Slater Bradley  (American, 1975) 

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Slater Bradley, No More Lines to Cross ( triptych)

 

Slater Bradley
No More Lines to Cross ( triptych)
2012

Galería Filomena Soares
Slater Bradley, The Perfect Race

 

Slater Bradley
The Perfect Race
2012

Galería Filomena Soares
Slater Bradley, Uncharted Settlements

 

Slater Bradley
Uncharted Settlements
2005-2010

ACRIA – Aids Community Research Initiative of America
Slater Bradley, Ghost

 

Slater Bradley
Ghost
2001

Serge Ziegler Galerie
  

1975   Born in San Francisco, USA
1996   UCLA Two year Lillian Levenson Scholarship, USA
1996   UCLA President's Undergraduate Fellowship, USA
1998   BA, University of California, Los Angeles, USA
1998   UCLA Art Council Grant, USA
2005   The Louis Comfort Tiffany Foundation Award in Video, USA
  Lives and works in New York, USA
  The Solomon R. Guggenheim Museum, New York, USA
  Collections
  Museum of Contemporary Art, Los Angeles, USA
  The Museum of Modern Art, New York, USA
  Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley, USA
  Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, NY, USA
  The Elipse Foundation, Cascais, Portugal
  Frans Hals Museum, The Netherlands
  Hamburger Kunsthalle, Hamburg, Germany
  Herbert F. Johnson Museum, Cornell University, Ithaca, NY, USA
  Jumex Collection, Mexico City, Mexico
  The Kramlich Collection, San Francisco, USA
  New Orleans Museum of Art, New Orleans, USA
  Progressive Collection, Cleveland, Ohio, USA
  The Solomon R. Guggenheim Museum, New York, USA
  The Whitney Museum of American Art, New York, USA
  U.B.S. Collection, Zurich, Switzerland
  21C Museum. Louisville, USA
2010   Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, USA (forthcoming) (solo)
2009   Team Gallery, New York (with Ed Lachman, forthcoming, Fall) (solo)
2009   boulevard of broken dreams, Max Wigram Gallery, London (with Ed Lachman, forthcoming, May)(solo)
2009   Frans Hals Museum, Haarlem, The Netherlands (forthcoming, March)(solo)
2009   Videowork from the Guggenheim Collections, Guggenheim Museum, Bilbao, Spain
2007 - 2009   Sympathy for the Devil: Art and Rock and Roll since 1967, Museum of Contemporary Art, Chicago, IL, USA (travelled to the Museum of Contemporary Art, Miami and Musée d’Art Contemporain de Montréal, Montréal, curated by Dominic Molon)
2008   Rock My Religion, Domus Artium 02, Salamanca, Spain, (curated by Javier Panera,)
2008   Young at Heart (Remix), Centro Cultural de Cascais, Cascais, Portugal, (curated by Alexandre Melo)
2008   Accessories to an Artwork, Paul Stolper Gallery, London, England, (curated by Peter Saville)
2008   Auto Stop, Malmo Konsthall, Malmo, Sweden
2008   A Curators Gift: Contemporary Photography from Diego Cortez, New Orleans Museum of Art, New Orleans, LA
2008   still: Slater Bradley, Sally Mann, Nigel Poor, Center for Visual Art, Metropolitan State University, Denver, CO, (curated by Greg Watts and Cinthia Fiss)
2008   The Ghost in the Machine (curated by Elisabeth Byre and Susanne Sather), Kunstnernes Hus, Oslo, Norway
2008   VOLUME(S) (curated by Marc Clement and Kevin Muhlen), Casino Luxembourg, Luxembourg
2008   The object is in the mirror part II, (curated by Max Henry), Wilkinson Gallery, London, UK
2008   Perfect Empathy, Taka Ishii Gallery, Tokyo (September) (solo)
2008   Frans Hals Museum, Haarlem, The Netherlands (September) (solo)
2007   The object is the mirror, Layr Wuestenhagen Contemporary, Vienna, Austria
2007   The Present Order is the Disorder of the Future, Frans Hals Museum, Haarlem, The Netherlands
2007   Stop, Look and Listen, Herbert F. Johnson Museum of Art, Cornell University, Ithaca
2007   Sympathy for the Devil: Art and Rock and Roll since 1967, Museum of Contemporary Art, Chicagp
2007   Sweet Bird of Youth, Arndt & Partner, Berlin, Germany
2007   Noise, TH Inside, Milan, Italy
2007   Blum & Poe, Los Angeles, USA (solo)
2007   Max Wigram Gallery, London (September), (solo)
2007   Galeria Helga de Alvear, Madrid, (solo)
2007   Contemporary Art Museum, St. Louis, MO, USA, (solo)
2007   The Armory Show (under the auspices of Team), New York, USA, (solo)
2007   Warhol's Lesson, DOX, Prague, Czech Republic (forthcoming Oct, curated by Jaroslav Andel)
2006   I love MY Scene: Part 2, Mary Boone Gallery, New York, USA
2006   Human Game Winners and Losers, Fondazione Pitti, Florence, Italy
2006   Full House - Gesichter einer Sammlung, Kunsthalle Mannheim, Mannheim, Germany
2006   Belief and Doubt, Aspen Art Museum, Aspen, USA
2006   Youth of Today, Schirn Kunsthalle, Frankfurt a/M, Germany
2006   People, Madre Modern Art Museum, Naples, Italy
2006   Boisterous, Anderson Gallery, Copenhagen, Denmark
2006   Setting The Scene, Discoteca di Stato museo dell� Audiovisivo Auditorium, Rome, Italy
2006   Open House, Ellipse Foundation, Cascais, Portugal,
2006   Kunsthalle Mannheim, Mannheim, Germany, (solo)
2006   Team Gallery, New York, USA, (solo)
2006   In A Mixed State, Max Wigram Gallery, London, UK, (solo)
2006   Young at Heart, Galeria Presenca, Portugal
2006   Busan Biennale, Busan Museum of Modern Art, Busen, Korea
2006   Smoke and Mirrors: Deception in Contemporary Art, University of Alabama Visual Arts
2006   Gallery, Birmingham, UK
2006   The Monty Hall Problem, Blum & Poe, Los Angeles, USA
2006   Setting the Scene, curated by Adrienne Drake, Discoteca di Stato Museo dell�Audiovisivo Auditorium, Rome, Italy
2006   Youth of Today, curated by Matthias Ulrich, Schirn Kunsthalle Frankfurt, Frankfurt, Germany
2006   I Love My Scene: Scene 2, curated by Jos� Freire, Mary Boone Gallery, New York
2006   Open House, curated by Alexandre Melo, Ellipse Foundation, Cascais, Portugal
2006   Young at Heart, curated by Alexandre Melo, Galeria Presenca, Portugal
2006   Busan Biennale , Busan Museum of Modern Art, Busan, Korea
2006   Belief and Doubt, curated by Heidi Zuckerman Jacobsen, Aspen Art Museum, Aspen, CO
2006   People, curated by Eduardo Cicelyn and Mario Codagnato, Madre Modern Art Museum, Naples, Italy
2006   Boisterous, Andersen Gallery, Copenhagen, Denmark
2006   Full House, Kunsthalle Mannheim, Mannheim, Germany
2006   Figures of the Player, the Paradox of the Actor, Collection Lambert, Avignon, France
2006   Human Game, Winners and Losers, curated by Francesco Bonami, Pitti Foundation, Florence, Italy
2006   Smoke and Mirrors: Deception in Contemporary Art, University of Alabama Visual Arts Gallery, Birmingham, AL
2005 - 2006   Dark Night of the Soul, NASA Art Program with cooperation from the Museum of Natural History
2005   The Gravity in Art, curated by Theo Tegelaers and Rene Daalder, De Appel Foundation, Amsterdam, The Netherlands
2005   Le Studio: Slater Bradley, Yvon Lambert, Paris, France
2005   Superstars-The Principle of Renown, curated by Thomas Mie�gang, Heike Eipeldauer, Florian Steininger, Kunsthalle Wien, Vienna, Austria, traveling to Kunsthallen Brandts, Odense, Denmark, DA2: Domus Artium 2002, Salamanca, Spain
2005   3 or 4 Stories, Estudio Helga de Alvear, Madrid, Spain
2005   Star Star, Contemporary Arts Center, Cincinnati, Ohio
2005   Video II: Allegorie, NRW-Forum Kultur und Wirtschaft, Dusseldorf, Germany
2005   Downstrokes and Feedback, curated by Lisa Schiff, Allston Skirt Gallery, Boston, MA
2005   video-musica-video, curated by Bob Nickas, Museo Reina Sofia, Madrid, Spain
2005   La Collection D' Enea Rich, Collection Lambert, Avignon, France
2005   Uncharted Settlements, Taka Ishii Gallery, Tokyo, Japan, (solo)
2005   Intermission, Galerie Lisa Ruyter, Vienna, Austria, (solo)
2005   Lifetime Achievement Award, Savannah College of Art and Design, Savannah, Georgia, (solo)
2005   Recent Acquisitions: Slater Bradley's Doppelganger Trilogy, The Solomon R. Guggenheim Museum, New York, USA, (solo)
2005   MATRIX 216: Slater Bradley / The Year of the Doppelganger, UC Berkeley Art Museum and Pacific Film Archive, Berkeley, USA, (solo)
2005   The Gravity of Art, De Appel Foundation, Amsterdam, The Netherlands
2005   Superstars � The Principle of Renown, Kunsthalle Wien, Vienna, Austria
2005   3 or 4 Stories, Estudio Helga de Alvear, Madrid, Spain
2005   Star Star, Contemporary Arts Center, Cincinnati, USA
2005   Downstrokes and Feedback, Allston Skirt Gallery, Boston, USA
2005   Bridge Freezes Before Road, Barbara Gladstone Gallery, New York, USA
2005   NRW-Forum Kultur und Wirtschaft, D�sseldorf, Germany
2005   La Collection D� Enea Rich, Collection Lambert, Avignon, France
2005   Le Studio: Slater Bradley, Yvon Lambert, Paris, France
2005   Superstars � The Principle of Renown, Kunsthalle Wien, Vienna, Austria
2005   The Monty Hall Problem, Blum & Poe, Los Angeles
2004   I, Assassin, Wallspace Gallery, New York, USA
2004   STONED & DETHRONED, Team Gallery, New York, USA, (solo)
2004   The Doppelganger Trilogy, Blum & Poe, Los Angeles, USA, (solo)
2004   The Whitney Biennial, The Whitney Museum of American Art, New York, USA (cat.)
2004   Premieres The Museum of Modern Art, New York, USA
2004   Motion Stills, Savannah College of Art and Design, Atlanta, USA
2004   Harlem Postcards, Studio Museum in Harlem, New York, USA
2004   Stalemate, Museum of Contemporary Art, Chicago, USA
2004   Unlightment, Galerie Nationale du Jeu de Paume, Paris, France
2004   The Yugoslav Biennial, Museum of Contemporary Art, Belgrade, Serbia and Montenegro (cat.)
2004   The Rose Garden Without Thorns, Galerie Lisa Ruyter, Vienna, Austria
2004   Playlist, Palais de Tokyo, Paris (cat.)
2004   I Feel Mysterious Today , Institute of Contemporary Art, Palm Beach, FL, USA
2004   A Very Liquid Heaven , The Tang Museum, Saratoga Springs, NY, USA (cat)
2004   Me, Myself and I , University Galleries, Florida Atlantic University, Boca Raton, FL, USA
2004   Will Boys Be Boys? Questioning Masculinity in Contemporary Art, The Salina Art Center,
2004   The Herbert F. Johnson Museum of Art, Cornell University, Ithaca; The Indianapolis Museum of Art, IN; with cat.)
2004   Museum of Contemporary Art, Denver, CO; The Herbert F. Johnson
2004   Museum of Art, Cornell University, Ithaca, NY; The Indianapolis Museum of Art, IN)
2004   Melody, Blonde Redhead, 4AD Conquistadors (who took their share), Whitney Museum of American Art, Whitney Gala
2004   The Animals, Art for Art�s Sake
2004   Premieres, The Museum of Modern Art, New York, NY
2004   I Feel Mysterious Today, curated by Dominic Molon, Institute of Contemporary Art, Palm Beach, FL
2004   Me, Myself and I, curated by Paul Laster and Renee Riccardo, University Galleries, Florida Atlantic University, Boca Raton, FL
2004   A Very Liquid Heaven, The Tang Museum, Saratoga Springs, NY
2004   Will Boys Be Boys?: Questioning Masculinity in Contemporary Art, curated by Shamim M. Momin, The Salina Art Center, Salina, KS, traveling to Museum of Contemporary Art, Denver, CO; The Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY; Gulf Coast Museum of Art, Largo, FL, The Indianapolis Museum of Art, IN
2004   Music/Video, Bronx Museum of Art, Bronx, NY
2004   Motion Stills, Savannah College of Art and Design, Atlanta, GA
2004   Harlem Postcards, Studio Museum in Harlem, New York, NY
2004   Stalemate, Museum of Contemporary Art, Chicago, IL
2004   Unlightment, Galerie Nationale du Jeu de Paume, Paris
2004   The Yugoslav Biennial, Museum of Contemporary Art, Belgrade, Serbia and Montenegro
2004   The Rose Garden Without Thorns, Galerie Lisa Ruyter, Vienna, Austria
2004   Portraits, Esso Gallery, New York, NY
2004   The Whitney Biennial, The Whitney Museum of American Art, New York, NY
2004   Playlist, Palais de Tokyo, Paris
2004   When Darkness Falls, curated by Melanie Schiff and Kirsten Van Deventer, traveled to Midway, Saint Paul, Minnesota, Gallery 400, University of Illinois, Chicago, Illinois
2004   An Enquiry into those Kinds of Distress which excite, Team Gallery, New York, NY
2004   Inaugural Show, New Space, Blum & Poe, Los Angeles, CA
2004   Melody, Blonde Redhead, 4AD
2004   Conquistadors (who took their share), Whitney Museum of American Art, Whitney Gala
2004   The Animals, Art for Art’s Sake
2004   I, Assassin, Wallspace Gallery, New York, USA
2003   from the flat files, curated by Brian Butler and Amada Cruz, Ramp Gallery, Wakaito Institute of Technology, Hamilton, New Zealand,
2003   Study, Taka Ishii Gallery, Tokyo
2003   What am I doing Here?, ESSO Gallery, New York, NY
2003   Then The World Would Be Upside Down, curated by Randy Moore, Tina Kim Projects, New York, NY
2003   Country Mouse, City Mouse, curated by David Hunt, Space 101, Brooklyn, NY
2003   I See a Darkness, Blum & Poe, Santa Monica, CA
2003   The Fourth Sex: The Extreme People of Adolescence, curated by Francesco Bonami and Raf Simons, Fondazione Pitti Immagine, Florence, Italy,
2003   Someone to Watch Over Me, curated by Thomas Peutz and Una Henry, Smart Project Space, Amsterdam, Netherlands
2003   An Enquiry into those Kinds of Distress, Team Gallery, New York, USA
2003   from the flat files, Ramp Gallery, Wakaito Institute of Technology, Hamilton, New Zealand
2003   Study, Taka Ishii Gallery, Tokyo, Japan
2003   Nobody Gives a Fuck What You Go Do With Your Life, MW projects, London, UK, (solo)
2003   Center for Curatorial Studies Museum, Bard College, New York, USA (cat.), (solo)
2003   Country Mouse, City Mouse (curated by David Hunt), Space 101, NY, USA
2003   I See a Darkness, Blum + Poe, Santa Monica, USA
2003   The Fourth Sex: The Extreme People of Adolescence (curated by Francesco Bonami and Ralf Simons), Fondazione Pitti Immagine, Florence, Italy
2003   Someone to Watch Over Me, Smart Project Space, Amsterdam, Netherlands
2003   When Darkness Falls, Gallery 400, University of Illinois, Chicago, USA
2003   Inaugural Show, New Space, Blum & Poe, Los Angels, USA
2003   What am I doing Here? Esso Gallery, New York, USA
2003   Then The World Would Be Upside Down, Tina Kim Project, New York, USA
2003   Country Mouse, City Mouse, Space 101, Brooklyn, New York, USA
2002   Here are the Young Men, Team Gallery, New York, USA, (solo)
2002   The Armory Photography Show, Team Gallery, New York, USA, (solo)
2002   Universit�tsstadt Kaiserslautern, Kaiserslautern, Germany, (solo)
2002   Art + Public, Geneva, Switzerland, (solo)
2002   Keys in the Mailbox, Arndt & Partner, Berlin, Germany, (solo)
2002   The Passing: Slater Bradley, Matt Collishaw, Christian Marclay, Galeria Helga de Alvear, Madrid, Spain
2002   Nuit Blanche: plus qu'une image (curated by Caroline Bourgeois), Anciennes Pompes Funebres de la Ville de Paris, Paris, France
2002   Music/Video, Mus�e d'Art Moderne et Contemporain, Strasbourg, France
2002   Slater Bradley, Mark Leckey, John Williams, Low, Los Angeles, USA
2002   International Contemporary and Emerging Art, Lawson_Menzies Flynn, Sydney, Australia
2002   The Standard Projection #3 (curated by Yvonne Force), The Standard, Los Angeles, USA
2002   Burst, Team Gallery, New York, NY, USA
2002   Dark Spring (curated by Nicolaus Schafhausen and Liam Gillick), Ursula Blickle Stiftung, Kraichtal, Germany (cat.)
2002   Art Unlimited, Art | 33 | Basel, Basel, Switzerlad
2002   Les Enfants du Paradis, Galerie Yvon Lambert, Paris, France
2002   Photographier, Collection Lambert en Avignon, Avignon, France
2002   Copy, Roth horowitz Gallery, New York, USA
2002   I�m Miserable Now, Low, Los Angels, USA
2002   The Passing: Slater Bradley, Matt Collishaw, Christian Marclay, curated by Charlotte Schepke, Galeria Helga de Alvear, Madrid, Spain
2002   Nuit Blanche: plus qu'une image, curated by Caroline Bourgeois, Aux Anciennes Pompes Funebres de la ville de Paris, Paris, France
2002   Music/Video, curated by Lydia Yee, Mus�e d'Art Moderne et Contemporain, Strasbourg, France,
2002   Les Enfants du Paradis, Galerie Yvon Lambert, Paris, France
2002   Art Unlimited, Art | 33 | Basel, Basel, Switzerland
2002   Slater Bradley, Mark Leckey, John Williams, Low, Los Angeles, California
2002   International Contemporary and Emerging Art, Lawson_Menzies Flynn, Sydney, Australia
2002   The Standard Projection #3, curated by Yvonne Force, The Standard, Los Angeles, CA,
2002   Photographier, Collection Lambert en Avignon, Avignon, France
2002   burst, Team Gallery, New York, NY
2002   Copy, curated by Neville Wakefield, Roth Horowitz Gallery, New York, NY
2002   Heaven Knows I'm Miserable Now, Low, Los Angeles, California
2002   Dark Spring, curated by Nicolaus, Ursula Blickle Stiftung, Kraichtal, Germany
2001   Casino 2001, curated by Jeanne Greenberg Rohatyn, Stedelijk Museum voor Actuele Kunst, Ghent, Belgium
2001   Art and Wellbeing � The Aesthetics of Recreation, curated by Andrea Domesle, Kunsthaus Meran-Merano Arte, Merano, Italy
2001   Metropolis Now, curated by Elga Wimmer, Borusan Centre for Culture and Arts, Istanbul, Turkey, traveling to the Reina Sofia, Madrid
2001   Inaugural Exhibition, Le Studio at Galerie Yvon Lambert, Paris
2001   Objects in Mirror Are Closer Than They Appear, Team Gallery, New York, NY
2001   Schau mir in die Augen, Kleines!, curated by Ren� Block, Kunsthalle Fridericianum, Kassel, Germany
2001   In a Lonely Place, curated by Greg Hobson, National Museum of Film, Television and Photography, West Bradford, UK
2001   Dear Dead Person, curated by Banks Violette, Momenta, Brooklyn, NY
2001   Radio Gra Kill Rock Stars (KRS 369), Unwound
2001   Casino 2001, Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (cat.)
2001   Art and Wellbeing - The Aesthetics of Recreation, Kunsthaus Meran, Merano, Italy (cat.)
2001   Metropolis Now, Borusan Centre for Culture and Arts, Istanbul, Turkey / Reina Sofia, Madrid, Spain
2001   Objects in Mirror Are Closer Than They Appear, Team Gallery, New York, USA
2001   Schau mir in die Augen, Kleines!, Kunsthalle Fridericianum, Kassel, Germany (cat.)
2001   Inaugural Exhibition, Le Studio at Galerie Yvon Lambert, Paris, France
2001   In a Lovely Place, National Museum of Film, Television and Photography, West Bradford
2001   Trompe Le Monde, Galerie Yvon Lambert, Paris, France, (solo)
2001   Home Town Hero, Refusalon, San Francisco, USA, (solo)
2001   Statements, Art/32/Basel, Basel, Switzerland (under the auspices of Team Gallery), (solo)
2001   Video Cube, FIAC, Paris (under the auspices of Galerie Yvon Lambert), (solo)
2001   Dear Dead Person, Momenta, Brooklyn, New York, USA
2001   Gra Kill Rock Stars (KRS 369), Unwound
2000   Friction Fiction, Echo Park Projects, Los Angeles, USA
2000   1:1, Refusalon, San Francisco, USA
2000   The World is Not Enough, Museum of Contemporary Art, Washington, USA
2000   Special Projects Series, P.S.1, New York, USA, (solo)
2000   Charlatan, Team Gallery, New York, USA, (solo)
2000   I was rooting for you, Irvine Fine Arts Center, Irvine, USA, (solo)
2000   Friction Fiction, Echo Park Projects, Los Angeles, CA
2000   1:1, Refusalon, San Francisco, CA
2000   The World is Not Enough, curated by Lisa Ruyter, Museum of Contemporary Art, Washington, DC
1999   SoCal Car Culture, Irvine Fine Arts Center, Irvine, CA
1999   PO + KU ART REVOLUTION, curated by Takashi Murakami, Parco Gallery, Tokyo
1999   Oh my god, I live on the thirteenth floor in Holland, which does not exist in the United States, or no?, curated by Jay Batlle, Alternative Space, Amsterdam
1999   long cold winter in an endlessnameless, Studio 870, Los Angeles, CA
1999   The Fried Liver Attack, Team Gallery, New York, USA, (solo)
1999   SoCal Car Culture, Irvine Fine Arts Center, Irvine, USA (cat.)
1999   PO + KU ART REVOLUTION, Parco Gallery, Tokyo, Japan
1999   On my god, I live on the thirteenth floor in Holland, which does not exist in the United State,
1999   ot no? Alternative Space, Amterdam
1999   long cold winter in an endlessnameless, Studio 870, Los Angeles
1998   Blind Date with Erik Wesselo, W139, Amsterdam, The Netherlands (cat.)
1998   A sound goodbye demand with Jay Batlle, Studio 870, Los Angeles, USA
1998   Text and Numbers, Remba Gallery, Los Angeles, USA
1998   Blind Date with Erik Wesselo , W139, Amsterdam
1998   A sound goodbye demand with Jay Batlle, Studio 870, Los Angeles, CA
1998   Text and Numbers, Remba Gallery, Los Angeles, CA
1997   Ca 90001-185, W139, Amsterdam
1997   Ca 90001-185, W139, Amsterdam, The Netherlands
1997   New memory, Spanish Kitchen, Los Angeles, USA
2009    Elisabeth Kley, Immortal Beloved, artnet online, December 2009 http://www.artnet.com/magazineus/features/kley/slater-bradley12-2-09.asp
2009    Martin Coomer, UK Reviews- Slater Bradley: boulevard of broken dreams, Art Review September 2009, p.125
2009    Elizabeth Kley, Slater Bradley: Perfect Empathy, Eyemazing Issue 02, 2009, pp. 6-15 (illustrated)
2008    Carrie Paterson, Slater Bradley: Blum & Poe, Flash Art, January/February, pp.148-9 (*with illustration)
2007    Tyler Coburn, Slater Bradley: Man in the Mirror, ArtReview, December, pp.10, 74-77 (with illustration)
2007    Brian Scholis, Reviews, Artforum, Feb 2007, p.295
2006    Doppelganger, Busan Biennial Catalogue, p. 266 - 267
2006    Melissa E. Feldman, Berkeley And Los Angeles, Art In America, Jan, pp. 128 - 129
2006    Charlotte Bonham-Carter, Showdown, Art Review, March, p.25
2006    Martin Herbert, Slater Bradley, Time Out London, May 3 – 10, p.37
2006    Pelin Uran, Journey To The Far Side Of The Sun, Uovo Magazine, Issue 11, pp.157-169
2006    Daniel Kunitz, Cinephile: Slater Bradley, Art Review, Issue 05, November, p.46 Daniel Kunitz, Cinephile: Slater Bradley, Art Review, Issue 05, November, p.46
2006    Elisabeth Kley, Reviews, Time Out New York, November 30 – December 6, p.76.
2005    Monty DiPietro, New Art Seen, The Japan Times, 17th November (with illustration)
2005    Kristin Jones, Bridge Freezes Before Road, Frieze, October Issue, pp. 217-8 (with ill.)
2005    Fisun Güner, Threshold, Metro, London, 4 August, p. 24
2005    Holland Cotter, 5 X U, The New York Times, 22 July, p. E32
2005    Holland Cotter, Fanciful to Figurative to Wryly Inscrutable, The New York Times July 8, pp. 28-29
2005    Melissa Lo, Slater Bradley, Flash Art, March-April, pp. 117-118
2005    Slater Bradley, Speak Memory: Reflections on the Doppelganger Trilogy, PAJ: A Journal of Performance and Art, January, pp.108-110
2005    Elisabeth Kley, The Disappearing Subject: Looking for Slater Bradley, PAJ: A Journal of Performance and Art, January, pp.102-107
2005    Jonathan Keats, Popshots, San Francisco, April
2004    Lucas Hilderbrand, Grainy Days and Mondays: Superstar and Bootleg Aesthetics, Camera Obscura 57, Volume 19, Number 3, published by Duke University Press, pp. 56-91
2004    Holly Willis, The Doppelganger Trilogy, LA Weekly, December 24-30, p.74
2004    Kyoko Wada, Boys' Life: Slater Bradley, Brutus, August, pp. 90-93, 116
2004    Michael Wilson, I, Assasin, Frieze, May, p. 107
2004    Renato Diez, Alla Biennale del Whitney torna la pittura, Arte, April, pp.104-111
2004    Jerry Saltz, The OK Corral, The Village Voice, March 17-23, p.80
2004    Michael Kimmelman, Touching All Bases At The Biennial, The New York Times, March 12, pp. 27-38
2004    Peter Schjeldahl, What's New: The Whitney Biennial, The New Yorker, March 22, pp.100-01
2004    Randee Dawn, Artist Salutes Cobain With New Music Video, Billboard.com
2004    Anne Stringfield, Art Picks, The New Yorker, March 8, p 17
2004    Elizabeth Schambelan, Critics Picks, Artforum.com
2004    Karen Rosenberg, Come as You Art, New York, February 23, p 76
2004    Mark Sladen, Buried Treasures, Art Review, January, p 37-38
2004    Eleanor Heartney, The well – tempered Biennial, Art in America, June – July, pp.71-77
2004    Randee Milroy, Artist Salutes Cobain With New Music Video, Billborad.com
2003    Clay Weiner, The Importance of Being Slater Bradley, Dazed and Confused,November, pp. 100-104
2003    Jane Harris, An Enquiry..., Time Out New York , October 2, p. 63
2003    Simon Watson, Post Bubble, Issue, Fall, pp. 118 - 139
2003    Benjamin Genocchino, Video and Photographs That Teeter on the Edge, August
2003    Holland Cotter, Upstate - From Eerie Video to Moods of Shaker Calm, The New York Times, July 25
2003    Sarah Valdez, The Observer, Paper Magazine, August, p. 48
2003    Alex Mar, Gallery Going, The New York Sun, July 3, p. 16
2003    Charles LaBelle, I See a Darkness, Frieze, June-August, p. 116
2003    Christopher Knight, On the Underbelly of the Zeitgeist, The Los Angeles Times, February 21, p. 24
2003    Manami Fujimori, Very New York, Bijutsu Techo, January, p. 45
2002    Michael Cohen, Slater Bradley at Team, Flash Art International, July/September, p. 118
2002    Holland Cotter, Art In Review: 'Slater Bradley', The New York Times, May 17
2002    Martha Schwendener, Review, Time Out New York, May 23-30, p. 76
2001    Kim Levin, Voice Choice: Objects in Mirror are Closer Than They Appear, The Village Voice, September 18, p. 78
2001    Louise Lepore, Early Risers, W, September, pp. 458-462
2001    Charles-Arthur Boyer, Review of exhibition at Yvon Lambert, Art Press, June, pp. 79-80
2001    Elizabeth Kley, In Search of False Time: Slater Bradley/T.J. Wilcox/Isaac Julien, PAJ: A Journal of Performance and Art, No. 68, May, pp. 61-67
2001    Holland Cotter, Review: Dear Dead Person, The New York Times, May 25, p. 29
2001    Michel Guerrin, Intimacies rangeantes, Le Monde, April 1
2001    Max Henry, Review, Art in America, April, p. 144
2001    Takayo Iida, Slater Bradley, Bijitsu Techo, March
2001    Claudine Ise, Feature, Res Magazine, March
2001    David Hunt, Review, Frieze, March
2001    Lindsey Westbrook, Review: Home Town Hero, The San Francisco Bay Guardian, January 17-23, p. 85
2000    Margaret Sundell, Review, Artforum, November, p. 157
2000    Jeremy Lin, Prodigies: View Master, Surface, No. 26, November, pp. 108 - 110
2000    Dana Plasse, Dress Rehersal for Death: Slater Bradley's JFK Jr. October 6
2000    Max Pizarro, Georgetown gallery strives to keep it real with exhibit, The Georgetown Current, September 27, pp. 16-18.
2000    Andrea Scott, Art Picks, The New Yorker, October 9, p. 18
2000    Kim Levin, Voice Choice: Recommended, The Village Voice, October 10, p. 104
2000    Robert Mahoney, Review Time Out New York, September 21-28, p. 69
2000    Roberta Smith, Review, The New York Times, September 15, p. 33
1999    Kim Levin, Voice Choice: Recommended, The Village Voice, July 6
1999    Max Henry, Edgy New Artist, artnet.com, July
1998    Blind Date show (two promotional interviews), Bellissima, Dutch TV
1998    Blind Date show (two live interviews), P.A.R.K4D, Dutch TV
1998    Claudine Ise, By the Numbers, LA Times, 21 August
1998    Takashi Murakami, 1998 Fall LA Art Scene News, Studio Voice, December
1998    Kevin Fisher, Recital for Fight, World Wide Video Festival, September
1998    Erik Hagoort, What makes a blind date a bad experience, Volkstraat, September
1997    Karin Veraat, Volkstraat, December 11
1997    Scholarship support offers lifelong opportunities, UCLA Arts Magazine, fall