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Lives and works in Heysham
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2007 Le Magasin, Grenoble
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2006 The Working Class Goes To Paradise, Tate Triennial, Tate Britain, London
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2004 Meltdown, Royal Festival Hall, London
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2000 The Working Class Goes To Paradise, Manchester
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2007 In conversation with Lisa Le Feuvre, Tate Britain, London
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2007 In conversation with Catherine Wood, ICA, London
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2009 |
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The Dark Monarch, Tate St Ives, Cornwall After Twilight, Kölnischer Kunstverein, Cologne |
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2008 |
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Crossroads. DA2, Salamanca Institute of Culture, Salamanca, Spain |
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2008 |
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Cohabitation, Galleria Francesca Kaufmann, Milan |
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2008 |
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Punk. No One is Innocent, Kunsthalle Vienna, Vienna |
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2008 |
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doArt, Beijing, China |
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2008 |
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Linn Luhn, Cologne (solo) |
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2008 |
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Panic Attack! Art in the Punk Years, Barbican, London, touring to the Maison des Arts in Créteil, France 2008 |
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2007 |
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What We Do Is Secret, Blancpain Art Contemporain, Geneva, Switzerland |
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2007 |
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The Secret Public: The last days of the British Underground 1978 – 1988, ICA, London |
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2007 |
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Pretty Girl. No.1, Baltic, Gateshead (solo) |
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2007 |
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PS1/Museum of Modern Art, New York (solo) |
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2007 |
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Stuart Shave/Modern Art, London (solo) |
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2007 |
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Issabella Bortolozzi, Berlin |
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2007 |
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Love Me Tender, Works from the Tate collection, Tate Britain, London |
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2007 |
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Harry Smith Anthology Remixed, Alt.Gallery, Newcastle |
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2007 |
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Sympathy for the Devil: Art and Rock and Roll since 1967, Chicago Museum of Contemporary Art |
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2006 |
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We Who Are Her Hero, Galerie LH, Paris (solo) |
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2006 |
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Let Me Go Where My Pictures Go, Dependence, Brussels (solo) |
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2006 |
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Deconstruction, Barbara Gladstone, New York |
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2006 |
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Audio, Cabinet des Estampes, Geneva |
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2006 |
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Le Sphere Punk, Le Magasin, Grenoble |
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2006 |
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The Secret Public: The last days of the British Underground 1978 – 1988, Kunstverein Munich |
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2004 |
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Collage, Bloomberg space, London |
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2004 |
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The Lives of Women Dreaming, Futura Gallery, British Council, Prague (solo) |
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2003 |
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Glamour, Windows Gallery, British Council, Prague |
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2003 |
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Plunder, Dundee Contemporary Arts |
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2001 |
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DEAD, The Roundhouse, London |
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2000 |
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The Return of Linderland, Cornerhouse, Manchester (solo) |
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1998 |
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Destroy: Punk Graphic Design in Britain, Royal Festival Hall, London |
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1997 |
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”What Did You Do in the Punk War, Mummy?” Cleveland Gallery, London (solo) |
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1997 |
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England is Mine, Windows Gallery, British Council, Prague (solo) |
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2008 |
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Saville, Peter. Deep Cuts (And Pastes), Tokion, Volume 2, Number 5, p. 121 |
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2008 |
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Michot, Agnes. Fleurs du Mal, La Vie en Rose, June-July, p. 104 |
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2008 |
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Basciano, Oliver. Cut Out & Keep, Wonderland Magazine, February-March, p. 196-201 |
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2008 |
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Harris, Jocelyn. Linder Sterling at Modern Art, Artrocker, February, p. 76-77 |
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2008 |
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Duguid, Hannah. Rage Against the Sexist Machine, The Independent, November 13, p. 21 |
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2008 |
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Cooper, Neil. Linder, MAP Magazine, Winter 2007-2008, p. 64 |
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2007 |
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Corrigan, Susan. Linder Sterling, i-D, December 2007-January 2008, p. 236-243 |
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2007 |
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Evans, Thomas. Linder: Radical Anatomy, P.S. 1 Newspaper-Special Venice Biennale Issue |
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2007 |
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Muller, Dominikus. True Lies, Artnet.com, December 20 |
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2007 |
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Sumpter, Helen. Linder Surprise, Time Out London, November 28-December 4, p. 45 |
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2007 |
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Brown, Neal. Classic Cut-Ups, thefirstpost.com, November 19 |
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2007 |
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Bonham-Carter, Charlotte. Rebels Without Applause, Tank Magazine, Issue 8, Volume 4, p. 94-97 |
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2007 |
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Le Feuvre, Lisa. Linder, Art Monthly, July-August, p. 34-35 |
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2007 |
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Schwendner, Martha. Embracing Many Mediums to Focus on the Message, The New York Times, June 21 |
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2007 |
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O’Hagan, Sean. Art Anarchy in the UK, The Observer, June 3, p. 12-23 |
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2007 |
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Wood, Catherine. The Working Class Goes to Paradise, Untitled Magazine, Spring, p. 4-9 |
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2007 |
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Sherwin, Skye. Post-Punk: The Secret Public, Art Review, March, p. 12 |
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2007 |
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Woodcock, Victoria. Flux, February-March, p. 62-63 |
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2006 |
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Gray, Louise, Review. Devoured, Dissected, Dissed, The Wire Magazine, September |
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2006 |
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Cooper, Neil, Review. Linder Sterling: The Working Class Goes to Paradise 2000-6, Map Magazine, Issue 6, Summer |
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2006 |
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Monograph Preview, Linder Sterling, Abstract Magazine, Summer 06, p. 39-40 |
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2006 |
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King, Emily. Fuck Morrisey, Here’s Linder, 032 C, Summer, p. 156-161 |
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2006 |
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Lafuente, Pablo, Review. Linder, The Wire Magazine, June |
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2006 |
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Kugelberg, Johan, Upsetter, Another Man Magazine, Issue 3, Autumn-Winter p. 72 |
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2004 |
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Moore, Marianne, Go Ahead, Punk, Make My Day!, The Independent, 6 June, p. 54 |
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2003 |
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Jeffrey, Moira, The Art That’s a Real Steal, The Herald, 7 November |
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2002 |
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Goddard, Simon, Kudos for Ludus, Record Collector Magazine, July, p. 79-81 |
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2002 |
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Jones, Peter, Anxious Images, Women: A Cultural Review, Vol. 13, No. 2, p. 161-178 |
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2001 |
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Linder, Chapter one ‘My Name Is…’, AOI Journal, April/May, p. 20-21 |
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2001 |
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Waters, Roger, Go to Work on a Menstrual Egg, Q Magazine |
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2000 |
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Hoare, Philip, The Woman Who Didn’t Sell Her Work to Saatchi, The Independent, May |
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2000 |
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O’Brien, Lucy, The Girl, the Bad and the Ugly, The Guardian, 19 February |
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1997 |
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Hoare, Philip, Punk’s Iron Maiden, The Guardian, 24 June |
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1992 |
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Boon, Richard, Unsung, Undersung, The Wire Magazine, p. 62 |
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1992 |
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Carroll, Cath and Liz Naylor. Girls Don’t Count, Sublime, September p. 17-20 |
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