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| Selected Exhibitions |
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2009
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O.K. Harris Works of Art, New York, NY (solo)
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2005
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O.K. Harris Works of Art, New York, NY (solo)
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2004
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Seeing is Believing: American Trompe l’oeil, New Britain Museum of American Art, New Britain, CT
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2003
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Everything OK at OK Harris, Brevard Museum of Art and Science, Melbourne, FL
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2001
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O.K. Harris Works of Art, New York, NY
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2001
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Disjecta Membra, Broadway Windows, New York, NY (solo)
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2001
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O.K. Harris Works of Art, New York, NY (solo)
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1998
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O.K. Harris Works of Art, New York, NY (solo)
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1995
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Art after Art, Nassau County Museum of Art, Roslyn Harbor, NY
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1993
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O.K. Harris Works of Art, New York, NY (solo)
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1990
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Fendrick Gallery, Washington, DC (solo)
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1990
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Helander Gallery, Palm Beach, FL (solo)
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1989
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Tortue Gallery, Santa Monica, CA (solo)
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1988
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Robert Schoelkopf Gallery, New York, NY (solo)
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1988
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Classical Mvth and Imagerv in Contemporary Art, The Queens Museum, Flushing, NY
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1987
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Mainstream America: The Collection of Phil Desind, Butler Institute of American Art, Youngstown, OH
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1987
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The 51st Annual National Mid-Year Exhibition,Butler Institute of American Art, Youngstown, OH
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1987
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Helander Gallery, Palm Beach, FL (solo)
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1987
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O.K. Harris Works of Art, New York, NY (solo)
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1986 - 1987
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New York New York, Helander Gallery, Palm Beach, FL
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1986
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Olvmpus Revisited, Summit Art Center, Summit, NJ
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1986
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Uncovering the Past:Tribute and Parody, Long Beach Museum of Art, Long Beach, CA
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1986
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Acme Art, San Francisco, CA (solo)
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1986
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Architectural Inspirations - Venice and Rome, Hearst Art Gallery, Moraga, CA
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1986
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Tortue Gallery, Santa Monica, CA (solo)
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1986
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he Artists of O.K. Harris, Helander Gallery, Palm Beach, FL
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1986
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Architectural Ornament: Is More More?, Fendrick Gallery, Washington, DC
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1986
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Highlights of the Season, Helander Gallery, Palm Beach, FL
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1986
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The Column Show: Metaphor and Motif, Fisher Gallery, University of Southern California, Los Angeles, CA
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1985 - 1986
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More Than Meets the Eye: The Art of Trompe L’oeil, Columbus Museum of Art, Columbus, OH; Norton Gallery of Art, West PaJm Beach, FL
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1985 - 1986
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Tomasulo Gallery, Union County College, Cranford, NJ 1 986
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1985
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Bevond Antiquitv: Classical References in Contemporary Art, DeCordova Museum, Lincoln, MA
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1985
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The Classic Tradition in Recent Painting and Sculpture, Aldrich Museum of Contemporary Art, Ridgefield, CT
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1985
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Art + Architecture + Landscape: The Clos Pegase Design Competition, San Francisco, CA
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1985
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Illusion: Between Life and Art, Museum of Holography, New York, NY
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1985
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O.K. Harris Works of Art, New York, NY (solo)
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1985
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Artists of O.K. Harris, Helander/Rubenstein Gallery, Palm Beach, FL
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1985
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Connections, Leila Taghinia-Milani Gallery, New York, NY
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1983 - 1985
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Contemporary Trompe l'Oeil Painting and Sculpture, Boise Gallery of Art, Boise, ID;
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1984
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O.K. Harris Artists, Royal Palm Gallery, Palm Beach, FL
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1984
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Illusions, Greenville County Museum of Art, Greenville, SC
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1984
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Contemporary Classicism, University of California, Los Angeles, CA
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1984
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Games of Deception: When Nothing Is As It Appears, Artisan Space, Fashion Institute of
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1984
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Acme Art, San Francisco, CA (solo)
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1983
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Material Illusion/Unlikely Material, Taft Museum, Cincinnati, OH
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1983
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The Great Illusionists, Ben Shahn Galleries, William Paterson College, Wayne, NJ
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1983
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Leila Taghinia-Milani Gallery, New York, NY
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1983
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The Fragment, Fragmentary, Fragmentation, New Britain Museum of American Art, New Britain, CT
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1982
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Architectural Images: Contemporarv Paintings, Summit Art Center, Summit, NJ
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1982
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The Constructed Image, Rockland Center for the Arts, West Nyack, NY
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1982
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O.K. Harris West, Scottsdale, AZ
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1982
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Tortue Gallery, Santa Monica, CA (solo)
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1981
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O.K. Harris Works of Art, New York, NY (solo)
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1981
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Homage, Danforth Museum, Framingham, MA
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1979 - 1981
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Reality of Illusion, University of Southern California, Los Angeles, CA; travelling exhibition
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1980
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Illusionism, O.K. Harris West, Scottsdale, AZ
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1980
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Radical Realism, Center for the Arts, Muhlenberg College, Allentown, PA
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1980
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O.K. Harris Works of Art, New York, NY (solo)
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1979
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Small is Beautiful, Freedman Gallery, Albright College, Reading, PA
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1979
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Late Twentieth Century Art, Institute of Contemporary Art, University of Pennsylvania,
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1979
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Corners: Sculpture Invitational, Elise Meyer Gallery, New York, NY
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1979
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Directions, Hirshhorn Museum and Sculpture Garden, Washington, DC
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1978
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Expressions of the Seventies, Minskoff Cultural Center, New York, NY
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1978
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Current Work from New York, Slippery Rock State College, Slippery Rock, PA
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1978
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Artists Look at Art, Helen Foresman Spencer Museum of Art, University of Art, University of Kansas, Lawrence, KS
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1978
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Central Michigan University, Mt. Pleasant, MI
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1978
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O.K. Harris Works of Art, New York, NY (solo)
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1976 - 1978
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International Realist Exhibition, Rothmans of Pall Mall, Ontario, Canada
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1977
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This Is Today, Root Art Center, Hamilton College, Clinton, NY
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1977
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O.K. Harris Works of Art, New York, NY (solo)
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1975
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Report from SoHo, Grey Art Gallery, New York University, New York, NY
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1975
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Abstraction. Alive and Well, State University of New York, Potsdam, NY
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1974
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Lamagna Gallery, New York, NY (solo)
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| Selected Public Collections |
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Sydney and Francis Lewis Foundation, Richmond, VA
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Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC
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Yale University Art Gallery, New Haven, CT
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Remington Hotel, Dallas, TX
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Israel Museum, Jerusalem, Israel
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Erie Museum of Art, Erie, PA
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Everson Museum of Art, Syracuse, NY
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Robert De Rothschild, New York, NY
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Neil Jenney, New York, NY
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Max Palevsky, Los Angeles, CA
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Ludwig Collection, Aachen, Germany
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| Literature |
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2005
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New Art In An Old City: The Sydney and Walda Besthoff Collection, New Orleans, LA; Text: David S. Rubin, 2005.
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1995
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Art After Art, (catalogue), Nassau County Museum of Art, Roslyn Harbor, NY, 1995.
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1989
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.The Historical Mode: Fashion and Art in the 1980s, Richard Martin and Harold koda, Rizzoli, New York, pp. 11, 26, 1989.
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1987
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Art & Antiques, “Openings", April 1987.
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1987
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Finance (France), "Impressions de New York", Ninon Gaulthier, p' 26, 13 April 1987.
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1987
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Art & Auction, "Corporate Collections 1987: The Southland Corporation", p. 170, October 1987.
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1987
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"A Question of Space: Architectural Inquiries", (catalogue), The Rye Arts Center, Rye, NY; Introduction: Mary Delahoyd, 1987.
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1987
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"Mainstream America: The Collection of Phil Desind", (catalogue), Butler Institute of American Art, Youngstown, OH; Introduction: Louis Zona, 1987.
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1986
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"The Column Show: Metaphor and Motif", (catalogue), Fisher Gallery, University of Southern California, Los Angeles, CA, 1986.
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1986
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"Architectural Inspirations: Venice and Rome", (catalogue), Hearst Art Gallery, Saint Mary's College, Moraga, CA; Introduction: Ann Harlow, 1986.
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1986
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Uncovering the Past: Tribute and Parody", (catalogue), Long Beach Museum of Art, Long Beach, CA; Introduction: Patricia L. Boutelle, 1986.
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1986
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Los Angeles Times, "Galleries: Santa Monica", p. 16, January 17, 1986.
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1986
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Cook's, "Food Im½ates Art", Mary CaIdwell, pp', 38-48, 80, May/June 1986
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1986
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Westart, "Inspirations from Venice and Rome", August 22, 1986.
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1986
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Contra Costa Times, "Exhibit pleasing, thought-provoking", Carol Fowler, September 30, 1986.
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1986
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Art & Antiques, "Sketchbook: Art and Cuisine", Charles E. Allen, p. 28, October 1986.
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1985
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Middlesex News, "The DeCordova Museum Reaches Beyond Antiquity and Highlights a Return to Classicism", Cate Coulacos, July 11, 1985.
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1985
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American Art Now, Edward Lucie-Smith, William Morrow & Company, New York, NY, 1985.
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1985
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"More Than Meets The Eye: The Art of Trompe L'Oeil", (catalogue), Columbus Museum of Art, Columbus, OH; Foreword: Budd Harris Bishop, 1985.
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1985
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Arts Magazine, Peter Saari", Carlo M. Lamagna, Vol. 59, No. 8, p.18, April 1985.
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1984
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The Post (West Palm Beach, FL), "Is What You See All You Get From Illusionist Art?", Gary Schwan, February 26, 1984.
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1984
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Arts Magazine, "Material Illusion: On the Issue of the Ersatz Objects", Carol Donnell-Kotrozo, pp. 88-91, March 1984.
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1984
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Images and Issues, "Reviews: Peter Saari at Acme Art", Alfred Jan, p" 48, July/August 1984.
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1984
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New York Magazine, “How The Smart Money Decorates”, Marilyn Bethany, September 24, 1984.
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1984
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Corporate ArtNews, “Ceiling Mural Adorns Office Building”, September/October 1984.
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1983
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Images and Issues, "Peter Saari at Tortue", Kathy Zimmerer¬McKelvie, March/April 1983.
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1983
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Spokesman-Review (Spokane, WA), "Illusory Art", Tim Behrens, November 20, 1983.
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1983
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"Contemporary Trompe l'Oeil Painting and Sculpture", (catalogue), Boise Gallery of Art, Boise, ID; Dennis O'Leary, 1983.
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1983
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"Material Illusion/Unlikely Material", (catalogue), Taft Museum, Cincinnati, OH; Heather Hallenberg, 1983.
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1982
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Los Angeles Times, "The Galleries: Santa Monica", October 29, 1982
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1982
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New York Times, "There's Poetry in the Newest Office Portals", David L. Shirey, December 5, 1982.
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1981
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"Late Twentieth Century Art from the Sydney and Frances Lewis Foundation", (catalogue), Richmond, VA, Frederick R. Brandt and Susan L. Butler, 1981.
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1981
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Arts Magazine, "The Reality of Illusion - Eclipse of Realism", John R. Clarke, Vol. 55, No. 6, p. 158, February 1981.
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1981
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Antiques and the Arts Weekly, "Classical Themes in Contemporary Art Focuses of Danforth Museum Exhibit", May 8, 1981.
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1981
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Interview, "My Life in Ruins", Robert Becker, Vol. 11, No. 8, pp. 40~41, August 1981.
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1980
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Ocular, "Peter Saari", (reprint of interview in Archetype), Vol. 5, No. 1, pp. 81-83, Spring 1980.
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1980
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Artforum, "Reviews", Douglas Blau, Vol. 18, No. 10, pp. 86-87, Summer 1980.
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1979
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“Directions", (catalogue), Hirshhorn Museum and Sculpture Garden, Washington, DC, Howard N. Fox, 1979.
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1979
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Archtvpe, "Peter Saari", Andrew Batey, Vol. 1, No. 1, pp. 33-34, Spring 1979.
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1979
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Archtvpe, "Peter Saari", Andrew Batey, Vol. 1, No. 1, pp. 33-34, Spring 1979.
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1978
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Village Voice "Form Follows Fiction", Peter Frank, April 24, 1978.
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1977
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"Why Art", Gregory Battcock, E.P. Dutton & Co., New York, NY, pp. 112-113, 1977.
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1977
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Village Voice, "Is Peter Saari Faking It?', Ray C. Smith, Vol. 22, No. 16, April 1977.
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1976
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Arts Magazine, 'Peter Saari' 5 New Paintings", John R. Clark, Vol. 50, No. 6, pp. 58-59, February 1976.
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1976
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Newsdav, 'Art: A Realistic Course', Malcolm Preston, February 26, 1976.
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1975
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Domus, Art in America: Saari, Hirshmann, Oppenheim', Gregory Battcock, pp. 53-54, May 1975.
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1974
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SoHo Weekly News, “On Art”, John Gruen, Vol. 2, No.13, p.10, January 2, 1974.
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1974
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Artforum, Reviews, Alan Moore, Vol. 12, No. 10, p. 78, June 1974.
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