|
|
|
1961
|
|
Born in Taiyuan Shanxi Province, China
|
|
|
1984
|
|
Fine Art Department, Capital Normal University
|
|
|
1989
|
|
Art Student league, New York USA
|
|
|
1994
|
|
Returned to Beijing, China
|
|
|
2009 |
|
APT, Tina Kim Gallery, New York, NY |
|
|
2008 |
|
Mahjong: Contemporary Chinese Art from the Sigg Collection. Berkeley Museum of Art, University of California, Berkeley, |
|
|
2008 |
|
Focus. Mary Ryan Gallery, New York, USA (solo) |
|
|
2008 |
|
Multiplex: Directions in Art, 1970 to Now. The Museum of Modern Art,, NY (solo) |
|
|
2008 |
|
Lin Tianmiao. Long March Space, Beijing, China (solo) |
|
|
2007 |
|
Focus: on Paper. Singapore Tyler Print Institute, Singapore (solo) |
|
|
2007 |
|
Global Feminisms. Brooklyn Museum, New York |
|
|
2006 |
|
Asian Contemporary Art In Print in Celebration of Asia Society’s 50th |
|
|
2006 |
|
Anniversary 2006. Asia Society and Museum, New York, New York, USA |
|
|
2006 |
|
Asian Contemporary Art In Print. The Gallery of Singapore Tyler Print Institute |
|
|
2006 |
|
Martell Artist of the Year 2006. National Gallery of China, Beijing |
|
|
2006 |
|
Mahjong: Contemporary Chinese Art from the Sigg Collection. Kunsthalle, Hamburg Germany |
|
|
2005 |
|
Rapt: Austral-Asia Zero Five, Sherman Galleries, Sydney, Australia |
|
|
2005 |
|
About Beauty, Haus der Kulturen der Welt, Berlin, Germany |
|
|
2005 |
|
ShangHai Cool – Creative Reproduction, ShangHai Duolun Museum of Modern Art, ShangHai, China |
|
|
2005 |
|
The New Works of Wang,GongXin & Lin,TianMiao, Courtyard Gallery Annex, Beijing, China |
|
|
2005 |
|
Mahiong, Museum of Fine Arts Bern, Switzland |
|
|
2004 |
|
Between Past and Future, ICP and Museum of Asia Society, New York, USA |
|
|
2004 |
|
Concrete Horizons, Adam Art Gallery , Victoria University of Wellington, New Zealand |
|
|
2004 |
|
Officina Asia, Gallery d’Arte Moderna, Bologna, Italy |
|
|
2004 |
|
Regeneration: Contemporary Chinese Art from China and the US, Samek Art Galler, Bucknell University. Otis College of Art and Design, Los Angeles. USA |
|
|
2004 |
|
Non Zero, Tokyo Art Project, Beijing, China (solo) |
|
|
2003 |
|
Echigo-Tsumari Art Triennial, Japan |
|
|
2003 |
|
Arles Photograph art Festival, Arles, France |
|
|
2003 |
|
New Zone Chinese Art, Zacheta National Art Gallery, Warsaw, Poland |
|
|
2002 |
|
2nd Fukuoka Asian Art Triennale 2002, Fukuoka Asian Art Museum Japan |
|
|
2002 |
|
Gwang Ju Biennale 2002, Gwang Ju, Korea |
|
|
2002 |
|
Ireland Biennale 2002, Ireland |
|
|
2002 |
|
Focus, The Courtyard Gallery, Beijing, China (solo) |
|
|
2001 |
|
Shout on the Face, Earl Lu Gallery Lasalle – sia College of the Art Singapore |
|
|
2001 |
|
The New-Media Art Festival: Non-Linear Narrative The Gallery of National Academy of Art, Hong Zhou, China |
|
|
2001 |
|
Threads of Vision: Toward A New Feminine Poetics, Cleveland Center for Contemporary Art, Ohio, USA |
|
|
2001 |
|
Translated acts, Haus der Kulturen der Welt, Berlin, Germany and Queens Museum of art, New York, USA |
|
|
2000 |
|
At The New Century 1979-1999, China Contemporary Art Chengdu Museum of Contemporary Art, China |
|
|
2000 |
|
Inside/Out New Chinese Art, National Gallery of Australia |
|
|
1999 |
|
Beijing in London, ICA Institute of Contemporary Art, London, UK |
|
|
1998 |
|
Woman – Century, National Gallery of China |
|
|
1997 |
|
Bound-unbound 1995-1997, Gallery of the central Academy Of Fine Art, Beijing, China (solo) |
|
|
1995 |
|
Open Studio, Baofang Hutong 12#, Beijing, China (solo) |
|
|
2007 |
|
China Art Book. Uta Grosenick / Caspar Schübbe (Ed.), 680 pages, approx. 850 images, trilingual: Engl./Ger./Chin., Dumont Buchverlag, Cologne 2007. www.chinaartbook.de |
|
|
1999 |
|
Thread Concrete and Women’s Installation art in China Art Asia Pacific (1999) / Melissa Chiu |
|
|
1998 |
|
Against the Tide, Art ia Pacific (January 1998), 100 / Francesca Dal Lago |
|
|
1998 |
|
Asia sits so closs yet so far- Contemporary expression of North East Asia, Neo Lagooh-Contemporary Art of North East Asia (Catalogue of the Exhibition) Japan / Arata Tani |
|
|
1998 |
|
Cream-Contemporary art in culture (10 Curators, 10 Writers,100 Artists) / Rosa Martinez |
|
|
1997 |
|
Breakout and Trascendence After the Rebellion: New Tendencies in Chinese Contemporary Art (Since the Mid-1980s), 1997 Exhibition of Chinese Contemporary Art “Gathering Wind” 1997 Exhibition of Chinese (1997 Exhibition Chinese Contemporary Art, Tokyo, Wtari Museum, 175. / Qian Zhijian |
|
|
1997 |
|
Lin Tianmiao at the Central Academy of fine Art, Sculpture News, (Winter 97),54. / Karen Smith |
|
|
1997 |
|
Towards the Millenium: From Land’s end to the peripheral Verge, 1997 Exhibition of Chinese Contemporary Art, Tokyo, Watari Museum, 145. / Karen Smith |
|
|
1997 |
|
Somewhere between Utopia and Chaos: Contemporary Chinese Art Toady, Another Long March (Catalogue of the Exhibition) Breda, The Netherlands / Hou Hanru |
|
|
1997 |
|
Instanbul Biennial: Curarorial Interpretions, Flash Art (Nov-Dec. 1997) / Rosa Martinez |
|
|
1997 |
|
Against the Tide (Brochure For the show) July 1997 / Lydia Yee |
|
|
1996 |
|
Metropolitan Individuals, Flash Art (Nov-Dec 1996) / Hou Hanru |
|
|
1995 |
|
In Peking wird eine Menge riskiert Art (August ´95), 42., Aktionen die Obrigkeit |
|
|
|