|
|
|
1976
|
|
Born in Gaberone, Botswana
|
|
|
1999 - 2002
|
|
Studied at the Royal Academy Schools, London
|
|
|
2002 - 2007
|
|
Co-founders / curator of Rockwell Project Space, Hackney
|
|
|
|
|
Lives and works in London
|
|
|
2012 |
|
Control Test, All Visual Arts, London (solo) |
|
|
2011 |
|
Control Test, Triumph Gallery, Moscow, Russia |
|
|
2011 |
|
Restless Nature, Newlyn Art Gallery, |
|
|
2011 |
|
Polemically Small, Garboushian Gallery, |
|
|
2011 |
|
Polemically Small, Torrance Art Museum, |
|
|
2011 |
|
Restless Nature, Collyer Bristow Gallery, London |
|
|
2010 |
|
Vanitas: The Transience of Earthly Pleasures, All Visual Arts, London |
|
|
2010 |
|
Papyrophiliia, Charlie Smith Gallery, |
|
|
2009 |
|
The Age of the Marvellous, All Visual Arts, London |
|
|
2008 |
|
Nowhere Is Here, Aspex Gallery, Portsmouth, The Drawing Room, London & fruehsorge contemporary drawings, Berlin |
|
|
2008 |
|
Fatal Attempts At Re-Entry, Joe La Placa in collaboration with Dickinson Fine Art, London (solo) |
|
|
2007 |
|
Night, Royal West of England Academy, Bristol |
|
|
2007 |
|
Nature & Society. Parallel Lines, Ethnographic Museum, Dubrovnik |
|
|
2007 |
|
The Whiteness of the Whale, Transition Gallery, London |
|
|
2006 |
|
Reece Jones, salon show, Mollie Dent-Brockelhurst & Joe La Placa, London (solo) |
|
|
2006 |
|
The Tales of Hoffman, St Augustine's Tower, Hackney, London |
|
|
2006 |
|
Jerusalem, Dean Clough, Halifax |
|
|
2005 |
|
Maji Yabai! Fuckin' Brilliant!, Tokyo Wonder Site, Tokyo |
|
|
2005 |
|
Acid Drops and Sugar Candy, Transition & Fosterart, London |
|
|
2005 |
|
Reece Jones, Andrew Mummery Gallery, London (solo) |
|
|
2005 |
|
NLK II, Wooster Projects, New York |
|
|
2005 |
|
Heaven & Earth, Hackney Empire, London |
|
|
2005 |
|
Faux Realism Part 1, Royal Academy Pumphouse, London |
|
|
2005 |
|
NLK, Soho House, New York |
|
|
2005 |
|
Remarkable, Andrew Mummery Gallery, London |
|
|
2004 |
|
If You Go Down To The Woods Today, Rockwell, London |
|
|
2004 |
|
The Horizon of Expectation, Empire, London |
|
|
2004 |
|
Rockwell, Zoo Art Fair, London |
|
|
2004 |
|
Independents 2004, Liverpool Biennial |
|
|
2004 |
|
Protect & Survive, Rockwell, London (solo) |
|
|
2004 |
|
1st Assembly, The Ragged School, London |
|
|
2004 |
|
Sympathetic Nerve, Capsule, W26, New York |
|
|
2004 |
|
Ready Steady Go, 3 Colts Gallery, London |
|
|
2003 |
|
Moral Combat, St Leonard’s Church, London |
|
|
2003 |
|
Rockwell, Rockwell Project Space, London |
|
|
2002 |
|
Reece Jones. New Work, Milton Gallery, London |
|
|
|
|
Jessica Lack, Friends In High Places, Art Review, July / August 2003 |
|
|
|
|
Louise Nicholson, News From New York, Apollo, April 2005 |
|
|
|
|
Marcus Harvey and Peter Jones (Eds), Commissioned Contributor, Turps Banana Vol 1,April 2005 |
|
|
|
|
Anne Hardy and Flora Mclean (Eds), Fash 'n' Riot 3, March 2005 |
|
|
|
|
Martin Herbert, On The Ground - London 2004, Art Forum, December 2004 |
|
|
|
|
ITV, Art Fairs, the Turner Prize and Artist Run Spaces, London Weekend News |
|
|
|
|
Jessica Lack Pick of the Week, The Guardian, 9th August 2004 |
|
|
|
|
Sarah Kent, Reece Jones, Time Out London, July 28 - August 4 2004 |
|
|
|
|
Fuji T.V. Japan, Interview for New Blood, Documentary on London Artists |
|
|
|
|
Anne Hardy and Flora Mclean, Kunst in Cold Studios, Fash ‘n’ riot issue 2, 2003 |
|
|
|
|
Allegra Stratton and James Lindon (Eds), Liberal Intervention: The Empire’s New Clothes? Aitchess Press, 2003 |
|
|
|