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1966
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Born in Honolulu, Hawaii
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1987
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BFA, San Francisco Art Institute
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1993
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Travel Grant Pilot, National Endowment for the Arts and Arts International
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1994
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MFA, Hunter College, New York City
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1994 - 1995
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Fulbright-Hayes Fellowship to the Philippines
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1997 - 1998
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Whitney Museum of American Art Independent Study Program
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1999 - 2000
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The Public Art Fund
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2000
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The Bucksbaum Award, The Whitney Museum, New York, NY
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2003
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Artpace Residency, San Antonio, TX
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Lives and works in New York City
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2011 |
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Goetz Collection, Munich, Germany |
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2009 |
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PAUL PFEIFFER | The Saints, Hamburger Bahnhof, Berlin, Germany (solo) |
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2008 |
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MUSAC- Museo de Arte Contemporaneo de Castilla y Leon, Leon, Spain (solo) |
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2008 |
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Thomas Dane Gallery, London, United Kingdom (solo) |
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2008 |
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Carlier l Gebauer, Germany (solo) |
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2008 |
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Reconstitutions, Reenactments, DHC/Art Montreal |
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2008 |
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Ghost in the Machine, Kunstnernes Hus, Oslo, Norway |
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2008 |
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Biennale of Sydney, Australia |
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2008 |
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San Francisco Museum of Modern Art, San Francisco, CA |
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2007 - 2008 |
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Passage du temps / Collection Francois Pinault Foundation, Tri Postal, Lille, France |
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2007 |
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Julia Stoschek Collection, Duesseldorf, Germany |
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2007 |
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Live from Neverland, The Project, New York, NY (solo) |
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2007 |
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Jerusalem, ArtAngel, London, United Kingdom (projected) (solo) |
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2007 |
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Carlier l Gebauer, Germany (solo) |
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2007 |
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Thomas Dane Gallery, London, United Kingdom (solo) |
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2007 |
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Automatic Update, Museum of Modern Art, New York, NY |
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2007 |
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The Saints, ArtAngel, London, United Kingdom (solo) |
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2006 |
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Paul Pfeiffer, MC Kunst, Los Angeles (solo) |
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2006 |
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Choosing my religion, Kunstmuseum Thun, Switzerland |
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2006 |
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Meditations in an Emergency, Museum of Contemporary Art Detroit, Detroit, MI |
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2006 |
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The Gold Standard, P.S.1 Contemporary Art Center, New York, NY |
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2006 |
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Fantastic Frameworks, Art Gallery of Greater Victoria, British Columbia, Canada |
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2006 |
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Full House: Views of the Whitney's Collection at 75, The Whitney Museum of American Art, New York, NY |
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2006 |
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The Skowhegan School of Painting and Sculpture: 60 Years, Colby College, Waterville, ME |
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2006 |
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Strange Powers, Creative Time, New York, NY |
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2006 |
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Time Frame, P.S.1 Contemporary Art Center, New York, NY |
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2006 |
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IAMNOWHERE, Center for Curatorial Studies Museum at Bard College, curated by Erica Hope Fisher |
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2006 |
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You Never Walk Alone: Football and Fan Culture, The O.K. Center for Contemporary Art Linz, Austria |
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2006 |
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Home Productions, Singapore Art Museum, Republic of Singapore |
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2006 |
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Swarm, The Fabric Workshop and Museum, Philadelphia, PA |
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2006 |
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Superstars, Kunstalle Wein, Vienna |
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2005 |
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Rundlederwelten, Martin-Gropius-Bau, Berlin, Germany |
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2005 |
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Honolulu to New York, The Contemporary Museum at First Hawaiian Center Honolulu, HI |
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2005 |
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Manipulations, Centro Cultural Chacao, Caracas, Venezuela Blur of the Otherworldly: Contemporary Art, Technology and the Paranormal, Center for Art and Visual Culture, UMBC, Baltimore, MD |
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2005 |
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Pirate Jenny, Carlier l Gebauer, Berlin, Germany (solo) |
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2005 |
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Museum of Art, Middlebury College, Middlebury, VT (solo) |
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2005 |
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Girls on Film, Zwirner & Wirth, New York, NY |
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2005 |
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marking time: moving images, Miami Art Museum, Miami, FL |
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2005 |
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Logical Conclusions: 40 Years of Rule-Based Art, PaceWildenstein, New York, NY |
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2005 |
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Getting Emotional, ICA, Boston, MA |
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2005 |
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Faces in the Crowd - Picturing Modern Life from Manet to Today, Castello Rivoli, Turin, Italy |
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2005 |
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Log Cabin, Artist Space, New York, NY |
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2005 |
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CUT: Film as Found Object in Contemporary Video, the Philbrook Museum of Art, Tulsa OK, Milwaukee Art Museum |
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2004 |
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Faces in the Crowd - Picturing Modern Life from Manet to Today, Whitechapel Art Gallery, London, United Kingdom |
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2004 |
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CUT: Film as Found Object in Contemporary Video, North Miami Museum of Contemporary Art, Miami, FL |
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2004 |
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Contested Fields: Identity in Sports and Spectacle, Des Moines Art Center, Des Moines, IA |
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2004 |
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Pirate Jenny, The Project, New York, NY (solo) |
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2004 |
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Pirate Jenny, Gagosian Gallery, New York, NY (solo) |
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2004 |
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Thomas Dane Limited, London, United Kingdom (solo) |
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2004 |
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K 21 Kunstsammlung, Dusseldorf, Germany (solo) |
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2004 |
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Melina Mercouri Center, Athens, Greece (solo) |
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2004 |
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Modern Means: Continuity and Change in Art, 1880 to the Present, Mori Art Museum, Tokyo, Japan |
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2004 |
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Eclipse Towards the edge of the visible, White Cube, London, United Kingdom |
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2004 |
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Phantasmagoria Butler Museum of American Arts Beecher Center of Art and Technology, Youngstown, OH |
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2004 |
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Size Matters, Independent Curators International, New York, NY |
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2004 |
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10 Commandments, Hygiene Museum, Dresden, Germany |
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2003 |
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Cairo Biennial 2003, The Palace of Fine Art, Cairo, Egypt |
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2003 |
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100 Artists See God, Independent Curators International, New York, NY (touring USA) |
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2003 |
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Black Belt, The Studio Museum in Harlem, New York, NY |
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2003 |
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Fast Forward – Media Art, Sammlung Goetz ZKM Center for Art and Media, Karlsruhe, Germany |
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2003 |
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A Simple Plan, James Cohan Gallery, New York, NY |
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2003 |
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The Contemporary Museum, Honolulu, HI (solo) |
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2003 |
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Morning After the Deluge, Carlier l Gebauer, Berlin, Germany (solo) |
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2003 |
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Museum of Contemporary Art, Chicago, IL (solo) |
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2003 |
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Gio Marconi, Milan, Italy (solo) |
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2003 |
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List Visual Art Centre, MIT, Cambridge, MA, catalogue. (traveling) (solo) |
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2003 |
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The Moderns, Castello di Rivoli, Torino, Italy |
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2003 |
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Graz 2003 (As Heavy as the Heavens), Graz, Austria |
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2003 |
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Losing It, Fenton Gallery, Cork, Ireland |
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2003 |
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American Dream, Ronald Feldman Gallery, New York, NY |
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2002 |
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Out of Place, Museum of Contemporary Art, Chicago, IL |
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2002 |
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Pictures, Greene Naftali, New York, NY |
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2002 |
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The Beach, Winsor on Vero Beach, Florida |
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2002 |
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Tempo, Museum of Modern Art , New York, NY |
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2002 |
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Busan Biennale, Busan, Korea |
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2002 |
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One Hand Clapping, Smackmelon, Brooklyn, NY |
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2001 |
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Sex Machine, The Project, Los Angeles, CA (solo) |
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2001 |
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Orpheus Descending, Public Art Fund, World Trade & Financial Centers, New York, NY (solo) |
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2001 |
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Kunsthaus Glarus, Glarus, Switzerland (solo) |
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2001 |
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Barbican Art Centre, London, UK (solo) |
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2001 |
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UCLA Hammer, Los Angeles, CA (solo) |
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2001 |
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Whitney Museum of American Art, New York, NY (solo) |
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2001 |
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49th Venice Biennale, Venice, Italy |
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2001 |
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Bitstreams, The Whitney Museum, New York, NY |
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2001 |
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Casino 2001, SMAK, Gent, Belgium |
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2001 |
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The Americans, Barbican Arts Centre, London, UK |
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2001 |
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Gagosian Gallery, New York, NY |
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2001 |
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Hypermental, Kunsthaus Zurich, Hamburger Kunsthalle |
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2001 |
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Race in Digital Space, MIT List Visual Art Center, MIT, Cambridge, MA |
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2000 |
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The Whitney Biennial, The Whitney Museum, New York, NY |
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2000 |
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Greater New York, P.S.1 Contemporary Art Center, New York,NY |
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2000 |
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Hypermental, Kunsthaus, Zurich, Switzerland (traveling) |
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2000 |
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The Project, New York, NY (solo) |
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2000 |
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Kunst-Werke, Berlin, Germany (solo) |
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2000 |
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Duke University Museum of Art, Raleigh-Durham, NC (with Romuald Hazoumé) (solo) |
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2000 |
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Extraordinary Realities, Columbus Museum of Art, Columbus, OH |
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1999 |
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Tete de Turkois, The Project, New York, NY |
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1999 |
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A Place Called Lovely, Greene Naftali, New York, NY |
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1999 |
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Hocus Focus: New Video, Rare Gallery, New York, NY |
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1998 |
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warming, The Project, New York, NY |
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1998 |
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At Home and Abroad: 21 Contemporary Filipino Artists, Asian Art Museum, San Francisco, CA (traveling) |
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1998 |
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The Pure Products Go Crazy, The Project, New York, NY (solo) |
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1997 |
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The Pure Products Go Crazy, Cendrillon, New York, NY (solo) |
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1997 |
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Memories of Over-development: Philippine Diaspora in Contemporary Art, Plug In Gallery, Winnipeg, Canada |
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1997 |
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Travel Size, City College, New York, NY |
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1997 |
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Fermented, Parsons School of Design, New York, NY |
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1996 |
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Neighbors, Boom Gallery, Honolulu, HI |
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1996 |
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Memories of Overdevelopment: Philippine Diaspora in Contemporary Art, UC Irvine Art Gallery, CA |
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1995 |
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In a Different Light, UC Berkeley Museum, Berkeley, CA(catalogue) |
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1995 |
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Pervert, UC Irvine Art Gallery, CA(catalogue) |
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1995 |
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14 Artist: Sugod sa Katapusan, End House Art Center, Dumaguete City, Philippines |
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1994 |
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Extreme Unction Market Gallery, London, England: Curated by Shaheen Merali/Panchayat |
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1994 |
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Reframing a Heritage, University Of Hawaii, Manoa, Hawaii |
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1994 |
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Stonewalls, 494 Gallery, New York, NY |
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1994 |
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Santo Niño Incarnate, Colonial House Inn, New York, NY (solo) |
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1993 |
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Survival of the Innocents, Art In General, New York, NY (window installation) (solo) |
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1993 |
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Artists Space, New York, NY (catalogue) |
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1993 |
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Kayumanggi Presence, Academy of Art, Honolulu, HI |
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1992 |
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Altars, Divinations and Icons, Painted Bride Art Center, Philadelphia, PA |
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1992 |
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Day Without Art, Lehman College Art Gallery, New York, NY; slide installation organized by Visual Aids and the Asian and Pacific Islander Coalition on HIV/AIDS |
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1992 |
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Made in America: Remembering Vincent Chin, Art In General, New York, NY |
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1991 |
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Dismantling Invisibility: Asian Americans Respond to the AIDS Crisis, Art In General, New York, NY |
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