Maria Marshall  (1966) 

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Maria Marshall Biography
  Born on February 14th 1966 in Bombay
  Lives and works in London
  Education
  BA, Honours Degree, Wimbledon School of Art, London
  Chelsea School of Art, London
  Ecole des Beaux Arts, Geneva
  Public Collections
  Bowdoin College Museum of Art, Brunswick, ME, USA
  The Contemporary Arts Society, London, United Kingdom
  Centre pour l'image Contemporaine, Geneva, Switzerland
  Centre Pompidou, Paris France
  Fonds Regional d'Art Contemporain, PACA, Marseille, France
  Musée des Arts Contemporains, Grand Hornu, Belgium
  The Solomon R. Guggenheim Museum of Art, New York, NY, USA
  The Metropolitan Museum of Art, New York, NY, USA
  The Progressive Collection, Cleveland, OH, USA
  Fondazione Sandretto Re Rebaudengo per l’Arte, Torino, Italy
  Herbert Art Gallery & Museum, Coventry, United Kingdom
  The Robert J. Shiffler Collection, Greenville, OH, USA
  Site Gallery, Sheffield, United Kingdom
  Stedelijk Museum Voor Actuele Kunst, Gent, Belgium
Selected Exhibitions
2007   Galerie Yvon Lambert, Paris, France
2007   Metropolitan Museum of Art, New York, NY, Closed Circuit
2007   Centre Photographique d’Ile de France, Paris, France, Fantasy – C’est pas du jeu
2007   Fonds Regional d’Art Contemporain, Marseille, France
2007   Galleria Raffaella Cortese, Milan, Italy, Dolls
2007   Shenzhen Biennial, Shenzhen, China
2007   Potnia Thiron, Athens, Greece (solo)
2006   fa projects, London, England (solo)
2006   Kenny Schachter screening of one ‘3 Minute Wonder’, London
2006   Channel 4 broadcast of three ‘3 Minute Wonder’, London (solo)
2006   Le Magazin, Grenoble, France, video et films Collection Pierre Hubert
2006   Martin-Gropius Bau, Berlin, Germany, Rundlederwelten
2006   Kunsthalle Wien, Vienna, Austria, Fussball goes Art
2006   Palazzo Vecchio, Florence, Italy
2005   Motorenhalle, Dresden, Germany, Leitsysteme zum Neuen?
2005   Art Gallery of Hamilton, Hamilton, Canada, Consuming Passions
2005   Roebling Hall, New York, NY, Fear Gear
2005   Fondazione Sandrettp Re Rebaudengo, Turin, Italy, Bidibidobidiboo (curated by Francesco Bonami)
2005   Hudson Valley Center for Contemporary Art, Peekskill, NY, FIGURE IT OUT
2005   Ferragamo Gallery/Project Space, New York, NY, ORIGIN: MOTHER AND CHILD, (curated by Andrea Salerno and Carmen Zita)
2005   Tache Levy Galerie, Brussels, Belgium (solo)
2005   Galleria Raffaela Cortese, Milan, Italy (solo)
2005   Ratio 3, San Francisco, CA (solo)
2005   Galleria Raffaela Cortese, Milan, Italy
2005   Umeå Kulturförvaltning, Umeå, Sweden, Fade To Black
2005   Green on Red Gallery, Dublin, Ireland, Press Play
2004   South London Gallery, London, National Collections
2004   Galleria Civica diArte Contemporanea, Trento, Italy, Dimension Folly
2004   The Salina Art Center, Salina, KS, Will Boys Be Boys?: Questioning Masculinity in Contemporary Art, curated by Shamim M. Momin (with catalogue, traveling to Museum of Contemporary Art, Denver, CO; The Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY; The Indianapolis Museum of Art, IN)
2004   Fonds Regional d’Art Contemporain, Marseille, France, Presences et Apparitions/une visite particuliere
2004   Borusan Centre for Culture and Arts, Istanbul, Turkey
2004   Collection Lambert, Avignon, France, A Fripon, Fripon et Demi
2004   Arndt & Partner, Berlin, Germany, Silent Screams Difficult Dreams
2004   Herzliya Museum, Herzliya, Israel (solo)
2004   Centre pour l'image Contemporaine, Geneva, Switzerland (solo)
2004   Team Gallery, New York, NY (solo)
2004   Cosmic, Paris, France (solo)
2004   Tache Levy Galerie, Brussels, Belgium (solo)
2004   Hochschule fur Bildende Kunste, Dresden, Germany, Zwischenwelten
2003   The Whitney Museum of American Art, New York, NY, The American Effect (with catalogue, curated by Larry Rinder)
2003   Team Gallery, New York, NY, ThrowBack
2003   f.a. projects, London, UK, Video Program
2003   Centro de Arte de Salamanca, Salamanca, Spain, Niños (with catalogue, curated by Cristina Zelich)
2003   Gemeentemuseum Helmond, Helmond, Netherlands, Child In Time (with catalogue, curated by Frank Hoenjet)
2003   Neuer Berliner Kunstverein, Berlin, Germany, Urban Collisions: Civilizational
2003   Conflicts in the Medium of Video (with catalogue, curated by Kathrin Becker)
2003   Salon 94, New York, NY (solo)
2002   Fonds National d'Art Contemporain, Marseille, France (solo)
2002   Palais de Tokyo, Module, Paris, France (solo)
2002   The Swiss Institute, Project Space, New York, NY (solo)
2002   Team Gallery, New York, NY (solo)
2002   Site Gallery, Sheffield, UK (solo)
2002   Göteborgs Konsthall, Göteborg, Sweden (solo)
2002   Ludwig forum für Internationale Kunst, Aachen, Germany Slow Motion
2002   Musée des Arts Contemporains, Grand Hornu, Belgium, New Acquisitions
2002   Fogg Art Museum, Harvard University, Cambridge, MA (curated by Linda Norden)
2002   Aux Anciennes Pompes Funebres de la ville de Paris, Paris, France, Nuit Blanche: plus qu'une image (curated by Caroline Bourgeois)
2002   Fondazione Sandretto Re Rebaudengo per l’Arte, Guarene d'Alba, Italy, Self/In Material Conscience (curated by Eric Mangion)
2002   The Aldrich Museum of Contemporary Art, Ridgefield, CT, Family (with catalogue)
2002   Migros Museum, Zurich, Switzerland, The Collective Unconcious (curated by Heike Munder)
2002   Kunst Haus Dresden, Dresden, Germany, Private Affairs: A Contemporary Video Exhibition (curated by Angelika Richter)
2001   Freiburger Kunstverein, Freiburg, Germany (solo)
2001   Arndt & Partner, Berlin, Germany (solo)
2001   Art + Public, Genéve, Switzerland (solo)
2001   Team Gallery, New York, NY, USA (solo)
2001   Stedelijk Museum voor Actuele Kunst, Ghent, Belgium, Casino 2001 (curated by Jeanne Greenberg Rohatyn, with catalogue)
2001   Göteborgs Konsthall, Göteborg, Sweden, Urban Nature
2001   Le Studio at Galerie Yvon Lambert, Paris, Inaugural Exhibition
2001   Team Gallery, New York City, Objects in Mirror Are Closer Than They Appear
2001   Palm Beach Institute of Contemporary Art, Palm Beach, FL, Video Jam (curated by Michael Rush)
2001   Art | 32 | Basel, Basel, Switzerland, Art Unlimited
2001   Centre Photographique d'Ile de France, Paris, France, Beau Fixe
2001   National Museum of Photography, Film & Television, Bradford, England, In A Lonely Place (curated by Greg Hobson, with catalogue)
2001   Contemporary Arts Center, New Orleans, Louisiana, Chelsea Rising (curated by David S. Rubin, with catalogue)
2001   Borusan Centre for Culture and Arts, Istanbul, Turkey, Double Trouble (curated by Binnaz Tukin)
2001   Atlantis Gallery, London, England, My Generation (curated by Mark Nash and Alexandre Pollazzon)
2001   Bakalar and Huntington Galleries, Massachusetts College of Art, Boston, Massachusetts, Wonderland (curated by Lisa Tung, with catalogue)
2000 - 2001   The Laing Art Gallery, Tyne-Wear Museums, Newcastle, England, Petty Crimes (traveling to Glasgow Museum of Modern Art and York City Art Gallery, with catalogue)
2000   Dot Projects, London, UK (solo)
2000   Galerie Dorothée De Pauw, Brussels, Belgium (solo)
2000   Galerie Václava Spály, Prague, Czech Republic (solo)
2000   Galerie Emmanuel Perrotin, Paris, France (solo)
2000   Yves St. Laurent, Paris, France (solo)
2000   Oliver Art Center, CCAC Institute, Oakland, CA, USA (solo)
2000   University of Illinois, Gallery 400, Chicago, IL, USA (solo)
2000   GMI Screen, Leicester Square, London, England (curated by Katia Garcia, under the auspices of the ICA, London)
2000   Kunsthalle St. Gallen, Switzerland, Some Secrets (curated by Dorothea Strauss)
2000   Le Printempts de Cahors, France, Sensitive: Photographie & Art Visuels (curated by Christine Macel, with catalogue)
2000   Contemporary Museum, Baltimore, MD, Snapshot
2000   White Box, New York, NY, Topologies (curated by Iair Rosenkranz)
2000   The Aldrich Museum of Contemporary Art, Ridgefield, CT, Faith: The Impact of Judeo-Christian Religion on Contemporary Art at the Millennium (curated by Christian Eckhart, Harry Philbrick and Osvaldo Romberg)
1999   Team Gallery, New York, NY, USA (solo)
1999   Ace Gallery, Los Angeles, CA, USA (solo)
1999   Real Art Ways, Hartford, CT, USA (solo)
1999   Bowdoin College Museum of Art, Brunswick, Maine, The Sexual Child (organized by Peter Coviello and Amy Honchell)
1999   CAPC, Cuimbra, Portugal, Hi8 (curated by Alexandre Estrela)
1999   Fondazione Sandretto Re Rebaudengo per l’Arte, Torino, Italy, Common People, British Art between phenomenon and reality (curated by Francesco Bonami, catalogue)
1999   Team Gallery, New York City, Shiny Shiny
1999   Kunsthalle Tirol, Salzlager, Austria, Space Place (curated by Hubert Salden)
1998   Beaconsfield, London, Screening
1998   210 Gallery, Welcome Trust, London, The Art and Science of the Unborn Child
1998   Team Gallery, New York, NY, USA (solo)
Literature
2007   Cotter, Holland, “Closed Circuit,” The New York Times, April 6, E33 (with illustrations)
2006   Desaive, Pierre-Yves, “Maria Marshall,” Contemporary, July, pp.86 (with illustrations)
2005   Noe, Paola, “Maria Marshall: Raffaella Cortese,” Flash Art, October/November, p.115 (with illustration)
2005   Pagliuca, Francesca, “Maria Marshall: Galleria Raffaella Cortese,” Tema Celeste, October, p._ (with illustration)
2005   Tosi, Marco Ligas, “Maria Marshall: Raffaella Cortese,” Arte E Critica, August/September, p._ (with illustration)
2005   Pollack, Barbara, “Fear Gear: Roebling Hall” Time Out New York, July 7-13
2005   Murphy, Laszlo, “Maria Marshall,” Zero2, June, p.56 (with illustration)
2005   Dell’Orso, Silvia, “Maria Marshall,” La Republica, May 28, p._ (with illustration)
2005   Baker, Kenneth, “Marshall at Ratio 3”, San Francisco Chronicle, May 7, pp
2005   Dyer, Richard, “Maria Marshall,” Contemporary, May, pp.70-3 (with illustrations)
2005   Princenthal, Nancy, “Maria Marshall at Team,” Art in America, February, p.130 (with illustration)
2004   Pinto, Roberto, "Dimensione Follia," Work, Autumn, pp.19-49 (with illustration)
2004   Levin, Kim, "Shortlist: Maria Marshall," Village Voice, June 16-22, p.48
2003   Schwendener, Martha, "Review," Time Out New York, May 1, p. 63 (with illustration)
2003   Schwarzman, Carol, “Review”, Art Papers, January-February, p.43 (with illustration)
2002   Dunn, Melissa; Gute, Charles, “Casino 2001”, Flash Art, January/February, p.90, (with illustration)
2002   Satz, Aura, "Maria Marshall," Tema Celeste, November/December, p.64-67 (with illustrations)
2002   Godfrin-Guidicelli, Marie, “Le monde merveilleux de Maria Marshall”, Marseille L’Hebdo, November, pp
2002   Suchin, Peter, "Maria Marshall: Fine Lines at Site Gallery, Sheffield, UK," Contemporary, September, p. 82 (with illustration)
2002   Finch, Charlie, "It is Time, Once Again, To Kill the Past," arnet, www.artnet.com, September 20 (with illustrations)
2002   Shuman, Rachel, "Art Choice," Time Out New York, September 12, p. 61 (with illustration)
2002   Macel, Christine, "Just the Two of Us: Vidéo Sentimentale," Art Press, May, pp. 40-45 (with illustrations)
2002   Vallström, Nike, "Konsthall: Händelserika dagar på Konsthallen, Göteborgs-Posten, April 13, p. __ (with illustration)
2002   Keil, Von Frank, "Einatmen, ausatmen," Frankfurter Rundschau, April 11, p. __ (with illustration)
2002   Olofsson, Mikael, "Obehaglisgt gång på gång på gång på," Göteborgs-Posten, March 26, pp. 44-45 (with illustrations)
2002   Testart, Caterina, "Fem frågor," Göteborgs-Posten, March 8, p. __
2002   Schlaegel, Andreas, "Review: Maria Marshall at Arndt & Partner," Flash Art
2002   International, January-Febaruay, pp. 98-99 (with illustration)
2001   Engler, Martin, "Der Knabe in der Schlangengrube: Carravaggio trifft Kubrick: Maria Marshall erzeugt Bilder von alttestamentarischer Wucht," Frankfurter
2001   Allgemeine Zeitung, December 28, p. __ (with illustration)
2001   Umlauf, Karsten, "Was soll der Kinderblick?," Kultur Joker, December 21, p. __ (with illustration)
2001   Engler, Martin, "Schön und Bedrohlich," Badische Zeitung, November 28, p. __ (with illustration)
2001   Engler, Martin, "Die Vivisektion des Privaten," Kunstbulletin, November, pp. 24-29 (with illustrations)
2001   Schneider, Tassilo, "Faszinierende Zumutungen," Stadtkurier, October 4, p. __ (with illustration)
2001   Levin, Kim, “Shortlist”, The Village Voice, September, p.78
2001   Matsui, Midori, "Maria Marshall," catalogue essay for the exhibition "Casino 2001," Stedelijk Museum voor Actuele Kunst, Gent, Belgium, forthcoming (with illustrations)
2001   Schwendener, Martha, "Review," Time Out New York, April 12, p. 53 (with illustration)
2001   Bolen, Christopher, "We Did You Not," V Magazine, No. 10, Spring, p. 150 (with illustrations)
2001   Pasquini, Stefano, "Hidden Gems in a Crowded Fair: Arco Madrid," New York Arts, April, p. 48 (with illustration)
2001   Finch, Charlie, "Signs of Life on 26th Street," arnet, www.artnet.com, March 26 (with illustrations)
2001   Levin, Kim, "Voice Choices: Spring Arts," The Village Voice, March 6, p. 86
2001   Temin, Christine, "Mass Art's 'Wonderland' brings fairy tales to life," The Boston Globe, January 30, pp. __-__
2001   Sherman, Mary, "MCA creates a 'Wonderland,'" The Boston Herald, January 28, p. A7
2000   Lorent, Claude, “Les angoisses de Maria Marshall”, La Libre Culture, November, pp., (with illustration)
2000   Balogh, Lizzy, "Video Displayed: Marketing Mixes Forms,'" PAJ: A Journal of Performance and Art, September, Volume XXII, No. 3, pp. 58-65 (with illustration)
2000   Patrick, Keith, "Review: 'Sensitive, Printemps de Cahors,'" Contemporary Visual Arts, September, Issue 30, pp. Cover, 64. 65 (with illustrations)
2000   Dupont, Véronique, "Monstres sacrés," Numero, September, p. 64 (with illustrations)
2000   Macel, Christine, "Maria Marshall," catalogue essay for the exhibition"Sensitive: Photographie & Art Visuels" Le Printempts de Cahors, France, June (with illustrations)
2000   Rush, Michael, "Review," Art in America, March, pp. 125-26 (with illustration)
2000   Lehner, Adam, "News—Open Season: Adam Lehner on Lawrence Rinder," Artforum, March, p. 39 (illustration)
2000   Thym, Jolene, "No Puff Piece," The Oakland Tribune, January 20, pp. C1, C5 (with illustrations)
2000   Baker, Kenneth, "Growing up in 18 seconds: Brief, powerful videos at CCAC," San Francisco Chronicle, January 19, pp. C1, C3 (with illustration)
1999   Scott, Andrea. The New Yorker, December 13, p. 20
1999   Harris, William, "Making Viewers Wonder Why They're Uneasy," The New York Times, December 5, p. AR 47 (with illustration)
1999   Levin, Kim, "Voice Choices: Short List," The Village Voice, November 30, p. 82
1999   Damsker, Matt, "Photo, Video Exhibits Show Off R.A.W. Galleries," Hartford Courant, July 25, p. G4 (with illustration)
1999   Highet, Alistair, "Real Art Waves," Hartford Advocate, June 24, p. __ (with illustration)
1999   Bush, Kate, "Small Change," catalogue essay for the exhibition "Common People," Fondazione Sandretto Re'Rebaudengo Per L'Arte, Torino, Italia, June
1999   Bonami, Francesco, "Different Common People," catalogue essay for the exhibition "Common People," Fondazione Sandretto Re'Rebaudengo Per L'Arte, Torino, Italia, June
1999   Kino, Carol, "Review," Art in America, March, p. 113 (with illustration)
1999   Chambers, Christopher, “Review,” Flash Art International, January-February, p. 96-97 (with illustration)
1998   Nassau, Lawrence, "Review," New York Arts Magazine, December, p. 26-27
1998   Johnson, Ken, "Review," The New York Times, November 6, p. E38
1998   Schwendener, Martha, "Review," Time Out New York, November 5, p. 75. (with illustration)
1998   Levin, Kim, "Voice Choices," The Village Voice, November 3, p. 97
1998   _____, _____. The New Yorker, October 26, p. 36