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1978 - 1981
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Goldsmiths' College, London (B.A. Hons.)
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1994 - 1996
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Goldsmiths' College, London (M.A.).
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Currently lives and works in London
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2008 The Meredith. S. Moody Photography Residency at Yaddo Artist's Colony, Saratoga, New York
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2006 Arts Council ‘Grants for the Arts’
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2005 - 7 Fellow, National Museum of Photography Film and TV, UK
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2005 Yaddo Arts Colony, Saratoga, New York
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2003 Norwich Castle Commission, (with publication)
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2002 Le Consortium Dijon, France, (commission with publication)
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1997 Hayward Gallery / Artist in Residence / Arts Council
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1995 Office Departemental de Developpement Culturel, Dourven, France
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1994 Rachel Whiteread / K. Foundation Award
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1990 Eastern Arts Bursary (artist in residence, Camp JMI School, Herts)
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1985 Greater London Arts Board
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Arts Council of Great Britain
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Atara Investments, Israel
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Big Flower Press, New York
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Coimbra Visual Arts Centre, Portugal
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FRAC Region Poitou Charentes
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Galerien der Stadt Esslingen
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Galleria Civica di Modena, Modena
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Koninklijke PTT Nederland NV, The Netherlands
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Huis Marseille, Foundation for Photography, Amsterdam
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Museum of Modern Art, San Francisco
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Neuberger Berman LLC, New York
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National Media Museum, Bradford
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Orange County Museum of Art
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Saatchi Collection, London
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Universidad de Salamanca, Spain
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Tishman Speyer Properties Inc., New York
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Victoria & Albert Museum, London
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Paul Wilson Collection, London
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2013 |
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Maureen Paley, London (solo) |
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2011 |
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Nothing In the World But Youth, Turner Contemporary, Margate, UK |
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2011 |
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Family Matters: The Family in British Art, Norwich Castle Museum, Norwich, UK |
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2011 |
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Signs of a struggle: Photography in the Wake of Postmodernism, Victoria and Albert Museum, London, UK |
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2011 |
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A Sense of Perspective, Tate Liverpool, Liverpool, UK |
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2011 |
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Heroines, Museo Thyssen-Bornemisza & Fondacion Caja, Madrid, Spain |
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2008 |
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Friends and Family, Anton Kern Gallery, New York, USA |
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2008 |
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Interior/ Exterior: Living in Art, Kunstmuseum Wolfsburg, Germany |
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2008 |
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Intim/Ita, Museum Kampa, Prague |
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2008 |
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Portraits, Bloomberg Space, London, UK |
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2008 |
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Street & Studio: An Urban History of Photography, Tate Modern, London; Museum Folkwang, Essen, Germany |
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2008 |
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The Society of London Ladies, dispari&dispari project, Reggio nell’Emilia, Italy |
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2008 |
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Maureen Paley, London (solo) |
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2007 |
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Sarah Jones: Photographs, National Media Museum, Bradford (solo) |
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2007 |
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Garden Eden, The Garden in Art Since 1900, Kunsthalle in Emden, Emden, Germany |
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2007 |
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7th Internationale Foto Triennale Esslingen, Galerien der Stadt Esslingen, Esslingen am Neckar, Germany |
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2007 |
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Something That I’ll Never Really See, Contemporary Photography from the V&A, Sainsbury Centre for Visual Arts, Norwich; Nottingham Castle, Nottingham |
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2007 |
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Northern Lights: Reflecting with Images, Galleria Civica di Modena, Modena |
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2007 |
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Beautiful People (et la blessure secrète), CRAC Alsace, Altkirch |
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2006 |
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Implosion, Anton Kern Gallery, New York |
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2006 |
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Anton Kern, New York (solo) |
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2006 |
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XX – Encontros de Fotografia, Coimbra Visual Arts Centre, Portugal |
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2006 |
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La Collection Photographique du Frac des Pays de La Loire, Galerie Le Lieu, Lorient |
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2006 |
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Portrait – 1960 to today, by Die Photographische / SK Stiftung Kultur, Cologne, to coincide with the 40th anniversary of Art Cologne |
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2006 |
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Simon & Sarah, Platform, London |
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2005 |
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Pour de Vrai, Musee des Beux-Arts, Nancy |
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2005 |
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Motor Blues – The donation autowerke given by BMW financial services to the museum der bildenden Kunste Leipzig, Museum der bildenden Kunste Leipzig |
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2005 |
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Attentes, Casino Luxembourg - Forum d'art contemporain, Luxembourg |
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2005 |
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New Photography, Norton Museum of Art, Palm Beach, Florida |
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2005 |
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The wonderful fund collection, touring exhibition: Le Musee de Marakech, (2005); Pallant House Gallery, Chichester; and others |
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2004 |
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Stranger Than Fiction, Abersytwyth Arts Centre, Aberystwyth |
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2004 |
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Take Five ! Huis Marseille turns five, Huis Marseille, Amsterdam |
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2004 |
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Art of the Garden, touring exhibition: Tate Britain, London, (2004); Manchester Art Gallery, Manchester |
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2004 |
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Biennale, Museum of New Art (mona), Pontiac |
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2004 |
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Just love me, Fries Museum, Leuwaarden |
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2003 |
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A bigger splash – British art from Tate – 1960 – 2003, touring exhibition: Pavihao lucas Nogueira Garcez – Oca Parque ibirapuera; Sao Paul & Instituto Tomie Ohtake |
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2003 |
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Double Exposure, ING-bank, Kortrijk |
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2003 |
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Virtual Eye, Norwich Castle Museum, Norwich |
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2003 |
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Girls’ Night Out, touring exhibition: Orange County Museum of Art, Newport Beach (2003 – 2004); Addison Gallery of American Art, Andover, (2004); Contemporary Art Museum, St Louis (2005); Blaffer Gallery, University of Houston, Texas, (2006) |
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2003 |
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Painting Pictures, Kunstmuseum, Wolfsburg |
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2003 |
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Photography, Eleni Koroneou Gallery, Athens |
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2003 |
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Child In Time: Views of contemporary artists on youth and adolescence, Gemeentemuseum Helmond |
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2002 |
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Maureen Paley Interim Art, London (solo) |
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2002 |
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Anton Kern Gallery, New York (solo) |
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2002 |
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Die Wohltat der Kunst: Post\Feministische Positionen der 90er Jahre aus der Sammlung Goetz, touring exhibition: Sammlung Goetz, Munich; Staatliche Kunsthalle, Baden-Baden |
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2002 |
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Telling Tales: Narrative Impulses in Recent Art, Tate Liverpool, England |
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2001 |
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Making your dreams come true – Young British photography, Representing Britain, Tate Britain |
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2001 |
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I LOVE NY, Anton Kern Gallery, New York |
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2001 |
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No World Without You - Reflections of Identity in New British Art, Herzliya Museum of Art, Tel Aviv |
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2000 |
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Les trahisons du modèle, Galerie Nei Liicht, Dudelange Luxembourg |
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2000 |
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Intersection I: intimate/anonymous, Espace d’art Contemporain HEC, Jouy-en-Josas, France |
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2000 |
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docudrama, Bury St. Edmunds Art Gallery, Bury St. Edmunds |
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2000 |
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Pause/Pose, Galerie Anne de Villepoix, Paris |
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2000 |
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Wooden Heart, AVCO, London |
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2000 |
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Le Consortium, Dijon, (as part of I Love Dijon) (solo) |
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2000 |
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Huis Marseille Foundation for Photography, Amsterdam (solo) |
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2000 |
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Quotidiana, Castello di Rivoli, Turin |
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1999 |
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Another Girl Another Planet, Lawrence Rubin Greenberg Van Doren Fine Art, New York |
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1999 |
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3rd International Tokyo Photo Bienalle, Tokyo Metropolitan Museum of Photography, Japan |
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1999 |
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Dreamlands, Portfolio Gallery, Edinburgh, Scotland |
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1999 |
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Museum Folkwang Essen, Essen (solo) |
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1999 |
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Anton Kern Gallery, New York (solo) |
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1999 |
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Centre for Photography, Universidad de Salamanca, Spain (solo) |
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1999 |
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Museum Reina Sofia, Madrid (solo) |
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1999 |
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Maureen Paley Interim Art, London (solo) |
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1999 |
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Jerwood Space, London (solo) |
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1998 |
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Galerie Anne de Villepoix, Paris (solo) |
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1998 |
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L’Ecole supérieure des Beaux-Arts, Tours, France (solo) |
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1998 |
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Sites, Sabine Knust Galerie & Edition Maximilian Verlag, Munich (solo) |
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1998 |
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F Comme Photographie, Centre d’Art Contemporain |
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1998 |
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Kunsthalle, Fribourg, Switzerland |
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1998 |
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dijon/le consortium.coll, tout contre l’art contemporain, Centre Georges Pompidou, Paris |
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1998 |
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Shot Without Reason, Bloom Gallery, Amsterdam |
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1998 |
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Sorted, Ikon Gallery, Birmingham |
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1998 |
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Made in London, Musea de Electricidade, Lisbon |
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1998 |
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The Erotic Sublime (Slave to the Rhythm), Galerie Thaddaeus Ropac, Salzburg |
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1998 |
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The new neurotic realism, The Saatchi Gallery, London |
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1998 |
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Family Credit, Collective Gallery, Edinburgh |
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1997 |
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Portrait, Maureen Paley Interim Art, London |
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1997 |
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Dramatically Different, Galeries du Magasin |
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1997 |
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Centre National d’art Contemporain de Grenoble, France |
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1997 |
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Strange Days, Galleria Gian Ferrari Arte Contemporanea, Milan |
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1997 |
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On the Bright Side of Life - Contemporary British Photography, Neue Gesselschaft für bildende Kunst e.V., Berlin |
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1997 |
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Bill Henson, Sarah Jones, Philip-Lorca DiCorcia Galerie Gebauer, Berlin |
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1997 |
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Jennifer Bornstein, Jenny Cage, Anna Gaskell, Dana Hoey, Sarah Jones,Valérie Jouve, Gillian Wearing, Galerie Anne de Villepoix, Paris |
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1997 |
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Le Consortium, Dijon, France (solo) |
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1997 |
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Maureen Paley Interim Art, London (solo) |
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1997 |
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Moulin Saint-James, Printemps de Cahors, Cahors |
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1996 - 1997 |
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A.C.E !, touring exhibition: Arts Council Collection, Hatton Gallery, Newcastle; Harris Museum & Art Gallery, Preston; Oldham Art Gallery; Hayward Gallery, London. |
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1996 - 1997 |
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New Contemporaries, touring exhibition: Tate Gallery, Liverpool; Camden Arts Centre, London |
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1995 |
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Sick, 152c Brick Lane, London |
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1995 |
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Nobby Stiles, Vandy Street, London |
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1995 |
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Consulting Room, Galerie du Dourven, France, (Office Departemental de Developement Culturel, Mission Arts Plastiques) (solo) |
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1995 |
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Consulting Room (Couch), Camerawork Gallery, London (solo) |
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1994 |
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Foto 2, 152c Brick Lane, London |
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1994 |
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Dad, Gasworks Gallery, London |
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1993 |
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Hales Gallery, London (solo) |
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1991 |
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Slow Horses, St. James', London |
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1990 |
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Next Phase, Tobacco Dock, London |
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1989 |
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Constructed Imagery, Plovdiv Gallery, Bulgaria |
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1988 |
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Watershed Arts Centre, Bristol (solo) |
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1988 |
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Untitled Gallery, Sheffield |
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1988 |
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The Photographers Gallery, London |
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1987 |
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F.Stop Gallery, Bath (solo) |
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2008 |
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Colsell, Ilsa, Sarah Jones, Frieze.com, 9 February 2008. |
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2008 |
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Goldblatt, David, Jones, Sarah, Killip, Chris, & Teller, Juergen, Street & Studio: An Urban History of Photography II: Magical, Powerful, Simple, Shocking, Tate ETC, Summer 2008, pp.56-59. |
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2008 |
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Homes, A.M., Still Life, Frieze, June 2008, pp. 198-203. |
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2008 |
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Lewis, Ben, Will the party soon be over for the Frieze crowd?, Evening Standard, 16 October 2008, pp.18-19. |
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2008 |
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La Collection d’art d’agnes b, JRP Ringier, Zürich. |
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2008 |
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La figlia dei fiori, marie clare: Italia, February 2008, p.288. |
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2008 |
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Sarah Jones: Photographs, Pluk, Spring 2008, pp.44-45. |
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2008 |
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Steward, Sue, Morbid magic flowering in the dark, Evening Standard, 21 January 2008. |
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2008 |
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Van wie is dit verhaal & waarom is het altijd in haar gedachten?, Hollands Diep, May 2008, pp.102-104. |
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2007 |
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Clark, Robert, Preview: Sarah Jones, The Guardian Guide, 3 November 2007. |
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2007 |
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Welch, Edward, On the Couch, Source, Winter 2007, pp.54-55. |
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2007 |
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Archive, Nº.10, National Media Museum, Bradford, October 2007. |
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2007 |
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Hughes, Kathryn, Girls on Film, Stella, 11 November 2007, pp.42-49. |
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2007 |
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The Language of Flowers, criticaldictionary.com, July 2007. |
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2006 |
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26 Anos – Encontros De Fotografia, Mulheres, 2006, p100-103, (C for the exhibition XX – Visions on feminine, from the collection of the Encontros de Fotografia). |
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2006 |
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Gardner, Belinda Grace, Porträts im Blickpunkt, Kunstzeitung, 3 November 2006. |
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2005 |
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Hoffmann, Jens & Jonas, Joan, Perform, Thames & Hudson, 2005, p90-91. |
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2005 |
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Bright, Susan, Art Photography Now, Thames & Hudson, 2005, p76, 90-91. |
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2005 |
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Burnett, Craig, The Legacy of Diane Arbus, V&A Magazine, Winter 2005 - 6, p40-47 (47). |
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2005 |
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Folkwang Museum, Learning by Seeing, Prestel Museum Guide, 2005, p 200-201. |
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2004 |
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Cotton, Charlotte, The Photograph as Contemporary Art, Thames & Hudson, 2004, p2-3, 62. |
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2004 |
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Durden, Mark, Beyond the Tyranny of Symmetry, Photoworks, Spring – Summer 2004. |
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2002 |
|
Grant, Catherine. Maureen Paley Interim Art / Sarah Jones, Contemporary, December 2002. |
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2002 |
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Falconer, Morgan, Animating Nature, Portfolio, Nº. 36, December 2002. |
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2002 |
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Lafuente, Pablo, Multi-Storied, Art Review, October 2002. |
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2002 |
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Jones, Kristen M. Sarah Jones, Frieze, June - August 2002. |
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2002 |
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Aletti, Vince. Sarah Jones, Village Voice, 19 March 2002. |
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2002 |
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Dannatt, Adrian. Sarah Jones at Anton Kern, The Art Newspaper, Nº.123, 2002. |
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2002 |
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Jones, Sarah. Contribuitors, Vogue, February 2002. |
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2001 |
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The Curator’s Egg, Volume 1, 2001. |
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2000 |
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Making Your Dreams Come True – Young British Photography, in association with BMW financial services group, Hatje Cantz, 2001, pp22-29. |
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2000 |
|
Heald, Claire. Under Surveillance, arteast.co.uk, 2000. |
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2000 |
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Clarke, Helen. Snapshots of daily life, East Anglian Daily Times, 12 May 2000. |
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2000 |
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Deex, John, Lives in pictures, Bury Free Press, 5 May 2000. |
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2000 |
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Mama, ben ik groot genoeg, AD Magazine, 24 January 2000. |
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2000 |
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Verschil in overeenkomst, Spits, 3 May 2000. |
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2000 |
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Steketee, Hans. De jonge vrouw als beeldhouwwerk, NRC, 3 May 2000. |
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2000 |
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Van Hooff, Dorothée. Mysterieuze Tableaux Vivants, Residence, May 2000. |
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2000 |
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Mysterieuze meisjes, Opzij, April 2000. |
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2000 |
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Huis Marseille, Holland Horizon, March 2000. |
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2000 |
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Wijnja, Nicoline. Victoriaans Experiment, Het Parool, 23 March 2000. |
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2000 |
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Bahners, Patrick. Ist es die minderjährige Tochter der Lady aus erster Ehe?, Frankfurter Allgemeine Zeitung, 18 February 2000. |
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2000 |
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Kröner, Magdalena. Sarah Jones, Camera Austria International, Nº 70, 2000. |
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2000 |
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Lehmann, Ulrike. Die Menschen blicken ins Leere, Kölner Stadt-Auzeiger, 17 February 2000. |
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2000 |
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Weckesser, Markus. Stille Leben, Intro, February 2000. |
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2000 |
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Lettmann, Achim. Widersprüche inszeniert, Westfülisrer Anzeiger, 18 February 2000 |
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2000 |
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Steketee, Hans. De jonge vrouw als beeldhouwwerk, 2000. |
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2000 |
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Bahners, Patrick. Ist die minderjährige Tochter der Lady aus erster Ehe?, Frankfurter Allgemeine Zeitung, 18 February 2000. |
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2000 |
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America Beauties, American Vogue, February 2000. |
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2000 |
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Räume & Gesten, Foyer, February 2000. |
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2000 |
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Museum Folkwang Essen: Sarah Jones, Farbfotografien, Profifoto, January – February 2000. |
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2000 |
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Kröner, Magdalena, Farbiges Vakuum, Taz, 24 January 2000. |
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2000 |
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Farbfotografien: Sarah Jones, Elle Plus, January 2000. |
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2000 |
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Slyce, John, Sarah Jones, artext, February – April 2000. |
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2000 |
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Mellor, David Alan, Stille Leben, Intro, February 2000. |
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2000 |
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Sarah Jones, Museum Folkwang, Essen, (text by John Slyce), 2000 |
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2000 |
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Sarah Jones, Le Consortium, Dijon, (as part of I Love Dijon) |
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1999 |
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Sarah Jones, Centre for Photography, Universidad de Salamanca, Spain |
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1999 |
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Menschen hinterlassen Spuren, WAZ, 17 December 1999. |
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1999 |
|
Schürmann, Martina. Bilder wie im falschen Film, NRZ, 17 December 1999. |
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1999 |
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Furniss, Jo-Ann, Village of the bland, The Face, November 1999. |
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1999 |
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Bradley, Alexander, Sarah Jones, Metropolis M, Nº 5, 1999. |
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1999 |
|
Archer, Mike, Sarah Jones, Jerwood Gallery, Artforum, October 1999. |
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1999 |
|
Beech, Dave, Sarah Jones, Art Monthly, October 1999. |
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1999 |
|
Wainwright, Jean, Sarah Jones, The Jerwood Space, London, Hotshoe International, September – October 1999. |
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1999 |
|
Siegel, Katy, Another Girl, Another Planet, Lawrence Rubin Greenberg Van Doren, New York, Artforum, September 1999. |
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1999 |
|
Buck, Louisa, Our choice of London contemporary galleries, The Art Newspaper, Nº 95 September 1999. |
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1999 |
|
Herbert, Martin, Sarah Jones, Time Out, 1-8 September 1999. |
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1999 |
|
McLaren, Duncan, Everything in the Garden is not all that rosy, The Independent on Sunday, 22 August 1999. |
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1999 |
|
Cumming, Laura, Shocked? America didn’t even notice, The Observer, 8 August 1999. |
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1999 |
|
Sarah Jones & Jason Coburn, The Evening Standard: ‘Going Out’, 3 August 1999. |
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1999 |
|
Grant, Simon, Getting mixed reactions, The Guardian Guide, 31 July 1999. |
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1999 |
|
Sumpter, Helen, Galleries: Choice, The Evening Standard |
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1999 |
|
Hot Tickets, 30 July – 5 August 1999. |
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1999 |
|
Slyce, John. Sarah Jones: Spatial Alienations, Flash Art, May – June 1999. |
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1999 |
|
Readings, Harper’s, June 1999, p21. |
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1999 |
|
Townsend, Chris, Dreaming of Me, Hotshoe International, May - June |
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1999 |
|
Johnson, Ken, Art in Review: Another Girl, Another Planet, The New York Times, 16 April 1999. |
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1999 |
|
Arning, Bill, The sisters from another planet, Time Out New York, 8-15 April 1999. |
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1999 |
|
Van de Walle, Mark, The Raw and the Cooked Up, Art and Auction, 1-14 February 1999. |
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1999 |
|
Beaumont, Susanna, Interior Drama, The List, 18 February - 4 March 1999. |
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1999 |
|
The Institute of Psych-Analysis, Autumn 1999. |
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1999 |
|
Aletti, Vince, Imitation of Life, Village Voice, 6 April 1999. |
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1998 |
|
Blazwick, Iwona, Feel no Pain, lifestyle photograhy and photography as lifestyle, Art Monthly, November 1998. |
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1998 |
|
R.C., Sorted, The Guide, The Guardian, 27 September 1998. |
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1998 |
|
Imbert, Pierre, Sarah et les jeunes filles, La Nouvelle République, 15 September 1998. |
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1998 |
|
Russell Taylor, John, The Big Show: Sorted, The Times Metro, 5-11 September 1998. |
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1998 |
|
Mahoney, Elizabeth, Family Credit, Art Monthly, September 1998. |
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1998 |
|
Prentice, Claire, Family Credit, The List, 20-27 August 1998. |
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1998 |
|
Vincent, David, Ikon creates a taste of youth culture, Express & Star, 22 August 1998. |
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1998 |
|
Mahoney, Elizabeth, Relative Success, The Scotsman, August 1998. |
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1998 |
|
Freak, Dave, Sorted / Relocating The Remains, What’s On, 8-21 August 1998. |
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1998 |
|
Jackson, Tina, British art goes back to basics, The Big Issue, 8-14 June 1998. |
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1998 |
|
Price, Dick, After all the shock comes the neurosis, The Times, 23 May 1998. |
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1998 |
|
Townsend, Chris. Vile Bodies, Photography and the Crisis of Looking, Prestel/Channel 4, 1998. |
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1998 |
|
Coleman, Sarah, Capturing Adolescence: Three Shows in London - Sarah Jones at Interim Art, Photo Metro, Volume 16, Issue 148, 1998. |
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1998 |
|
Crabtree, Amanda, Malade Imaginaire?, Art Monthly, April 1998. |
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1998 |
|
Townsend, Chris, Openings, Sarah Jones, Artforum, March 1998. |
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1998 |
|
Guerrin, Michel, Les jeunes filles en fleurs photographiées par Sarah Jones, Le Monde, culture, 14 February, 1998. |
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1998 |
|
Maillet, Florence, Sarah Jones, Cherchez le Garçon, Beaux-Arts Magazine Nº 165 February 1998. |
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1998 |
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Durand, Regis, Dark Foundations, art press, 231, January 1998. |
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1998 |
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Lindgaard, Jade, Teenage fan-club, les Inrockuptibles, Nº 133, 13 January 1998. |
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1997 |
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Creative Camera, December 1997 - January 1998. |
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1997 |
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Sarah Jones, Le Monde, (supplement), 24 December 1997. |
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1997 |
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Ces jeunes filles de bonnes familles..., le Bien Public, 24 December 1997. |
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1997 |
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Troncy, Eric, Documents sur l’art, Dijon, 1997. |
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1997 |
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Contributor: Open City, Number 5, New York, 1997. |
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1997 |
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Ollier, Brigitte, Flash Photo a Cahors, Liberation, 12 June 1997. |
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1997 |
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Thorp, Mo, Dark Underside, make, June - July 1997. |
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1997 |
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Craddock, Sacha, Around the Galleries, The Times, 25 March 1997, p37 |
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1997 |
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Bernard, Kate, Sarah Jones: New Work - The Dining Room, Hot Tickets, 13 March, p43. |
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1997 |
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Dramatically different, Catalogue for exhibition at Galeries du MAGASIN |
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1997 |
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On the Bright Side of Life - Contemporary British Photography, Neue Gesselschaft für bildende Kunst e.V. Berlin, 1997 |
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1997 |
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Centre National d’art Contemporain de Grenoble, France, 1997 |
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1997 |
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Patrizio, Andrew, Sarah Jones, Galleries March 1997, p15 |
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1995 |
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Searle, Adrian, Camerawork, Time Out, 8-15 August 1995 |
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1995 |
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Sarah Jones en consultation, Le Télégramme, 27-28 May 1995 |
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1995 |
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Cavell, Stanley, Cabinet de Consultation, Arts Plastiques, May 1995 |
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1994 |
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Lillington, David, Foto 2, Time Out, March 1994 |
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1993 |
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Kivland, Sharon, Untitled Magazine, Winter 1993, p10 |
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