kelly Contemporary, Santa Fe, Mexico, USA (solo)
|
|
2010
|
|
Tonelli Galleria d’Arte, Milan, Italy (solo)
|
|
2010
|
|
The PDF series, curated by Angela Madesani, Studio la Città, Verona, Italy (solo) (cat.)
|
|
2009
|
|
Recent Works, Schmidt Contemporary, St. Louis, Missouri, USA (solo)
|
|
2009
|
|
The Winter Salon, Bjorn Ressle Gallery, New York, New York, USA
|
|
2008
|
|
Works 1997 - 2008, Dabbeni Studio d’Arte, Lugano, Switzerland (solo)
|
|
2008
|
|
Works on Paper: The Natalie and Irving Forman Collection - Albright-Knox Art Gallery, Buffalo, New York, USA
|
|
2007
|
|
Group Show, Björn Ressle Gallery, New York, New York, USA
|
|
2007
|
|
Wedges and a-squares, James Kelly Contemporary, Santa Fe, New Mexico, USA (solo)
|
|
2007
|
|
Six A - Squares and One Large Wedge, Bjorn Ressle Fine Art, New York, New York, USA (solo)
|
|
2006
|
|
Wedges, Björn Ressle Fine Art, New York, New York, USA
|
|
2005
|
|
Cross roads, Duets With a Blue Guitar, Bleeker Galerie, Heemstade, Netherlands
|
|
2005
|
|
Schmidt Contemporary, St Louis, Missouri, USA
|
|
2005
|
|
It’s About Art, Gallery Schlesinger, New York, NY
|
|
2005
|
|
Je ne regrette rien, Studio la Citta, Verona, Italy
|
|
2005
|
|
La Collezione Panza, Gelleria dell’Accademia, Mendrisio, Italy
|
|
2005
|
|
Paint on Metal, Tucson Museum of Art, Tucson, AZ
|
|
2005
|
|
Abstractions Pure and Simple, Fine Arts Center Galleries, University of Rhode Island, Kingston
|
|
2005
|
|
Grange House Gallery, Saint Peter Port, Guernsey, Channel Islands (cat.) (solo)
|
|
2004
|
|
White on White, Patricia Faure Gallery, Santa Monica, California, USA
|
|
2004
|
|
Cult Following, Gallery Schlesinger, New York, New York, USA
|
|
2004
|
|
Color transforms life: Stuart Arends / Alfonso Frattenggiani Bianchi, Gallerie de Bleeker, Heemstede, The Netherlands
|
|
2004
|
|
So O, Contemporary art in Southern New mexico, Museum of Fine Arts, Santa Fe, New Mexico, USA (cat.)
|
|
2004
|
|
Stuart Arends: Friends, Gallery Schlesinger, New York, New York, USA (solo)
|
|
2003
|
|
Some Paintings, Larry Becker Contemporary, Philadelphia, Pennsylvania, USA
|
|
2003
|
|
Selection from the Panza Collection, MART (Museo di atre Rovereto e Trento), Rovereto, Italy
|
|
2002
|
|
In The Details, Gallery Schlesinger, New York, New York, USA
|
|
2002
|
|
Structure, Patricia Faure Gallery, Santa Monica, California, USA
|
|
2002
|
|
Stuart Arends, Six P.A.s, One Split, One Stand, Richard Levy Gallery, Albuquerque, N.M. (solo)
|
|
2002
|
|
James Kelly Contemporary, Santa Fe, New Mexico, USA
|
|
2002
|
|
Stuart Arends, Four Splits, One Stand, Hosfelt Gallery, San Francisco, California, USA (solo)
|
|
2002
|
|
6 PA’s, 1 Split, 1 Stand, Richard Levy Gallery, Albuquerque, N.M. (solo)
|
|
2002
|
|
Stuart Arends, with Katharina Grosse, Studio la Città, Verona, Italy (cat.) (solo)
|
|
2002
|
|
Stuart Arends: Selected Works, 1980 - 2000, Roswell Museum (catalogue with essays by W. Russel, J. Yau) (solo)
|
|
2001
|
|
Patricia Faure Gallery, Santa Monica, California, USA
|
|
2001
|
|
Stuart Arends: Selected Works, 1980-2000, Roswell Museum, New Mexico, USA (cat. with essays by W. Russel, J. Yau) (solo)
|
|
2001
|
|
Stuart Arends, Studio la Cita, Verona, Italy (solo)
|
|
2001
|
|
New Work: L.A. Painting, Hosfelt Gallery, San Francisco, California, USA
|
|
2001
|
|
Figure Astratte, curated by G. M. Accame, Palazzo Pallavicini Rospigliosi, Rome, Italy (catalogue with essays by G. M. Accame, M. Bertoni, C. Cerritelli, F.Tedeschi)
|
|
2000
|
|
View, Larry Becker Contemporary Art, Philadelphia, Pennsylvania, USA
|
|
2000
|
|
Teresita Fernandez/Stuart Arends, James Kelly Contemporary, Santa Fe, New Mexico, USA
|
|
2000
|
|
View, Larry Becker Contemporary Art, Philadelphia
|
|
2000
|
|
7 Sake Boxes, James Kelly Contemporary, Santa Fe, New Mexico, USA (solo)
|
|
2000
|
|
Stuart Arends/ Sake Boxes, Patricia Faure Gallery, Santa Monica, California, USA (solo)
|
|
1999
|
|
That Certain Look, the Minimalist Tradition in New Mexico, University of New Mexico Art Museum, Albuquerque, New Mexico, USA
|
|
1999
|
|
Selections, Cherry Stone Gallery, Wellfleet, Cape Cod, Massachusettes, USA
|
|
1999
|
|
Morbida quiete e la notte, Studio La Città, Verona, Italy (catalogue with essay by: Michael Haggerty)
|
|
1999
|
|
Art Chicago 1999, Richard Levy Gallery, Chicago, I.L.
|
|
1999
|
|
Group Show, Richard Levy Gallery, Albuquerque, N.M.
|
|
1999
|
|
Gallery Schlesinger, New York, New York, USA
|
|
1998
|
|
The Forty-Fifth Biennial, The Corcoran Collects, Corcoran Gallery of Art, Washington, D.C. (cat.)
|
|
1998
|
|
James Kelly Contemporary, Santa Fe, New Mexico, USA
|
|
1998
|
|
Larry Becker Contemporary, Philadelphia, Pennsylvania, USA
|
|
1998
|
|
Sake Boxes, Gallery Schlesinger (with Craig Cornelius), New York, New York, USA (solo)
|
|
1998
|
|
Angles Gallery, Santa Monica, California, USA (solo)
|
|
1998
|
|
The Panza Di Buomo Collection, Artists of the Eighties and Nineties, Museo del Palazzo Ducale, Gubbio, Italy (catalogue with essays by C. Bon Valsassina, G. Panza di Biumo)
|
|
1998
|
|
Akron Art Museum, Akron, Ohio, USA (solo)
|
|
1998
|
|
Metal Stacks & Preliminary Drawings, Richard Levy Gallery, Alburquerque, New Mexico, USA (solo)
|
|
1997
|
|
Larry Becker Contemporary Art, Philadelphia, Pennsylvania, USA (solo)
|
|
1997
|
|
Works on Paper, Richard Levy Gallery, Albuquerque, New Mexico, USA (solo)
|
|
1997
|
|
In touch with..., Kevin Appel, Stuart Arends, Patricia Misan, Carter Potter, Ross Rudel, David Simpson, Linda Stark, Renate Shroder, Galerie + Edition, Cologne, Germany
|
|
1997
|
|
Geometric Abstraction, 1937-1997, Snyder Fine Art, New York, New York, USA
|
|
1997
|
|
The Magic of Numbers, Staatsgalerie Stuttgart, Stuttgart, Germany
|
|
1997
|
|
Simpson, Linda Start, Renate Schröder, Galerie + Edition, Cologne, Germany
|
|
1997
|
|
Margulies-Taplin Gallery, Coral Gables, Florida, USA (solo)
|
|
1996
|
|
La collezione Panza di Biumo, Palazzo delle Albere, Trento, Italy (catalogue with essays by G. Belli and Giuseppe Panza di Biumo)
|
|
1996
|
|
L'Ossessione Del Segno, Studio La Citta Verona, Italy (catalogue with essay by M. Pozzati)
|
|
1996
|
|
Small Scale, Joseph Helman Gallery, New York, New York, USA
|
|
1996
|
|
Contemporary Art in New Mexico, Site Santa Fe, Santa Fe, New Mexico, USA
|
|
1996
|
|
...And They Call It Painting, Studio La Citta Verona, Italy (catalogue with essay by M. Bertoni)
|
|
1996
|
|
Laura Carpenter Fine Art, Santa Fe, New Mexico, USA
|
|
1996
|
|
Works on Paper, Richard Levy Gallery, Albuquerque, New Mexico, USA (solo)
|
|
1996
|
|
Margulies-Taplin Gallery, Coral Gables, Florida, USA (solo)
|
|
1995
|
|
Angles Galley, Santa Monica, California, USA (solo)
|
|
1995
|
|
Number Drawings, Richard Levy Gallery, Alburquerque, New Mexico, USA (solo)
|
|
1995
|
|
Gridluck, Marge Goldwater Inc., New York, New York, USA
|
|
1995
|
|
Uncommon Objects, Kathleen Shields Contemporary Projects, Albuquerque, New Mexico, USA
|
|
1995
|
|
Wax, Nohra Haime Gallery, New York, New York, USA
|
|
1995
|
|
La collezione Panza di Biumo, Museo Cantonale d'Arte, Lugano, Switzerland
|
|
1995
|
|
Corcoran Biennal, Corcoran Gallery of Art, Washington D.C., USA
|
|
1994
|
|
Serial, Angles Gallery, Santa Monica, California, USA
|
|
1994
|
|
Homage to Paint, Surface, Charlotte Jackson Fine Art, Santa Fe, New Mexico, USA
|
|
1994
|
|
Works from 1985-1994, Craig Cornelius Gallery, New York, New York, USA (solo)
|
|
1994
|
|
Celedon Works from 1989, Stark Gallery, New York, New York, USA (solo)
|
|
1993
|
|
Angles Gallery, Santa Monica, California, USA (solo)
|
|
1993
|
|
Kathleen Shields Contemporary Art Projects, Albuquerque, New Mexico, USA (solo)
|
|
1993
|
|
Inadvertently, Asher/Faure Gallery, Los Angeles, California, USA
|
|
1993
|
|
Volume: No Noise, Klein Art Works, Chicago, Illinois, USA
|
|
1993
|
|
Sublime Presence, Center for Contemporary Arts, Santa Fe, New Mexico, USA
|
|
1992
|
|
Art by Numbers, Angles Gallery, Santa Monica, California, USA
|
|
1992
|
|
Selections From The Panza Collection, Museo Cantonale d'arte, Lugano, Switzerland (cat.)
|
|
1992
|
|
S. Bitter-Larkin Gallery, New York, New York, USA (solo)
|
|
1991
|
|
Schmidt Contemporary, St. Louis, Missouri, USA (solo)
|
|
1991
|
|
Graham Gallery, Albuquerque, New Mexico, USA (solo)
|
|
1991
|
|
Painting into Object, Stark Gallery, New York, New York, USA
|
|
1991
|
|
Squaresville, Angles Gallery, Santa Monica, California, USA
|
|
1991
|
|
Not On Canvas, Asher/Faure Gallery, Santa Monica, California, USA
|
|
1991
|
|
Interrogating The Essence, Work by Stuart Arends and Allan Graham, University of New Mexico Art Museum, Albuquerque, New Mexico, USA
|
|
1990
|
|
Homage To The Square, Nohra Haime Gallery, New York, New York, USA
|
|
1990
|
|
Germans Van Eck, New York, New York, USA
|
|
1990
|
|
Asher/Faure Gallery, Los Angeles, California, USA (solo)
|
|
1990
|
|
Asher/Faure Gallery, Los Angeles, California, USA
|
|
1989
|
|
Bitsborno Gallery, Malmö, Sweden
|
|
1989
|
|
Boite Alerte, Renee Fotouhe Fine Art, New York, New York, USA
|
|
1988
|
|
Craig Cornelius Gallery, New York, New York, USA
|
|
1988
|
|
On The Wall Off The Wall, Center For Contemporary Arts, Santa Fe, New Mexico, USA
|
|
1988
|
|
Asher/Faure Gallery, Los Angeles, California, USA (solo)
|
|
1987
|
|
Lead, Hirschl & Adler Modern, New York, New York, USA
|
|
1987
|
|
Craig Cornelius Gallery, New York, New York, USA (solo)
|
|
1986
|
|
Sul Ross State University, Alpine, Texas, USA (solo)
|
|
1985
|
|
Municipal Art Gallery, Los Angeles, California, USA
|
|
1985
|
|
Nailsworth, Mortimer Rooms, Christchurch Hall, Nailsworth, UK
|
|
1984
|
|
Roswell Museum and Art Center, Roswell, New Mexico, USA (solo)
|
|
1983
|
|
Oranges/Sardines Gallery, Los Angeles, California, USA (solo)
|
|
1983
|
|
Artist in Concert, Oranges/Sardines Gallery, Los Angeles, California, USA
|
|
1982
|
|
Stuart Arends/Robert Swan; Work Concerning Object/Paint, Street Level Gallery, Los Angeles, California, USA
|
|
1982
|
|
Street Level Gallery, Los Angeles (solo)
|
|
1982
|
|
Oranges/Sardines Gallery, Los Angeles (solo)
|
|
|
| Selected Public Collections |
|
|
|
|
|
The Whitney Museum, New York, New York, USA
|
|
|
|
University of New Mexico Art Museum, Albuquerque, New Mexico, USA
|
|
|
|
Villa Menafoglio Litta Panza, Biumo Superiore, Varese, Italy
|
|
|
|
Albright – Knox Art Gallery, Buffalo, New York, New York, USA
|
|
|
|
Albuquerque Museum, New Mexico, USA
|
|
|
|
Berlingieri Collection, Castello di San Basilio, Italy
|
|
|
|
Kramarsky Collection, New York, New York, USA
|
|
|
|
Museo Cantonale d'Arte, Lugano, Switzerland
|
|
|
|
Museum of Fine Arts, Santa Fe, New Mexico, USA
|
|
|
|
Palazzo delle Albere, Trento, Italy
|
|
|
|
Roswell Museum and Art Center, Roswell, New Mexico, USA
|
|
|
|
The Corcoran Gallery of Art, Washington D.C., USA
|
|
|
| Literature |
|
|
|
2001
|
|
Jan Aldmann, With $5.000 To Spend: Relative Values, ‘Santa Fe Reporter’, March 28.
|
|
2001
|
|
Luigi Meneghelli, Scatole con incrinature e quadri , ‘L’Arena’, June 21
|
|
2001
|
|
Stuart Arends e Katharina Grosse: goichi di forme e trionfi di colore, ‘Arte’, May
|
|
2001
|
|
Michela Arfiero, Katharina Grosse e Stuart Arends, ‘Tema Celeste’, Lugllo-Settembre, p. 106
|
|
2000
|
|
Tom Collina, A Contained, Holdable Universe, ‘The Albuquerque Journal’
|
|
1999
|
|
Angela Vettese, Panza sceglie controcorrente, ‘Il Sole-24 Ore’, 17 January
|
|
1998
|
|
Susan Harris, Stuart Arends: Work 1985/1996, ‘The Smith Book Fund’, Santa Fe, New Mexico, USA
|
|
1997
|
|
Gerard Brown, Stuart Arends at Larry Becker Contemporary Art, ‘Philadelphia Weekly’, December 17
|
|
1996
|
|
Jan Adlmann/Barbara McIntyre, Contemporary Art In New Mexico, Wichita, Kansas, USA, G+B Arts International
|
|
1996
|
|
Giorgio Trevisan, Tante pitture nessuna memoria, ‘L’Arena’, 11 July
|
|
1995
|
|
M. Van de Walle, Aperto: Santa Fe, 'Flash Art International', Summer, n. 183, p. 79
|
|
1993
|
|
Candelora Versace, Radical Approaches to Space and Color, “Pasatiempo”, February 4
|
|
|
|