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1932
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Born June 25 in Dartford, Kent, England
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1946 - 1951
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Studied at Gravesend Technical College & School of Art, London, England
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1953 - 1956
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Studied at Royal College of Art, London, England
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1964 - 1967
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Taught at Royal College of Art, London, England
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1967
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Made cover design for Beatles' "Sergeant Pepper's Lonely Hearts Club Band"
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1970
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Used watercolour to illustrate Lewis Carroll’s "Through the Looking-Glass"
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1975
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Founder of the Brotherhood of Ruralists
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1981
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Becomes a Royal Academician
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1983
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Major retrospective exhibition at the Tate Gallery
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Lives and works in London, England
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2012 |
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Parallelwelt Zirkus, Kunsthalle Wien, Vienna, Austria (solo) |
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2012 |
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Wetterling Gallery, Stockholm, Sweden (solo) |
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2010 |
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25th London Original Print Fair, TAG Fine Arts, Royal Academy, London, England |
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2010 |
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AAFNYC, TAG Fine Arts, New York City, NY |
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2007 |
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Peter Blake: A Retrospective, Tate Liverpool, United Kingdom |
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2006 |
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Peter Blake: 1975-2005, Wetterling Gallery, Stockholm, Sweden |
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2006 |
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Peter Blake Prints and Sculpture, The Harley Gallery, Welbeck |
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2001 - 2006 |
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Alphabet, York College of Further and Higher Education; touring to University College, Northampton; Michael Tippett Centre, Bath; Library Gallery, Kidderminster; Kirkby Gallery; Atkinson Art Gallery, Southport; Bersham Heritage Centre, Museum of Cannock Chase, Hednesford; Pittencrieff House Museum, Dunfermline; Wakefield Art Gallery, Bedales Gallery, Petersfield; Ashfield School, Kirkby in Ashfield; Central Library, Gateshead; The Babylon Gallery, Ely; Mill Green Museum and Mill, Hatfield; Bellshill Cultural Centre; Whitstable Museum and Art Gallery; The London Road Gallery, Northwich; Aberystwyth Arts Centre; Towneley Hall Art Gallery and Museum, Burnley; Norden Farm Centre for the Arts, Maidenhead; St Paul’s School, Barnes; Arts Complex, Solihull; Wingfield Arts, Mansfield Museum and Art Gallery; The Potteries Museum and Art Gallery, Stoke on Trent; Chapel Gallery, Ormskirk; Haworth Art Gallery, Accrington; St Davids Hall, Cardiff – tour continues, further venues to be confirmed (solo) |
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2005 |
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Peter Blake: 1-10 (Collages, Constructions, Drawings & Sculpture) & The Marcel Duchamp Paintings, Waddington Galleries, London, England |
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2005 |
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New Prints by Peter Blake, The Charing X Gallery, London, England |
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2003 |
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Peter Blake: Commercial Art, The London Institute Gallery, London, England (graphic design) |
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2003 |
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Peter Blake: Sculpture, The London Institute Gallery, London, England (sculpture) |
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2003 |
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Peter Blake, Artiscope (Zaira Mis), Brussels, Belgium (solo) |
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2002 |
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Over the Rainbow, Harley Gallery, Welbeck (solo) |
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2002 |
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Sir Peter Blake/And Now We Are 70, Paul Morris Gallery, New York, NY (solo) |
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2000 |
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Peter Blake: About Collage, Tate Liverpool, United Kingdom (solo) |
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1999 |
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A Cabinet of Curiosities from the Collections of Peter Blake, Morley Gallery, London, England (solo) |
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1996 - 1997 |
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Now We Are 64: Peter Blake at the National Gallery, National Gallery, London, England ; touring to Whitworth Art Gallery, Manchester, United Kingdom (solo) |
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1995 |
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Galerie Claude Bernard, Paris , France (solo) |
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1993 |
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The Tabernacle Cultural Centre, Machynlleth (silk-screen prints) (solo) |
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1992 |
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Govinda Gallery, Washington D.C. (Eric Clapton sketches) (solo) |
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1990 |
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Wetterling Gallery, Gothenburg, Sweden (solo) |
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1990 |
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Waddington Galleries, London, England (solo) |
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1988 |
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Nishimura Gallery, Tokyo, Japan (solo) |
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1986 - 1987 |
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Watermans Art Centre, Brentford, Middlesex; touring to Turnpike Gallery, Leigh (solo) |
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1984 |
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Galerie Claude Bernard, Paris, France (solo) |
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1983 |
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Tate Gallery, London (retrospective); touring to Kestner Gesellschaft, Hannover, Germany (solo) |
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1980 |
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Galleria Documenta, Turin, Italy (drawings and prints) (solo) |
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1979 |
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Bohun Gallery, Henley-on-Thames, United Kingdom (drawings and prints) (solo) |
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1978 |
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Waddington Graphics, London, England (solo) |
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1977 |
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Waddington and Tooth Galleries, London, England (solo) |
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1974 |
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Natalie Stern Gallery, London, England (print retrospective) (solo) |
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1973 - 1974 |
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Stedelijk Museum, Amsterdam; touring to Kunstverein Hamburg; Gemeentemuseum, Arnhem; Palais des Beaux-Arts, Brussels (solo) |
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1972 |
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Waddington Galleries, London, England (watercolours and drawings (solo) |
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1970 |
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Ashgate Gallery, Farnham, united Kingdom (solo) |
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1969 |
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Robert Fraser Gallery, London , England(solo) |
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1969 |
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City Art Gallery, Bristol, United Kingdom(solo) |
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1969 |
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Leslie Waddington Prints, London, England (solo) |
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1965 |
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Robert Fraser Gallery, London, England (solo) |
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1962 |
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Portal Gallery, London, England (solo) |
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2006 |
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‘September’, DACS 2006 calender |
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2005 |
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Grimwood, Brian: ‘Waxworks to Cossacks’, The Journal of the Associations of Illustrators, February/March, pp. 14-21 |
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2004 |
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Bennett, Oliver: ‘Post-war excitement: the attraction of collecting Pop Art’, The Independent, 20 March, pp. 10-11 |
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2003 |
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Harrison, David: ‘Getting back to nature’, Bristol Evening Post, 11 February, |
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2002 |
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Roberts, Eric: ‘An old master’s pick of the pops’, Yorkshire Post, 28 August, p.13 |
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2001 |
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Lacey, Hester (interview): 'How we met: Peter Blake & Rick Stein', , 4 March, p.62 |
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2000 |
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Johnson, Holly: 'Meeting the Magician', Modern Painters, Spring, pp.90-94 |
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1999 |
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Dutt, Robin: 'Custodian of curiosities', Evening Standard, 8 October, p.33 |
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1998 |
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Lyttelton, Celia: 'My greatest work of art', High Life (British Airways), May |
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1997 |
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The 20th-Century Art Book, Phaidon Press, London |
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1996 |
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Hyatt, Derek: 'What is Real?', Modern Painters, Spring, pp.106–107 |
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1995 |
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Lambirth, Andrew: 'Peter Blake, Patrick Caulfield, Howard Hodgkin: Paintings from the 60's and 70's', What's On in London, 15–22 March |
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1994 |
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Barnes, Rachel: 'Have a nice day, Mr Blake', The Guardian, 18 March, pp.6 |
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1993 |
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Bernard, Kate: 'Tempera fugit', Harpers & Queen, March, pp.150–53,154 |
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1992 |
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Davies, Hunter: 'Portrait of the artist (a work in progress)', The Independent, 19 May |
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1991 |
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McHugh, Fionnuala: 'Blake's Progress', The Telegraph Weekend Magazine, 5 January |
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1990 |
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'Film Star Marilyn is just Peter's palette', Western Daily Press (Bristol), 21 February |
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1989 |
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Brown, Jane: 'The Brotherhood of Ruralists and their friends in the Secret Garden', Hortus, Spring, no.9 |
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1988 |
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'Art' Column, Asahi Journal (Japan), 17 June, p.44 |
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1987 |
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Kemp, John: 'Peter Blake talks to John Kemp', Artseen, no.15, pp.8–10 |
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1986 |
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Brown, John: 'Blake's Heaven', London Gentleman, March, p.27 |
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1985 |
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'Peter the Painter', (Peter Blake talking to David Litchfield and Celia Lyttelton), Ritz, March |
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1984 |
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D.M.Z: 'Queer Goings on at Sadlers Wells', Artline, April, vol.II, no.1 |
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1983 |
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'Rocking at the Tate', The Standard, 6 January |
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1982 |
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von Joel, Mike (interview): 'Peter Blake: In Retrospect', Art Line Newspaper, no.2, November, pp.5–7 |
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1981 |
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Vaizey, Marina: 'Elegy for a country garden' (review), The Sunday Times, 19 April, p.41 |
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1980 |
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Dury, Ian (interviewed on Peter Blake): New Musical Express, 19 July, pp.27–28 |
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1979 |
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Fuller, Peter: 'Peter Blake meets Peter Fuller', Aspects, Spring, no.6 |
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1978 |
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Blake, Peter: 'Contrariwise', Aspects, no.3, pp.1–2 |
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1977 |
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Vaizey, Marina: 'Jim Dine and Peter Blake' (review), Arts Review, 15 April, vol.29, no.8, pp.253–254 |
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1976 |
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Overy, Paul: 'Superstars for a day: the rise of Pop art in England' (review), The Times, 2 June, p.12 |
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1975 |
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Greenwood, Michael: 'British Painting '74' (review), Artscanada, March, no.196/7, pp.29–34 |
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1974 |
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Metken, Sigrid: 'Facteur Chevals Posttasche: die Bildpostkarte in der Kunst', Das Kunstwerk, January, vol.27, no.1, p.7 |
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1973 |
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Von Graevenitz, Antje: 'Museen und Galerien: Niederlande' (review), Pantheon, January/February/March, vol.32, no.1, p.98 |
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1972 |
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Russell, John: 'Best of Boys' (review), The Sunday Times, 10 December, p.37 |
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1971 |
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Denvir, Bernard: 'London Letter' (review), Art International, February, vol.15, no.2, pp.42–45 |
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1970 |
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Coleman, Roger: 'Peter Blake's Nostalgia' (review), Art and Artists, January, vol.4, no.10, pp.30–32 |
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1969 |
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Field, Simon: 'The pleasure principle' (review), Art and Artists, May, vol.4, no.2, pp.56–57 |
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1968 |
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Roberts, Keith: 'Blake, Dine, Hamilton/Arts Council Gallery' (review), Varsity, 20 January, p.17 |
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1967 |
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Overy, Paul: 'On the streets' (review), The Listener, 13 July, vol.78, no.1998, p.45 |
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1966 |
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Baro, Gene: 'London: a busy, vigorous season' (review), Arts Magazine, January, vol.40, no.3, pp.45–49 |
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1965 |
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Russell, John: 'London/NYC: the two-way traffic', Art in America, April, vol.53, no.2, pp.134,136 |
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1964 |
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Roberts, Keith: The Burlington Magazine (review), March, vol.106, no.732, pp.137–142 |
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1963 |
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Nordland, Gerald: 'Europe in California' (review), Arts Magazine, vol.37, no.9, |
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1962 |
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Farr, Dennis: 'The John Moores Liverpool Exhibition', The Burlington Magazine, January, vol.104, no.706, pp.30–31 |
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1961 |
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Ironside, Robin: 'The Prize Paintings' (review), The Sunday Times, 19 November, p.38 |
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1960 |
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'Is it art?' (review of I.C.A. exhibition), Daily Sketch, 20 January |
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1959 |
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Blake, Peter: 'Supermidget with Mini-man' (cartoon strip), Ark, no.24, Winter, p.44 |
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1958 |
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Melville, Robert: Architectural Review (review), April, vol.123, no.735, pp.278–279 |
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1956 |
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Wallis, Neville: 'Designs for tomorrow', The Observer, 12 August, p.10 |
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Links to further information |
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