|
|
Peter Doig Biography
|
 |
 |
|
1959 |
|
Born: Edinburgh, Scotland
|
|
1979 - 1980 |
|
Wimbledon School of Art, London, UK
|
|
1980 - 1983 |
|
B.A., St. Martin’s School of Art, London, UK
|
|
1989 - 1990 |
|
M.A., Chelsea School of Art at University of the Arts London, London, UK
|
|
1991 |
|
Whitechapel Art Gallery's Artist Award
|
|
1993 |
|
Awarded First Prize at the John Moores Liverpool Exhibition
|
|
1994 |
|
Turner Prize nominee
|
|
1995 - 2000 |
|
Trustee of Tate Gallery, London
|
|
2003 |
|
Foundation of STUDIOFILMCLUB, Trinidad with Che Lovelace
|
|
2005 |
|
Professor at Düsseldorf State Academy of Art
|
|
2008 |
|
Wolfgang Hahn Prize, Germany
|
|
|
|
Lives and works in Port of Spain, Trinidad, and London, England
|
|
|
| Selected Exhibitions |
|
|
|
2012 - 2013
|
|
Pop Art Accrochage, Fluegel-Roncak Gallery, Nuremberg, Germany
|
|
2008 - 2009
|
|
Schirn Kunsthalle in Frankfurt, Germany (solo)
Peter Doig: New Paintings, Michael Werner Gallery New York in Collaboration with Gavin Brown’s Enterprise, New York, NY
Peter Doig: Not for Sale, Contemporary Fine Arts, Berlin
|
|
2008
|
|
Tate Britain, London, UK (solo)
ARC/ Musée d’Art moderne de la Ville de Paris (solo)
Series Drawing: An exhibition of works on paper, Michael Werner Gallery, New York, NY
Serial Works on Paper, Julius Werner Berlin, Berlin, Germany
A Guest of Honour: From Francis Bacon to Peter Doig, Museum der Moderne, Salzburg, Austria
Marlon Brando, Pocahontas and Me (curated by Jeremy Deller), Aspen Art Museum, Aspen, CO
…same as it ever was Painting at Chelsea 1990 – 2007, University of the Arts, London, UK
|
|
2007
|
|
The Painting of Modern Life, The Hayward Gallery, London, UK
Fast Forward: Contemporary Collections for the Dallas Museum of Art, Dallas Museum of Art, Dallas, TX
Der Symbolismus und die Kunst der Gegenwart, Van der Heydt Museum, Wuppertal, Germany
Very Abstract and Hyper Figurative, The Thomas Dane Gallery, London, UK
Leerraume des Erzahlens, Wilhelm Lehmbruck Museum, Duisberg, Germany
|
|
|
2006
|
|
Go West Young Man, Museum der Bildenden Künste, Leipzig, Germany (solo)
Peter Doig: Studiofilmclub 2003 – 2006, Ballroom Marfa, Marfa, TX (solo)
In den Alpen, Kunsthaus Zürich, Zurich, Switzerland
The Secret Public - The Last Days of the British Underground 1978-88, Kunstverein München, Munich; ICA, London, UK
Eye on Europe, Museum of Modern Art, New York, NY
Essential Painting, The National Museum of Art, Osaka, Japan
Surprise, Surprise, ICA London, London, UK
Travelling light, Bonefantenmuseum, Maastricht, The Netherlands
The Secret Public - The Last Days of the British Underground 1978-88, Kunstverein München, Munich, Germany
Stillpoints of the Turning World, SITE Santa Fe Biennial, Santa Fe, NM
Whitney Biennial 'Day for Night', Whitney Museum of American Art, New York, NY
Imagination Becomes Reality Part III. Talking Pictures“, Sammlung Goetz, Munich, Germany
Tate Triennial 'Days like these', Tate Britain, London, UK
|
|
|
2005 - 2006
|
|
Peter Doig: Works on Paper, Windsor, Vero Beach, FL; London, UK; New York, NY; Toronto, Canada (solo)
Studiofilmclub, Museum Ludwig, Cologne, Germany; Kunsthalle Zürich, Zurich, Switzerland (solo)
|
|
2005
|
|
The Triumph of Painting. Part I, The Saatchi Gallery, London, UK
Geschichtenerzähler, Hamburger Kunsthalle, Hamburg, Germany
Wunschwelten, Schirn Kunsthalle, Frankfurt, Germany
|
|
2004
|
|
Peter Doig/Jochen Klein, Daniel Buchholz, Cologne, Germany (solo)
Metropolitain, Pinakothek der Moderne, Munich, Germany; Kestnergesellschaft, Hannover, Germany (solo)
Rheingold III, Städtisches Museum Abteiberg, Mönchengladbach, Germany
Museum der bildenden Künste Leipzig, Contemporary Fine Arts, Berlin, Germany
Huts, Douglas Hyde Gallery, Trinity College, Dublin, Ireland
the undiscovered country, Hammer Museum, Los Angeles, CA54th Carnegie International, Carnegie Museum of Art, Pittsburgh, PA
|
|
2003
|
|
Peter Doig, Arts Club of Chicago, Chicago, IL (solo)
Charley´s Space, Bonnefantenmuseum, Maastricht, The Netherlands; Carré D’Art contemporain de Nimes, Nimes, France (cat.) (solo)
Peter Doig: Painter as Printmaker, James Hyman Fine Art, London, UK (solo)
Pittura/Painting: From Rauschenberg to Murakami 1964-2003. 50 International Art Exhibition, Musei Civici Veneziani/La Biennale di Venezia, Venice, Italy
|
|
2002
|
|
Peter DOIG. The Prints, The Bailey Collection, Toronto, Canada (solo)
100 Years Ago“, Victoria Miro Gallery, London, UK (solo)
|
|
2001 - 2002
|
|
Almost Grown, The Power Plant, Toronto, Canada (solo)
|
|
2001
|
|
Morris and Helen Belkin Art Gallery, The University of British Columbia, Vancouver, Canada; National Gallery of Canada, Ottawa, Ontario; The Power Plant, Toronto, Canada (solo)
|
|
2000
|
|
Echo Lake, Matrix, University of California, Berkeley, CA (solo)
Echo Lake, Museum of Contemporary Art, Miami, FL (solo)
Echo Lake, The Saint Louis Art Museum, St. Louis, MO (solo)
Almost Grown, The Douglas Hyde Gallery, Dublin, Ireland (solo)
Peter Doig: Works on Paper, Michael Werner Gallery, New York, NY (solo)
|
|
1999
|
|
country-rock, Contemporary Fine Arts, Berlin, Germany (solo)
|
|
|
| Selected Public Collections |
|
|
|
|
|
Rubell Family Collection, Miami, FL
|
|
|
|
Saatchi Collection, London, UK
|
|
|
|
Sammlung Olbricht, Duisburg, Germany
|
|
|
|
Southampton City Art Gallery, Southampton, NY
|
|
|
|
Various Private Collections
|
|
|
|
Walker Art Gallery, Liverpool, UK
|
|
|
|
Los Angeles County Museum of Art, Los Angeles, CA
|
|
|
|
Philadelphia Museum, Philadelphia, PA
|
|
|
|
Pinakothek der Moderne, Munich, Germany
|
|
|
|
Provinzial Versicherung, Düsseldorf, Germany
|
|
|
|
National Gallery of Canada, Ottawa, Ontario
|
|
|
|
Museum of Modern Art, New York, NY
|
|
|
|
Museum of Contemporary Art, Los Angeles, CA
|
|
|
|
MNAM CCI Centre Georges Pompidou, Paris, France
|
|
|
|
Kunsthalle zu Kiel, Germany
|
|
|
|
Goetz Collection, Munich, Germany
|
|
|
|
Deutsche Bank, Frankfurt, Germany
|
|
|
|
Dallas Museum of Art, Dallas, TX
|
|
|
|
César and Mima Reyes, Puerto Rico
|
|
|
|
Carnegie Museum of Art, Pittsburgh, PA
|
|
|
|
The British Museum, London, UK
|
|
|
|
British Council Collection
|
|
|
|
Bonnefanten Museum, The Netherlands
|
|
|
|
The Arts Institute of Chicago, Chicago, IL
|
|
|
|
Arts Council Collection, London, UK
|
|
|
| Literature |
|
|
|
2007
|
|
Boutsko, Anastassia, Die Russen kommen, Monopol. Zeitschrift für Kunst und Leben, 23 May 2007, pp. 100-103
|
|
2007
|
|
Adrian Searle, Kitty Scott, Catherine Grenier, Peter Doig, New York, 2007
|
|
2007
|
|
Imagination becomes Reality - Eine Ausstellung zum erweiterten Malereibegriff. Werke aus der Sammlung Goetz, Ingvild Goetz, Gregor Jansen und Stephan Urbaschek (Hrsg.), Karlsruhe, 2007
|
|
2007
|
|
Künstlerplakate von Picasso bin Heute, Seedamm Kulturzentrum, Pfäffikon (SZ) and Käthe Kollwitzmuseum, Cologne 2007
|
|
2007
|
|
Catherine Grenier, Reconquérir le monde. Peter Doig, Les Cahiers du Musée d’art moderne, Centre Pompidou, Paris, Winter 2006/07, S. 30-37.
|
|
2007
|
|
Stefan Koldehoff, Don’t believe the hype, Monopol – Magazin für Kunst und Leben, Nr. 4, April 2007, S.86-87.
|
|
2007
|
|
Sebastian Preuss, Mangroven-Groove, AD Architectural Digest, April 2007, S. 158.
|
|
2007
|
|
Hans Pietsch, Teures Kanu, Art – Das Kunstmagazin, Nr. 4, April 2007, S. 132.
|
|
2006
|
|
Alex Lapp, Once upon a Time in the West - Part One, Art Review, Vol. 04, Oktober 2006, 160-161.
|
|
2006
|
|
Karen Wright, Peter Doig: Keeping it real, Modern Painters. The International Art Magazine, März 2006.
|
|
2006
|
|
Karen Wright, Keeping it Real, Modern Painters, March 2006
|
|
2006
|
|
Meredith Mendelsohn, The New Romantics, ArtNews, February 2006
|
|
2006
|
|
Go West Young Man, Museum der bildenden Künste, Leipzig, 2006
|
|
2006
|
|
Essential Painting, The National Museum of Art, Osaka, 2006
|
|
2006
|
|
Surprise, Surprise, ICA Insitute of Contemporary Arts, London, 2006
|
|
2005
|
|
Wunschwelten/Ideal Worlds, Neue Romantik in der Kunst der Gegenwart, Schirn Kunsthalle Frankfurt, (Hrsg.) Hatje Cantz Verlag, Ostfildern-Ruit, 2005
|
|
2005
|
|
Rheingold III, Museum Abteiberg Mönchengladbach (Hrsg.), Frankfurt am Main: Revolver, 2005
|
|
2005
|
|
The Triumph of Painting, Saatchi Gallery (Hrsg.), London, 2005
|
|
2005
|
|
Astrid Wege, Peter Doig, Artforum, November 2005
|
|
2005
|
|
Tom Lubbock, The triumph of painting? That’s a pretty rich claim, The Independent, 25 January 2005
|
|
2005
|
|
Caspar David Friedrich ist auch Kitsch, Interview mit Max Hollein zur Ausstellung 'Wunschwelten', Art – Das Kunstmagazin, Mai 2005, S. 26.
|
|
2005
|
|
Thomas Wagner, Ach du heiliger Lukas!, FAZ, 21. Mai 2005, S. 31.
|
|
2005
|
|
Peter Doig - Studiofilmclub, Museum Ludwig (Hrsg.), Verlag der Buchhandlung Walther König, Cologne, 2005
|
|
2005
|
|
Peter Doig : Works on Paper, The Gallery at Windsor, Vero Beach, (Hrsg.) Windsor Press, Florida, 2005
|
|
2004
|
|
Barry Schwabsky, Peter Doig, Nimes: Carré D’Art, Contemporary No.60 2004
|
|
2004
|
|
Alex Ruhle, Overexposed Memories, Suddeutsche Zeitung, May 7th 2004
|
|
2003
|
|
Artforum, Matthew Higgs, Peter Doig, Arts Club of Chicago, October 2003
|
|
2003
|
|
Tema Celeste, Martin Herbert, Unraveling the enigma, September / October 2003
|
|
2003
|
|
Chicago Reader, Fred Camper, Small Beauties, 4 April 2003
|
|
2003
|
|
Paul Bonaventura, Rudi Fuchs, Beatrix Ruf, PARKETT, May, No. 67
|
|
2003
|
|
Peter Doig, Arts Club of Chicago (text by Jennifer Higgie)
|
|
2002
|
|
Peter Doig: Works on Paper, Michael Werner Gallery, New York and Cologne (text by Adrian Searle)
|
|
2002
|
|
April 14, Laura Cunning, Painting on thin Ice, The Observer
|
|
2002
|
|
April 16, Adrian Searle, Wide blue yonder, The Guardian
|
|
2002
|
|
Summer, Jennifer Higgie, Review: Peter Doig- Victoria Miro Gallery, Frieze
|
|
2002
|
|
Summer, Robert Brown, Peter Doig - One Hundred Years Ago, Contemporary Magazine
|
|
2002
|
|
April, Gerhard Mack, Bilder aus dem Reich der Rätsel, ART
|
|
2001
|
|
May – June, Reid Sheir, Peter Doig – Morris and Helen Belkin Gallery, Art + Text, No 73
|
|
2001
|
|
Peter Doig, Morris and Helen Belkin Art Gallery, University of British Columbia
|
|
2000
|
|
Almost Grown, Paintings by Peter Doig, The Douglas Hyde Gallery, Dublin and Victoria Miro Gallery, London
|
|
2000
|
|
Feb, Thad Ziolkowski, Peter Doig, Artforum
|
|
2000
|
|
Feb, Johanne Sloane, Rainbows and other Ruins, Afterall
|
|
2000
|
|
Feb, Daniel Richter, Dots on Doig, Afterall
|
|
1999
|
|
Dec 10, Ken Johnsonm, Peter Doig, The New York Times
|
|
1999
|
|
Peter Doig version, Kunsthaus Glarus, Switzerland
|
|
1998
|
|
Peter Doig/Udomsak Krisanamis, Arnolfini, Bristol, The Fruitmarket Gallery, Edinburgh
|
|
1998
|
|
Peter Doig. Blizzard seventy-seven, Terry R. Myers etc., Kunsthalle zu Kiel, Kunsthalle Nürnberg, Trustees of the Whitechapel Gallery, London
|
|
1995
|
|
Peter Doig: Blotter, Contemporary Fine Arts, Berlin
|
|
|
|