|
|
|
|
|
|
Robert Sagerman Biography
|
|
|
|
|
|
|
|
|
|
|
|
1984 - 1986
|
|
Cadet, United States Military Academy, West Point, ny
|
|
|
1990
|
|
Bachelor of Fine Arts, Pratt Institute, New York
|
|
|
1998
|
|
Master of Fine Arts in Painting, Pratt Institute, New York
Master of Science in Art History, Pratt Institute, New York
|
|
|
2000
|
|
Doctoral Candidate in Hebrew and Judaic Studies, New York University
Master of Arts in Religious Studies, New York University
|
|
|
|
|
Collections:
Kunstmuseum Hagen
|
|
|
2006 |
|
Renate Bender Gallery, Munich (solo) |
|
|
2006 |
|
Marcia Wood Gallery, Atlanta (solo) |
|
|
2005 |
|
Brian Gross Gallery, San Francisco (solo) |
|
|
2005 |
|
Margaret Thatcher Projects, New York (solo) |
|
|
2005 |
|
Marking Time, Brian Gross Fine Art, San Francisco, CA
New Paintings, Margaret Thatcher Projects, New York, NY
M% Gallery, Cleveland, OH |
|
|
2004 |
|
Marcia Wood Gallery, Atlanta, GA (solo show)
ArtHouse, Margaret Thatcher Projects, New York, NY
Painting as Process: Re-evaluating Painting, La Salle SIA College of the Arts, Singapore
Group Exhibtion, M% Gallery, Cleveland, OH
Innovate, Marcia Wood Gallery, Atlanta, GA |
|
|
2003 |
|
Margaret Thatcher Projects, New York, NY (solo)
Seeing Red: An International Exhibition of Non-Objective Painting, Part II, Hunter College/Times Square Gallery, New York, NY
Tickled Pink, Marcia Wood Gallery, Atlanta, GA |
|
|
2002 |
|
Breathing Room, Margaret Thatcher Projects, New York, NY
Blobs, Wiggles, Dots, Webs and Crustallations, The Work Space, New York, NY. Curated by Lucio Pozzi.
Group Exhibition, Roy Boyd Gallery, Chicago, IL |
|
|
2001 |
|
Margaret Thatcher Projects, New York
Items from the Permanent Collection, Williamsburg Art and Historical Center, Brooklyn, New York |
|
|
2000 |
|
Ducesa Fine Arts, Brooklyn, New York
01.15.00, GAle GAtes, et al, Brooklyn, New York |
|
|
1999 |
|
Size Matters, GAle GAtes, et al, Brooklyn, New York
Group Exhibition, GAle GAtes, et al, Brooklyn, New York |
|
|
1998 |
|
The Calculus of Transfiguration, Williamsburg Art and Historical Center, Brooklyn, New York
Higher Worlds, Pelham Art Center, Pelham, New York |
|
|
1997 |
|
Downtowm Arts Annual Group Exhibition, New York. Juried by Fereshteh Daftari, Martin Eisenberg and Charlotta Kotik.
Symposium Finalist, New York. Work selected by Michael Brenson, critiqued by Janet Koplos, Donald Kuspit, Peter Schjeldahl and Simon Watson |
|
|
1993 |
|
Group Exhibition of Drawings, Alexander Gallery, New York.
Three Young Future Majors, Alexander Gallery, New York. |
|
|
2004 |
|
Cohen, Mark Daniel. "The Intricate Precision of the Field The Kabbalistic Mysticism of Robert Sagerman." NY Arts Magazine, September |
|
|
2004 |
|
Cullum, Jerry. "Review," The Atlanta Journal Constitution, February 1 |
|
|
2003 |
|
Fox, Catherine. "Review," The Atlanta Journal Constitution, May 6 |
|
|
2003 |
|
Wallach, Amei. "Driven to Abstraction." Art News, November |
|
|
2002 |
|
Lindall, Terrence. "THE EPISTEMOLOGICAL MOVEMENT IN LATE 20TH CENTURY ART: The Williamsburg Circle" NY Arts Magazine, February |
|
|
1999 |
|
Siciliano, Enzo. "Ultimo indirizzo Brooklyn." La Repubblica, June 14 |
|
|
|
|
Seeing Red: An International Exhibition of Non-Objective Painting. Exhibtion catalog, The Karl-Ernst Osthaus-Museum, Hagen, Germany |
|
|
|