|
|
Luis Gispert Biography
|
 |
 |
|
1990 - 1992 |
|
Miami Dade Community College
|
|
1996 |
|
The School of the Art Institute of Chicago, BFA Film
|
|
2001 |
|
Yale University, MFA Sculpture
|
|
|
|
The Baum: Emerging American Photographer Award
|
|
|
|
Rema Hort Mann Foundation Art Grant
|
|
|
|
Alice Kimball Traveling Grant
|
|
|
|
Florida Individual Artist Fellowship
|
|
|
|
Art Access Traveling Grant
|
|
|
|
New Forms Visual Arts Grant
|
|
|
|
South Florida Cultural Consortium Visual Arts Fellowship
|
|
|
|
Whitney Museum of American Art, New York
|
|
|
|
Hood Museum of Art, Dartmouth College
|
|
|
|
New Museum of Contemporary Art
|
|
|
|
Museum of Art Fort Lauderdale
|
|
|
|
Guggenheim Museum, New York
|
|
|
|
Rosa and Carlos De La Cruz, Florida
|
|
|
|
Despeyer family collection, New York
|
|
|
|
George Linamen collection ,New York
|
|
|
|
Hans Olbritcht collection, Germany
|
|
|
|
Julie Torton collection , New York
|
|
 |
| Selected Exhibitions |
 |
 |
|
2011
|
|
“Decepción”, Mary Boone Gallery, NYC, NY. (solo)
|
|
2008
|
|
“El Mundo Es Tuyo (The World is Yours)”, Zach Feuer Gallery and Mary Boone Gallery, NYC, NY. (solo)
|
|
2004
|
|
Fade In: Contemporary Arts Museum Houston, Houston Texas
|
|
2004
|
|
Open House: Brooklyn Museum of Art, Brooklyn New York
|
|
2004
|
|
Everything You Ever Loved in One Place 2001-2004 : Changing Role , Naples,Italy
|
|
2004
|
|
Luis Gispert: Loud Image: Hood Museum of Art, Dartmouth College, Hanover
|
|
2003
|
|
Black Belt, Studio Museum of Harlem, New York
|
|
2003
|
|
Influnce, Anxiety, and Gratitude: MIT List Visual Arts Center, Cambridge Massachusetts
|
|
2003
|
|
Women Beware Women: Deitch Projects, New York
|
|
2003
|
|
Urban Myths Part II: Whitney Museum of American Art at Altria, New York
|
|
2003
|
|
Urban Myths Part I: Miami Art Central, Miami Florida
|
|
2003
|
|
Urban Myths Part I: Miami Art Central, Miami Florida
|
|
2003
|
|
Urban Myths Part I: Baum Award, UC Berkeley Art Museum
|
|
2003
|
|
Cheerleaders 2000 – 2002: Miami Dade Community College
|
|
2003
|
|
Women Beware Women: Deitch Projects, New York
|
|
2003
|
|
NextNext Visual Art: Brooklyn Academy of Music, New York
|
|
2002
|
|
New Additions To The Altoids Curiously Strong Collection:
|
|
2002
|
|
Officina America: Galleria D’Arte Moderna Villa Delle Rose, Museo Morandi, Bologna, Italy
|
|
2002
|
|
Interplay: Moore Building, Miami
|
|
2002
|
|
Mass Appeal: The art object and Hip Hop culture Galerie 101 Ottawa, Montreal, Arts Interculturels, Montreal, The Khyber Center For The Arts, Halifax, Owens Art Gallery, Sackville
|
|
2002
|
|
Monitor 2: Gagosian Gallery, New York
|
|
2002
|
|
Bystander: Andrea Rosen Gallery, New York
|
|
2002
|
|
10 Seconds 2 Love: Mullerdechiara Gallery, Berlin
|
|
2002
|
|
Whitney Biennial: Whitney Museum of American Art, New York
|
|
2001
|
|
One Planet Under One Groove: Hip Hop and Contemporary Art The Bronx Museum Of The Arts, New York
|
|
2001
|
|
Border Stories: IX International Biennial of Photography Palazzo Bricherasio, Torino Italy
|
|
2001
|
|
Optic Nerve III: Return of Optic Nerve, MOCA Miami
|
|
2001
|
|
Bling Bling: Audelio Fine Art, New York
|
|
2000
|
|
Publikulture, Museum of Art Fort Lauderdale, FL
|
|
2000
|
|
Travels In Hyperreality Making Art In Miami: MOCA Miami
|
|
2000
|
|
Publikulture: Museum of Art Fort Lauderdale
|
|
2000
|
|
Effects: Audelio Fine Art, New York
|
|
2000
|
|
Mount Miami: American Artists In Tel Aviv, Tel Aviv Artists Studios
|
|
1999
|
|
The Present Absent: Eight Artists From Miami, Paco Imperial, Rio de Janeiro, Brazil
|
|
1999
|
|
Booty Bass: Centre Gallery, M-DCC, Miami
|
|
1999
|
|
Hot Spots: Los Angeles, Houston, Miami, Wetherspoon Art Galleries
|
|
1999
|
|
University of North Carolina, Greensboro, Pittsburgh Center for the Arts
|
|
1999
|
|
The Present Absent: Eight Artists From Florida, Paco Imperial (and travelling) Rio de Janiero, Brazil
|
|
1999
|
|
Booty Bass, , Centre Gallery, Miami Dade Community College Miami, FL
|
|
1999
|
|
Hot Spots: Los Angeles, Houston, Miami, Weatherspoon Art Gallery Greensboro, NC
|
|
1998
|
|
2 x 2, Ground Level Gallery Miami Beach, FL
|
|
1997
|
|
Cultural Consortium Fellowship Exhibition, Miami Art Museum Miami, FL
|
|
1997
|
|
Cultural Consortium Fellowship Exhibition: Miami Art Museum, Miami
|
|
1996
|
|
Fellowship Screening, Film Center, Art Institute of Chicago Chicago, IL
|
|
 |
 |
 |
|
|
| Literature |
 |
 |
|
2004
|
|
Johnson Ken, Luis Gispert “Urban Myths PT II (Return Of The Hypenaholics)”, The New York Times ,Friday, January 9, 2004
|
|
2003
|
|
Sirmins,Franklin, “Pop Life Luis Gispert” One World , Feb/Mar 2003
|
|
2003
|
|
Kim, Christine, “Black Belt” exhibition catalog, The Studio Museum In Harlem, 2003
|
|
2003
|
|
Carvajal Rina, “American Baroque: A Conversation with Luis Gispert” exhibition catalog 10 Floridians, MAC 2003
|
|
2003
|
|
Martin Lydia, “Urban Myths Bring the Street Home”, Miami Herald, Dec 6, 2003
|
|
2003
|
|
Schwendener Martha, “Women Beware Women”, Time Out NY, Dec 4-11,ß 2003
|
|
2002
|
|
Kerr, Merrily, “An interview with Franklin Sirmans” NY Arts Magazine, January 2002
|
|
2002
|
|
Naldi, Fabiola, “Officina Americana: interview with Renato Barilli”, Collezioni edge,
|
|
2002
|
|
Robinson, Knox, “The Show: interview with Franklin Sirmans” The Fader, Winter 2001/2002
|
|
2002
|
|
Danto C, Arthur, Rinder, Lawrence, Vendrame, Simona, “New York, November 2001: a conversation”, Tema Celeste, January/February 2002
|
|
2002
|
|
Moreno Gean, “Luis Gispert”, Flash Art, December 2002
|
|
2002
|
|
Hopper Mark, “The Things We Do For Art”, I-D Magazine, May 2002
|
|
2002
|
|
Nickas Bob, ”Mild About Larry, Multiple Voice” Artforum, May 2002
|
|
2002
|
|
Smith, Roberta, “In the Orbit of Funk and Hip-Hop” The New York Times, January 18,2002
|
|
2001
|
|
Vogel, Carol, The New York Times, “A homegrown Biennial” November 26, 2001
|
|
2001
|
|
Ocana, Damarys, The Miami Herald, “Bright Lights, Big City” November 25, 2001
|
|
2001
|
|
Von Schlegel, Mark, Art and Text, “Luis Gispert, Jonathan Horowitz, John Williams” May-June 2001
|
|
2000
|
|
Patton, Daniel, NY Arts, “Bling Bling” May 2000
|
|
2000
|
|
Clearwater, Bonnie, “Making Art In Miami”, catalog text, MOCA Miami Dec 2000
|
|
2000
|
|
The Village Voice, “Art Choices: Effects”, May 23, 2000
|
|
2000
|
|
The New Yorker, Goings On About Town: Galleries-Chelsea-Effects”, March 2000
|
|
1999
|
|
Moreno, Gean, “On View: Miami”, New Art Examiner, May 1999
|
|
1999
|
|
Tomcic, Goran, “ Miami Spice” Hot Spots: Los Angeles, Houston, Miami, catalog text, Weatherspoon Art Gallery, University of North Carolina Greensboro, May 1999
|
|
1997
|
|
Tannenbaum, Judith, “Curator’s Overview”, Cultural Consortium Exhibition, catalog text, Miami Art Museum, Miami, May 1997
|
|
 |
|