Lucien Adrion  (French, 1889-1953) 

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Lucien Adrion (French, 1889–1953) was a French painter, draftsman, and printmaker known for his depictions of the French countryside and beaches, as well as Parisian life. Born in Strasbourg, France, Adrion started his career as a fashion draftsman before traveling extensively through Europe and developing other artistic pursuits. He spent the World War I in Berlin, where he studied as an engraver with Hermann Struck (German, 1876–1944). After the war, Adrion returned to France and eventually moved to Paris, where he had his first major exhibition at the Salon des Indépendants in 1926. Throughout his career, Adrion continued to exhibit his work at Salons in Paris, where his paintings were praised for their ability to capture the movement and transience of urban life. Adrion eventually left Paris to settle in Normandy, where he began focusing on landscapes.

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Lucien Adrion, Galeries Lafayette

 

Lucien Adrion
Galeries Lafayette
McColl Fine Art
Lucien Adrion, Casino de Monte Carlo

 

Lucien Adrion
Casino de Monte Carlo
Kunsthandel Ivo Bouwman BV
Lucien Adrion, Palm Beach à Cannes

 

Lucien Adrion
Palm Beach à Cannes
Kunsthandel Ivo Bouwman BV
Lucien Adrion, Les Grands Boulevards

 

Lucien Adrion
Les Grands Boulevards
Trinity House
Lucien Adrion, La Seine à Paris

 

Lucien Adrion
La Seine à Paris
circa 1930

Waterhouse & Dodd
 
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Lucien Adrion, Coastal town

 

Lucien Adrion
Coastal town
oil on canvas

 

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Lucien Adrion, Bastille: Gala sur la Seine

 

Lucien Adrion
Bastille: Gala sur la Seine
oil on canvas

 

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Lucien Adrion, Les Jardins

 

Lucien Adrion
Les Jardins
oil on canvas

 

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1889   Born in Strasbourg, France
1907   At the age of 18, Lucien traveled to Paris to work for a large drafting company but changed his mind upon arrival
1953   Died in Cologne, France
1941   Salon des Tuileries
1940   Salon D'Automne
1926   Independents Cologne
1921   Galerie Chéron (solo)
   E. Benezit, Vol. 1, page 44 Dictionnaire des Petits Maitres de la Peinture 1820-1920, by Gerald Schurr & Pierre Cabanne, pg. 32, Tome I, A a H.