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Maria Magdalena Campos-Pons Biography
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1959
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Born in Matanzas, Cuba
Resides and works in Brookline Massachusetts
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1980
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National School of Art, Havana, Cuba
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1985
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Higher Institute of Art (ISA), Painting, Havana, Cuba
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1988
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Massachusetts College of Art, Painting, Media Arts, Boston, MA
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2011 - 2012 |
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Journeys & Mama/ Reciprocal Energy, First Center for Visual Arts - Nashville TN, USA |
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2007 |
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Maria Magdalena Campos-Pons: Everything Is Separated by Water, Bass Museum of Art, Miami Beach (solo) |
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2007 |
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Maria Magdalena Campos-Pons: Everything Is Separated by Water, Indianapolis Museum of Art, IN (solo) |
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2006 |
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New Work, Gallery Pack, Milan, Italy (solo) |
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2006 |
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Dipersed, MoAD SanFrancisco |
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2006 |
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Retratos: 2,000 Years of Latin American Portraits, Smithsonian Museum, Washington DC |
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2005 |
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Getting Emotional, The Institute of Contemporary Art, Boston |
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2005 |
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Pan African Exhibition of Contemporary Art, Museum of Modern Art, Salvador Bahia Brazil |
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2005 |
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RAMPA - Signaling New Latin American Art Initiatives, Arizona State University Art Museum, Tempe |
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2005 |
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Some Color: A Color Photography Exhibition, Howard Yezerski Gallery, Boston |
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2005 |
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Back Yard, Dreams, Julie Saul Gallery New York, NY (solo) |
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2005 |
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New Work, Bernice Steinbaum Gallery, Miami, FL (solo) |
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2005 |
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Dispersed, Museum of the African Diaspora, San Francisco, CA |
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2005 |
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ARCO ’05, Gallery Pack, Milan, Italy |
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2005 |
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Retratos: 2,000 Years of Latin American Portraits, El Museo del Barrio, NY |
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2005 |
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Dreaming Now, The Rose Art Museum of Brandeis University, MA |
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2004 |
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Visualizing Diaspora/Constructing Self, GASP, Brookline, MA |
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2004 |
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3 x 3: THREE ARTISTS/THREE PROJECTS, Dak’Art 2004, Biennale of Contemporary African Art, Dakar Senegal |
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2004 |
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De lo que soy/Of what I am, Lehman College Art Gallery, Bronx, NY |
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2004 |
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Remberance Fields, Echigo-Tsumari Art Triennial, Japan |
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2004 |
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Howard Yezerski Gallery, Boston MA |
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2004 |
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Inside/Outside, Charlotte and Philip Hanes Art Gallery, Wake Forest University |
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2004 |
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Threads of Memory, Dak’Art, the Biennial of Contemporary African Art, 6th edition (solo) |
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2004 |
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Elevata, Howard Yezerski Gallery, Boston, MA (solo) |
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2004 |
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Dak’Art, the Biennial of Contemporary African Art, 6th edition, Dakar, Senegal |
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2004 |
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Talking Pictures, Bernice Steinbaum Gallery, Miami, FL (solo) |
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2004 |
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Something New, Something Old, Schneider Gallery Chicago Ill (solo) |
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2003 |
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De lo que soy/Of what Iam, Lehman College Art Gallery, Bronx, New York |
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2003 |
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Remberence Fields, Echigo-Tsumari Art Triennial, Japan |
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2003 |
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Howard Yezerski Gallery, Boston |
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2003 |
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Only Skin Deep, ICP, New York |
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2003 |
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Interiority or Hill Sided Moon, La Marrana, Montemarcello, Italy (solo) |
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2003 |
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One Thousand Ways to Say Goodbye, Henie Onstad, Kunstsenter, Oslo, Norway (solo) |
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2002 - 2003 |
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María Magdalena Campos-Pons, North Dakota Museum of Art, Grand Forks, North Dakota (solo) |
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2002 |
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M.M. Campos-Pons, Gallery Pack, Milan, Italy (solo) |
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2002 |
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Art Through the Eye of the Needle, Henie Onstad Kunstsenter, Oslo, Norway |
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2001 |
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Authentic/Ex-centric: Africa in and Out Africa, 49th Venice Biennale, Venice, Italy |
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2001 |
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Unpacking Europe, Museum Boijmans Van Beuningen, Rotterdam, Netherlands |
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2001 |
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Museum Eki, Kyoto; Tkamatsu City Museum of Art Japan |
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2001 |
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Museum of Contemporary Art, Sapporo, Japan |
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2001 |
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Nesting, Schneider Gallery, Chicago, IL (solo) |
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2000 |
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Nesting, Howard Yezerski Gallery, Boston, MA (solo) |
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2000 |
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The Likeness of Being, Contemporary Self Portraiture by 60 Women Artists, DC Moore Gallery, New York |
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2000 |
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Religion, Contemporary Interpretations by Women, The Art Gallery University of New Hampshire |
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2000 |
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Tokyo Metropolitan Museum of Photography, Tokyo, Japan |
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2000 |
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Visibility, Museum of Contemporary Art, Baltimore |
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1999 - 2000 |
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Meanwhile the Girls Were Playing, MIT List Visual Arts Center Cambridge, MA (solo) |
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1999 |
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Liverpool Biennial of Contemporary Art, Liverpool, UK |
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1999 |
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Uncommon Perspectives, South Shore Art Center, Cohasset, MA |
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1999 |
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Croosing/Traversee, National Gallery of Canada, Ottowa, Canada |
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1999 |
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Ritual Acts: Videos by Women, Decordova Museum, MA |
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1998 |
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Unfolding Desires, Hallwalls, Buffalo, NY (solo) |
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1998 |
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Spoken Softly with Mama, National Gallery of Canada, Ottowa, Canada (solo) |
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1998 |
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History of People. . . Part I, "A Tonw Portrait," Lehman College, NJ (solo) |
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1998 |
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M.M. Campos-Pons, Sustenance, Martha Schneider Gallery, Chicago, IL (solo) |
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1997 |
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Abridor de Caminos, Martha Schneider Gallery, Chicago, IL (solo) |
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1997 |
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M.M. Campos-Pons, New Work, Ambrosino Gallery, Coral Gables, FL (solo) |
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1997 |
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When I am not Here. Estoy Alla, The Caribbean Cultural Center, New York, NY (solo) |
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1997 |
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Trade Routes, Johannesburg Biennale, Johannesburg, South Africa |
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1997 |
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Caribbean Vision: Contemporary Painting & Sculpture, Smithsonian, Washington DC |
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1996 |
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Skin, M.M. Campos-Pons & Sandy Slone, Crieger/Dane Gallery, Boston, MA |
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1996 |
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Grifu, Campos-Pons, Carlos Cardenas, Tomas Esson, C.M.A.C., Cambridge, MA |
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1996 |
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M.M. Campos-Pons, New Work, Martha Schneider Gallery, Chicago, IL (solo) |
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1995 |
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Latin American Women Artists, 1915 - 1995, Milwaukee Art Museum, Phoenix Art Museum, NM |
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1995 |
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Cuba, La Isla Posible, Centre de Cultura Contemporania, Barcelona, Spain |
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1994 |
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Rejoining the Spiritual: The Land in Latin American Art, The Maryland Institute College of Art, Baltimore, MD |
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1994 |
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Transcending the Borders of Memory, Norton Gallery & School of Art, FL |
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1994 |
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Recent Work, Miami Dade Community College Gallery, Miami, FL (solo) |
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1994 |
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History of People Who Were Not Heroes, Bunting Institute of Radcliffe College, Harvard University, Cambridge, MA (solo) |
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1993 |
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Let me Tell You, INTAR, Latin American Gallery, New York, NY (solo) |
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1993 |
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Racially Inscribed Body, Akin Gallery, Boston, MA (solo) |
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1993 |
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Trade Routes, The New Museum of Contemporary Art, NY |
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1993 |
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Witness, Presentation House Gallery, North Vancouver, Canada |
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1992 |
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Ways to See: New Art From Massachusetts, Institute of Contemporary Art, Boston, MA |
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1992 |
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The Year of the White Bear, The Walker Center for the Arts, Minneapolis, MN |
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1992 |
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Como el Cuerpo de un Hombre es un Arbol … / … How the Body of a Person is a Tree …, Gallery La Centrale/Powerhouse, Montreal, Canada (solo) |
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1991 |
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A Woman at the border/Una Mujer en la Frontera, SOHO 20 Gallery, New York, NY (solo) |
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1991 |
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Amuletos/Amulets, Burnaby Art Gallery, B.C., Canada (solo) |
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1991 |
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Africa in America, Traveling Show from 4th Biennial of Havana, Spain IV Biennial de La Havana, National Museum of Fine Arts, Havana |
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1991 |
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El Corazon Sangante/The Bleeding Heart, Institute of Contemporary Art, Boston, MA |
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1990 |
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Cuba OK, Stadische Kunsthalle, Dusseldorf, Germany |
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1990 |
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No Man is an Island: Young Cuban Art, Porin Taidesmuseo, Finland, Flaffy Palace, Vienna, Austria |
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1990 |
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A Woman at the Border/Una Mujer en la Frontera, Presentation Room JPL Building, Banff Centre for the Arts, Canada (solo) |
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1989 |
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Isla/Island, Castillo de la Fuerza/Castle of Royal Force, Havana, Cuba (solo) |
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1989 |
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Contemporary Art from Havana, Riverside Studios, London, UK, Aberstwyth Arts Centre, Dyfed, Wales |
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1989 |
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Made in Havana, Museum of Contemporary Art, Brisborne, Australia |
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1988 |
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Made in Havana, Art Gallery of New South Wales, Sidney, Australian Center for Contemporary Art, Melbourne, Australia |
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1988 |
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Raices en Accion Nuevos Artistas Cubanos/Roots in Action, New Cuban Artists, Museum of Art Carrillo Gil, Mexico |
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1988 |
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Erotic Garden or Some Annotations on Hypocrisy/Jardin Erotico, Kennedy Building Gallery, Massachusetts College of Art, Boston, MA (solo) |
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1987 |
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The Love, National Museum of Fine Arts, Havana, Cuba |
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1987 |
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Veintitantos Abriles, Havana Gallery, Havana, Cuba |
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1986 |
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Africa Inside Cuba 6 Fine Artists, (Bedia, Lam, Mendive, Olazabal) Wifredo Lam Center, Havana, Cuba, National Museum of Anthropology, Luanda, Angola 18th International Painting Competition, Cagnes Sur Mer, France 10 Años del ISA, National Museum of Fine Arts, Havana, Cuba ARA OKO, Museum of Guanabacoa, 2nd Havana Biennial, Cuba |
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1985 |
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Acoplamientos/Coupling, Gallery L, Havana, Cuba (solo) |
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1984 |
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13 of March Exhibition, University of Havana, Cuba |
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1981 |
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Four Young Creators, (Marta M., Perez B. Regina F., Eidania Perez, M. M. Campos-Pons), Museum of Fine Arts, Havana, Cuba |
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One Thousand Ways to Say Goodbye. Henie Onstad Kunstsenter 2003 Curated by Selene Wendt ISBN NR 82-90955-58-8 |
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Meanwhile the Girls Were Playing. MIT List Visual Arts Center October 8 – January 2, 2000. Essays by Jennifer Riddell & Michael D. Harris. ISBN 0-9338437-60-7 |
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Liverpool Biennial of Contemporary Art Tate Gallery / Exchange Flags September – December 1999 Text by Anthony Bond |
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Crossing / Traverses. National Gallery of Canada Ottowa, August 1 – November 7, 1998 Text by Diana Nemiroff, Germaine Kock, Nikos Papastergidis, Hou Hanru |
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A Town Portrait. Lehman College, February 4 – May 16, 1998, text by Julia Herzberg |
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Spoken Softly with Mama. The Museum of Modern Art, March 5 – May 26, 1998 Text by Sally Berger |
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The Latina Artist, The Response of the Creative Mind to Gender, Race, Class and Identity. State University of New Jersey, Rutgers, January 15 – March 1, 1998 |
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Trade / Routes, Johannesburg Biennial. Text by Okwui Enwezor, Kellie Jones, Julia Kristeva, Gerardo |
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Invasion, Saaremaa Biennial. Text by Peter Linnap, Lisa Freiman. Kuressaare Episcopal Castle, Saaremaa Museum, Tallin, Estonia. |
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Breaking Barriers. Fort Lauderdale Museum of Art 1997. Text by Carol Damian, Jorge Dis Santis, Florida. |
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