Slater Bradley (American, b.1975) is a video and installation artist based in Brooklyn, NY. He received his BA from the University of California in Los Angeles in 1998, and had his first solo show in 1999 at Team Gallery in New York. Bradley manifests his ideas regarding identity, youth, death, and abandonment using pop culture and music icons.

He regularly uses his doppelganger, an actor named Benjamin Brock, in his works. In Don’t Let Me Disappear, Bradley creates a film in which Brock is seen wandering alone around New York City. The work references the protagonist from J.D. Salinger’s The Catcher in the Rye; he analyzes the world around him from the perspective of a disassociated teenager. In Doppelganger Trilogy (2001–2004), Bradley uses the imagery of Ian Curtis from the band Joy Division, Kurt Cobain from the band Nirvana, and Michael Jackson. Each segment in the series has a level of film degradation, which shows the fading nature of the now deceased celebrities. The seemingly appropriated performances are actually all performed by Brock acting as the three musicians. The actor’s physical similarity to Bradley also reflects the dynamics of idolization and seeing one’s own identity in celebrities. An edition of the Doppelganger Trilogy can be found in the collection of the Guggenheim Museum.

Bradley has had solo exhibits at the Solomon R. Guggenheim Museum, The Whitney Museum of American Art, the Aspen Art Museum, the Frans Hals Museum, The Berkely Art Museum, and The Contemporary Arts Museum in St. Louis, MO. He is represented by Max Wigram Gallery in London, Blum & Poe in Los Angeles, and Galeria Helga de Alvear in Madrid.

Timeline

1975
Born in San Francisco, USA
1996
UCLA Two year Lillian Levenson Scholarship, USA
1996
UCLA President's Undergraduate Fellowship, USA
1998
BA, University of California, Los Angeles, USA
1998
UCLA Art Council Grant, USA
2005
The Louis Comfort Tiffany Foundation Award in Video, USA
Lives and works in New York, USA

Exhibitions

2010
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, USA (forthcoming) (solo)
2009
Team Gallery, New York (with Ed Lachman, forthcoming, Fall) (solo)
2009
boulevard of broken dreams, Max Wigram Gallery, London (with Ed Lachman, forthcoming, May)(solo)
2009
Frans Hals Museum, Haarlem, The Netherlands (forthcoming, March)(solo)
2009
Videowork from the Guggenheim Collections, Guggenheim Museum, Bilbao, Spain
2007–2009
Sympathy for the Devil: Art and Rock and Roll since 1967, Museum of Contemporary Art, Chicago, IL, USA (travelled to the Museum of Contemporary Art, Miami and Musée d’Art Contemporain de Montréal, Montréal, curated by Dominic Molon)
2008
Rock My Religion, Domus Artium 02, Salamanca, Spain, (curated by Javier Panera,)
2008
Young at Heart (Remix), Centro Cultural de Cascais, Cascais, Portugal, (curated by Alexandre Melo)
2008
Accessories to an Artwork, Paul Stolper Gallery, London, England, (curated by Peter Saville)
2008
Auto Stop, Malmo Konsthall, Malmo, Sweden
2008
A Curators Gift: Contemporary Photography from Diego Cortez, New Orleans Museum of Art, New Orleans, LA
2008
still: Slater Bradley, Sally Mann, Nigel Poor, Center for Visual Art, Metropolitan State University, Denver, CO, (curated by Greg Watts and Cinthia Fiss)
2008
The Ghost in the Machine (curated by Elisabeth Byre and Susanne Sather), Kunstnernes Hus, Oslo, Norway
2008
VOLUME(S) (curated by Marc Clement and Kevin Muhlen), Casino Luxembourg, Luxembourg
2008
The object is in the mirror part II, (curated by Max Henry), Wilkinson Gallery, London, UK
2008
Perfect Empathy, Taka Ishii Gallery, Tokyo (September) (solo)
2008
Frans Hals Museum, Haarlem, The Netherlands (September) (solo)
2007
The object is the mirror, Layr Wuestenhagen Contemporary, Vienna, Austria
2007
The Present Order is the Disorder of the Future, Frans Hals Museum, Haarlem, The Netherlands
2007
Stop, Look and Listen, Herbert F. Johnson Museum of Art, Cornell University, Ithaca
2007
Sympathy for the Devil: Art and Rock and Roll since 1967, Museum of Contemporary Art, Chicagp
2007
Sweet Bird of Youth, Arndt & Partner, Berlin, Germany
2007
Noise, TH Inside, Milan, Italy
2007
Blum & Poe, Los Angeles, USA (solo)
2007
Max Wigram Gallery, London (September), (solo)
2007
Galeria Helga de Alvear, Madrid, (solo)
2007
Contemporary Art Museum, St. Louis, MO, USA, (solo)
2007
The Armory Show (under the auspices of Team), New York, USA, (solo)
2007
Warhol's Lesson, DOX, Prague, Czech Republic (forthcoming Oct, curated by Jaroslav Andel)
2006
I love MY Scene: Part 2, Mary Boone Gallery, New York, USA
2006
Human Game Winners and Losers, Fondazione Pitti, Florence, Italy
2006
Full House - Gesichter einer Sammlung, Kunsthalle Mannheim, Mannheim, Germany
2006
Belief and Doubt, Aspen Art Museum, Aspen, USA
2006
Youth of Today, Schirn Kunsthalle, Frankfurt a/M, Germany
2006
People, Madre Modern Art Museum, Naples, Italy
2006
Boisterous, Anderson Gallery, Copenhagen, Denmark
2006
Setting The Scene, Discoteca di Stato museo dell� Audiovisivo Auditorium, Rome, Italy
2006
Open House, Ellipse Foundation, Cascais, Portugal,
2006
Kunsthalle Mannheim, Mannheim, Germany, (solo)
2006
Team Gallery, New York, USA, (solo)
2006
In A Mixed State, Max Wigram Gallery, London, UK, (solo)
2006
Young at Heart, Galeria Presenca, Portugal
2006
Busan Biennale, Busan Museum of Modern Art, Busen, Korea
2006
Smoke and Mirrors: Deception in Contemporary Art, University of Alabama Visual Arts
2006
Gallery, Birmingham, UK
2006
The Monty Hall Problem, Blum & Poe, Los Angeles, USA
2006
Setting the Scene, curated by Adrienne Drake, Discoteca di Stato Museo dell�Audiovisivo Auditorium, Rome, Italy
2006
Youth of Today, curated by Matthias Ulrich, Schirn Kunsthalle Frankfurt, Frankfurt, Germany
2006
I Love My Scene: Scene 2, curated by Jos� Freire, Mary Boone Gallery, New York
2006
Open House, curated by Alexandre Melo, Ellipse Foundation, Cascais, Portugal
2006
Young at Heart, curated by Alexandre Melo, Galeria Presenca, Portugal
2006
Busan Biennale , Busan Museum of Modern Art, Busan, Korea
2006
Belief and Doubt, curated by Heidi Zuckerman Jacobsen, Aspen Art Museum, Aspen, CO
2006
People, curated by Eduardo Cicelyn and Mario Codagnato, Madre Modern Art Museum, Naples, Italy
2006
Boisterous, Andersen Gallery, Copenhagen, Denmark
2006
Full House, Kunsthalle Mannheim, Mannheim, Germany
2006
Figures of the Player, the Paradox of the Actor, Collection Lambert, Avignon, France
2006
Human Game, Winners and Losers, curated by Francesco Bonami, Pitti Foundation, Florence, Italy
2006
Smoke and Mirrors: Deception in Contemporary Art, University of Alabama Visual Arts Gallery, Birmingham, AL
2005–2006
Dark Night of the Soul, NASA Art Program with cooperation from the Museum of Natural History
2005
The Gravity in Art, curated by Theo Tegelaers and Rene Daalder, De Appel Foundation, Amsterdam, The Netherlands
2005
Le Studio: Slater Bradley, Yvon Lambert, Paris, France
2005
Superstars-The Principle of Renown, curated by Thomas Mie�gang, Heike Eipeldauer, Florian Steininger, Kunsthalle Wien, Vienna, Austria, traveling to Kunsthallen Brandts, Odense, Denmark, DA2: Domus Artium 2002, Salamanca, Spain
2005
3 or 4 Stories, Estudio Helga de Alvear, Madrid, Spain
2005
Star Star, Contemporary Arts Center, Cincinnati, Ohio
2005
Video II: Allegorie, NRW-Forum Kultur und Wirtschaft, Dusseldorf, Germany
2005
Downstrokes and Feedback, curated by Lisa Schiff, Allston Skirt Gallery, Boston, MA
2005
video-musica-video, curated by Bob Nickas, Museo Reina Sofia, Madrid, Spain
2005
La Collection D' Enea Rich, Collection Lambert, Avignon, France
2005
Uncharted Settlements, Taka Ishii Gallery, Tokyo, Japan, (solo)
2005
Intermission, Galerie Lisa Ruyter, Vienna, Austria, (solo)
2005
Lifetime Achievement Award, Savannah College of Art and Design, Savannah, Georgia, (solo)
2005
Recent Acquisitions: Slater Bradley's Doppelganger Trilogy, The Solomon R. Guggenheim Museum, New York, USA, (solo)
2005
MATRIX 216: Slater Bradley / The Year of the Doppelganger, UC Berkeley Art Museum and Pacific Film Archive, Berkeley, USA, (solo)
2005
The Gravity of Art, De Appel Foundation, Amsterdam, The Netherlands
2005
Superstars � The Principle of Renown, Kunsthalle Wien, Vienna, Austria
2005
3 or 4 Stories, Estudio Helga de Alvear, Madrid, Spain
2005
Star Star, Contemporary Arts Center, Cincinnati, USA
2005
Downstrokes and Feedback, Allston Skirt Gallery, Boston, USA
2005
Bridge Freezes Before Road, Barbara Gladstone Gallery, New York, USA
2005
NRW-Forum Kultur und Wirtschaft, D�sseldorf, Germany
2005
La Collection D� Enea Rich, Collection Lambert, Avignon, France
2005
Le Studio: Slater Bradley, Yvon Lambert, Paris, France
2005
Superstars � The Principle of Renown, Kunsthalle Wien, Vienna, Austria
2005
The Monty Hall Problem, Blum & Poe, Los Angeles
2004
I, Assassin, Wallspace Gallery, New York, USA
2004
STONED & DETHRONED, Team Gallery, New York, USA, (solo)
2004
The Doppelganger Trilogy, Blum & Poe, Los Angeles, USA, (solo)
2004
The Whitney Biennial, The Whitney Museum of American Art, New York, USA (cat.)
2004
Premieres The Museum of Modern Art, New York, USA
2004
Motion Stills, Savannah College of Art and Design, Atlanta, USA
2004
Harlem Postcards, Studio Museum in Harlem, New York, USA
2004
Stalemate, Museum of Contemporary Art, Chicago, USA
2004
Unlightment, Galerie Nationale du Jeu de Paume, Paris, France
2004
The Yugoslav Biennial, Museum of Contemporary Art, Belgrade, Serbia and Montenegro (cat.)
2004
The Rose Garden Without Thorns, Galerie Lisa Ruyter, Vienna, Austria
2004
Playlist, Palais de Tokyo, Paris (cat.)
2004
I Feel Mysterious Today , Institute of Contemporary Art, Palm Beach, FL, USA
2004
A Very Liquid Heaven , The Tang Museum, Saratoga Springs, NY, USA (cat)
2004
Me, Myself and I , University Galleries, Florida Atlantic University, Boca Raton, FL, USA
2004
Will Boys Be Boys? Questioning Masculinity in Contemporary Art, The Salina Art Center,
2004
The Herbert F. Johnson Museum of Art, Cornell University, Ithaca; The Indianapolis Museum of Art, IN; with cat.)
2004
Museum of Contemporary Art, Denver, CO; The Herbert F. Johnson
2004
Museum of Art, Cornell University, Ithaca, NY; The Indianapolis Museum of Art, IN)
2004
Melody, Blonde Redhead, 4AD Conquistadors (who took their share), Whitney Museum of American Art, Whitney Gala
2004
The Animals, Art for Art�s Sake
2004
Premieres, The Museum of Modern Art, New York, NY
2004
I Feel Mysterious Today, curated by Dominic Molon, Institute of Contemporary Art, Palm Beach, FL
2004
Me, Myself and I, curated by Paul Laster and Renee Riccardo, University Galleries, Florida Atlantic University, Boca Raton, FL
2004
A Very Liquid Heaven, The Tang Museum, Saratoga Springs, NY
2004
Will Boys Be Boys?: Questioning Masculinity in Contemporary Art, curated by Shamim M. Momin, The Salina Art Center, Salina, KS, traveling to Museum of Contemporary Art, Denver, CO; The Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY; Gulf Coast Museum of Art, Largo, FL, The Indianapolis Museum of Art, IN
2004
Music/Video, Bronx Museum of Art, Bronx, NY
2004
Motion Stills, Savannah College of Art and Design, Atlanta, GA
2004
Harlem Postcards, Studio Museum in Harlem, New York, NY
2004
Stalemate, Museum of Contemporary Art, Chicago, IL
2004
Unlightment, Galerie Nationale du Jeu de Paume, Paris
2004
The Yugoslav Biennial, Museum of Contemporary Art, Belgrade, Serbia and Montenegro
2004
The Rose Garden Without Thorns, Galerie Lisa Ruyter, Vienna, Austria
2004
Portraits, Esso Gallery, New York, NY
2004
The Whitney Biennial, The Whitney Museum of American Art, New York, NY
2004
Playlist, Palais de Tokyo, Paris
2004
When Darkness Falls, curated by Melanie Schiff and Kirsten Van Deventer, traveled to Midway, Saint Paul, Minnesota, Gallery 400, University of Illinois, Chicago, Illinois
2004
An Enquiry into those Kinds of Distress which excite, Team Gallery, New York, NY
2004
Inaugural Show, New Space, Blum & Poe, Los Angeles, CA
2004
Melody, Blonde Redhead, 4AD
2004
Conquistadors (who took their share), Whitney Museum of American Art, Whitney Gala
2004
The Animals, Art for Art’s Sake
2004
I, Assassin, Wallspace Gallery, New York, USA
2003
from the flat files, curated by Brian Butler and Amada Cruz, Ramp Gallery, Wakaito Institute of Technology, Hamilton, New Zealand,
2003
Study, Taka Ishii Gallery, Tokyo
2003
What am I doing Here?, ESSO Gallery, New York, NY
2003
Then The World Would Be Upside Down, curated by Randy Moore, Tina Kim Projects, New York, NY
2003
Country Mouse, City Mouse, curated by David Hunt, Space 101, Brooklyn, NY
2003
I See a Darkness, Blum & Poe, Santa Monica, CA
2003
The Fourth Sex: The Extreme People of Adolescence, curated by Francesco Bonami and Raf Simons, Fondazione Pitti Immagine, Florence, Italy,
2003
Someone to Watch Over Me, curated by Thomas Peutz and Una Henry, Smart Project Space, Amsterdam, Netherlands
2003
An Enquiry into those Kinds of Distress, Team Gallery, New York, USA
2003
from the flat files, Ramp Gallery, Wakaito Institute of Technology, Hamilton, New Zealand
2003
Study, Taka Ishii Gallery, Tokyo, Japan
2003
Nobody Gives a Fuck What You Go Do With Your Life, MW projects, London, UK, (solo)
2003
Center for Curatorial Studies Museum, Bard College, New York, USA (cat.), (solo)
2003
Country Mouse, City Mouse (curated by David Hunt), Space 101, NY, USA
2003
I See a Darkness, Blum + Poe, Santa Monica, USA
2003
The Fourth Sex: The Extreme People of Adolescence (curated by Francesco Bonami and Ralf Simons), Fondazione Pitti Immagine, Florence, Italy
2003
Someone to Watch Over Me, Smart Project Space, Amsterdam, Netherlands
2003
When Darkness Falls, Gallery 400, University of Illinois, Chicago, USA
2003
Inaugural Show, New Space, Blum & Poe, Los Angels, USA
2003
What am I doing Here? Esso Gallery, New York, USA
2003
Then The World Would Be Upside Down, Tina Kim Project, New York, USA
2003
Country Mouse, City Mouse, Space 101, Brooklyn, New York, USA
2002
Here are the Young Men, Team Gallery, New York, USA, (solo)
2002
The Armory Photography Show, Team Gallery, New York, USA, (solo)
2002
Universit�tsstadt Kaiserslautern, Kaiserslautern, Germany, (solo)
2002
Art + Public, Geneva, Switzerland, (solo)
2002
Keys in the Mailbox, Arndt & Partner, Berlin, Germany, (solo)
2002
The Passing: Slater Bradley, Matt Collishaw, Christian Marclay, Galeria Helga de Alvear, Madrid, Spain
2002
Nuit Blanche: plus qu'une image (curated by Caroline Bourgeois), Anciennes Pompes Funebres de la Ville de Paris, Paris, France
2002
Music/Video, Mus�e d'Art Moderne et Contemporain, Strasbourg, France
2002
Slater Bradley, Mark Leckey, John Williams, Low, Los Angeles, USA
2002
International Contemporary and Emerging Art, Lawson_Menzies Flynn, Sydney, Australia
2002
The Standard Projection #3 (curated by Yvonne Force), The Standard, Los Angeles, USA
2002
Burst, Team Gallery, New York, NY, USA
2002
Dark Spring (curated by Nicolaus Schafhausen and Liam Gillick), Ursula Blickle Stiftung, Kraichtal, Germany (cat.)
2002
Art Unlimited, Art | 33 | Basel, Basel, Switzerlad
2002
Les Enfants du Paradis, Galerie Yvon Lambert, Paris, France
2002
Photographier, Collection Lambert en Avignon, Avignon, France
2002
Copy, Roth horowitz Gallery, New York, USA
2002
I�m Miserable Now, Low, Los Angels, USA
2002
The Passing: Slater Bradley, Matt Collishaw, Christian Marclay, curated by Charlotte Schepke, Galeria Helga de Alvear, Madrid, Spain
2002
Nuit Blanche: plus qu'une image, curated by Caroline Bourgeois, Aux Anciennes Pompes Funebres de la ville de Paris, Paris, France
2002
Music/Video, curated by Lydia Yee, Mus�e d'Art Moderne et Contemporain, Strasbourg, France,
2002
Les Enfants du Paradis, Galerie Yvon Lambert, Paris, France
2002
Art Unlimited, Art | 33 | Basel, Basel, Switzerland
2002
Slater Bradley, Mark Leckey, John Williams, Low, Los Angeles, California
2002
International Contemporary and Emerging Art, Lawson_Menzies Flynn, Sydney, Australia
2002
The Standard Projection #3, curated by Yvonne Force, The Standard, Los Angeles, CA,
2002
Photographier, Collection Lambert en Avignon, Avignon, France
2002
burst, Team Gallery, New York, NY
2002
Copy, curated by Neville Wakefield, Roth Horowitz Gallery, New York, NY
2002
Heaven Knows I'm Miserable Now, Low, Los Angeles, California
2002
Dark Spring, curated by Nicolaus, Ursula Blickle Stiftung, Kraichtal, Germany
2001
Casino 2001, curated by Jeanne Greenberg Rohatyn, Stedelijk Museum voor Actuele Kunst, Ghent, Belgium
2001
Art and Wellbeing � The Aesthetics of Recreation, curated by Andrea Domesle, Kunsthaus Meran-Merano Arte, Merano, Italy
2001
Metropolis Now, curated by Elga Wimmer, Borusan Centre for Culture and Arts, Istanbul, Turkey, traveling to the Reina Sofia, Madrid
2001
Inaugural Exhibition, Le Studio at Galerie Yvon Lambert, Paris
2001
Objects in Mirror Are Closer Than They Appear, Team Gallery, New York, NY
2001
Schau mir in die Augen, Kleines!, curated by Ren� Block, Kunsthalle Fridericianum, Kassel, Germany
2001
In a Lonely Place, curated by Greg Hobson, National Museum of Film, Television and Photography, West Bradford, UK
2001
Dear Dead Person, curated by Banks Violette, Momenta, Brooklyn, NY
2001
Radio Gra Kill Rock Stars (KRS 369), Unwound
2001
Casino 2001, Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (cat.)
2001
Art and Wellbeing - The Aesthetics of Recreation, Kunsthaus Meran, Merano, Italy (cat.)
2001
Metropolis Now, Borusan Centre for Culture and Arts, Istanbul, Turkey / Reina Sofia, Madrid, Spain
2001
Objects in Mirror Are Closer Than They Appear, Team Gallery, New York, USA
2001
Schau mir in die Augen, Kleines!, Kunsthalle Fridericianum, Kassel, Germany (cat.)
2001
Inaugural Exhibition, Le Studio at Galerie Yvon Lambert, Paris, France
2001
In a Lovely Place, National Museum of Film, Television and Photography, West Bradford
2001
Trompe Le Monde, Galerie Yvon Lambert, Paris, France, (solo)
2001
Home Town Hero, Refusalon, San Francisco, USA, (solo)
2001
Statements, Art/32/Basel, Basel, Switzerland (under the auspices of Team Gallery), (solo)
2001
Video Cube, FIAC, Paris (under the auspices of Galerie Yvon Lambert), (solo)
2001
Dear Dead Person, Momenta, Brooklyn, New York, USA
2001
Gra Kill Rock Stars (KRS 369), Unwound
2000
Friction Fiction, Echo Park Projects, Los Angeles, USA
2000
1:1, Refusalon, San Francisco, USA
2000
The World is Not Enough, Museum of Contemporary Art, Washington, USA
2000
Special Projects Series, P.S.1, New York, USA, (solo)
2000
Charlatan, Team Gallery, New York, USA, (solo)
2000
I was rooting for you, Irvine Fine Arts Center, Irvine, USA, (solo)
2000
Friction Fiction, Echo Park Projects, Los Angeles, CA
2000
1:1, Refusalon, San Francisco, CA
2000
The World is Not Enough, curated by Lisa Ruyter, Museum of Contemporary Art, Washington, DC
1999
SoCal Car Culture, Irvine Fine Arts Center, Irvine, CA
1999
PO + KU ART REVOLUTION, curated by Takashi Murakami, Parco Gallery, Tokyo
1999
Oh my god, I live on the thirteenth floor in Holland, which does not exist in the United States, or no?, curated by Jay Batlle, Alternative Space, Amsterdam
1999
long cold winter in an endlessnameless, Studio 870, Los Angeles, CA
1999
The Fried Liver Attack, Team Gallery, New York, USA, (solo)
1999
SoCal Car Culture, Irvine Fine Arts Center, Irvine, USA (cat.)
1999
PO + KU ART REVOLUTION, Parco Gallery, Tokyo, Japan
1999
On my god, I live on the thirteenth floor in Holland, which does not exist in the United State,
1999
ot no? Alternative Space, Amterdam
1999
long cold winter in an endlessnameless, Studio 870, Los Angeles
1998
Blind Date with Erik Wesselo, W139, Amsterdam, The Netherlands (cat.)
1998
A sound goodbye demand with Jay Batlle, Studio 870, Los Angeles, USA
1998
Text and Numbers, Remba Gallery, Los Angeles, USA
1998
Blind Date with Erik Wesselo , W139, Amsterdam
1998
A sound goodbye demand with Jay Batlle, Studio 870, Los Angeles, CA
1998
Text and Numbers, Remba Gallery, Los Angeles, CA
1997
Ca 90001-185, W139, Amsterdam
1997
Ca 90001-185, W139, Amsterdam, The Netherlands
1997
New memory, Spanish Kitchen, Los Angeles, USA

Literature

2009
Elisabeth Kley, Immortal Beloved, artnet online, December 2009 http://www.artnet.com/magazineus/features/kley/slater-bradley12-2-09.asp
2009
Martin Coomer, UK Reviews- Slater Bradley: boulevard of broken dreams, Art Review September 2009, p.125
2009
Elizabeth Kley, Slater Bradley: Perfect Empathy, Eyemazing Issue 02, 2009, pp. 6-15 (illustrated)
2008
Carrie Paterson, Slater Bradley: Blum & Poe, Flash Art, January/February, pp.148-9 (*with illustration)
2007
Tyler Coburn, Slater Bradley: Man in the Mirror, ArtReview, December, pp.10, 74-77 (with illustration)
2007
Brian Scholis, Reviews, Artforum, Feb 2007, p.295
2006
Doppelganger, Busan Biennial Catalogue, p. 266 - 267
2006
Melissa E. Feldman, Berkeley And Los Angeles, Art In America, Jan, pp. 128 - 129
2006
Charlotte Bonham-Carter, Showdown, Art Review, March, p.25
2006
Martin Herbert, Slater Bradley, Time Out London, May 3 – 10, p.37
2006
Pelin Uran, Journey To The Far Side Of The Sun, Uovo Magazine, Issue 11, pp.157-169
2006
Daniel Kunitz, Cinephile: Slater Bradley, Art Review, Issue 05, November, p.46 Daniel Kunitz, Cinephile: Slater Bradley, Art Review, Issue 05, November, p.46
2006
Elisabeth Kley, Reviews, Time Out New York, November 30 – December 6, p.76.
2005
Monty DiPietro, New Art Seen, The Japan Times, 17th November (with illustration)
2005
Kristin Jones, Bridge Freezes Before Road, Frieze, October Issue, pp. 217-8 (with ill.)
2005
Fisun Güner, Threshold, Metro, London, 4 August, p. 24
2005
Holland Cotter, 5 X U, The New York Times, 22 July, p. E32
2005
Holland Cotter, Fanciful to Figurative to Wryly Inscrutable, The New York Times July 8, pp. 28-29
2005
Melissa Lo, Slater Bradley, Flash Art, March-April, pp. 117-118
2005
Slater Bradley, Speak Memory: Reflections on the Doppelganger Trilogy, PAJ: A Journal of Performance and Art, January, pp.108-110
2005
Elisabeth Kley, The Disappearing Subject: Looking for Slater Bradley, PAJ: A Journal of Performance and Art, January, pp.102-107
2005
Jonathan Keats, Popshots, San Francisco, April
2004
Lucas Hilderbrand, Grainy Days and Mondays: Superstar and Bootleg Aesthetics, Camera Obscura 57, Volume 19, Number 3, published by Duke University Press, pp. 56-91
2004
Holly Willis, The Doppelganger Trilogy, LA Weekly, December 24-30, p.74
2004
Kyoko Wada, Boys' Life: Slater Bradley, Brutus, August, pp. 90-93, 116
2004
Michael Wilson, I, Assasin, Frieze, May, p. 107
2004
Renato Diez, Alla Biennale del Whitney torna la pittura, Arte, April, pp.104-111
2004
Jerry Saltz, The OK Corral, The Village Voice, March 17-23, p.80
2004
Michael Kimmelman, Touching All Bases At The Biennial, The New York Times, March 12, pp. 27-38
2004
Peter Schjeldahl, What's New: The Whitney Biennial, The New Yorker, March 22, pp.100-01
2004
Randee Dawn, Artist Salutes Cobain With New Music Video, Billboard.com
2004
Anne Stringfield, Art Picks, The New Yorker, March 8, p 17
2004
Elizabeth Schambelan, Critics Picks, Artforum.com
2004
Karen Rosenberg, Come as You Art, New York, February 23, p 76
2004
Mark Sladen, Buried Treasures, Art Review, January, p 37-38
2004
Eleanor Heartney, The well – tempered Biennial, Art in America, June – July, pp.71-77
2004
Randee Milroy, Artist Salutes Cobain With New Music Video, Billborad.com
2003
Clay Weiner, The Importance of Being Slater Bradley, Dazed and Confused,November, pp. 100-104
2003
Jane Harris, An Enquiry..., Time Out New York , October 2, p. 63
2003
Simon Watson, Post Bubble, Issue, Fall, pp. 118 - 139
2003
Benjamin Genocchino, Video and Photographs That Teeter on the Edge, August
2003
Holland Cotter, Upstate - From Eerie Video to Moods of Shaker Calm, The New York Times, July 25
2003
Sarah Valdez, The Observer, Paper Magazine, August, p. 48
2003
Alex Mar, Gallery Going, The New York Sun, July 3, p. 16
2003
Charles LaBelle, I See a Darkness, Frieze, June-August, p. 116
2003
Christopher Knight, On the Underbelly of the Zeitgeist, The Los Angeles Times, February 21, p. 24
2003
Manami Fujimori, Very New York, Bijutsu Techo, January, p. 45
2002
Michael Cohen, Slater Bradley at Team, Flash Art International, July/September, p. 118
2002
Holland Cotter, Art In Review: 'Slater Bradley', The New York Times, May 17
2002
Martha Schwendener, Review, Time Out New York, May 23-30, p. 76
2001
Kim Levin, Voice Choice: Objects in Mirror are Closer Than They Appear, The Village Voice, September 18, p. 78
2001
Louise Lepore, Early Risers, W, September, pp. 458-462
2001
Charles-Arthur Boyer, Review of exhibition at Yvon Lambert, Art Press, June, pp. 79-80
2001
Elizabeth Kley, In Search of False Time: Slater Bradley/T.J. Wilcox/Isaac Julien, PAJ: A Journal of Performance and Art, No. 68, May, pp. 61-67
2001
Holland Cotter, Review: Dear Dead Person, The New York Times, May 25, p. 29
2001
Michel Guerrin, Intimacies rangeantes, Le Monde, April 1
2001
Max Henry, Review, Art in America, April, p. 144
2001
Takayo Iida, Slater Bradley, Bijitsu Techo, March
2001
Claudine Ise, Feature, Res Magazine, March
2001
David Hunt, Review, Frieze, March
2001
Lindsey Westbrook, Review: Home Town Hero, The San Francisco Bay Guardian, January 17-23, p. 85
2000
Margaret Sundell, Review, Artforum, November, p. 157
2000
Jeremy Lin, Prodigies: View Master, Surface, No. 26, November, pp. 108 - 110
2000
Dana Plasse, Dress Rehersal for Death: Slater Bradley's JFK Jr. October 6
2000
Max Pizarro, Georgetown gallery strives to keep it real with exhibit, The Georgetown Current, September 27, pp. 16-18.
2000
Andrea Scott, Art Picks, The New Yorker, October 9, p. 18
2000
Kim Levin, Voice Choice: Recommended, The Village Voice, October 10, p. 104
2000
Robert Mahoney, Review Time Out New York, September 21-28, p. 69
2000
Roberta Smith, Review, The New York Times, September 15, p. 33
1999
Kim Levin, Voice Choice: Recommended, The Village Voice, July 6
1999
Max Henry, Edgy New Artist, artnet.com, July
1998
Blind Date show (two promotional interviews), Bellissima, Dutch TV
1998
Blind Date show (two live interviews), P.A.R.K4D, Dutch TV
1998
Claudine Ise, By the Numbers, LA Times, 21 August
1998
Takashi Murakami, 1998 Fall LA Art Scene News, Studio Voice, December
1998
Kevin Fisher, Recital for Fight, World Wide Video Festival, September
1998
Erik Hagoort, What makes a blind date a bad experience, Volkstraat, September
1997
Karin Veraat, Volkstraat, December 11
1997
Scholarship support offers lifelong opportunities, UCLA Arts Magazine, fall