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1990
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Ellen Battell Stockell Fellowship, Yale School of Art, Norfolk
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1991
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Yale University, New Haven, CT, BA
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1991
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Yale Japan America Travel Grant
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1992
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Yale Japan America Travel Grant
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1996
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School of Visual Arts Graduate Fellowship
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1997
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School of Visual Arts, NY, MFA
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1997
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The Marie Walsh Sharpe Foundation
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1997
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Rema Hort Mann Foundation
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1997
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Paula Rhodes Memorial Award
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1999
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Louis Comfort Tiffany 1999 Award
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1999
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“Other Rooms, Other Voices,” radio project with audio works by artists, Swiss National Radio Broadcast, Channel 2, curated by Daniel Kurjakovic
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2002
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Atelier Calder, Saché, France
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2003
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Lotos Club Foundation Prize in the Arts
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Lives and works in New York
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2010 |
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Tanya Bonakdar Gallery, New York, NY |
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2009 |
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Sarah Sze: Tilting Planet, Baltic Centre for Contemporary Art, Newcastle, UK permanent installation, Mott Haven School Campus, Bronx, New York permanent installation, University of California, San Francisco Library, San Francisco, CA |
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2009 |
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The Spectacle of the Everyday. 10th Biennale de Lyon (curated by Hou Hanru), Lyon, France |
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2009 |
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Hundred Stories about Love, 21st Century Museum of Contemporary Art, Kanazawa, Japan |
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2009 |
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The Collection, Victoria Miro Gallery, London |
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2008 |
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Paris, Galerie Thaddaeus Ropac, Landscope |
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2008 |
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Artists in Depth: Works from the MCA Collection, Museum of Contemporary Art, Chicago |
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2008 |
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New York, Museum of Modern Art, Artists & Prints: Masterworks from the Museum of Modern Art |
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2008 |
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Maison Hermes, 8th Flr, “Le Forum”, Tokyo (solo) |
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2008 |
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Liverpool Biennial, Liverpool |
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2007 |
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Long Island City, NY, P.S. 1 Contemporary Art Center, Not For Sale |
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2007 |
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Victoria Miro Gallery, London (solo) |
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2003 - 2007 |
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New York, Sculpture Center, The Paper Sculpture Show, September 7 – December 7, 2003. Traveled to Pittsburgh, PA, Regina Gouger Miller Gallery, Carnegie Mellon University, September 8 – October 14, 2003; Houston, TX, DiverseWorks, September 11 – November 7, 2003; Virginia Beach, VA, Contemporary Art Center of Virginia, October 30, 2003 – January 4, 2004; Chattanooga, TN, Hunter Museum of American Art, December 6, 2003 – February 1, 2004; Chicago, Gallery 400, University of Illinois at Chicago, January 12 – February 21, 2004; Marfa, TX, The Ballroom, January 16 – March 16, 2004; Newport Beach, CA, Orange County Museum of Art, February 14 – April 18, 2004; Salina, KS, Salina Art Center, June 9 – August 4, 2004; Regina, Saskatchewan, Canada, Dunlop Art Gallery, September 11 – October 31, 2004; New York, Memorial Art Gallery, University of Rochester, February 5 – March 27, 2005; Boston, Art Interactive, February 19 – March 27, 2005; Cedar Rapids, IA, Legion Arts, March 16 - May 8, 2005; Coral Springs, FL, Coral Springs Museum of Art, June 3 - July 29, 2005; Charlottesville, VA, University of Virginia Art Museum, June 18 – August 14, 2005; West Lafayette, IN, Purdue University Galleries, October 24 – December 4, 2005, Atlanta, Atlanta Contemporary Art Center, January 28 – March 25, 2006, Cincinnati, Contemporary Arts Center, August 18 – November 5, 2005; TX, Austin Museum of Art, November 18, 2006 – January 27, 2007 |
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2006 |
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Malmö, Sweden, Malmö Konsthall, Sarah Sze: Tilting Planet (solo) |
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2006 |
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New York, Doris C. Freedman Plaza, Corner Plot, May 2 – Oct. 22, 2006. A commission for the Public Art Fund, New York (solo) |
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2006 |
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Cambridge, MA, Agassiz House, Radcliffe Yard, Model for Corner Plot (solo) |
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2006 |
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New York, Marianne Boesky Gallery, Selections from the LeRoy Neiman Center for Print Studies, Columbia University |
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2006 |
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Tokyo, Museum of Contemporary Art in Tokyo (MOT), Collection of the Fondation Cartier pour l’art contemporain at MOT Tokyo |
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2006 |
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New York, Marianne Boesky Gallery, Selections from the LeRoy Neiman Center for Print Studies, Columbia University |
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2006 |
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Tokyo, Museum of Contemporary Art in Tokyo (MOT), Collection of the Fondation Cartier pour l’art contemporain at MOT Tokyo |
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2005 |
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Philadelphia, The Fabric Workshop and Museum, Swarm |
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2005 |
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Chicago, Museum of Contemporary Art, The Fluidity of Time: Selections from the MCA Collection |
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2005 |
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New York, Marianne Boesky Gallery, Sarah Sze (solo) |
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2005 |
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Seattle, WA, Marion Oliver McCaw Hall of the Seattle Opera, An Equal and Opposite Reaction (permanent installation) (solo) |
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2005 |
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Philadelphia, The Fabric Workshop and Museum, Swarm |
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2005 |
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Chicago Museum of Contemporary Art, The Fluidity of Time: Selections from the MCA Collection |
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2004 |
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Kanazawa, Japan, 21st Century Museum of Contemporary Art, The Encounters in the 21st Century, Polyphony - Emerging Resonances |
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2004 |
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New York, School of Visual Arts, Beginning Here: 101 Ways |
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2004 |
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New York, Marianne Boesky Gallery, Seeing Other People |
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2004 |
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London, Serpentine Gallery, State of Play |
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2004 |
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Milan, Fondazione Davide Halevim, Sarah Sze: The Triple Point of Water (solo) |
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2004 |
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Kanazawa, Japan, 21st Century Museum of Contemporary Art, The Encounters in the 21st Century, Polyphony - Emerging Resonances |
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2004 |
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New York, School of Visual Arts, Beginning Here: 101 Ways |
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2004 |
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London, Serpentine Gallery, State of Play |
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2004 |
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Cambridge, MA, Massachusetts Institute of Technology, Blue Poles (permanent installation) (solo) |
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2003 |
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New York, The Whitney Museum of American Art, Sarah Sze: The Triple Point of Water (solo) |
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2003 |
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Turin, Italy, Castello di Rivoli, The Moderns |
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2003 |
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Australia, National Gallery of Victoria, world rush_4 artists |
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2003 |
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New York, Miriam and Ira D. Wallach Art Gallery, Columbia University, Reflection: Seven Years in Print, The LeRoy Neiman Center for Print Studies |
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2002 |
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Boston, Museum of Fine Arts, RSVP: Sarah Sze (solo) |
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2002 |
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Minneapolis, Walker Art Center, Grow or Die (permanent installation) (solo) |
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2002 |
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New York, Marianne Boesky Gallery, Penetration |
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2002 |
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New York, The Marie Walsh Sharpe Art Foundation, Ace Gallery, Artist to Artists: A Decade of The Space Program |
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2002 |
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New York, National Academy of Design, 177th Annual: An Invitational Exhibition |
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2002 |
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São Paulo, Brazil, Iconografias Metropolitanas, Cidades: 25th Bienal de São Paulo, (Curated by Alfons Hug) |
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2001 |
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Annandale-on-Hudson, NY, Center for Curatorial Studies Museum, Bard College, Sarah Sze (solo) |
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2001 |
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San Diego, Museum of Contemporary Art, Drawn, installed April 21 (solo) |
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2001 |
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London, Barbican Centre, The Americans- New Art |
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2001 |
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Harrisburg, PA, Susquehanna Art Museum, Let’s Get to Work |
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2001 |
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San Francisco, San Francisco Museum of Modern Art, 010101: Art in Technological Times |
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2001 |
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Malmo, Sweden, Bo01 City of Tomorrow, European Housing Expo |
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2001 |
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New York, Asia Society and Museum, Contemporary Art Commissions at the Asia Society and Museum |
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2000 |
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New York, Marianne Boesky Gallery, Sarah Sze (solo) |
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2000 |
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New York, Marianne Boesky Gallery |
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2000 |
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New York, The Whitney Museum of American Art, 2000 Whitney Biennial |
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2000 |
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Avignon, France, La Beauté, Mission pour la célébration de l’an 2000 (Curated by Jean de Loisy) |
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1999 - 2000 |
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Paris, Foundation Cartier pour l’art contemporain, Sarah Sze (solo) |
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1999 |
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Chicago, Museum of Contemporary Art, Sarah Sze (solo) |
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1999 |
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Leipzig, Galerie für Zeitgenössische Kunst, Sarah Sze: Still Life with Flowers (solo) |
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1999 |
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London, Institute of Contemporary Arts, Sarah Sze (solo) |
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1999 |
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Venice, Venice Biennale, 48th International Exhibition of Contemporary Art (Curated by Harald Szeemann) |
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1999 |
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Pittsburgh, Carnegie Museum of Art, The Carnegie International 1999-2000 (Curated by Madeline Grynsztejn) |
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1998 |
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Germany, Akademie der Kunste, Berlin/Berlin, Berlin Biennial (Curated by Klaus Biesenbach, Nancy Spector, and Hans-Ulrich Obrist) |
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1998 |
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New York, Basilico Fine Arts, Deep Thought, Part II |
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1998 |
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Stamford, CT, The Whitney Museum of American Art at Champion, Where: Allegories of Site in Contemporary Art |
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1998 |
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New York, Marianne Boesky Gallery, People, Places, and Things |
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1998 |
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Casino Luxembourg- Forum d’art contemporain, Manifesta 2, European Biennial of Contemporary Art |
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1998 |
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Long Island City, NY, P.S. 1 Contemporary Art Center, Construction Drawing |
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1998 |
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France, Musée d’Art Modern de la Ville de Paris, Migrateurs (solo) |
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1997 |
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New York, White Columns, White Room (solo) |
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1997 |
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France, museé d’Art moderne de la Ville de Paris, Migrateurs |
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1997 |
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Austria, The Vienna Secession, Cities on the Move, November 26 – January 18, 1998. (Curated by Hou Hanru and Hans-Ulrich Obrist) Traveled to Bordeaux, Capc Musée d’art Contemporian; Denmark, Louisiana Museum, January 29 – April 21, 1999; London, Hayward Gallery |
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1997 |
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Long Island City, NY, P.S. 1 Contemporary Art Center, Some Young New Yorkers (Curated by Klaus Biesenbach and Alanna Heiss) |
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1997 |
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New York, Wooster Gardens, Drawings and Paintings |
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1997 |
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New York, Casey Kaplan Gallery, The Name of the Place (Curated by Laurie Simmons) |
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1997 |
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New York, Visual Arts Gallery, School of Visual Arts, May 1997. (Curated by Tommy Lannigan-Schmidt) |
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1997 |
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New York, College Art Association, Hunter College Fine Arts Building, New York Area MFA Exhibition |
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1996 |
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New York, Pratt Artist’s League, 420 West Broadway Building, SoHo Annual (Curated by Michael Brenson, Susan Hort, Robert Storr and Simon Watson) |
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2007 |
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Norden, Linda. Sarah Sze. New York: Harry N. Abrams, Inc., 2007 |
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2007 |
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Collins, Judy. Sculpture Today. London: Phaidon Press, 2007 |
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2007 |
|
Holmes, Pernilla, Sarah Sze, ArtNews, December 2007 |
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2007 |
|
Hammonds, Kit, Sarah Sze, Tema Celeste, Issue 124, November/December 2007 |
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2007 |
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Campbell, Peter, At Victoria Miro, London Review of Books, October 4, 2007 |
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2007 |
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Williams, Eliza, Sarah Sze: Victoria Miro Gallery, London September 1 to 22, Art Monthly, October 2007 |
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2007 |
|
Darwent, Charles, This is a fine mess you’ve got me into, The Independent on Sunday, September 9, 2007 |
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2007 |
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Charlesworth, JJ, Exhibition of the Week, Time Out, 12 September 2007 |
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2007 |
|
Brookes, Michael, Sarah Sze, Metro, 4 September 2007 |
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2007 |
|
A Tilted View, Visual Arts Briefs, February 16, 2007, http://intranet.adm.schoolofvisualarts.edu/VABriefs/article.php?sid=1515&mode=thread&order=0&thold=0 |
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2007 |
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Sarah Sze at Sweden’s Malmö Konsthall, ArtInfo.com, January 15, 2007, http://www.artinfo.com/News/Article.aspx?a=26126 |
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2006 |
|
Coe, Julie. 24th Street, Departures, November/December 2006, p. 106 |
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2006 |
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Hoban, Phoebe. Sze, More Clearly?, Samsung DigitAll Magazine, Fall 2006, p.14 |
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2006 |
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Johnson, Ken. Sarah Sze: Corner Plot, New York Times, June 2, 2006 |
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2006 |
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Scott, Andrea K. Floor Through, Time Out New York, May 11 – 17, 2006 |
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2006 |
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Caravanos, Adelle. Constructing a Corner Curiosity, Science & the City, May 7, 2006 |
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2006 |
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Shattuck, Kathryn. Sidewalk Art Encourages Viewers to be Peeping Toms, New York Times, April 29, 2006 |
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2006 |
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Vogel, Carol. Inside Art: A Model Apartment, New York Times, March 24, 2006 |
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2006 |
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Finkel, Jori. Top 10 Trends: Salons de Refuse, ARTnews, February 2006, pp. 102-103 |
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2006 |
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Amy, Michael. Sarah Sze, Sculpture Magazine, January/February 2006, pp. 72 – 73 |
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2006 |
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Collection of the Fondation Cartier pour l’art contemporain at MOT Tokyo. Paris and Tokyo: Fondation Cartier pour l’art contemporain and FOIL, 2006 |
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2006 |
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Ellegood, Anne and Johanna Burton. The Uncertainty of Objects and Ideas: Recent Sculpture. Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 2006, p. 36 |
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2005 |
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Todd, Susan. An Equal and Mutual Admiration: Creating An Equal and Opposite Reaction, Seattle Opera Magazine, Winter 2005/2006 |
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2005 |
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Richard, Frances. Sarah Sze, Marianne Boesky Gallery, Artforum, September 2005 |
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2005 |
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Neil, Jonathan T.D. In View: Sarah Sze, Modern Painters, September 2005 |
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2005 |
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Nichols, Matthew Guy. Sarah Sze at Marianne Boesky, Art in America, September 2005 |
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2005 |
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Baird, Daniel. Sarah Sze, The Brooklyn Rail (cover story), June 2005 |
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2005 |
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Sarah Sze, The New Yorker, June 27, 2005 |
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2005 |
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Saltz, Jerry. Anal-Retentive Princess; Looking at structure in magical, maniacal ways, The Village Voice, June 17, 2005 |
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2005 |
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Goodbody, Bridget. Sarah Sze, Time Out New York, June 2-8, 2005 |
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2005 |
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Stern, Steven. Art. Sarah Sze, Absolute, May 2005, pp. 74-77 |
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2005 |
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Lupton, Ellen and Abbott Miller. Swarm. Philadelphia, PA: The Fabric Workshop and Museum, 2005 |
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2005 |
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Gnemmi, Edoardo, Sarah Sze. Italy: Fondazione David Halevim, 2005 |
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2004 |
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Schwabsky, Barry. Sarah Sze, Contemporary, special sculpture issue #64, 2004 |
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2004 |
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Kristal, Marc. The Architecture of Art, Metropolis, February 2004, p.38 |
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2004 |
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Kerr, Merrily. Sculptor Sarah Sze Wins Macarthur Fellowship, Art AsiaPacific, Winter 2004, p.24 |
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2004 |
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Wye, Deborah ed. Artists & Prints: Masterworks from The Museum of Modern Art. New York: The Museum of Modern Art, 2004 |
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2004 |
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Coatzee, Mark. Not.Afraid.: Rubell Family Collection. New York: Phaidon Press Inc., 2004 |
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2004 |
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Steiner, Rochelle. State of Play. London: Serpentine Gallery, 2004 |
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2003 |
|
Sparks, Karen J. Britannica Book of the Year 2003 – Events of 2002. “Redefining Art,” Encyclopedia Britannica, U.S.A., 2003 |
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2003 |
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Bonami, Francesco. The Moderns. Turin, Italy: Castello di Rivoli, 2003 |
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2003 |
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Vaughan, Gerard. 31 New Acquisitions. Melbourne: National Gallery of Victoria, 2003 |
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2003 |
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world rush _4 artists. Melbourne: National Gallery of Victoria, 2003 |
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2003 |
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Chuh, Kandice. Imagine Otherwise: on Asian Americanist Critique. (Cover art) Durham, NC: Duke University Press, 2003 |
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2003 |
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Hirsch, Faye. Reflection: Seven Years in Print. New York: Miriam and Ira D. Wallach Art Gallery, Columbia University, 2003 |
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2003 |
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Carlock, Marty. Sarah Sze’s Organized Chaos, Sculpture, November 2003, cover & pp. 24-29 |
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2003 |
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Nakamura, Marie-Pierre. Interview, art actuel, September – October 2003, pp. 82-84 |
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2003 |
|
Chasin, Noah. Sarah Sze, The Triple Point of Water, Time Out New York, August 28–September 4, 2003 |
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2003 |
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Kimmelman, Michael. A Seasonal Migration of Cultural Scope, New York Times, August 8, 2003 |
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2003 |
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Triple Point of Water at Whitney Museum of American Art, The New Yorker, August 4, 2003 |
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2003 |
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Sculpture Forever, Flash Art, June 2003 |
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2003 |
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Yablonsky, Linda. Going Mobile, ARTnews, Summer 2003 |
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2003 |
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Chiu, Melissa. Sarah Sze, Art AsiaPacific, Winter 2003 |
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2002 |
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Temin, Christine. Strand theater, The Boston Globe, December 6, 2002 |
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2002 |
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Richard, Frances. Penetration, Artforum, October 2002 |
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2002 |
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Penetration, The New Yorker, July 15, 2002 |
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2002 |
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Yablonsky, Linda. Piercing Analysis, Time Out New York, June 20-27, 2002 |
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2002 |
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Levin, Kim. Penetration, Village Voice, June 19, 2002 |
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2002 |
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Kostabi, Mark. On Penetration, Shout, June/July 2002, p. 17 |
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2002 |
|
Marks, Peter. Artist at Work: Sarah Sze. Transforming Life’s Detritus Into Sculpture, New York Times, June 12, 2002 |
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2002 |
|
Snyder, Bill. A plunge under the Sculpture Garden Skyway News, Minneapolis, June 8, 2002 |
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2002 |
|
Israel, Nico. XXV Bienal de Sao Paolo, Artforum, Summer 2002, pp. 171-2 |
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2002 |
|
Wolfe, Kristin L. Creating Sculptural Galaxies, Visual Arts Journal – SVA, Summer 2002 |
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2002 |
|
Ebony, David. Asia Society spotlights contemporary commissions, Art in America, March 2002 |
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2002 |
|
Smith, Roberta. Critic’s Notebook: Frank Stella Pops Up All Over, New York Times, January 8, 2002 |
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2002 |
|
Hug, Alfons ed. Cidades: 25th Bienal de São Paulo, Iconografias Metropolitanas. São Paulo: Fundação Bienal de São Paulo, 2002 |
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2001 |
|
Cotter, Holland. Cosmopolitan Trove on the Road to China, New York Times, November 16, 2001 |
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2001 |
|
Cotter, Holland. Across the Hudson Highland, Sculptures are Sprouting, Inside and Out, New York Times, July 20, 2001 |
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2001 |
|
Sze, Sarah. Contribution to The Curator’s Egg, Vol.1, May 2001 |
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2001 |
|
Clifford, Katie. Sarah Sze, ARTnews, February 2001, p. 155-6 |
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2001 |
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Reid, Calvin Sarah Sze, Art in America, February, 2001, p.142 |
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2001 |
|
Gilmore, Jonathan. Sarah Sze, tema celeste, January/February 2001, p. 94 |
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2001 |
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Rottner, Nadja. Sarah Sze, Flash Art, January/February 2001 |
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2001 |
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Israel, Nico. Sarah Sze, Artforum, January 2001, p. 138 |
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2001 |
|
Bianchi, Josiana. MoMA: The Art of Conversation. New York: Museum of Modern Art, November 2001 |
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2001 |
|
Smith, Elizabeth A. and Douglas Rushkoff. Sarah Sze. Annandale-on-Hudson, NY: Center for Curatorial Studies, Bard College, 2001 |
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2001 |
|
Vision Art Exhibitions – The House. Bo01 City of Tomorrow, Sweden, 2001 |
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2000 |
|
Saltz, Jerry. True Confections, Village Voice, November 14, 2000 |
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2000 |
|
Cotter, Holland. Innovators Burst Onstage One (Ka-pow!) at a Time, New York Times, November 10, 2000 |
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2000 |
|
Dailey, Meghan. Sarah Sze, Time Out New York, November 9, 2000 |
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2000 |
|
Saltz, Jerry. My Sixth Sense, The Village Voice, March 29-April 3, 2000 |
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2000 |
|
Schjeldahl, Peter, Pragmatic Hedonism, The New Yorker, April 3, 2000, p. 94 |
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2000 |
|
Caniglia, Julie. Queen of Clutter, Harper’s Bazaar, March 2000, p. 306 |
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2000 |
|
Carnegie International, tema celeste, January/February 2000, p. 104 |
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2000 |
|
Sarah Sze, BT - Very New Art 2000, January 2000 |
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1999 |
|
Gingeras, Alison, Sarah Sze: La Poesie du Meddano, BeauxArts, December, 1999, pp.58-61 |
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1999 |
|
Smith, Roberta. Carnegie International: Safe Among Seamless Shadows, New York Times, November 17,1999 |
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1999 |
|
Schwabsky, Barry. Sarah Sze, Museum of Contemporary Art, Chicago, Artforum, October 1999, p. 143 |
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1999 |
|
Birnbaum, Daniel. Just So, Frieze, September/October 1999, pp. 90-93 |
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1999 |
|
Purcell, Greg. Sarah Sze Museum of Contemporary Art Chicago, New Art Examiner, September, 1999, Vol. 27, No. 1 pp. 50 |
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1999 |
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Vetrocq, Marcia E. The Venice Biennale Reformed, Renewed, Redeemed, Art in America, September 1999, pp. 83-94 |
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1999 |
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Birnbaum, Daniel. Patience in Theory, Artforum, September 1999, pp.154 |
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1999 |
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Randall, Frederika. A Biennale for the Millennium, The Wall Street Journal, July 29,1999, pp. A24 |
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1999 |
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Kastner, Jeffrey. Discovering Poetry Even in the Clutter Around the House, New York Times, July 11, 1999, p. 36 |
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1999 |
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Slyce, John. Cheerios, Candy Kisses, Q-Tips, and Duct Tape, Flash Art, Summer 1999, pp.116 |
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1999 |
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Kastner, Jeffrey. Sarah Sze: Tipping the Scales, Art/Text, No.65, May-July 1999 |
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1999 |
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Feinstein, Rochelle. Leftovers, Art On Paper, January – February 1999 |
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1999 |
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Phillips, Christopher. Art for an Unfinished City, Art in America, January 1999 |
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1999 |
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48 Esposione Internazionale d’arte La Biennale di Venezia. Venice: La Biennale di Venezia, 1999 |
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1999 |
|
Krause-Wahl, Antje. Sarah Sze. Leipzig: Galerie für Zeitgenössische Kunst, 1999 |
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1999 |
|
Sans, Jerome and Jean Louis Schefer. Sarah Sze. London: Thames and Hudson and Foundation Cartier pour l’art contemporain, 1999 |
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1999 |
|
Boris, Staci and Francesco Bonami. Sarah Sze. Chicago: Museum of Contemporary Art, 1999 |
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1999 |
|
Kurjakovic, Daniel. Other Rooms Other Voices - Audio Works by Artists. Switzerland: Memory/Cage Editions, 1999 |
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1998 |
|
Yablonsky, Linda. Berlin Sprawl, Time Out New York, November 5 –12, 1998 |
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1998 |
|
Moshkovits, Boris. Berlin Biennale ‘98, Flash Art, November- December 1998 |
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1998 |
|
Packer, William. Everything but Painting and Sculpture, Financial Times, October 6,1998 |
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1998 |
|
Gianmarco del Re. Sarah Sze, ICA, Flash Art, October 1998 |
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1998 |
|
Slyce, John. Sarah Sze, Institute of Contemporary Art, London, 1998 (exhibition catalogue) |
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1998 |
|
Barrett, David. Sarah Sze, Frieze, Summer 1998 |
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1998 |
|
Glover, Izi. All Kinds of Everything, Make, June – August 1998 |
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1998 |
|
Murray, Fraser. Exhibitions, The Architect’s Journal, April 30,1998 |
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1998 |
|
Romney, Jonathan. Cabbages and Cool Things, The Guardian, April 17,1998 |
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1998 |
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Sumpter, Helen. Junk Junkie, The Big Issue #279, April 13,1998 |
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1998 |
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Kent, Sarah. Sarah Sze, Time Out London, April, 22,1998 |
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1998 |
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Hudson, Judy. Bomb, No. 66, Spring 1998 |
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1998 |
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98 people to watch in ‘98, Time Out New York, January 29 – February 5, 1998 |
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1998 |
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Heartney, Eleanor. The Return of the Red-Brick Alternative, Art in America, January 1998 |
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1998 |
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Slyce, John and Hans-Ulrich Obrist. Sarah Sze. London: Institute of Contemporary Arts, May 1998 |
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1998 |
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Hanru, Hu. Cream – Contemporary Art in Culture. London: Phaidon Press Limited, 1998 |
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1998 |
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Manifesta 2, European Biennial of Contemporary Art, Luxembourg: Casino Luxembourg- Forum d’art contemporain, 1998. |
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1997 |
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Smith, Roberta. More Space and Gracious, Yet Still Funky at Heart, New York Times, October 31,1997 |
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1997 |
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Camhi, Leslie. P.S.1 Back in Session, The Village Voice, November 4,1997 |
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1997 |
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Hogrefe, Jeffrey. Late for Art School-P.S.1 Re-opens, The New York Observer, October 27,1997 |
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1997 |
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Schmerler, Sarah. School’s in: P.S. 1 Rings the Bell on a Brand New Season, Time Out New York, November 6,1997 |
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1997 |
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Saltz, Jerry. Jenny Gage and Sarah Sze, Time Out New York, September 25, 1997 |
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1997 |
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Voice Choices, The Village Voice, September 23, 1997 |
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1997 |
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Cotter, Holland. Art in Review: Drawings and Paintings, Wooster Gardens, New York Times, September 19,1997 |
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1997 |
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Dalton, Jennifer. Sarah Sze, Review, September 15,1997 |
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1997 |
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Murdock, Robert M. Killing Time, Review, September 15,1997 |
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1997 |
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Kino, Carol. Drawings and Paintings, Time Out New York, October 2,1997 |
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1997 |
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Cotter, Holland. Art in Review: Killing Time, New York Times, September 12,1997 |
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1997 |
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Frankel, David. The Name of the Place, Artforum, May 1997 |
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1997 |
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Cotter, Holland. Art in Review: The Name of the Place, Casey Kaplan Gallery, New York Times, January 31,1997 |
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1997 |
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Saltz, Jerry. The Name of the Place, Time Out New York, January 30,1997 |
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1997 |
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Voice Choices, The Village Voice, January 28, 1997 |
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1996 |
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Smith, Roberta. Culture and Commerce Live Side by Side in SoHo, New York Times, September 13,1996 |
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