Maria Marshall (born )

Timeline

Born on February 14th 1966 in Bombay
Lives and works in London
Education
BA, Honours Degree, Wimbledon School of Art, London
Chelsea School of Art, London
Ecole des Beaux Arts, Geneva
Public Collections
Bowdoin College Museum of Art, Brunswick, ME, USA
The Contemporary Arts Society, London, United Kingdom
Centre pour l'image Contemporaine, Geneva, Switzerland
Centre Pompidou, Paris France
Fonds Regional d'Art Contemporain, PACA, Marseille, France
Musée des Arts Contemporains, Grand Hornu, Belgium
The Solomon R. Guggenheim Museum of Art, New York, NY, USA
The Metropolitan Museum of Art, New York, NY, USA
The Progressive Collection, Cleveland, OH, USA
Fondazione Sandretto Re Rebaudengo per l’Arte, Torino, Italy
Herbert Art Gallery & Museum, Coventry, United Kingdom
The Robert J. Shiffler Collection, Greenville, OH, USA
Site Gallery, Sheffield, United Kingdom
Stedelijk Museum Voor Actuele Kunst, Gent, Belgium
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Exhibitions

2007
Galerie Yvon Lambert, Paris, France
2007
Metropolitan Museum of Art, New York, NY, Closed Circuit
2007
Centre Photographique d’Ile de France, Paris, France, Fantasy – C’est pas du jeu
2007
Fonds Regional d’Art Contemporain, Marseille, France
2007
Galleria Raffaella Cortese, Milan, Italy, Dolls
2007
Shenzhen Biennial, Shenzhen, China
2007
Potnia Thiron, Athens, Greece (solo)
2006
fa projects, London, England (solo)
2006
Kenny Schachter screening of one ‘3 Minute Wonder’, London
2006
Channel 4 broadcast of three ‘3 Minute Wonder’, London (solo)
2006
Le Magazin, Grenoble, France, video et films Collection Pierre Hubert
2006
Martin-Gropius Bau, Berlin, Germany, Rundlederwelten
2006
Kunsthalle Wien, Vienna, Austria, Fussball goes Art
2006
Palazzo Vecchio, Florence, Italy
2005
Motorenhalle, Dresden, Germany, Leitsysteme zum Neuen?
2005
Art Gallery of Hamilton, Hamilton, Canada, Consuming Passions
2005
Roebling Hall, New York, NY, Fear Gear
2005
Fondazione Sandrettp Re Rebaudengo, Turin, Italy, Bidibidobidiboo (curated by Francesco Bonami)
2005
Hudson Valley Center for Contemporary Art, Peekskill, NY, FIGURE IT OUT
2005
Ferragamo Gallery/Project Space, New York, NY, ORIGIN: MOTHER AND CHILD, (curated by Andrea Salerno and Carmen Zita)
2005
Tache Levy Galerie, Brussels, Belgium (solo)
2005
Galleria Raffaela Cortese, Milan, Italy (solo)
2005
Ratio 3, San Francisco, CA (solo)
2005
Galleria Raffaela Cortese, Milan, Italy
2005
Umeå Kulturförvaltning, Umeå, Sweden, Fade To Black
2005
Green on Red Gallery, Dublin, Ireland, Press Play
2004
South London Gallery, London, National Collections
2004
Galleria Civica diArte Contemporanea, Trento, Italy, Dimension Folly
2004
The Salina Art Center, Salina, KS, Will Boys Be Boys?: Questioning Masculinity in Contemporary Art, curated by Shamim M. Momin (with catalogue, traveling to Museum of Contemporary Art, Denver, CO; The Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY; The Indianapolis Museum of Art, IN)
2004
Fonds Regional d’Art Contemporain, Marseille, France, Presences et Apparitions/une visite particuliere
2004
Borusan Centre for Culture and Arts, Istanbul, Turkey
2004
Collection Lambert, Avignon, France, A Fripon, Fripon et Demi
2004
Arndt & Partner, Berlin, Germany, Silent Screams Difficult Dreams
2004
Herzliya Museum, Herzliya, Israel (solo)
2004
Centre pour l'image Contemporaine, Geneva, Switzerland (solo)
2004
Team Gallery, New York, NY (solo)
2004
Cosmic, Paris, France (solo)
2004
Tache Levy Galerie, Brussels, Belgium (solo)
2004
Hochschule fur Bildende Kunste, Dresden, Germany, Zwischenwelten
2003
The Whitney Museum of American Art, New York, NY, The American Effect (with catalogue, curated by Larry Rinder)
2003
Team Gallery, New York, NY, ThrowBack
2003
f.a. projects, London, UK, Video Program
2003
Centro de Arte de Salamanca, Salamanca, Spain, Niños (with catalogue, curated by Cristina Zelich)
2003
Gemeentemuseum Helmond, Helmond, Netherlands, Child In Time (with catalogue, curated by Frank Hoenjet)
2003
Neuer Berliner Kunstverein, Berlin, Germany, Urban Collisions: Civilizational
2003
Conflicts in the Medium of Video (with catalogue, curated by Kathrin Becker)
2003
Salon 94, New York, NY (solo)
2002
Fonds National d'Art Contemporain, Marseille, France (solo)
2002
Palais de Tokyo, Module, Paris, France (solo)
2002
The Swiss Institute, Project Space, New York, NY (solo)
2002
Team Gallery, New York, NY (solo)
2002
Site Gallery, Sheffield, UK (solo)
2002
Göteborgs Konsthall, Göteborg, Sweden (solo)
2002
Ludwig forum für Internationale Kunst, Aachen, Germany Slow Motion
2002
Musée des Arts Contemporains, Grand Hornu, Belgium, New Acquisitions
2002
Fogg Art Museum, Harvard University, Cambridge, MA (curated by Linda Norden)
2002
Aux Anciennes Pompes Funebres de la ville de Paris, Paris, France, Nuit Blanche: plus qu'une image (curated by Caroline Bourgeois)
2002
Fondazione Sandretto Re Rebaudengo per l’Arte, Guarene d'Alba, Italy, Self/In Material Conscience (curated by Eric Mangion)
2002
The Aldrich Museum of Contemporary Art, Ridgefield, CT, Family (with catalogue)
2002
Migros Museum, Zurich, Switzerland, The Collective Unconcious (curated by Heike Munder)
2002
Kunst Haus Dresden, Dresden, Germany, Private Affairs: A Contemporary Video Exhibition (curated by Angelika Richter)
2001
Freiburger Kunstverein, Freiburg, Germany (solo)
2001
Arndt & Partner, Berlin, Germany (solo)
2001
Art + Public, Genéve, Switzerland (solo)
2001
Team Gallery, New York, NY, USA (solo)
2001
Stedelijk Museum voor Actuele Kunst, Ghent, Belgium, Casino 2001 (curated by Jeanne Greenberg Rohatyn, with catalogue)
2001
Göteborgs Konsthall, Göteborg, Sweden, Urban Nature
2001
Le Studio at Galerie Yvon Lambert, Paris, Inaugural Exhibition
2001
Team Gallery, New York City, Objects in Mirror Are Closer Than They Appear
2001
Palm Beach Institute of Contemporary Art, Palm Beach, FL, Video Jam (curated by Michael Rush)
2001
Art | 32 | Basel, Basel, Switzerland, Art Unlimited
2001
Centre Photographique d'Ile de France, Paris, France, Beau Fixe
2001
National Museum of Photography, Film & Television, Bradford, England, In A Lonely Place (curated by Greg Hobson, with catalogue)
2001
Contemporary Arts Center, New Orleans, Louisiana, Chelsea Rising (curated by David S. Rubin, with catalogue)
2001
Borusan Centre for Culture and Arts, Istanbul, Turkey, Double Trouble (curated by Binnaz Tukin)
2001
Atlantis Gallery, London, England, My Generation (curated by Mark Nash and Alexandre Pollazzon)
2001
Bakalar and Huntington Galleries, Massachusetts College of Art, Boston, Massachusetts, Wonderland (curated by Lisa Tung, with catalogue)
2000–2001
The Laing Art Gallery, Tyne-Wear Museums, Newcastle, England, Petty Crimes (traveling to Glasgow Museum of Modern Art and York City Art Gallery, with catalogue)
2000
Dot Projects, London, UK (solo)
2000
Galerie Dorothée De Pauw, Brussels, Belgium (solo)
2000
Galerie Václava Spály, Prague, Czech Republic (solo)
2000
Galerie Emmanuel Perrotin, Paris, France (solo)
2000
Yves St. Laurent, Paris, France (solo)
2000
Oliver Art Center, CCAC Institute, Oakland, CA, USA (solo)
2000
University of Illinois, Gallery 400, Chicago, IL, USA (solo)
2000
GMI Screen, Leicester Square, London, England (curated by Katia Garcia, under the auspices of the ICA, London)
2000
Kunsthalle St. Gallen, Switzerland, Some Secrets (curated by Dorothea Strauss)
2000
Le Printempts de Cahors, France, Sensitive: Photographie & Art Visuels (curated by Christine Macel, with catalogue)
2000
Contemporary Museum, Baltimore, MD, Snapshot
2000
White Box, New York, NY, Topologies (curated by Iair Rosenkranz)
2000
The Aldrich Museum of Contemporary Art, Ridgefield, CT, Faith: The Impact of Judeo-Christian Religion on Contemporary Art at the Millennium (curated by Christian Eckhart, Harry Philbrick and Osvaldo Romberg)
1999
Team Gallery, New York, NY, USA (solo)
1999
Ace Gallery, Los Angeles, CA, USA (solo)
1999
Real Art Ways, Hartford, CT, USA (solo)
1999
Bowdoin College Museum of Art, Brunswick, Maine, The Sexual Child (organized by Peter Coviello and Amy Honchell)
1999
CAPC, Cuimbra, Portugal, Hi8 (curated by Alexandre Estrela)
1999
Fondazione Sandretto Re Rebaudengo per l’Arte, Torino, Italy, Common People, British Art between phenomenon and reality (curated by Francesco Bonami, catalogue)
1999
Team Gallery, New York City, Shiny Shiny
1999
Kunsthalle Tirol, Salzlager, Austria, Space Place (curated by Hubert Salden)
1998
Beaconsfield, London, Screening
1998
210 Gallery, Welcome Trust, London, The Art and Science of the Unborn Child
1998
Team Gallery, New York, NY, USA (solo)
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Literature

2007
Cotter, Holland, “Closed Circuit,” The New York Times, April 6, E33 (with illustrations)
2006
Desaive, Pierre-Yves, “Maria Marshall,” Contemporary, July, pp.86 (with illustrations)
2005
Noe, Paola, “Maria Marshall: Raffaella Cortese,” Flash Art, October/November, p.115 (with illustration)
2005
Pagliuca, Francesca, “Maria Marshall: Galleria Raffaella Cortese,” Tema Celeste, October, p._ (with illustration)
2005
Tosi, Marco Ligas, “Maria Marshall: Raffaella Cortese,” Arte E Critica, August/September, p._ (with illustration)
2005
Pollack, Barbara, “Fear Gear: Roebling Hall” Time Out New York, July 7-13
2005
Murphy, Laszlo, “Maria Marshall,” Zero2, June, p.56 (with illustration)
2005
Dell’Orso, Silvia, “Maria Marshall,” La Republica, May 28, p._ (with illustration)
2005
Baker, Kenneth, “Marshall at Ratio 3”, San Francisco Chronicle, May 7, pp
2005
Dyer, Richard, “Maria Marshall,” Contemporary, May, pp.70-3 (with illustrations)
2005
Princenthal, Nancy, “Maria Marshall at Team,” Art in America, February, p.130 (with illustration)
2004
Pinto, Roberto, "Dimensione Follia," Work, Autumn, pp.19-49 (with illustration)
2004
Levin, Kim, "Shortlist: Maria Marshall," Village Voice, June 16-22, p.48
2003
Schwendener, Martha, "Review," Time Out New York, May 1, p. 63 (with illustration)
2003
Schwarzman, Carol, “Review”, Art Papers, January-February, p.43 (with illustration)
2002
Dunn, Melissa; Gute, Charles, “Casino 2001”, Flash Art, January/February, p.90, (with illustration)
2002
Satz, Aura, "Maria Marshall," Tema Celeste, November/December, p.64-67 (with illustrations)
2002
Godfrin-Guidicelli, Marie, “Le monde merveilleux de Maria Marshall”, Marseille L’Hebdo, November, pp
2002
Suchin, Peter, "Maria Marshall: Fine Lines at Site Gallery, Sheffield, UK," Contemporary, September, p. 82 (with illustration)
2002
Finch, Charlie, "It is Time, Once Again, To Kill the Past," arnet, www.artnet.com, September 20 (with illustrations)
2002
Shuman, Rachel, "Art Choice," Time Out New York, September 12, p. 61 (with illustration)
2002
Macel, Christine, "Just the Two of Us: Vidéo Sentimentale," Art Press, May, pp. 40-45 (with illustrations)
2002
Vallström, Nike, "Konsthall: Händelserika dagar på Konsthallen, Göteborgs-Posten, April 13, p. __ (with illustration)
2002
Keil, Von Frank, "Einatmen, ausatmen," Frankfurter Rundschau, April 11, p. __ (with illustration)
2002
Olofsson, Mikael, "Obehaglisgt gång på gång på gång på," Göteborgs-Posten, March 26, pp. 44-45 (with illustrations)
2002
Testart, Caterina, "Fem frågor," Göteborgs-Posten, March 8, p. __
2002
Schlaegel, Andreas, "Review: Maria Marshall at Arndt & Partner," Flash Art
2002
International, January-Febaruay, pp. 98-99 (with illustration)
2001
Engler, Martin, "Der Knabe in der Schlangengrube: Carravaggio trifft Kubrick: Maria Marshall erzeugt Bilder von alttestamentarischer Wucht," Frankfurter
2001
Allgemeine Zeitung, December 28, p. __ (with illustration)
2001
Umlauf, Karsten, "Was soll der Kinderblick?," Kultur Joker, December 21, p. __ (with illustration)
2001
Engler, Martin, "Schön und Bedrohlich," Badische Zeitung, November 28, p. __ (with illustration)
2001
Engler, Martin, "Die Vivisektion des Privaten," Kunstbulletin, November, pp. 24-29 (with illustrations)
2001
Schneider, Tassilo, "Faszinierende Zumutungen," Stadtkurier, October 4, p. __ (with illustration)
2001
Levin, Kim, “Shortlist”, The Village Voice, September, p.78
2001
Matsui, Midori, "Maria Marshall," catalogue essay for the exhibition "Casino 2001," Stedelijk Museum voor Actuele Kunst, Gent, Belgium, forthcoming (with illustrations)
2001
Schwendener, Martha, "Review," Time Out New York, April 12, p. 53 (with illustration)
2001
Bolen, Christopher, "We Did You Not," V Magazine, No. 10, Spring, p. 150 (with illustrations)
2001
Pasquini, Stefano, "Hidden Gems in a Crowded Fair: Arco Madrid," New York Arts, April, p. 48 (with illustration)
2001
Finch, Charlie, "Signs of Life on 26th Street," arnet, www.artnet.com, March 26 (with illustrations)
2001
Levin, Kim, "Voice Choices: Spring Arts," The Village Voice, March 6, p. 86
2001
Temin, Christine, "Mass Art's 'Wonderland' brings fairy tales to life," The Boston Globe, January 30, pp. __-__
2001
Sherman, Mary, "MCA creates a 'Wonderland,'" The Boston Herald, January 28, p. A7
2000
Lorent, Claude, “Les angoisses de Maria Marshall”, La Libre Culture, November, pp., (with illustration)
2000
Balogh, Lizzy, "Video Displayed: Marketing Mixes Forms,'" PAJ: A Journal of Performance and Art, September, Volume XXII, No. 3, pp. 58-65 (with illustration)
2000
Patrick, Keith, "Review: 'Sensitive, Printemps de Cahors,'" Contemporary Visual Arts, September, Issue 30, pp. Cover, 64. 65 (with illustrations)
2000
Dupont, Véronique, "Monstres sacrés," Numero, September, p. 64 (with illustrations)
2000
Macel, Christine, "Maria Marshall," catalogue essay for the exhibition"Sensitive: Photographie & Art Visuels" Le Printempts de Cahors, France, June (with illustrations)
2000
Rush, Michael, "Review," Art in America, March, pp. 125-26 (with illustration)
2000
Lehner, Adam, "News—Open Season: Adam Lehner on Lawrence Rinder," Artforum, March, p. 39 (illustration)
2000
Thym, Jolene, "No Puff Piece," The Oakland Tribune, January 20, pp. C1, C5 (with illustrations)
2000
Baker, Kenneth, "Growing up in 18 seconds: Brief, powerful videos at CCAC," San Francisco Chronicle, January 19, pp. C1, C3 (with illustration)
1999
Scott, Andrea. The New Yorker, December 13, p. 20
1999
Harris, William, "Making Viewers Wonder Why They're Uneasy," The New York Times, December 5, p. AR 47 (with illustration)
1999
Levin, Kim, "Voice Choices: Short List," The Village Voice, November 30, p. 82
1999
Damsker, Matt, "Photo, Video Exhibits Show Off R.A.W. Galleries," Hartford Courant, July 25, p. G4 (with illustration)
1999
Highet, Alistair, "Real Art Waves," Hartford Advocate, June 24, p. __ (with illustration)
1999
Bush, Kate, "Small Change," catalogue essay for the exhibition "Common People," Fondazione Sandretto Re'Rebaudengo Per L'Arte, Torino, Italia, June
1999
Bonami, Francesco, "Different Common People," catalogue essay for the exhibition "Common People," Fondazione Sandretto Re'Rebaudengo Per L'Arte, Torino, Italia, June
1999
Kino, Carol, "Review," Art in America, March, p. 113 (with illustration)
1999
Chambers, Christopher, “Review,” Flash Art International, January-February, p. 96-97 (with illustration)
1998
Nassau, Lawrence, "Review," New York Arts Magazine, December, p. 26-27
1998
Johnson, Ken, "Review," The New York Times, November 6, p. E38
1998
Schwendener, Martha, "Review," Time Out New York, November 5, p. 75. (with illustration)
1998
Levin, Kim, "Voice Choices," The Village Voice, November 3, p. 97
1998
_____, _____. The New Yorker, October 26, p. 36
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