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1965
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Born in London, United Kingdom
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1989 - 1992
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BA (Hons) Fine Art, Goldsmiths' College, University of London
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1992 - 1993
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MA Fine Art, Chelsea College of Art, London
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1993 - 1994
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Artist in residence, Ruskin School, Oxford University, Oxford
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Currently lives and works in London
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2008 Vincent Award nominee, Stedelijk Museum, Holland
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2006 Turner Prize nominee, Tate Britain, London
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1998 Artists Production Awards, London Arts Board
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1997 Artists First-time Publication Award, Arts Council of England
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1994 Artists Production Awards (with Fergal Stapleton) London Arts Board Contemporaries, The Mall Gallery, London
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2012 |
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Galerie Max Hetzler, Berlin (solo) |
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2012 |
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Museum Dhondt – Dhaenens, Ghent (solo) |
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2011 |
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Maureen Paley, London (solo) |
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2009 |
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Matthew Marks Gallery, New York (solo) |
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2009 |
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Serpentine Gallery, London (solo) |
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2008 |
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The Vincent Award 2008, Stedelijk Museum CS, Amsterdam |
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2008 |
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Martian Museum of Terrestrial Art, Barbican Art Gallery, London |
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2008 |
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Donald Young Gallery, Chicago |
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2008 |
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Origins, Hudson Valley Centre for Contemporary Art, New York |
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2007 |
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Makers and Modelers, Gladstone Gallery, New York |
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2007 |
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No Room for the Groom, Herald St, London, curated by Gregorio Magnani |
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2007 |
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Galerie Max Hetzler, Berlin (solo) |
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2007 |
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Matthew Marks Gallery, New York (solo) |
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2007 |
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The Third Mind, curated by Ugo Rondinone, Palais de Tokyo, Paris |
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2007 |
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Unmonumental, The New Museum, New York |
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2007 |
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Five Works in Bronze, Matthew Marks Gallery, New York. |
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2006 |
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Toutes Compositions Florales, Counter Gallery, London |
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2006 |
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Anne Chu, Gary Hill, Martin Puryear, Rebecca Warren, James Welling, Donald Young Gallery, Chicago |
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2006 |
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flutter, The approach, London |
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2006 |
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If it didn’t exist you’d have to invent it: a partial Showroom history, The Showroom, London |
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2006 |
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The Turner Prize, Tate Britain, London |
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2006 |
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Tate Triennial, Tate Britain, London |
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2006 |
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Toutes Compositions Florales, Counter Gallery, London |
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2006 |
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China Art Objects Galleries, Los Angeles |
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2005 |
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Drunk & Stoned, Gavin Brown’s Enterprise, New York. |
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2005 |
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Body: New art from the UK, Vancouver art gallery (1995), The Ottawa art gallery (2006), Oakville galleries (2006), Edmonton art gallery (2006) |
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2005 |
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Trumpets of Justice, Counter Gallery, London, UK |
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2005 |
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The British Art Show 6, Haywad Gallery Touring exhibition |
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2005 |
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Translations, Thomas Dane, Karsten Schubert – Curator, London |
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2005 |
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Pas de Deux, Matthew Marks Gallery, New York (solo) |
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2005 |
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Galerie Daniel Buchholz, Cologne (solo) |
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2004 |
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Dark Passage, Kunsthalle Zurich, Zurich, Switzerland (solo) |
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2004 |
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Family Badge, Antiquariat Buchholz, Galerie Buchholz, Cologne (solo) |
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2004 |
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Sculpture, Precarious Realism between the Melancholy and the Comical, Kunsthalle Vienna, until February 2005 |
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2004 |
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Strange, I’ve seen that face before, Gallery of Modern Art, Glasgow |
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2004 |
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Collage, Bloomberg Space, London |
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2003 |
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Frass, 153-155 Grays Inn Road, London |
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2003 |
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Donald Young Gallery, Chicago (solo) |
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2003 |
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The Boiler Room, The Saatchi Gallery, London (solo) |
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2003 |
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SHE, Maureen Paley, London (solo) |
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2003 |
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Rachel Harrison, Hirsch Perlman, Dieter Roth, Jack Smith, Rebecca Warren, Matthew Marks Gallery, New York |
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2003 |
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Still Life, Museo Nacional de Bellas Artes, Santiago, Chile, Museo Alejandro Otero, caracas, Venezuela, Buenos Aires, Argentina, Centro Cultural, Parque de Espana, Rosario, Argentina, Biblioteca Luis Angel Arango, Bogota, Colombia |
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2003 |
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4 Old Works, 56a Clerkenwell Road, London |
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2002 |
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The Galleries Show, Royal Academy of Arts, London |
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2002 |
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Summer Exhibition 2002, Royal Academy of Arts, London |
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2002 |
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Fleischvater, Modern Art, London (solo) |
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2001 |
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Neon Gallery, London |
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2001 |
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Tattoo Show, Modern Art, London |
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2001 |
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New Labour, Saatchi Gallery, London |
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2000 |
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The Agony and the Ecstasy, Maureen Paley, London (solo) |
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1999 |
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Limitless, Galerie Krinzinger, Vienna, Austria, curated by Matthew Higgs |
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1999 |
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Day of the Donkey Day, Transmission, Glasgow |
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1999 |
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It’s a Curse it’s a Burden, The Approach, London, curated by Glenn Brown |
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1998 |
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Root, Chisenhale Gallery, |
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1998 |
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The Kindness of Strangers, W139 Gallery, Amsterdam |
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1998 |
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Craft, Richard Salmon, London (travelled to Kettles Yard, Cambridge) |
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1998 |
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BANK, Institute of Contemporary Art, London |
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1997 |
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Martin, Commercial Gallery and 146 Brick Lane, London |
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1997 |
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Class Vegas, The Embassy, London |
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1997 |
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Material Culture; Sculpture from the 80s and 90s, Hayward Gallery, London |
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1997 |
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Fergal Stapleton and Rebecca Warren, The Showroom, London |
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1996 |
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Rebecca Warren and Fergal Stapleton, Cleveland, London |
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1996 |
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Light, Richard Salmon, London (travelled to Spacex Gallery, Exeter) |
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1996 |
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Happy Shopper, Elephant & Castle Shopping Centre, London |
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1996 |
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Dog U Mental VIII, BANK, London |
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1996 |
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Berlin Art Fair, Berlin |
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1996 |
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NIS Project at world PC Expo, Tokyo |
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1996 |
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On Camp/Off Base: Pimple Life, Tokyo Big Sight Exhibition Centre, Tokyo |
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1996 |
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Out of Space, Cole and Cole, Oxford |
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1996 |
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Fuck Off, BANK, London |
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1996 |
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Disneyland After Dark: La Ronde, Kunstlerhaus Bethanien, Berlin |
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1996 |
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I Beg to Differ, Milch, London |
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1995 |
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Happy Squirrels Club, BANK, Eindhoven, The Netherlands |
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1995 |
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Model Home, PS1, The Clocktower Gallery, New York, USA |
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1995 |
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Rebecca Warren, Fergal Stapleton and Graham Gussin, Laure Genillard, London |
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1995 |
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Manliness without ostentation.., the Agency, London (solo) |
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1995 |
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The Meaning of Life.., Art Node Foundation, Sweden |
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1995 |
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The Meaning of Life.., parts 1 & 2, CCA, Glasgow, Scotland |
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1995 |
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Cocaine Orgasm, BANK, London |
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1995 |
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Disneyland After Dark: La Ronde, Konstmuseum, Uppsala, Sweden |
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1995 |
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Insignificance, the Agency, London |
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1995 |
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Stockholm Art Fair, Sweden |
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1994 |
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Miniatures, the Agency, London |
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1994 |
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Destroy All Monsters, The Tannery, London |
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1994 |
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MIND THE GAP.., Acud Galerie, Berlin, Germany |
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1994 |
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MIND THE GAP.., Hardcopys und technologische Bilder, Galerie/Edition, Voges & Deisen, Frankfurt, Germany |
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1994 |
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Retrospective: Your Mother, with Fergal Stapleton, 152c Brick Lane, London |
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1993 |
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I Have Every Vice in the World, Dolphin Gallery, Oxford (solo) |
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1993 |
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Whitworth Young Contemporaries, Manchester |
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2008 |
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Carey-Kent, Paul, Cubes, Art World, February 2008, pp.49-51 |
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2008 |
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Gallois, Christophe, The Third Mind, Metropolis M, February 2008, pp.80-81 |
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2008 |
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Holzworth, Hans Werner, Rebecca Warren, Art Now Volume 3, Taschen, 2008, pp.496-499 |
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2008 |
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Lack, Jessica, In The Studio: Rebecca Warren, Rad Girl, Art World, April 2008, pp.44-49 |
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2008 |
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Roos, Robbert, The Vincent – nominaties: Rebecca Warren, Kunstbeeld,nl, Nr 6 2008, pp. 36-39 |
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2008 |
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The Vincent Award 2008, Stedelijk Museum CS Prospect / retrospect, Stedelijk Museum, 2008. pp. 55-56 |
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2008 |
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Stern, Steven, Unmonumental, Frieze, April 2008, pp.169-170.Sonnenborn, Katie, Makers and Modellers, Frieze, March 2008, p.182 |
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2008 |
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Tate Triennials: Remembering The Other Three?, Art World, December 2008, p.13 |
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2007 |
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Hastings, Chris, Questions raised over Turner judge’s links to artists, The Sunday Telegraph, 18 February 2007 |
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2007 |
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Hunt, Andrew, The Third Mind, Art Monthly, December 2007, pp.34-36 |
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2007 |
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Hunt, Ian, No Room for the Groom: an exhibition with Douglas Sirk, Art Monthly, September 2007, pp.33-34 |
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2007 |
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Morris, Jane, Maureen Paley: Gallery Profile, Art World, December 2007, pp.52-55 |
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2007 |
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Market Positions: Rebecca Warren, Neue Zürcher Zeitung, 22 December 2007, p.27 |
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2007 |
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News, Flash Art, March 2007, p.66 |
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2007 |
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The glittering prizes, Art Newspaper, January 2007 |
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2007 |
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Schwabsky, Barry, Rebecca Warren, Artforum, November 2007, p.380 |
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2007 |
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Smith, Roberta, It’s Just Clay, but How About a Little Respect?, The New York Times, 7 September 2007 |
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2007 |
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Rebecca Warren, Monopol, July 2007, p. 126 |
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2006 |
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Aspden, Peter, Fresh takes on popular culture, Financial Times, 17 May 2006, p13 |
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2006 |
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Barrett, David, Tate Triennial, Art Monthly, May 2006 |
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2006 |
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Born, Matt, Look away now!, Daily Mail, 17 May 2006, p34 |
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2006 |
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Brown, Mark, Not so shocking – and there’s even a painter, The Guardian, 17 May 2006, p9 |
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2006 |
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Brown, Neal, Herbert, Martin, Lampert, Catherine, Parkett, No. 78, 2006, pp. 30-71 |
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2006 |
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Campbell-Johnston, Rachel, Dubious, tedious, specious - you’ll want to scream, The Times, 17 May 2006, p27 |
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2006 |
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Cumming, Laura, Tate Triennial 2006, Observer, 05 March 2006 |
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2006 |
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Darwent, Charles, Let’s pretend the Turner Price actually has something to say…, The Independent ABC, 6 October 2006. |
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2006 |
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Dorment, Richard, Haunted by concepts of the past, Telegraph, 07 March 2006 |
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2006 |
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Evans, Jonathan, Artist’s Turner entry is rubbish, The Independent, 3 October 2006 |
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2006 |
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Fox, Dan, Tate Triennial, Frieze, May 2006, p164-165 |
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2006 |
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Guner, Fisun, Art Review: The Turner Prize, Metro, 05 October 2006, p29 |
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2006 |
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Hull, Stephen, Art we can appreciate, Metro, 17 May 2006, p8 |
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2006 |
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Hunt, Andrew and Mulholland, Neil, British Art (does it) Show? Frieze, Issue 96, January - February 2006, p132-137 |
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2006 |
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Producers: Auerbach, Jake & Lampert, Catherine, Rodin: The Sculptures’ View, The Henry Moore Foundation & The Royal Academy, produced by Jake Auerbach Films Ltd, 2006, 55 minutes, DVD |
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2006 |
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J, W, Who’s up for the Turner?, The Sunday Times, 28 May 2006 |
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2006 |
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Jones, Jonathan, Art & Architecture, www.blogs.guardian.co.ukculturevulure/archives/2006, 03 October 2006 |
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2006 |
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Kent, Sarah, Turner for the worse?, Time Out, 11 October 2006 |
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2006 |
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Le Plot, Toulouse, Show us your arts, The Sun, 17 May 2006, p12 |
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2006 |
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Lubbock, Tom, Giacometti meets the Elephant Man as the Turner Prize puts controversy before quality, The Independent, 17 May 2006, p15 |
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2006 |
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Keeling, Julian, Shapes of Things to Come, Harper’s Bazaar, November 2006, pp198-201 |
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2006 |
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Maine, Stephen, Rebecca Warren at Matthew Marks, Art in America, May 2006, p183-184 |
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2006 |
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Malvern, Jack, Clay genitalia? It must be the Turner, The Times, 17 May 2006, p27 |
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2006 |
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Morton, Tom, Flutter, Frieze, October 2006, p.258 |
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2006 |
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O’Riley, Sally, Consider This: The Turner Price, Art Review, November 2006, p.25 |
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2006 |
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Pettifor, Tom, Turner Prize favourite: My art has no meaning, Daily Mirror, 17 May 2006, p12 |
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2006 |
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Reynolds, Nigel, Turner Prize judges nominate another ‘pervy potter’, The Daily Telegraph, 17 May 2006, p12 |
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2006 |
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Searle, Adrian, Guff and Nonsense, The Guardian, 28 February 2006 |
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2006 |
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Searle, Adrian, Car batteries, clay nipples, reality TV and a glimpse of the future, The Guardian G2, 18 October 2006, p18-20 |
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2006 |
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Somerstein, Rachel, Rebecca Warren, ART News, March 2006, p134 |
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2006 |
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Thomas-Corr, Johanna & Forrest, Emma E, What to see and do, City AM, 04 October 2006, p20 |
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2006 |
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Warren, Rebecca, Woman to Woman, The Daily Telegraph: Stella, 24 September 2006, p38-42 |
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2006 |
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Warren, Rebecca, Life in Film: Rebbeca Warren, Frieze, November–December 2006, p41&42. |
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2006 |
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Warren, Rebecca, Another Thing I wanted To Tell You, Another Magazine, September 2006, p.96 |
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2006 |
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Warren, Rebecca, The Artists’ Artists, Artforum, December 2006, p. 111 |
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2006 |
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Williams, Eliza, Tate Triennial 2006, Flash Art, May 2006, p63&64 |
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2006 |
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Wullschlager, Jackie, Turner prompts fresh attack on female body, Financial Times, 04 October 2006, p13 |
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2006 |
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Booby prize for art, Daily Star, 17 May 2006, p2 |
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2006 |
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Dust Sculptor Makes Turner Prize Shortlist, New York Times.com, 17 May |
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2006 |
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News: Prizes, Flash Art, No. 249, July – September 2006, p50 |
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2006 |
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Tate Triennial 2006, New British Art, Tate, February - March 2006, p6 |
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2006 |
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Tate Triennial 2006, New British Art, Tate, April - May 2006 |
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2006 |
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Turner Shortlist Announced, New York Times, 17 May 2006 |
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2006 |
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Depth Charge, Art Monthly, June 2006 |
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2005 |
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Bennett, Oliver, Modern masterpiece, The Guardian, Weekend, 3 December 2005, p130-135 |
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2005 |
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Campbell-Johnston, Rachel, Brit Art: the next generation, The Times, 1 September 2005 |
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2005 |
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Dorment, Richard, When Beauty shocks you into silence, Telegraph, 27 September 2005 |
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2005 |
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Gessell, Paul, A body of art in your face, Ottawa Citizen, 28 November 2005, pD1-D2 |
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2005 |
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Smith, Roberta, Rebecca Warren, Pas de Deux, The New York Times, 16 December 2005 |
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2005 |
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Listings, Time Out New York, 03 November 2005 |
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2005 |
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Rebecca Warren, The New Yorker, 5 December 2005, p19 |
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2004 |
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Charlesworth, JJ, Twisted Sister, ArtReview, June 2004 |
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2004 |
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Charlesworth, JJ. The Maker’s Mark, Spike Art Quarterly, December 2004 |
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2004 |
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GM, Rebecca Warren: Dark Passage, NZZ am Sontag, 11 April 2004 |
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2004 |
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Jones, Jonathan, If I had a hammer..., 1 April 2004. |
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2004 |
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kng, Kunsthalle Zurich: Rebecca Warren, Basler Zeitung, 10 April 2004 |
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2004 |
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kwu, Selbstbewusste, wuchtige Frauenfiguren, Schaffhauser Nachrichten, 8 April 2004 |
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2004 |
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Hilty, Greg. Rebecca Warren: SHE, Parkett, No.70, 2004 |
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2004 |
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ISW, Rebecca Warrens monstrose Weiber, Schweizer Illustriete, 10 May 2004 |
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2004 |
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La Placa, Joe, New London Sun, artnet, 21 October 2005 |
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2004 |
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O’Grady, Carrie, What’s Up With Modern Art?, Rebecca Warren. The Guide (Frieze Art Fair), October 2004 |
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2004 |
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Rogger, Andre, Frivole Damen in glasiertem Ton, Tagas Anzeiger, 13 April 2004 |
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2004 |
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Steiner, Urs, Frankensteins Tochler - Rebecca Warren in der Kunsthalle, NZZ, 07 April 2004 |
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2004 |
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Wust (SFD), Karl, Selbstbewusste Frauenmonster, Zurichsee-Zeitungen, 6 April 2004 |
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2004 |
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The Independant, 3 January 2004 |
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2004 |
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Rebecca Warren: Dark Passage, Praxis. Schweiz. Rundschau fur Medizin, 14 April 2004 |
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2004 |
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Rebecca Warren, Cream, April 2004 |
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2003 |
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Renton, Andrew, Shopping with Saatchi, The Evening Standard, 10 June 2003. p39&41 |
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2003 |
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Smith, Roberta, A Grand Finale of Group Show Fireworks, The New York Times, 18 July 2003 |
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2003 |
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Somaiya, Ravi, Frass, Dazed & Confused, Issue Nº 6 October 2003, p70 |
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2003 |
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Rebecca Warren, kultureflash, Nº 52, 15 July 2003 |
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2003 |
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Don’t Miss..., Time Out New York, Nº 407, July 17-24 2003, p79 |
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2003 |
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Matthew Marks Gallery, New York Times, 18 July 2003 |
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2003 |
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Group Show, The New Yorker, 4 August 2003 |
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2003 |
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New Acquisitions in the Boiler Room - Rebecca Warren, Time Out London, 1-8 October 2003 |
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2003 |
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Anderson, Hephzibah. Clay pride, Metro Life, 2 September-26 October 2003 |
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2003 |
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Artner, Alan G. Warren's rough, eloquent art, Chicago Tribune, 10 October 2003 |
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2003 |
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Brooks, Libby, Top Girls, 50 women to watch, Guardian G2, 30 September 2003 |
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2003 |
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Burton, Johanna, "Rachel Harrison, Hirsch Perlman, Dieter Roth, Jack Smith, Rebecca Warren" , Time Out New York, 7-14 August 2003 |
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2003 |
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Coomer, Martin, New acquisitions in the Boiler Room, Time Out Saatchi Gallery Guide, 1-8 October 2003 |
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2003 |
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Hawkins, Margaret, The surreal world, Chicago Sunday Times, 24 October 2003 |
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2003 |
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Higgie, Jennifer, Under the Influence, Frieze, January February, 2003 |
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2003 |
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JH, Rebecca Warren, artspace version 2 September 2003 |
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2003 |
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Kent, Sarah, Rebecca Warren, Time Out, 18-25 June 2003 |
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2003 |
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Pethick, Emily, Rebecca Warren, Artforum.com, June 2003 |
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2002 |
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Charlesworth, JJ. Neon Gallery, contemporary, March 2002 |
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2002 |
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Coomer, Martin. Vogue's galleries, Time Out, Nº1675 Sept 25 - October 2002 |
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2002 |
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Dorment, Richard. Academy of Cool; The Daily Telegraph, 5 June 2002 |
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2002 |
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Gleeson, David, britart.com, November 2002 |
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2002 |
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Güner, Fisun, Glad to be clay, Metro UK, 9 December 2002 |
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2001 |
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Aidin, Rose & Williamson, Charlotte. Move over Damien, meet the new talent, The Evening Standard ES Magazine, 12 September 2001 |
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2001 |
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Cork, Richard. What’s hot in the year of our Trace, The Times, 02 May 2001 |
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2001 |
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Cumming, Laura. New Labour, Saatchi Gallery, The Observer Review, 29 April 2001 |
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2001 |
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Darwent, Charles. Handmade tales of pots and porn, The Independent on Sunday, Culture, 29 April 2001 |
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2001 |
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Dorment, Richard. Art for the eyes, not the brain, The Daily Telegraph, 02 May 2001 |
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2001 |
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Ellis, Patricia. New Labour @ Saatchi, Flash Art, Vol. XXXIV Nº 218, May-June 2001 |
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2001 |
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Gellatly, Andrew. Rebecca Warren, frieze, Issue 56, January February 2001 |
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2001 |
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Gilbertson, Alice, A Stitch Up, Art Review, July 2001 |
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2001 |
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Hawes, Robert, Labour Pains, The Weekly Post, 25 May 2001 |
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2001 |
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Januszczak, Waldemar. At the Saatchi Gallery, you’ll find proof that New Labour really is working, The Sunday Times, Culture section, 29 April 2001 |
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2001 |
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Kent, Sarah. Labour intensive: Object lessons from New Labour at the Saatchi, Time Out, Nº1603, 9-16 May 2001 |
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2001 |
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Kent, Sarah. The Tattoo Show, Modern Art, Time Out, Nº1613, July 18-25 2001 |
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2001 |
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Packer, William, ‘New Labour’ but the same old pretensions, Financial Times, 29 May 2001 |
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2001 |
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Sewell, Brian. A touch of smut with a hand from Saatchi, The Evening Standard, 18 May 2001 |
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2001 |
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Wilsher, Mark. Craftwork, What’s On, 9-16 May 2001 |
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2001 |
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Rebecca Warren, I-D, April 2001, p.84 |
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2000 |
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Archer, Michael. Going for Bronze, Art Monthly, Nº 240 October 2000 |
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2000 |
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Coomer, Martin. Rebecca Warren (Critic’s Choice) Time Out, Nº1571, 27 September-04 October 2000 |
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2000 |
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Gleeson, David, The Raw and the Cooked, britart.com, November 2000 |
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1999 |
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Herbert, Martin. It’s a curse, it’s a burden, Time Out, Nº 1482, 13-20 January 1999 |
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1999 |
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Musgrave, David. It’s a curse, it’s a burden, Art Monthly, Nº223 February 1999 |
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