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1964
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Born in Aylesbury, England
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1983 - 1984
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Hertfordshire College of Art
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1984 - 1987
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Goldsmiths College, University of London, B.A.
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1998
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Paul Cassirer Award, Berlin
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2002
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Turner Prize nomination, London
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2008
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The Vincent Award, Stedelijk Museum, Amsterdam, The Netherlands
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Lives and works in London and New York
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2013 |
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Five Structures and a Shanty, Gallery IHN, Seoul (solo) |
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2013 |
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For the doors that are welded shut, Kerlin Gallery, Dublin (solo) |
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2013 |
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Looking Back/The 7th White Columns Annual, selected by Richard Birkett, White Columns, New York. |
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2013 |
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Fired Earth, Herbert Gerisch Stiftung, Neumünster |
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2012 |
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Abstract Possible: The Stockholm Synergies, Tensta Konstall, Stockholm |
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2012 |
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Utopia Gesamtkunstwerk, 21er Haus, Vienna |
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2012 |
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Schrift Bild, Galerie Meyer Kainer, Vienna |
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2012 |
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The Poster Show, Galerie Carlier-Gebauer, Berlin |
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2012 |
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Positionen konzeptueller Kunst, Rüdiger Schottle, Munich |
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2012 |
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Print/Out, MOMA, New York |
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2012 |
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Positions on Conceptual Art, Galerie Rüdiger Schottle, Köln. True Stories: Scripted Realities, Govett-Brewster Art Gallery, New Plymouth, New Zealand |
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2012 |
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How to Make-Ideen, Notationen, Materialisierung, Kunsthaus Dresden |
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2012 |
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Scorpion or Felix, Galerie Eva Presenhuber, Zurich (solo) |
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2012 |
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Agreements, McNamara and Lead Times,Taro Nasu, Tokyo (solo) |
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2012 |
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Scorpion and und et Felix, Casey Kaplan New York (solo) |
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2012 |
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From 199A to 199B:Liam Gillick, Hessel Museum of Art, Bard College, New York (solo) |
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2012 |
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Margin Time, Maureen Paley, London (solo) |
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2012 |
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Four Propositions Six Structures, Alfonso Artiaco, Naples (solo) |
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2012 |
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Group Exhibtion, Kerlin Gallery. |
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2012 |
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Take off your silver spurs and help me pass the time, Galerie Nikolaus Ruzicska, Salzburg. |
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2012 |
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Skulpturen und Relief aus der Sammlung, Kunsthalle Weisshapt, Ulm |
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2012 |
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Sense and Sensibility, Euskadi 2012 |
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2012 |
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Various stages, Kunsthaus Dresden |
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2012 |
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Decade: Contemporary Collecting 2002-2012, Albright Knox,Buffalo |
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2012 |
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True Stories: Scripted Realities, Te Tuhi Centre fort the Arts, New Zealand |
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2012 |
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Where is the Power, Fort Worth Contemporary Arts |
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2012 |
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The Feverish Library, Friedrich Petzel, New York |
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2012 |
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Busan Biennale, Korea |
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2012 |
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The Mystery Spot, Fondation d'enterprise Ricard, Paris |
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2012 |
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True Stories: Scripted Realities, Dunedin Public Art Gallery, New Zealand |
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2012 |
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Screens, Galerie Meyer Kainer, Vienna |
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2011 |
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A syntax of dependency, M KHA Museum van Hedendaagse Kunst Antwerpen, Antwerp, Belgium |
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2011 |
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Air de Paris, Paris (solo) |
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2011 |
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Sit on the machine, Galerie Micheline Szwajcer, Antwerp (solo) |
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2011 |
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Artist Projects, curated by Mousse, Art Brussels, Brussels (solo) |
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2011 |
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Liam Gillick and Lawrence Weiner: A syntax of dependency, M HKA Museum van Hedendaagse Kunst Antwerpen, Antwerpen, Belgium |
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2011 |
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Abstract Possible, Museo Tamayo, Mexico City |
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2011 |
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Dublin Contemporary – Irish Biennale, Irish Museum of Modern Art, Dublin |
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2011 |
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Modern British Sculpture, Royal Academy of Arts, London |
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2010 |
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One long walk - Two short piers Kunst- und Ausstellungshalle der BRD, Bonn, Germany |
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2010 |
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Everything Good Goes, Galerie Meyer Kainer, Vienna (solo) |
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2010 |
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1848!!!’, Esther Schipper, Berlin, Germany (solo) |
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2010 |
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Executive Two Litre GXL, MAK – Museum für Angewandte Kunst, Vienna, Austria (solo) |
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2010 |
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Kerlin Gallery, Dublin, Ireland (solo) |
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2010 |
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Casey Kaplan Gallery, New York/NY, USA (solo) |
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2010 |
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Fort Worth Contemporary Arts, Fort Worth/TX, USA (solo) |
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2010 |
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Air de Paris, Paris, France (solo) |
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2010 |
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Shazam! Gerhardsen Gerner, Berlin, Germany |
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2010 |
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Shazam! Galleria Continua, Boissy-le-Châtel, France |
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2010 |
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Corporate Everything Centre d’art de Fribourg, Fribourg, Switzerland |
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2009 |
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We Are Sun-kissed and Snow-blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris, France |
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2009 |
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La Suite’, Air de Paris, Paris, France |
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2009 |
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Hard Hat at Francesca Pia Galerie, Zurich, Switzerland |
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2009 |
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Ufo, NRW–Forum, Düsseldorf, Germany |
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2009 |
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A Factory, A Machine, A Body..., MUCA, Mexico City |
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2009 |
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Oppositions & Dialogues, Kunstverein Hannover, Hannover, Germany |
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2009 |
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Take the Money and Run, De Appel, Amsterdam, The Netherlands |
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2009 |
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Three Perspectives And A Short Scenario, 'Museum of Contemporary Art, Chicago/IL, USA (solo) |
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2009 |
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German Pavilion, 53. Biennale di Venezia, Venice, Italy (solo) |
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2009 |
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Liam Gillick, Literally Based H.Z., 2006 - Irish Museum of Modern Art - IMMA, Dublin, Ireland (solo) |
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2009 |
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Two Short Plays - Eastside Projects, Birmingham, Great Britain (solo) |
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2009 |
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Espèces d´Espaces , Yvon Lambert, New York/NY, USA |
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2009 |
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The human stain, CGAC, Santiago de Compostela, Spain |
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2008 |
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The State Itself Becomes A Super Whatnot'Casey, Kaplan, New York/NY, USA (solo) |
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2008 |
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Three Perspectives And A Short Scenario, Kunstverein München, Munich, Germany (solo) |
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2008 |
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Air de Paris, Fractinonal Factories In The Snow, Paris, France (solo) |
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2008 |
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Three Perspectives And A Short Scenario, Kunsthalle Zürich, Zurich, Switzerland (solo) |
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2008 |
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Three Perspectives And A Short Scenario, Witte de With Center for Contemporary Art, Rotterdam, The Netherlands (solo) |
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2008 |
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Made in Munich, Haus der Kunst, Munich, Germany |
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2008 |
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Theanyspacewhateve, Guggenheim Museum, New York/NY, USA |
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2008 |
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La Petite Histoire KUNST RAUM NOE, Vienna, Austria |
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2008 |
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Blasted Allegories. Werke aus der Sammlung Ringier, Kunstmuseum Luzern, Luzern, Switzerland |
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2008 |
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Tulips & Roses ,The Store, Vilnius, Lithuania |
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2008 |
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This is the Gallery ..., Eastside Projects, Birmingham, Great Britain |
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2008 |
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Daimler Contemporary, Private / Corporate V, Berlin, Germany |
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2008 |
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MAN Nuoro, Mondo e Terra: La collezione del FRAC Corsica, Nuoro, Italy |
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2008 |
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Biennale of Sydney 2008, Sydney, Australia |
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2008 |
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Call it what you like!, Art Centre Silkeborg Bad, Silkeborg, Danmark |
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2008 |
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New Yersey, Team 404 & John Armleder: Clinch/Cross/Cut, Basel, Switzerland |
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2008 |
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Positionen des Abstrakten, Lenbachhaus, RHYTHMUS 21, Munich, Germany |
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2008 |
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FANTASY , Museum van Hedendaagse Kunst, Antwerp, Belgium |
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2008 |
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Sadie Coles HQ, TYPED, London, Great Britain |
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2008 |
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Hommage à Klaus Werner, Galerie für Zeitgenössische Kunst, KW , Leipzig, Germany |
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2008 |
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FORDE, IMAGES, Geneva, Switzerland |
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2008 |
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Mixed Emotions, Domus Artium 2002, Salamanca, Spain |
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2007 |
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The State / Commune Itself as a Super State / Commune, Galerie Micheline Szwajce, Antwerp, Belgium (solo) |
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2007 |
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Liam Gillick: Five Short Texts on the Possibility of Creating an Economy of Equivalence, United Nations, Plaza, Berlin, Germany (solo) |
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2007 |
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Galerie Micheline Szwajcer, The State / Commune Itself as a Super State / Commune, Antwerp, Belgium (solo) |
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2007 |
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Jubilee Exhibition, House Eva Presenhuber, Vnà, Switzerland |
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2007 |
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ROKEBY, FUSION NOW! MORE LIGHT, MORE POWER, MORE PEOPLE, London, Great Britain |
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2007 |
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If Everybody had an Ocean, Musée d´art contemporain, Bordeaux, France |
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2007 |
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Projektion, Lentos Kunstmuseum, Linz, Austria |
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2007 |
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Art Protects, Yvon Lambert, Paris, France |
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2007 |
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FRANZ WEST: SOUFFLÉ, Kunstraum Innsbruck, Innsbruck, Austria |
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2007 |
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PERSPEKTIVE 07, Lenbachhaus, Munich, Germany |
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2007 |
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Il Tempo del Postino, Manchester International Festival/ Opera House, Manchester, Great Britain |
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2007 |
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All you desire, PPOW, New York/NY, USA |
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2007 |
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Other Men's Flowers , Venetia Kapernekas Gallery, New York/NY, USA |
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2007 |
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If Everybody Had an Ocean, Tate St Ives, St. Ives, Great Britain |
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2007 |
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Tomorrow Kunho Museum of Art, Artsonje Center, Seoul, South Corea |
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2007 |
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The Commune Itself Becomes a Super State, Corvi-Mora, London (solo) |
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2007 |
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Weekend in So Show, The Lab at Belmar, Lakewood/CO (solo) |
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2007 |
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Modelle für Morgen: Köln, European Kunsthalle, Cologne (and other stations) |
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2007 |
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Door Cycle'Friedrich Petzel Gallery, New York/NY, USA |
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2007 |
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Air de Paris'Centre Pompidou, Paris, France |
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2007 |
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Memorial to the Iraq War , CA, London, Great Britain |
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2007 |
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Before and After Palma de Mallorca, Fundacion Juan March, Spain |
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2007 |
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The Shapes of Space, The Solomon R. Guggenheim Museum, , New York/NY, USA |
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2007 |
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Collateral: When Art Looks at Cinema' HangarBicocca, , Milan, Italy |
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2007 |
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Hommage à Charles Fourier, Musée des Beaux Arts et Archéologie, Besançon, France |
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2007 |
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Pure, Sean Kelly, New York/NY, USA |
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2007 |
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LCCA, Trajectory 4, Riga, Lithuania |
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2007 |
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Modelle für Morgen: Köln, Cologne (and other stations), European Kunsthalle, Cologne, Germany |
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2007 |
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The Re-distribution of the Sensible (cur. by Warren Neidich), Magnus Müller, Berlin, Germany |
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2007 |
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COLLATERAL, Galerie für Zeitgenössische Kunst, Deutsche Geschichten, Leipzig Hangar Bicocca, Mailand, Italy |
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2007 |
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Active Constellation, Brno House of Art, Brno, Czech Republic |
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2006 |
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Thank You For The Music, Sprüth Magers, Munich, Germany (solo) |
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2006 |
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Kiosk , ICA, London, Great Britain (solo) |
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2006 |
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How to improve the world, Hayward Gallery, London |
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2006 |
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Grey Flags, CAPC, Bordeaux |
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2006 |
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Eye On Europe: Prints, Books & Multiples/1960 to Now, Museum of Modern Art, New York |
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2006 |
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If I can’t dance, I don’t want to be part of your revolution, de Appel, Amsterdam |
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2006 |
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Saigon: Open City, Saigon |
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2006 |
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All Hawaii Entrees / Lunar Reggae, Irish Museum of Modern Art, Dublin |
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2006 |
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The State Itself Becomes A Super Commune, Esther Schipper, Berlin (solo) |
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2006 |
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Literally Based On H.Z., Kerlin Gallery, Dublin (solo) |
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2006 |
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We Are Medi(eval) (w/ Angela Bulloch), Cubitt Artists, London (solo) |
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2006 |
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Classical: Modern I, DaimlerChrysler Contemporary, Berlin |
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2006 |
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Intouchable: L’Idéal Transparence, Villa Arson, Nice |
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2006 |
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Undisciplined: 3rd Biennale of Ceramics in Contemporary Art, Albisola |
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2006 |
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Abstract Art Now: Strictly Geometrical, Wilhelm Hack Museum, Ludwigshafen |
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2006 |
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Broken Surface: ein Editionsprojekt, Galerie Sabine Knust, Munich |
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2006 |
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Eine Person Allein In Einem Raum Mit Coca-Cola-Farbenen Wänden, Grazer Kunstverein, Graz |
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2006 |
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Kristallisationen: 10 Künstler für Theresienthal, Andreas Murkudis Temporary, Munich |
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2006 |
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Projekt Projektion, Kunstmuseum Luzern, Luzern |
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2006 |
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Grey Flags, The Sculpture Center, New York |
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2006 |
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Ordnung und Verführung, Haus Konstruktiv, Zurich |
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2006 |
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Tate Triennial, Tate Britain, London |
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2006 |
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L´Exposition Qui N´Existe Pas, MAMCO, Geneva |
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2006 |
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Minimalism and After IV: Neuerwerbungen, DaimlerChrysler Contemporary, Berlin |
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2006 |
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The Party, Casey Kaplan, New York |
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2006 |
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Supernova, Contemporary Art Centre, Vilnius |
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2006 |
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Briannnnn & Ferryyyyy (w/ Philippe Parreno), Kunsthalle Zürich, Zurich (solo) |
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2006 |
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Edgar Schmitz, ICA, London (solo) |
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2006 |
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Bühne des Lebens, Kunstbau, Lenbachhaus, Munich |
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2006 |
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100 Artists See God, Cheekwood Museum of Art, cur. by John Baldessari & Meg Cranston, Cheekwood |
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2005 |
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Gopius-Bau, Rundlederwelten, Berlin |
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2005 |
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K21, Ambiance, Düsseldorf |
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2005 |
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Briannnnn & Ferryyyyy (w/ Philippe Parreno), Vamiali’s, Athens (solo) |
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2005 |
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Texte court sur la possibilité de créer une économie de l'équivalence, La Casa Encendida, Madrid (solo) |
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2005 |
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As you approach the edge of town the lights are no softer than they were in the centre..., Casey Kaplan Gallery, New York (solo) |
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2005 |
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Fabriken im Schnee..., Galerie Meyer Kainer, Vienna (solo) |
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2005 |
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M/M (Paris), Frankfurter Kunstverein, Frankfurt (solo) |
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2005 |
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The Two Hundred and Twenty-Second Floor, Galerie Eva Presenhuber, Zurich (solo) |
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2005 |
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Texte court sur la possibilité de creer une economie de l’equivalence, Palais de Tokyo, Paris (solo) |
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2005 |
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McNamara Motel, CAC Centro de Arte Contemporáneo, Malága (solo) |
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2005 |
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Presentism, Corvi-Mora, London (solo) |
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2005 |
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Övningskörning (Driving Practice Parts 1-30), Milwaukee Art Museum, Milwaukee (solo) |
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2005 |
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Another 2004 Again, Baltimore Museum Of Art, Baltimore (solo) |
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2005 |
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Reception, Büro Friedrich, Berlin |
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2005 |
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Passion Beyond Reason, Wallstreet One Gallery, Berlin |
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2005 |
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Thank You for the Music, Sprüth Magers, Munich |
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2005 |
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Nur Hier? Teil III – Im Bild Sein, Hochschule für Grafik und Buchkunst, Leipzig |
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2005 |
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Strictly Confidential: From the Collection of Marc & Josée Gensollen, Centre International d’Art et du Paysage de l’Ile de Vassivière, Ile de Vassivière |
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2005 |
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Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Guarene/Turin |
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2004 |
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Singular Forms (Sometimes Repeated): Art from 1951 to the Present, Guggenheim Museum, New York |
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2004 |
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Specific Objects, Galerie Mehdi Chouakri, Berlin |
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2004 |
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Before the end (cur. by Stéphane Moisdon Trembley), Le Consortium, Dijon |
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2004 |
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Construccion de Uno, Galeria Javier Lopez, Madrid (solo) |
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2004 |
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A Group of People, Air de Paris, Paris (solo) |
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2004 |
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Liam Gillick: Nineteenfortysixxisytrofneetenin, Aspen Art Museum, Aspen (solo) |
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2004 |
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Underground (Fragments of Future Histories), Galerie Micheline Szwajcer, Antwerp (solo) |
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2004 |
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(Rider): Law & Creativity (w/ Philippe Parreno), Lunds Konsthall, Lund (solo) |
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2004 |
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Drunkenmaster , Fortes Vilaca, Sao Paulo, Brasil (solo) |
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2004 |
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Law and Creativity, Konsthalle Lund, Sweden (solo) |
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2003 |
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Communes, Bars and Greenrooms, ’Power Plant, Toronto, Canada (solo) |
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2003 |
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Por Favor Gracias de Nada, Kurimanzutto, (with Gabriel Kuri), Mexico City (solo) |
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2003 |
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Exterior Days’Casey, Kaplan, New York/NY, USA (solo) |
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2003 |
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Projects 79, Literally, Museum of Modern Art, Queens, New York/NY, USA (solo) |
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2003 |
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A Film, A Clip and a Documentary (with Sean Dack), Corvi Mora, London, Great Britain (solo) |
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2003 |
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Hills and trays and..., Schipper & Krome, Berlin (solo) |
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2003 |
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...punctuated everydays, Galerie Max Hetzler, Holzmarktstrasse, Berlin (solo) |
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2003 |
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Perfect Timeless Repitition, c/o Atle Gerhardsen, Berlin |
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2003 |
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Re-Produktion 2, Georg Kargl, Vienna |
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2003 |
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Breathing the Water, Galerie Hauser & Wirth & Presenhuber, Zurich |
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2002 |
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Urgent Painting, ARC Musée d'Art Moderne de la Ville de Paris, Paris |
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2002 |
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Passenger: The Viewer as Participant, Astrup Fearnley Museum, Oslo |
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2002 |
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The Wood Way, Whitechapel Art Gallery, London (solo) |
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2002 |
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Light Technique, Galerie Meyer Kainer, Vienna (solo) |
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2002 |
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Liam Gillick, ’Galerie Rüdiger Schöttle, Munich, Germany (solo) |
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2001 |
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Liam Gillick, Corvi-Mora, London, Great Britain (solo) |
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2001 |
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Dedallic Convention, Salzburger Kunstverein, Salzburg, Austria (solo) |
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2001 |
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Deadallic Convention , Museum für Angewandte Kunst, MAK, Vienna, Austria (solo) |
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2001 |
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Annlee You Proposes, ’Tate Britain, London, Great Britain (solo) |
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2001 |
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Firststepcousinbarprize, Galerie Hauser & Wirth & Presenhuber, Zurich (solo) |
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2001 |
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Liam Gillick, Galeria Javier Lopez, Madrid (solo) |
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2001 |
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Century City, Tate Modern, London |
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2001 |
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Demonstration Room: Ideal House, Apex Art, New York |
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2000 |
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Continuum 001, CCA, Glasgow |
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2000 |
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Stortorget i Kalmar, Stadens Konstråds Galleri, Kalmar |
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2000 |
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Liam Gillick, Galleri Charlotte Lund, Stockholm (solo) |
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2000 |
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Liamm Gilllick. Themagazineofthe4thofMarch, Galerie Schipper & Krome, Berlin (solo) |
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2000 |
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Liam Gillick, Casey Caplan, New York/NY, USA (solo) |
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2000 |
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Renovation Filter: Recent Past and Near Future, Arnolfini, Bristol, Great Britain (solo) |
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2000 |
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Literally No Place, Air de Paris, Paris, France (solo) |
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2000 |
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Woody, CCA Kitakyushu Project Gallery, Kitakyushu, Japan (solo) |
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2000 |
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Schmerz in einem Gebäude, Fig. 1, London, Great Britain (solo) |
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2000 |
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Consultation Filter, Westfälischer Kunstverein, Münster, Germany (solo) |
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2000 |
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Applied Complex Screen, Hayward Gallery, London, Great Britain (solo) |
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1999 |
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Liam Gillick, Galerie Rüdiger Schöttle, Munich, Germany (solo) |
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1999 |
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David, Frankfurter Kunstverein, Frankfurt am Main, Germany (solo) |
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1999 |
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Liam Gillick, Kunsthaus Glarus, Glarus (solo) |
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1999 |
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Playtimes, Centre National d' Art Contemporain de Grenoble, Grenoble |
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1999 |
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Oldnewtown, Casey Kaplan, New York |
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1998 |
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Fast Forward, Kunstverein in Hamburg, Hamburg |
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1998 |
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Liam Gillick, John Miller, Joe Scanlan, Raum Aktueller Kunst, Vienna |
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1998 |
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Liam Gillick, Kunstverein in Hamburg, Hamburg (solo) |
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1998 |
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Le Magasin, ‘The Trial of Pol Pot (with Philippe Parreno)‘, Grenoble (solo) |
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1998 |
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Air de Paris, 'Up on the twenty-second floor', Paris, France (solo) |
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1998 |
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British Council, 'When Purity was Paramount', Prague (solo) |
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1998 |
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Orchard Gallery, 'Big Conference Center', Derry, Great Britain (solo) |
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1998 |
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Robert Prime, `Liam Gillick`, London, Great Britain (solo) |
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1998 |
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Villa Arson, 'Révision: Liam Gillick', Nice, France (solo) |
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1998 |
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Schipper & Krome, 'When do we need more tractors?', Berlin, Germany (solo) |
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1998 |
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c/o Atle Gerhardsen, `Liam Gillick`, Oslo, Norway (solo) |
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1997 |
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Discussion Island – A What If? Scenario Report, Kunstverein Ludwigsburg,Ludwigsburg, Germany (solo) |
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1997 |
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A House in Long Island, Forde Espace d'art contemporain, L'usine, Geneva, Switzerland (solo) |
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1997 |
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Another Shop in Tottenham Court Road, Transmission Gallery, Glasgow, Great Britain (solo) |
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1997 |
|
Realisations, The What if? Scenarios, Le Consortium, McNamara Papers, Erasmus and Ikuba!, Dijon, France (solo) |
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1997 |
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Reclutamento!, Galleria Emil Fontana, Milan, Italy (solo) |
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1997 |
|
Discussion Island, Basilico Fine Arts, New York (solo) |
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1997 |
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Life/ live, Centro Cultural de Belém, Lisbon |
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1996 |
|
Co-operators, Southampton City Art Gallery, Southampton |
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1996 |
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Erasmus is Late ‘versus’ The What If? Scenario, Schipper & Krome, Berlin (solo) |
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1996 |
|
Schipper & Krome, ‘Documents’ (with Henry Bond), Cologne (solo) |
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1996 |
|
Raum Aktueller Kunst, `Liam Gillick`, Vienna, Austria (solo) |
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1996 |
|
Robert Prime, 'The What if? Scenario', London, Great Britain (solo) |
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1995 |
|
Air de Paris, 'Ikuba! (Part 1)', Paris, France (solo) |
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1995 |
|
Kunstverein ElsterPark, ‘Documents’ (with Henry Bond), Leipzig, Germany (solo) |
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1995 |
|
Künstlerhaus, 'Ikuba! (Part 2)', Stuttgart, Germany (solo) |
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1995 |
|
Ikuba!, Galleria Emi Fontana, Milan, Italy (solo) |
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1995 |
|
Part Three, Basilico Fine Arts, New York/NY, USA (solo) |
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1994 |
|
Documents, Ars Futura (with Henry Bond), Zurich, Switzerland (solo) |
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1994 |
|
Liam Gillick, Interim Art, London, Great Britain (solo) |
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1994 |
|
McNamara, Schipper & Krome, Cologne (solo) |
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1993 |
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An Old Song and a New Drink, Air de Paris, (with Angela Bulloch), Paris, France (solo) |
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1993 |
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Documents, CCA, (with Henry Bond), Glasgow (solo) |
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1992 |
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McNamara, Hog Bikes and GRSSPR',Air de Paris, Paris, France (solo) |
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1991 |
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Documents, A.P.A.C, (with Henry Bond), Nevers, France (solo) |
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1991 |
|
Documents, Karsten Schubert Ltd, (with Henry Bond), London, Great Britain (solo) |
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1991 |
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Documents, (with Henry Bond), Gio’ Marconi, Milan (solo) |
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1989 |
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84 Diagrams, Karsten Schubert Ltd, London, Great Britain (solo) |
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2007 |
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Liam Gillick: Proxemics, Selected Writings (1988-2006), JRP Ringier, Zürich |
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2006 |
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The Metaphor Problem Again: A Conversation Between John Baldessari, Lawrence Weiner, and Liam Gillick, ed. Beatrix Ruf, Springer Verlag, Vienna |
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2006 |
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Between Artists, Liam Gillick Lawrence Wiener, A.R.T. Press, Canada |
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2006 |
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de Brugerolle, Marie, „Liam Gillick“, Flash Art No. 246, January-February 2006, pict. p. 110 |
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2006 |
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Glover, Michael, „Best of British Lights up the Tate“, The Times, Feb. 25. |
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2006 |
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Abstract Art Now. Strictly Geometrical?, Wilhelm-Hack-Museum, Ludwigshafen, pp. 62-65 |
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2006 |
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Site 9/1, a hausammeer production, September 2006, pp. 34-37 |
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2006 |
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Broken Surface, Sabine Knust Matthias Kunz Editions, München, 2006, pict. pp. 14-16 |
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2005 |
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Magasin 1986 – 2006, ed. Yves Aupetitallot, JPRlRingier, Zürich, 2005, pp. 136-145 |
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2005 |
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Version 0.6, Colouring Book, onestarpress, 2005, p. 25 |
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2005 |
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Art at 30 St Mary Axe, Swiss Reinsurance Company, Zurich, pp. 23 - 29 |
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2005 |
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Go Between, Bregenzer Kunstverein Magazin 4, Bregenz, p. 86-93 |
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2005 |
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Place, T. Dean & J. Millar, Thames & Hudson, London, 2005, pp. 34-35 |
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2005 |
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EVN 95-05, MUMOK, Vienna, 2005, pict. p 113 |
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2002 |
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Bourriaud, Nicolas, Postproduction, Collection Documents sur l’art, Dijon 2003, pp. 22, 52-55, 73 |
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2002 |
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Metronome 8b.
The Queel, London |
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2002 |
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100 Reviews
London: Alberta Press |
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2002 |
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Magazin 6
Salzburger Kunstverein, Salzburg |
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2002 |
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The Producers: Contemporary Curators in Conversation
Baltic Centre, Gateshead |
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2002 |
|
The Wood Way
Whitechapel Art Gallery, London |
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2002 |
|
Conceptual Art
London: Phaidon |
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2002 |
|
Art Since 1960
London: Thames & Hudson |
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2002 |
|
EVN Sammlung. Ankäufe 2000-2002
EVN AG, Vienna |
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2001 |
|
Century City
Tate, London |
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2001 |
|
Museen ohne Zukunft
MAK, Vienna |
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2001 |
|
Mutations
Centre d'Architecture, Bordeaux |
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2001 |
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Histoire de coeur: collection Michel Poitevin
Fondation Guerlain, Les Mesnuls |
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2001 |
|
After Work
cat. 4th Werkleitz Biennale, Tornitz |
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2001 |
|
2nd Berlin Biennale
Berlin |
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2001 |
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Annlee You Proposes
Tate Britain, London |
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2001 |
|
Everything Can be Different
ICI, New York |
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2001 |
|
Neue Kunstkritik
New York: Lukas & Sternberg |
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2001 |
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Yokohama Triennale 2001
Yokohama |
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2000 |
|
29th International Film Festival
Rotterdam |
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2000 |
|
Liam Gillick
Oktagon Verlag, Cologne |
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2000 |
|
British Art Show 5
Touring Exhibition, Edinburgh |
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2000 |
|
What If
Moderna Museet, Stockholm |
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2000 |
|
Intelligence
Tate Gallery, London |
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2000 |
|
Protest and Survive
Whitechapel Gallery, London |
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2000 |
|
Renovation Filter: recent past and near future
Arnolfini, Bristol |
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2000 |
|
Fresh Cream
London: Phaidon |
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1999 |
|
UK Maximum Diversity
Galerie Krinzinger, Wien |
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1999 |
|
Weather Everything
Galerie für Zeitgenössische Kunst, Leipzig, Cantz |
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1999 |
|
Independent Spaces
Genf, JRP éditions |
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1999 |
|
Art at the Turn of the Millennium
Burkhard Riemschneider, Uta Grosenick (Hg.), Köln |
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1999 |
|
Seven Wonders of the World
London, Book Works 1999 |
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1999 |
|
Designs for a four storey building
New York, Open City |
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1999 |
|
La Capitale
Sete, Centre regionale d'art contemporain |
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1999 |
|
The Space Here is Everywhere
Villa Merkel, Esslingen |
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1998 |
|
Hospital, Sarah Morris
Galerie Max Hetzler, Berlin |
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1998 |
|
Artist/Author: Contemporary Artist's Books
(ed. Cornelia Lauf/Clive Phillpot) New York, American Federation |
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1998 |
|
McNamara Papers, Erasmus and Ibuka! Realisations, The What If? Scenarios
Deutsche Übersetzung des Consortiums Kataloges, ed. Kunstverein in Hamburg |
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1998 |
|
Enter: KünstlerInnen, Publikum und Institution
Hrsg. Barbara Steiner, Kunstmuseum, Luzern |
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1998 |
|
Art from Britain
Hamburg, Sammlung Goetz |
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1998 |
|
Interactive An Exhibition of Contemporary British Sculpture
London, Amerada Hess |
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1998 |
|
L'île de discussion/le grand centre de conférence
Nice/Dijon, Villa Arson/Les presses du réel |
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1998 |
|
Mise en Scène
Grazer Kunstverein, Graz |
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1998 |
|
Minimal-Maximal
Neues Museum Weserburg, Bremen |
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1998 |
|
X Mal Documenta X
Kunsthochschule der Universität, Gesamthochschule, Kassel |
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1998 |
|
Dominique Gonzalez-Foerster, Pierre Huyghe, Philippe Parreno
Paris, ARC, Musee d'art moderne de la Ville de Paris |
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1998 |
|
Cream
London, Phaidon Press |
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1998 |
|
Eric Troncy
Paris, Les presses du réel |
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1998 |
|
Absurd
Self Service, Paris |
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1998 |
|
Dijon/Le Consortium.coll
Dijon/Paris, Les presses du réel/Centre Georges Pompidou |
|
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1998 |
|
Ein Rückblick aus dem Jahre 2000 auf 1887
Eduard Bellamy, Leipzig |
|
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1998 |
|
Zing Magazine
Volume 2, Fall |
|
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1998 |
|
Øjeblikket
The Meaning of Site,Copenhagen |
|
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1998 |
|
Innerscapes
(edited by Maurizio Pellegrin), Trieste, Contemporanea |
|
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1997 |
|
Des Livres d'Artistes
L'Ecole d'Art de Grenoble, Grenoble |
|
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1997 |
|
Ajar
Oslo, Galleri F15 |
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1997 |
|
Enter: Audience, Artsist, Institution
Kunstmuseum, Luzern |
|
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1997 |
|
documenta X, Politics and Poetics
Kassel, Cantz |
|
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1997 |
|
Unbuilt Worlds: Unrealised Artists Projects
Münster, Cantz |
|
|
1997 |
|
Erasme est en retard (translated by Philippe Parreno)
Dijon, Les Presses du Réel |
|
|
1997 |
|
McNamara Papers, Erasmus and Ibuka! realisations The What If ? Scenarios
Dijon Les Presses du Réel |
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