Maxfield Parrish
Two Witches
pencil, ink and watercolor heightened w/white on illustration board
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Maxfield Parrish
Barnyard Friends; Mid-winter (2 works)
watercolor and graphite pencil on paper
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Maxfield Parrish
Menu Board; One little ingredient (2 works)
graphite pencil on illustration board
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Maxfield Parrish
Book Reading Figure
ink on paper laid on cardstock
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Maxfield Parrish
Boy on a swing with castles in the background
print
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Maxfield Parrish
The Thos. D. Murphy company, 1941
poster
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Maxfield Parrish
Baa Baa Black Sheep (from Mother Goose in Prose)
lithographed print
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Maxfield Parrish
The Manager Draws the Curtain, 1923-1925
oil on panel
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Maxfield Parrish
Sheep Pasture, Cornish, New Hampshire, 1936
oil on panel
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Maxfield Parrish
Fisherman on Pier, LIFE Magazine cover, 1921
oil over engravers proof on board
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Maxfield Parrish
Scribner's Fiction Number. August, 1897
poster
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Maxfield Parrish
The Christmas Scribner's, 1897
poster
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Maxfield Parrish
An Estate View From a Bridge, a preliminary sketch
pencil and watercolor on paper
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Maxfield Parrish
Nude Woman
pencil on paper appliqué laid on board
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Maxfield Parrish
Ecstasy, Edison Mazda Lamps calendar preliminary cover
pencil on paper appliqué laid on board
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Maxfield Parrish
Dreaming, preliminary study for painting, 1925
pencil on paper appliqué laid on board
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Maxfield Parrish
Seated Nude, preliminary Edison Mazda Lamps calendar, 1921
pencil on paper appliqué laid on board
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Maxfield Parrish
Nude Woman Resting, preliminary study, 1920-1929
pencil on paper appliqué laid on board
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Maxfield Parrish
Seated Man Drinking Tea, British War Relief Tea and Food Sale preliminary poster design, 1941
pencil on paper appliqué laid on board
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Maxfield Parrish
The Knave Watches Violetta Depart, The Knave of Hearts preliminary story illustration, 1925
pencil on paper appliqué laid on board
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Maxfield Parrish
Baker Lifting Pudding, Collier's magazine preliminary cover, December 26, 1936
pencil on paper appliqué laid on board
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Maxfield Parrish
Santa Claus, Harper's Magazine preliminary cover, 1920-1929
pencil on paper appliqué laid on board
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Maxfield Parrish
Seated Man, Collier's Magazine preliminary cover, November 26, 1910
pencil on paper
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Maxfield Parrish
Cardinal Archbishop Sat on His Shaded Balcony, 1901
oil on paper laid on board
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