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Nancy Haynes Biography
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 |
 |
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1987 |
|
Award, National Endowment for the Arts
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1987 |
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Award, New York Foundation for the Arts
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1990 |
|
Award, National Endowment for the Arts
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1995 |
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Award, Pollock- Krasner Foundation
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Lives and works in Red Hook, Brooklyn
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|
 |
| Selected Exhibitions |
 |
 |
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2009
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dissolution, Elizabeth Harris Gallery, New York, NY (solo)
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2009
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the viewing room, Lesley Hellery Gallery, NY
|
|
2009
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Winter Salon, Bjorn Ressle Gallery, NY
|
|
2008
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|
Lesley Heller Gallery, New York, NY
|
|
2008
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Dimensions in Nature: New Acquisitions, 2006-2008, San Diego Museum of Art, San Diego, CA,
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2007
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|
Monumental Drawings, Blue Star Contemporary Art Center, San Antonio, TX, curated by Barbara MacAdam
|
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2007
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|
Written on the Wind: The Flag Project, Rubin Museum, New York
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|
2006
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Faith, Real Art Ways, Hartford, Connecticut, curated by James Hyde
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|
2006
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|
The Independents, curated by Judith Selkowitz, 499 park avenue, NY
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|
2006
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Galerie Hubert Winter, Vienna, Austria (solo)
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|
2005
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|
Fine Lines from the collection of Wynn Kramarsky, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA
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|
2005
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The Mark of Minimalism: Gifts of Work on Paper from Sarah-Ann and Werner Kramarsky, Hood Museum of Art, Dartmouth College, NH
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|
2004
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|
Art for a Landmine Free World, PaceWildenstein Gallery, N.Y., curated by Kiki Smith
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2004
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Flag Project, Rubin Museum of Himalayan Art, N.Y., curated by Arlene Shechet and Kiki Smith
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2004
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|
Priority, Art in General Gallery, N.Y., benefit
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2004
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The Invisible Thread: Buddhist Spirit in Contemporary Art, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, N.Y., curated by Robyn Brentano, Olivia Georgia, Roger Lipsky, and Lilly Wei
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|
2003
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Drawings of Choice from a New York Collection, Krannert Art Museum, University of Illinois, Champaign-Urbana, IL traveled to: The Arkansas Arts Center, Little Rock, AR; Georgia Museum of Art, University of Georgia, Athens, GA; Bowdoin College Museum of Art, Brunswick, ME; Cincinnati Museum of Art, Cincinnati, OH.
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2003
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Of Collage: The Artist as Collector, The John A. Schweitzer Collection, Stewart Hall Art Gallery, Pointe-Claire, Quebec, Canada
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2003
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Selections from the Permanent Collection, Museum of Contemporary Art, North Miami, Florida
|
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2002
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Made in Brooklyn, S.Cono Pizzeria, Brooklyn, N.Y., curated by Chris Martin and Nellie Appleby
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2002
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|
Recent Acquisitions, Museum of Fine Arts, Houston, Texas
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2002
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|
Glow: Aspects of Light in Contemporary American Art, curated by: Francis Colpitt, Artpace, San Antonio, TX, traveled to: The University of Texas at San Antonio Art Gallery, The Jones Center for Contemporary Art, Austin, Texas, University of North Texas Art Gallery, Denton, Texas
|
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2002
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Galerie Hubert Winter, Vienna, Austria (solo)
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2001
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Monochrome/Monochrome? Florence Lynch Gallery, N.Y., curated by Lilly Wei
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2001
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Cinema Studies, Lucas Schoormans Gallery, N.Y., curated by Aruna D’Souza
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2001
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Fifteen Years of Painting, Stark Gallery, N.Y.
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2001
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|
Abstraction and Immanence, Times Square Gallery, Hunter College, New York; curated by Laura Sue Phillips and Vincent Longo
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2000
|
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trans-luzid, Galerie Eugen Lendl, Graz, Austria; curated by Klaus Dieter Zimmer
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2000
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Five Masterpieces Galerie Von Bartha, Basel, Switzerland
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2000
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A Decade of Collecting, Recent Acquisitions of Prints and Drawings, Arthur M. Sackler Museum, Harvard University Art Museums, Cambridge, MA
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2000
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Not Seeing, Lawing Gallery, Houston, TX
|
|
2000
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|
Between Two Appearances, Stark Gallery, New York (solo)
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|
1999
|
|
Then & Now, The Work Space, New York; curated by Theresa Chong
|
|
1998
|
|
Large Scale Drawings from the Collection of Wynn Kramarsky, Aldrich Museum of Contemporary Art, Ridgefield, CT
|
|
1998
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|
A Common Thread, Littlejohn Contemporary, New York, NY
|
|
1998
|
|
Lawing Gallery, Houston, TX (solo)
|
|
1998
|
|
Monotypes, Galerie Mathias Kampl, Munich, Germany (solo)
|
|
1998
|
|
Galerie Hubert Winter, Vienna, Austria (solo)
|
|
1998
|
|
Galerie von Bartha, Basel, Switzerland (solo)
|
|
1997
|
|
Abstraction Index, Condeso/Lawler Gallery, New York, NY
|
|
1997
|
|
After the Fall: Aspects of Abstract Painting since 1970, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY, curated by Lilly Wei
|
|
1997
|
|
Drawing is another kind of language, Recent American Drawings from a New York Private Collection, Harvard University Art Musueums, Cambridge, MA, Kunstmuseum Winterthur, Kunst-Museum Ahlen, Akademieder Kunste, Berlin, Fonds regional d’art contemporain de Picardie and Musee de Picardie, Amiens, Parrish Art Museum, Southampton, NY, Lyman Allyn Art Museum, New London, CT, Mary and Leigh Block Museum of Art, Northwestern University, Evanston, IL, The Contemporary Museum, Honolulu, HI, curated by James Cuno
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|
1996
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|
Formal Abstraction / New York, Ruth Bachofner Gallery, Santa Monica, CA, curated by Robert Kingston
|
|
1996
|
|
Colorfield to New Abstraction, Rose Art Museum, Brandeis University, Waltham, MA
|
|
1996
|
|
Art Show, Ryall/Porter Architects, New York, NY, curated by Ted Porter
|
|
1996
|
|
Printmaking in America--Collaborative Prints and Presses 1960- 1990, The Jane Voorhees Zimmerli Art Museum, Rutgers, New Brunswick, NJ, Mary and Leigh Block Gallery, Northwestern University, Evanston, IL, National Museum of American Art, Smithsonian Institute, Washington, DC
|
|
1996
|
|
Ronald Bladen, Nancy Haynes and Olivier Mosset, John Gibson Gallery, New York, NY
|
|
1996
|
|
The Julian Pretto Collection, Wadsworth Atheneum, Hartford, CT
|
|
1996
|
|
Silence, Lawing Gallery, Houston, TX
|
|
1996
|
|
In Black & White, Numark Gallery, Washington, DC
|
|
1995
|
|
Abstract Painting, Christinerose Gallery, New York, NY, curated by Pat Steir
|
|
1995
|
|
New York Abstract, Contemporary Arts Center, New Orleans, LA
|
|
1995
|
|
Julian's Show, Littlejohn Contemporary, New York, NY, curated by Julian Pretto
|
|
1995
|
|
Group Exhibition, Pamela Auchincloss Gallery, New York, NY
|
|
1995
|
|
Four Generations, Woodbury University, Glendale, CA, curated by Jeremy Gilbert-Rolfe
|
|
1995
|
|
Abstraction from Two Coasts, Lawing Gallery, Houston, TX
|
|
1995
|
|
Changing Perspectives, Contemporary Arts Museum, Houston, TX
|
|
1995
|
|
Alchemy, Proctor Art Center, Bard College, Annandale-on Hudson, NY, curated by Harvey Quaytman
|
|
1995
|
|
Monotypes, Pamela Auchincloss Gallery, New York, NY (solo)
|
|
1995
|
|
Endgame, Brain Coral, Lawing Gallery, Houston, TX (solo)
|
|
1994
|
|
Some Like it Cool, Barbara Krakow Gallery, Boston, MA
|
|
1994
|
|
Prints of Darkness, Fogg Art Museum, Harvard University, Cambridge, MA
|
|
1994
|
|
Visiting Artistry, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA
|
|
1994
|
|
Fall Group Exhibition, John Good Gallery, New York, NY
|
|
1994
|
|
Contemporary Abstract Painting, Grant Gallery, Denver, CO, Tavelli Gallery, Aspen, CO
|
|
1994
|
|
Paint, The Rotunda Gallery, Brooklyn, NY
|
|
1993
|
|
Drawings From 55 Ferris Street, Jessica Berwind Gallery, Philadelphia, PA, curated by Frederieke S. Taylor
|
|
1993
|
|
Abstrategies, Dunedin Fine Arts and Cultural Center, Tampa, FL, curated by Genevieve Linnehan
|
|
1993
|
|
Silent Echoes, Tennisport Arts, Long Island City, New York, curated by Christian Haub
|
|
1993
|
|
Single Frame, John Good Gallery, New York, NY
|
|
1993
|
|
Summer Group Exhibition, John Good Gallery, New York, NY
|
|
1993
|
|
John Good Gallery, New York, NY (solo)
|
|
1992
|
|
The Chrysler Museum of Art, Norfolk, VA (solo)
|
|
1992
|
|
Group Exhibition, Galleria Plurima, Milan, Italy
|
|
1992
|
|
Nancy Haynes, Mike Metz, Thomas Nozkowski, and Joyce Robins, 55 Mercer Gallery, New York, NY
|
|
1992
|
|
Essential Gestures, Pamela Auchincloss Gallery, New York, NY
|
|
1992
|
|
The Clearobscure, Genovese Graphics Annex, Boston, MA
|
|
1992
|
|
Eighties, John Gibson Gallery, New York, NY
|
|
1992
|
|
55 Ferris Street Show, 55 Ferris Street, Brooklyn, NY, curated by Frederieke S. Taylor
|
|
1992
|
|
Contemporary Surfaces, Pamela Auchincloss Gallery, New York, NY, curated by Rick Ward
|
|
1992
|
|
Summer Becomes Eclectic, Mars Gallery, Tokyo, Japan
|
|
1992
|
|
Singular and Plural: Recent Accessions, Drawings & Prints 1945-1991, The Museum of Fine Arts, Houston, TX, curated by Barry Walker
|
|
1991
|
|
Monotypes, Galleria Plurima, Milan, Italy
|
|
1991
|
|
The Fetish of Knowledge, Real Art Ways, Hartford, CT, AC Project Room, New York, NY, curated by James Hyde
|
|
1991
|
|
Works on Paper, John Good Gallery, New York, NY
|
|
1991
|
|
Monotypes from the Garner Tullis Workshop, Thomas Segal Gallery, Boston, MA
|
|
1991
|
|
Drawing Exhibition, Stark Gallery, New York, NY
|
|
1991
|
|
Synthesis, John Good Gallery, New York, NY, Tavelli Gallery, Aspen, CO
|
|
1991
|
|
La Metafisica Della Luce, John Good Gallery, New York, NY, curated by Demetrio Paparoni
|
|
1991
|
|
American Abstraction at the Addison, Addison Gallery of American Art, Phillips Academy, Andover, MA
|
|
1991
|
|
Genovese Annex, Boston, MA (solo)
|
|
1991
|
|
John Good Gallery, New York, NY (solo)
|
|
1991
|
|
The Lacuna of Certainty, The Long Beach Museum of Art, Long Beach, CA (solo)
|
|
1990
|
|
Monotypes, Pamela Auchincloss Gallery, New York, NY (solo)
|
|
1990
|
|
John Good Gallery, New York, NY (solo)
|
|
1990
|
|
Homage to the Square, Nohra Haime, New York, NY
|
|
1990
|
|
Group Exhibition, Stark Gallery, New York, NY
|
|
1990
|
|
Provocative Abstraction: New Painting New York, Karl Bornstein Gallery, Santa Monica, CA
|
|
1990
|
|
Contemporary Fresco, Stark Gallery, New York, NY
|
|
1990
|
|
Unique Works on Paper, Memorial Art Gallery, University of Rochester, Rochester, NY, curated by Werner H, Kramarsky
|
|
1990
|
|
Act-Up Auction for Action Aids Benefit Exhibition, Paula Cooper Gallery, New York, NY
|
|
1990
|
|
A Question of Paint, Hallwalls Contemporary Art Center, Buffalo, NY
|
|
1990
|
|
Artists for Amnesty, Blum Helman Gallery, New York, NY
|
|
1989
|
|
The Dark Sublime: Art at the End of Our Century, Scott Alan Gallery, New York, NY
|
|
1989
|
|
New York Now, Esbo Museum of Art, Finland & Norrkopings Konstmuseum,Goteborgs
|
|
1989
|
|
Slate, E.L. Stark Gallery, New York, NY
|
|
1989
|
|
Abstraction and Image: Drawing Within, Leubsdorf Gallery, Hunter College, New York, NY
|
|
1989
|
|
Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York, NY, curated by Jeremy Gilbert-Rolfe
|
|
1989
|
|
The Mirror in which Two are Seen as One, Jersey City Museum, Jersey City, NJ
|
|
1989
|
|
Methods of Abstraction, Gallery Urban, New York, NY
|
|
1989
|
|
Fundamental Abstraction, Haines Gallery, San Francisco, CA
|
|
1989
|
|
Post-Modern Painters, John Good Gallery, New York, NY
|
|
1989
|
|
Expressive Geometries, Thomas Segal Gallery, Boston, MA
|
|
1989
|
|
American Abstract Artists, 55 Mercer Gallery, New York, NY
|
|
1989
|
|
The Presence of Abstraction, University Art Museum, Santa Barbara,CA; Block Art Gallery, Northwestern University, Chicago, IL; Desaisset Museum, Santa Clara, CA, curated by Phyllis Plous
|
|
1989
|
|
New York Now, Esbo Museum of Art, Finland & Norrkopings Konstmuseum,Goteborgs Museum, Sunsvalls Museum, Sodertalje Konsthall, Sweden
|
|
1989
|
|
John Good Gallery, New York, NY (solo)
|
|
1988
|
|
Group Exhibition, Plus-Kern Gallery, Brussels, Belgium
|
|
1988
|
|
Black in the Light, Genovese Graphics, Boston, MA
|
|
1988
|
|
The New Generation, Elaine Benson Gallery, Bridgehampton, NY, curated by Werner H. Kramarsky
|
|
1988
|
|
Formal, The Dart Gallery, Chicago, IL
|
|
1988
|
|
Out of Order, Anne Plumb Gallery, New York, NY, curated by Christian Haub
|
|
1988
|
|
Nancy Haynes, Donald Judd, Carole Seborovski, John Good Gallery, New York, NY
|
|
1988
|
|
The Gold Show, Genovese Graphics, Boston, MA
|
|
1988
|
|
Real Abstract, John Good Gallery, New York, NY
|
|
1987
|
|
Group Exhibition, John Gibson Gallery, New York, NY
|
|
1987
|
|
American Abstract Artists, New York Cultural Center, New York, NY
|
|
1987
|
|
Plus-Kern ’69-’86, Museum van Hedendaagse Kunst, Ghent, Belgium
|
|
1987
|
|
Abstract Painting, Asher-Faure Gallery, Los Angeles, CA
|
|
1987
|
|
Rigor, John Good Gallery, New York, NY curated by Stephen Westfall
|
|
1987
|
|
Black, Eric Siegeltuch Gallery, New York, NY
|
|
1987
|
|
Lieu, Project D'Exposition, Liege, Belgium
|
|
1987
|
|
Group Exhibition, John Gibson Gallery, New York, NY
|
|
1987
|
|
American Abstract Artists, New York Cultural Center, New York, NY
|
|
1987
|
|
Plus-Kern ’69-’86, Museum van Hedendaagse Kunst, Ghent, Belgium
|
|
1987
|
|
Abstract Painting, Asher-Faure Gallery, Los Angeles, CA
|
|
1987
|
|
Rigor, John Good Gallery, New York, NY curated by Stephen Westfall
|
|
1987
|
|
Black, Eric Siegeltuch Gallery, New York, NY
|
|
1987
|
|
Lieu, Project D'Exposition, Liege, Belgium
|
|
1987
|
|
Julian Pretto Gallery, New York, NY (solo)
|
|
1986
|
|
John Gibson Gallery, New York, NY (solo)
|
|
1986
|
|
Group Exhibition, Angles Gallery, Los Angeles, CA
|
|
1986
|
|
Geometry Now, Craig Cornelius Gallery, New York, NY, curated by Ruth Kaufmann
|
|
1986
|
|
Plus-Kern Gallery: Ten Years, Vereniging Museum, Hedenaagse Kunst, Ghent, Belgium
|
|
1986
|
|
Group Exhibition, Angles Gallery, Los Angeles, CA
|
|
1986
|
|
Geometry Now, Craig Cornelius Gallery, New York, NY, curated by Ruth Kaufmann
|
|
1986
|
|
Plus-Kern Gallery: Ten Years, Vereniging Museum, Hedenaagse Kunst, Ghent, Belgium
|
|
1986
|
|
Group Exhibition, Kingsboro Community College, New York, NY, curated by Lilly Wei
|
|
1985
|
|
Group Exhibition, The Sculpture Center, New York, NY
|
|
1985
|
|
Abstract Issues, Oscarsson Hood Gallery, New York, NY, curated by Steven Henry Madoff
|
|
1985
|
|
Sculpture Center Group Exhibition, Ben Shahn Gallery, William Patterson College, New Jersey
|
|
1985
|
|
Haags Gemeentemuseum, The Hague, Holland (solo)
|
|
1985
|
|
Plus-Kern Gallery, Brussels, Belgium (solo)
|
|
1985
|
|
John Gibson Gallery, New York, NY (solo)
|
|
1984
|
|
P.S. 1 Project Room, Long Island City, NY (solo)
|
|
1983
|
|
David Bellman Gallery, Toronto, Canada (solo)
|
|
1983
|
|
Artists Choose Artists, CDS Gallery, New York, NY
|
|
1983
|
|
Group Exhibition, Jourdan Arpelle Gallery, New York, NY
|
|
1983
|
|
Benefit, A.I.R. Gallery, New York, NY
|
|
1982
|
|
The First Ten Years of Collecting, The Chase Manhattan Bank, New York, The High Museum of Art, Atlanta, GA
|
|
1982
|
|
Benefit, A.I.R. Gallery, New York, NY
|
|
1982
|
|
Crucifix Show, Barbara Gladstone Gallery, New York, NY
|
|
1982
|
|
Recent Acquisitions, Haags Gemeentsmuseum, The Hague, Holland
|
|
1981
|
|
June Fever, Susan Caldwell Gallery, New York, NY
|
|
1981
|
|
Heresies, Grey Art Gallery, New York University, New York, NY
|
|
1981
|
|
Gallery Artists, David Bellman Gallery, Toronto, Canada
|
|
1981
|
|
Group Exhibition, Julian Pretto, Weehawken, New Jersey
|
|
1981
|
|
Benefit, A.I.R. Gallery, New York, NY
|
|
1981
|
|
David Bellman Gallery, Toronto, Canada (solo)
|
|
1980
|
|
Group Exhibition,Susan Caldwell Gallery, New York, NY
|
|
1980
|
|
In the Spirit of Constructivism, Janus Gallery, Los Angeles, CA
|
|
1980
|
|
Inaugural Exhibition, David Bellman Gallery, Toronto, Canada
|
|
1978
|
|
Group Exhibition, The Hundred Dollar Gallery, New York, NY, curated by Poppy Johnson
|
|
 |
| Selected Public Collections |
 |
 |
|
|
|
The Davis Museum and Cultural Center, Wellesley College, Wellesley, MA
|
|
|
|
The Pollock Gallery, Southern Methodist University, Dallas, TX
|
|
|
|
The UCLA Hammer Museum, Los Angeles, CA
|
|
|
|
The Baltimore Museum of Art, Baltimore, MD
|
|
|
|
The Birmingham Museum of Art, Birmingham, AL
|
|
|
|
The Chrysler Museum of Art, Norfolk, VA
|
|
|
|
The Rose Art Museum, Brandeis University, Waltham, MA
|
|
|
|
The Fogg Art Museum, Harvard University, Cambridge, MA
|
|
|
|
Wadsworth Atheneum, Hartford, CN
|
|
|
|
The Grunwald Center for the Graphic Arts, UCLA, Los Angeles, CA
|
|
|
|
The Albertina Museum, Vienna, Austria
|
|
|
|
University Art Museum, University of California, Santa Barbara, CA
|
|
|
|
The Arkansas Art Center, Little Rock, Arkansas
|
|
|
|
Yale Museum of Art, New Haven, CT
|
|
|
|
The San Diego Museum of Art, San Diego, CA
|
|
|
|
Haags Gemeentemuseum, The Hague, Holland
|
|
|
|
The Museum of Fine Arts, Houston, TX
|
|
|
|
The National Gallery of Art, Washington, D.C.
|
|
|
|
The Metropolitan Museum of Art, New York, NY
|
|
|
|
The Museum of Modern Art, New York, NY
|
|
|
|
The Whitney Museum of American Art, New York, NY
|
|
|
|
The Brooklyn Museum, Brooklyn, NY
|
|
|
|
The Hood Museum, Dartmouth, NH
|
|
|
|
The Addison Gallery of American Art, Phillips Academy, Andover, MA
|
|
|
|
The Denver Art Museum, Denver, CO
|
|
 |
|
|
|