|
|
Michael Craig-Martin Biography
|
 |
 |
|
1941 |
|
Born 28, August, Dublin, Ireland
|
|
1946 |
|
Family moves to Washington D.C: Education in U.S.A.
|
|
1961 |
|
Fordham University, New York
|
|
1961 - 1966 |
|
Studied Fine Art at Yale University, B.A., M.F.A.
|
|
1965 - 1966 |
|
Taught at School of Visual Arts, New York
|
|
1966 - 1969 |
|
Taught at Bath Academy of Art
|
|
1969 |
|
First solo exhibition, Rowan Gallery, London, England
|
|
1968 - 1970 |
|
Taught at Canterbury College of Art
|
|
1970 - 1972 |
|
Artist-in-Residence, King's College, Cambridge, England
|
|
1981 - 1982 |
|
Living and working in New York
|
|
1982 |
|
First solo exhibition with Waddington Galleries, London
|
|
1974 - 1988 |
|
Taught at Goldsmith's College School of Art, London
|
|
1989 |
|
Retrospective Exhibition, Whitechapel Art Gallery, London
|
|
1989 |
|
Appointed Trustee of the Tate Gallery, London
|
|
1994 - 2000 |
|
Appointed MIllard Professor of Fine Art, Goldsmith's College, University of London, England
|
|
2001 |
|
Lives and works in London, England
|
|
|
| Selected Exhibitions |
|
|
|
2010
|
|
FRIDAY: YBA Group Show, Galerie Haas & Fuchs, Berlin, Germany (group)
|
|
2010
|
|
Michael Craig-Martin, The Goss-Michael Foundation, Dallas, Texas, US (solo)
|
|
2009
|
|
New works Galerie Haas & Fuchs, Berlin, Germany (solo)
|
|
2009
|
|
Michael Craig-Martin, PKM Trinity Gallery, Seoul, Korea (solo)
|
|
2009
|
|
Nothern Print Biennale, Laing Art Gallery, Newcastle upon Tyne, UK (group)
|
|
2009
|
|
Summer Exhibition 2009, Royal Academy of Arts, London, UK (group)
|
|
2008
|
|
Static: Contemporary Still Life and Portraiture, Harris Museum & Art Gallery, Preston, UK (group)
|
|
2008
|
|
Forgetting Velázquez: Las Meninas, Museu Picasso de Barcelona, Barcelona, Spain (group)
|
|
2008
|
|
Turned On, Alan Cristea Gallery, London, UK (group)
|
|
2008
|
|
Alphabets and Sunsets, Alan Cristea Gallery, London, UK (solo)
|
|
2008
|
|
Martian Museum of Terrestrial Art, Barbican, London, UK
|
|
2008
|
|
ARTfutures 2008, Bloomberg Space, London, UK
|
|
2008
|
|
Outlines, Gimpel Fils, London, UK
|
|
2008
|
|
For the Spirit - From the UBS Art Collection, Mori Art Museum, Tokyo
|
|
2007
|
|
Living In the Material World – ‘Things’ In Art of The 20th Century and Beyond, The National Art Center, Tokyo
|
|
2007
|
|
Imagery Play, PKM Gallery, Seoul, Korea
|
|
2007
|
|
ART Futures, Bloomberg Space, London, England (group)
|
|
2007
|
|
Michael Craig Martin, The Columns, Gallery, Seoul (Korea) (solo)
|
|
2007
|
|
Michael Craig Martin, A is for umbrella, Gagosian Gallery, London (solo)
|
|
2006
|
|
Michael Craig-Martin, Irish Museum of Modern Art - IMMA, Dublin (solo)
|
|
2006
|
|
Michael Craig-Martin, Kunsthaus Bregenz, Bregenz (solo)
|
|
2006
|
|
Michael Craig-Martin, New Art Centre, Salisbury (England) (solo)
|
|
2006
|
|
Michael Craig-Martin - Changement de climat (solo)
|
|
2006
|
|
MAGASIN-Centre National d’art Contemporain de Grenoble, Grenoble (solo)
|
|
2006
|
|
Form and Line. Prints, Green On Red Gallery, Dublin (group)
|
|
2006
|
|
The Hiscox Collection #2 (group)
|
|
2006
|
|
Hiscox Art Projects, London, England (group)
|
|
2006
|
|
ACG Publications, Alan Cristea Gallery, London, England (group)
|
|
2006
|
|
6th Shanghai Biennale - Hyper Design (group)
|
|
2006
|
|
Shanghai Biennale - Shanghai Art Museum, Shanghai (group)
|
|
2006
|
|
Lightboxes, Alan Cristea Gallery, London, England (group)
|
|
2006
|
|
SWITCHED ON, Alan Cristea Gallery, London, England (group)
|
|
2006
|
|
Morandi’s Legacy - Influences on British Art, Estorick Collection of Modern Italian Art, London, England (group)
|
|
2006
|
|
MORANDI, Abbot Hall Art Gallery, Kendal, Cumbria, England (group)
|
|
2006
|
|
As if by Magic, Bethlehem Peace Centre, Bethlehem, Palestine
|
|
2005
|
|
Works on Paper, Gagosian Gallery, Beverly Hills, California
|
|
2005
|
|
Arp / CRAIG-MARTIN / Arp, Arp Museum, Remagen, Germany (solo)
|
|
2005
|
|
Alan Cristea Gallery Publications, Alan Cristea Gallery, London, England (group)
|
|
2005
|
|
Painting in the Edge, Gallery Hyundai, Seoul (group)
|
|
2005
|
|
Raised Awareness - Curated by Bill Woodrow, Tate Modern, London, England (group)
|
|
2005
|
|
Michael Craig-Martin, Galerie Haas & Fuchs, Berlin (solo)
|
|
2004
|
|
Michael Craig-Martin – Surfacing, Milton Keynes Gallery, Milton Keynes (solo)
|
|
2004
|
|
Michael Craig-Martin - New Work, Alan Cristea Gallery, London (England) (solo)
|
|
2004
|
|
100 Artists See God, Laguna Art Museum, California; and Institute of Contemporary Art, London, UK
|
|
2003
|
|
Workspace, Galerie Jürg Judin, Zurich, Switzerland (solo)
|
|
2003
|
|
Gagosian Gallery, New York (solo)
|
|
2003
|
|
Michael Craig-Martin, Haunch of Venison - Zürich (ex Galerie Judin), Zurich (solo)
|
|
2003
|
|
Michael Craig-Martin - Eye Of The Storm, Gagosian Gallery, New York (solo)
|
|
2002
|
|
Inhale/Exhale, Manchester Art Gallery, Manchester, England (solo)
|
|
2002
|
|
Inhale/Exhale, Manchester Art Gallery (solo)
|
|
2002
|
|
Works 1984-1989, Waddington Galleries, London, England (solo)
|
|
2002
|
|
Passenger, Astrup Fearnley Museum, Oslo, Norway
|
|
2002
|
|
Blast to Freeze, British Art in the 20th Century, Kunstmuseum, Wolfsburg, Germany
|
|
2001
|
|
Living, Sintra Museum of Modern Art, Berardo Collection, Portugal (solo)
|
|
2001
|
|
Lux Gallery, London, UK
|
|
2001
|
|
Yale School of Art and Architecture, New Haven, Connecticut, USA
|
|
2001
|
|
Landscapes, The Douglas Hyde Gallery, Dublin, Ireland (solo)
|
|
2000
|
|
Intelligence, New British Art 2000, Tate Britain, London
|
|
2000
|
|
Live in your head, Whitechapel Art Gallery, London
|
|
2000
|
|
Voilà, Musée d’Art Moderne de la Ville de Paris, Paris
|
|
2000
|
|
Shifting Ground, Irish Museum of Modern Art, Dublin, Ireland
|
|
2000
|
|
Conference, Waddington Galleries, London, England (solo)
|
|
2000
|
|
Haus der Kunst, Munich
|
|
2000
|
|
IVAM, Valencia, Spain
|
|
2000
|
|
Die scheinbaren Dinge, Haus der Kunst, Munich, Germany (site-specific installation)
|
|
2000
|
|
Drawings 2000, Barbara Gladstone Gallery, New York, USA
|
|
2000
|
|
Drawings & Photographs, Matthew Marks Gallery, New York, USA
|
|
2000
|
|
Full/empty, fig-1, London, UK( solo)
|
|
1999
|
|
Signature Pieces, Alan Cristea Gallery
|
|
1999
|
|
ModernStarts: Things, Museum of Modern Art, New York (site specific installation)
|
|
1999
|
|
Michael Craig-Martin, Peter Blum Gallery, New York City, NY (solo)
|
|
1999
|
|
Michael Craig-Martin - and sometimes a cigar is just a cigar, Württembergischer Kunstverein, Stuttgart (solo)
|
|
1998
|
|
Michael Craig-Martin always now, Kunstverein Hannover, Hannover (solo)
|
|
1998
|
|
Elegant Austerity, Waddington Galleries, London
|
|
1998
|
|
Jardin d’artiste, Musée Zadkine, Paris
|
|
1998
|
|
Up to 2000, Southampton City Art Gallery
|
|
1998
|
|
‘Cluster Bomb’, Morrison Judd, London
|
|
1998
|
|
Love Hotel, The John Curtin Gallery, University of Technology, Perth, Australia
|
|
1998
|
|
British Pavilion, Ibirapuera Park, 24th International Biennale of Sao Paolo, Brazil (site-specific installation) (solo)
|
|
1998
|
|
Mario Diacono Gallery, Boston, Massachusetts, US (solo)
|
|
1997
|
|
Treasure Island, Gulbenkian Foundation, Lisbon
|
|
1997
|
|
Follow me: British Art on the lower Elbe, organised by Landschaftsverband
|
|
1997
|
|
Alan Cristea Gallery, London, England (solo)
|
|
1997
|
|
Waddington Galleries, London, England (solo)
|
|
1997
|
|
Southampton City Art gallery (solo)
|
|
1997
|
|
Galerie Der Spiegel, Cologne, Germany (solo)
|
|
1997
|
|
Michael Craig-Martin und Raymond Pettibon, Kunstverein fur die Rheinlande, Dusseldorf, Germany (solo)
|
|
1996 - 1997
|
|
Ace! Arts Council Collection New Purchases, South Bank Centre exhibition: touring Britain
|
|
1996
|
|
‘Un siècle de sculpture Anglaise’, galerie nationale du jeu de Paume, Paris
|
|
1995
|
|
Drawing the line: Reappraising drawing past and present, selected by Michael Craig-Martin, South Bank Centre exhibition: touring Britain
|
|
1995
|
|
Open House, Kettle’s Yard, Cambridge
|
|
1995
|
|
The Adventure of Painting, Kunstverein, Dusseldorf and Kunstverein, Stuttgart
|
|
1995
|
|
Museum of Contemporary Art, Chicago (solo)
|
|
1995
|
|
Drawing the line: Reassessing drawing past and present, Whitechapel Art Gallery, London
|
|
1995
|
|
Traveled to:Southampton City Art Gallery, Southampton, UK
|
|
1995
|
|
1:1 Wandmalerei: wall drawings and wall paintings, Kunstlerwerkstatt Lothringer Strasse, Munich, Germany (site-specific installation)
|
|
1994
|
|
Centre Georges Pompidou, Paris, France (solo)
|
|
1994
|
|
'An oak tree', galeria Foksal, Warsaw, Poland (solo)
|
|
1994
|
|
Wall Paintings at the Villa Herbst, Museum Sztuki, Lodz, Poland (solo)
|
|
1994
|
|
Wall to Wall, Serpentine Gallery, London; touring to Southampton and Leeds; wall drawing exhibition with Lothar Baumgarten, Jessica Diamond, Neile Toroni, Lawrence Weiner and Barbara Kruger
|
|
1993
|
|
Out of sight out of mind, Lisson Gallery, London
|
|
1993
|
|
Here and Now, Serpentine Gallery, London
|
|
1993
|
|
Accomodating, British School at Rome (solo)
|
|
1993
|
|
Galerie Claudine Papillon, Paris, France (solo)
|
|
1993
|
|
At Home, Waddingtons Galleries, London, England (solo)
|
|
1993
|
|
An oak tree, Galeria Foksal, Warsaw, Poland (solo)
|
|
1992 - 1993
|
|
Twelve Stars: selected works from the European Parliament Collection, Arts Council Gallery, Belfast; touring to Edinburgh and London
|
|
1992
|
|
Waddington Galleries, London, UK (solo)
|
|
1991
|
|
Objects for the Ideal Home: The Legacy of Pop Art, Serpentine Gallery, London
|
|
1991
|
|
Michael Craig-Martin, Michael Landy, Julian Opie, Goldsmiths College Art Gallery
|
|
1991
|
|
Project Gallery, Museum of Modern Art, New York (solo)
|
|
1991
|
|
David Nolan Gallery, New York (solo)
|
|
1991
|
|
Musee des Beaux Arts, Andre alraux, Le Havre (solo)
|
|
1990
|
|
Galerie Claudine Papillon, Paris, France (solo)
|
|
1990
|
|
The Readymade Boomerang, Sydney Biennale, Sydney, Australia
|
|
1990
|
|
A Painting Show: Michael Craig-Martin, Gary Hume, Christopher Wool, Karsten Schubert, London, England
|
|
1989
|
|
Sculpture, Six Friedrich Gallery, Munich, Germany
|
|
1989
|
|
Michael Craig-Martin, Grenville Davey, Julian Opie’, Lia Rumma Gallery, Naples
|
|
1989
|
|
Whitechapel Art Gallery, London, England (retrospective) solo
|
|
1988 - 1989
|
|
100 Years of Art in Britain, Leeds City Art Gallery, 100th Anniversary Exhibition
|
|
1988
|
|
Starlit Waters: British Sculpture, an International Art 1986-88, Tate Gallery, Liverpool, England
|
|
1988
|
|
Britannica: Trente Ans de Sculpture 1960-88, Musee des Beaux-Arts, Andre Malraux, Le Havre: touring France and Museum van Hedendaagse Kunst, Antwerp
|
|
1988
|
|
That Which Appears Is Good, That Which Is Good Appears, Tanja Grunert Gallery, Cologne
|
|
1988
|
|
Waddington Galleries, London (solo)
|
|
1987
|
|
Vessel, Serpentine Gallery, London, England
|
|
1987
|
|
Wall Works, Cornerhouse Gallery, Manchester, England
|
|
1987
|
|
Zach Schuster Gallery, Florida (solo)
|
|
1986
|
|
L’Attitude, Galeria Comicos, Lisbon
|
|
1986
|
|
Entre El Objeto Y La Image-Escultra británica contemporánea, Palacio Velázquez, Madrid; touring to Barcelona and Bilabao
|
|
1985
|
|
Waddington Galleries, London, England (solo)
|
|
1984
|
|
1965-72 - when attitude became form, Kettle’s Yard, Cambridge: touring to Fruitmarket Gallery, Edinburgh, Ireland
|
|
1984
|
|
The British Art Show, City Museum and Art Gallery and Ikon Gallery, Birmingham: touring Britain
|
|
1984
|
|
Waddington & Shiell Gallery, Toronto, Canada (solo)
|
|
1983
|
|
New Art, Tate Gallery, London, England
|
|
1982
|
|
Aspects of British Art Today, Metropolitan Art Museum, Tokyo: touring Japan
|
|
1982
|
|
Fifth Triennale India, New Delhi, India (solo)
|
|
1982
|
|
Waddington Galleries, London (solo)
|
|
1981
|
|
Galerija Suvremene Umjetnosti, Zagreb (solo)
|
|
1981
|
|
British Sculpture in the 20th Century, Whitechapel Art Gallery, London
|
|
1981
|
|
Malmoe, Konsthall, Malmo Sweden
|
|
1981
|
|
Construction in Process, Lodz, Poland
|
|
1980
|
|
Galerie Bama, Paris, France (solo)
|
|
1980
|
|
ROSC, University College Gallery and National Gallery of Ireland, Dublin, Ireland
|
|
1979
|
|
Oliver Dowling Gallery, Dublin, Ireland (solo)
|
|
1979
|
|
Galeria Foksal, Warsaw, Poland (solo)
|
|
1979
|
|
Galeria Akumlatory, Poznan, Poland (solo)
|
|
1979
|
|
Un Certain Art Anglais, Musee d’Art Moderne de la Ville de Paris; organised by ARC II and the British Council
|
|
1979
|
|
JP II, Palais des Beaux-Arts, Brussels, in collaboration with the British council
|
|
1978
|
|
Galerie December, Dusseldorf, Germany (solo)
|
|
1978
|
|
Michael Craig-Martin: 10 works 1970-77 (solo)
|
|
1978
|
|
Institute of Modern Art, Brisbane; touring Australia (solo)
|
|
1978
|
|
The Garden, Jardin botanique National, Meis, Belgium
|
|
1977
|
|
Documenta VI, Kassel, West Germany
|
|
1977
|
|
Hayward Annual: Current British Art Part II, Hayward Gallery, London, England
|
|
1977
|
|
Reflected Images, Kettle’s Yard Gallery, Cambridge, England
|
|
1977
|
|
Works on Paper - The Contemporary Art Society’s Gifts to Public Galleries 1952-77, Royal Academy of Arts, London, England
|
|
1977
|
|
Oliver Dowling Gallery, Dublin, UK (solo)
|
|
1976 - 1977
|
|
Turnpike Gallery, Leigh (solo)
|
|
1976 - 1977
|
|
New Gallery, London (solo)
|
|
1976 - 1977
|
|
Glynn Vivian Art Gallery & Museum, Swansea (solo)
|
|
1976 - 1977
|
|
Third Eye Centre, Glasgow, Ireland (solo)
|
|
1976
|
|
Michael Craig-Martin: Selected Works 1966-1975, Turnpike Gallery, Leigh, UK (solo)
|
|
1976
|
|
Art as Thought Process, XI Biennale International d’Art, Palais d’Europe, Menton, France
|
|
1976
|
|
Recent International Forms in Art, 2nd Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia
|
|
1975
|
|
Britanniasta 75, Helsingin Taidehalli, Helsinki, Finland
|
|
1975
|
|
IX Biennale des Jeunes Artistes, Paris, France
|
|
1975
|
|
Body and Soul’, Peter Moores Liverpool Project 3, Walker Art Gallery, Liverpool R.I.B.A., London, England
|
|
1975
|
|
Contemporary British Drawings, XIII Bienal of Sao Paolo
|
|
1974
|
|
Idea and Image in Recent Art, Art Institute of Chicago
|
|
1974
|
|
Art as Thought Process, Serpentine Gallery, London
|
|
1974
|
|
Galerie December, Munster, Germany (solo)
|
|
1973
|
|
11 British Artists, Staatlichen Kunsthalle, Baden-Baden: touring to Kunsthalle, Bremen
|
|
1973
|
|
Henry Moore to Gilbert & George, Palais des Beaux-Arts, Brussels
|
|
1972
|
|
7 Exhibitions, Tate Gallery, London
|
|
1972
|
|
The New Art, Hayward Gallery, London
|
|
1971
|
|
Arnolfini Gallery, Bristol (solo)
|
|
1971
|
|
Richard Demarco Gallery, Edinburgh, Ireland (solo)
|
|
1970
|
|
Critic’s Choice, Arthur Tooth & Sons, London, UK
|
|
1969
|
|
Rowan Gallery, London. (also 1970, 1972, 1973, 1974, 1975, 1976, 1978, 1980)
|
|
|
|
|
|
|
|
|
|