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1973
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Born in Manchester, July 17th
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1991 - 1994
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BA (Hons), Fine Art, Nottingham Trent University
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1995 - 1997
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MA Painting, Royal College of Art
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1999 - 2004
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PHD in Fine Art, Goldsmith’s College, London
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Dakis Joannou Collection Foundation, Athens
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François Pinault Collection, Paris
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Sammlung Goetz Collection, Munich
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Astrup Fearnley Museet for Moderne Kunst, Oslo
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Moderna Museet, Stockholm
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Queensland Art Gallery, Queensland
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Rachofsky Collection, Dallas (promised gift to Dallas Museum of Modern Art)
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Museum of Contemporary Art, Los Angeles
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UCLA Hammer Museum, Los Angeles
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Museum of Contemporary Art, Los Angeles
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Rubell Family Collection, Miami
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Museum of Modern Art, New York
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Guggenheim Museum, New York
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2013 |
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Stuart Shave / Modern Art, London, England, October 16 – November 17 (solo) |
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2013 |
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Douglas Hyde Gallery, Dublin, Ireland, May 31 – July 17(solo) |
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2013 |
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Herzliya Museum of Contemporary Art, Herzliya, Israel, Theatrical Gestures, January 26 – April 20 |
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2013 |
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Museo del Palacio de Bellas Artes, Mexico City, Mexico, “Paisaje 1969-2013 (Landscape 1969-2013),” April 25 – July 7 forthcoming |
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2012 |
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Andrea Rosen Gallery, New York, NY(solo) |
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2012 |
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Galerie Rudolfinum, Prague, Czech Republic, “Beyond Reality, British Painting Today,” |
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2012 |
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KAI 10/Arthena Foundation, Dusseldorf, Germany, “Hidden Stories” |
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2012 |
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Maison Particulière, Brussels, Belgium, “Struggle(s)” |
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2011 |
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The Goss-Michael Foundation, Dallas, TX (solo) |
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2011 |
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Blum and Poe, Los Angeles, CA (solo) |
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2010 |
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"Night Crossing," Stuart Shave / Modern Art, London, England (solo) |
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2010 |
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"21st Century: Art in the First Decade," Queensland Art Gallery, Brisbane, Queensland, Australia |
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2010 |
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"She Awoke with a Jerk," Andrea Rosen Gallery, New York, NY |
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2010 |
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"Skin Fruit: Selections from the Dakis Joannou Collection," curated by Jeff Koons, New Museum of Contemporary Art, New York, NY |
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2010 |
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"The Future Demands Your Participation: Contemporary are from teh British Council Collection," Minsheng Art Museum, Shanghai, China |
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2009 |
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"We're Moving," Royal College of Art, Sackler Building, London, England |
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2009 |
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Blum and Poe, Los Angeles, CA |
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2009 |
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Andrea Rosen Gallery, New York (solo) |
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2008 |
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Stuart Shave/Modern Art, London (solo) |
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2007 |
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Moderna Museet, Stockholm (solo) |
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2007 |
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Effigies, Stuart Shave Modern Art, London |
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2007 |
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The Fractured Figure, Deste Foundation, Athens |
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2007 |
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Dream & Trauma. Works from the Dakis Joannou collection, Athens, in collaboration with MUMOK & Kunsthalle, Vienna |
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2007 |
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Guggenheim Collection: 1940s to Now – New York-Venice-Bilbao-Berlin, National Gallery of Victoria, Australia |
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2007 |
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Imagination Becomes Reality, Museum of Contemporary Art at ZKM, Karlsruhe |
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2007 |
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Fun de Siécle: Symbolism and Contemporary Art, Von der Heydt-Museum, Wuppertal |
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2006 |
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A Portrait of Everything, South London Gallery, London (solo) |
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2006 |
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Modern Art Museum of Fort Worth, Fort Worth (solo) |
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2006 |
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Andrea Rosen Gallery, New York (solo) |
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2006 |
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Summer exhibition, Stuart Shave/Modern Art, London |
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2006 |
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New Trajectories I: Relocations, curated from the Ovitz Family Collection, Douglas F. Cooley Memorial Art Gallery, Reed College, Portland |
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2006 |
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Sherry and Joel Mallin’s collection, Herbert F. Johnson Museum of Art, Cornell University, New York |
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2005 |
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George Condo and Nigel Cooke, Blum and Poe, Los Angeles |
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2005 |
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Chambres à Part, Sezz Hotel, Paris. Curator: Laurence Dreyfus |
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2005 |
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Interested Painting, Gallery 400, University of Illinois, Chicago |
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2005 |
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Strata – Difference And Repetition, Fondazione Davide Halevim, Milan |
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2005 |
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Stuart Shave/Modern Art, London (solo) |
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2004 |
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Art Now, Tate Britain, London (solo) |
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2004 |
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Andrea Rosen Gallery, New York (solo) |
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2004 |
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Monument to Now, The Dakis Joannou Collection, Athens |
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2004 |
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Edge of the Real, Whitechapel Art Gallery, London |
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2004 |
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Gewalt, Loushy Art & Editions, Tel Aviv |
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2004 |
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Sodium and Asphalt: Contemporary British Art in Mexico, Museo de Arte Contemporaneo, Mexico City |
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2003 |
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Works on Paper, Jack Hanley Gallery, San Francisco |
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2003 |
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I See A Darkness, Blum & Poe, Los Angeles |
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2003 |
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Dirty Pictures, The Approach, London |
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2002 |
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Still Life, The British Council, London |
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2002 |
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Melodrama, ARTIUM, Centro-Museo Vasco de Arte Contemporáneo, Vitoria-Gasteiz, Spain: travelling to Centro José Guerrero / Palacio de los Condes de Gabia, Granada |
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2002 |
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Modern Art, London (solo) |
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2001 |
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Tattoo Show, Modern Art, London |
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2001 |
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A Sport & a Pastime, Greene Naftali Inc., New York |
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2000 |
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Homage to the Budokan, Foyles Gallery, London |
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2000 |
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Wooden Heart, Avco, London |
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2000 |
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Nigel Cooke, CHAPMAN Fine ARTS, London (solo) |
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1999 |
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Glory, British Council Window Gallery, Prague |
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1998 |
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New Contemporaries 98, Camden Arts Gallery, London (Touring) |
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1997 |
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Interesting Painting, City Racing, London |
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Selected Public Collections |
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Rubell Family Collection, Miami
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Sammlung Goetz Collection, Munich
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Southampton City Art Gallery, Southampton
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The Solomon R. Guggenheim Museum, New York
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UCLA Hammer Museum, Los Angeles
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Astrup Fearnley Museet for Moderne Kunst, Oslo
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Dakis Joannou Collection Foundation, Athens
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Dallas Museum of Art, Dallas
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François Pinault Collection, Paris
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Moderna Museet, Stockholm
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Museum of Contemporary Art, Los Angeles
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Museum of Modern Art, New York
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Queensland Art Gallery, Queensland
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2008 |
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Jones, Laura K. London Dispatch, Artnet.com Magazine, June 3 |
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2008 |
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Ward, Ossian. Failure is an Option, Time Out London, No. 1970, May 22 – May 24, p. 65 |
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2008 |
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Milliard, Coline. Welcome to the Rubbish Dump of the Real, Art Review, Issue 22, May, p. 70-79 |
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2008 |
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MacDonald, Vici. New Work: Nigel Cooke Q&A, Artworld, Issue 4, Pg 56-61, April – May |
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2008 |
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Gleadell, Colin. Daily Telegraph, 22 April, p. 28 |
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2008 |
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Lack, Jessica. Show Preview, Guardian Guide, 19 April, p. 36 |
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2007 |
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Turvey, Lisa. Artforum, Issue XLV, No. 5, January |
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2007 |
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Traum and Trauma, works from the Dakis Joannou collection, Athens, published by Hatje Cantz, Ostfildern and MUMOK, Vienna |
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2006 |
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Paintings 01-06, Ingvild and Stephan Goetz, Suhail Malik, Darian Leader, published by Koenig Books London |
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2006 |
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Imagination Becomes Reality, Part III, Talking Pictures, pg. 34-55 |
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2006 |
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New Art From London, published by Thames & Hudson |
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2006 |
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Bourbon, Matthew. Review, Artforum.com, Critics’ Picks, October |
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2006 |
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Granberyy, Michael. Creating What Hasn’t Been Seen, Dallas Morning News, October 21 |
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2006 |
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Le Marie, Nicole. Exhibition Review, Modern Painters, June, p. 118 |
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2006 |
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Kent, Sarah. Exhibition Review, Time Out London, May 10-17, p. 41 |
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2006 |
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Guener, Fisun. Nigel Cooke: A Portrait Of Everything, Metro, April 5 |
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2006 |
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Lubbock, Tom. Nightmare Visions, The Independent, p. 46-47, March 3 |
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2006 |
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Kunitz, Daniel. All the Painting You Need, Art Review, March |
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2006 |
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Zenakos, Augistine. Dakis Joannou and the Deste Foundation, Contemporary, No. 80, 2006, p. 85-86 |
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2005 |
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Nigel Cooke, Art Review, December |
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2005 |
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Honigman, Ana Finel. Nigel Cooke: Modern Art, Art News, October |
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2005 |
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DETaIL, Sleek Magazine, Issue 05 |
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2005 |
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Sanders, Mark. Entropic Nowhere, Another Magazine, Spring/Summer |
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2005 |
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Land, Wes. Interview, Tokion Magazine, March |
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2005 |
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Transmission: Speaking and listening, volume 4: Provenance, Site Gallery Publishing |
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2004 |
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Monument to Now, exhibition catalogue, Deste Foundation of Contemporary Art |
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2004 |
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Sodium and Asphalt: Contemporary British Art in Mexico, exhibition catalogue, Museo de Arte Contemporaneo, Mexico City |
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2004 |
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Now and Then, Art Now at Tate Britain Catalogue, Text by Martin Herbert |
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2004 |
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Gewalt Catalogue, Loushy Art and Editions |
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2004 |
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Garrett, Craig. Interview, Flash Art, May – June |
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2004 |
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Ribas, Joao. Time Out, New York, Issue 449, May 6 |
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2004 |
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Northern Soul, Art Review, April 2004 |
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2004 |
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Cumming, Laura. Lost In The Small Print, The Observer, March 2004 |
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2004 |
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Sweet, Matthew. Making Plans for Nigel, The Independent Magazine, February 14 p. 24-26 |
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2003 |
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Korotkin, Joyce. Exploring Landscape: Eight Views from Britain, The New York Art World.com, March |
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2003 |
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Wilson, Michael. Exploring Landscape: Eight Views from Britain, Art Monthly, March |
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2003 |
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Williams, Gilda. Dirty Pictures, Art Monthly, March |
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2003 |
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Rosenberg, Karen. Landscape, Secondhand and Otherwise…, Village Voice, 12-18 February |
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2003 |
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Knight, Christopher. On the Underbelly of the Zeitgeist, Los Angeles Times, 21 February |
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2003 |
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Smith, Roberta. Exploring Landscape, The New York Times, Influence Magazine, Issue 1, February 14 |
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2002 |
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Schwabsky, Barry. Nigel Cooke, ARTFORUM, May |
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2002 |
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Coomer, Martin. Nigel Cooke, Time Out, April 10-17 |
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2002 |
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Ratnam, Niru. Bring Out The Chimp, The Face, April |
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2002 |
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Quirk, Justin. Adolf 4 Eva: Another Art Controversy, i-D Magazine, April |
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2002 |
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Summers, Francis. Big Scary Flashes of Perversity, Sleaze Nation, April |
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2002 |
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de Ville, Nick. Entropy’s Cold Desert, Contemporary Art Magazine, March, p. 18-23 |
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2002 |
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Seymour, Benedict. When Worlds Collide, Frieze, March, p. 74-75 |
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2002 |
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Nigel Cooke, Modern Art publication, text by Jake Chapman |
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2002 |
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Still Life, British Council, text by Ann Gallagher |
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2002 |
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Melodrama, exhibition catalogue, Musee de Arte Contemporanea de Vigo |
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2001 |
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Testino, Dutch Magazine, July/August |
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2000 |
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Coxhead, Gabriel. Exhibit E: Nigel Cooke, Dazed and Confused, December |
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2000 |
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Gleeson, David. Reviews, Time Out, 6-13 December |
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2000 |
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Fallon, James. W magazine, December |
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2000 |
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Hubbard, Sue. And Wilde Desires, March |
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1999 |
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New Kids Explore Old Angst, The Times, August 18 |
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1998 |
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Sewell, Brian. How Dare They Spend Our Cash on This, Evening Standard, August 13 |
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1998 |
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Cork, Richard. New Kids Explore Old Angst, New Contemporaries, The Times, March |
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1998 |
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New Contemporaries 98, Published by New Contemporaries |
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1997 |
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Clark, Robert. Laddy in the Lake, The Guardian, July |
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