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1953
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American born in Germany
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1971 - 1973
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University of California Santa Barbara, CA, College of Creative Studies, Painting
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1984
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BFA (Honors) Sculpture, Parsons School of Design, New York
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1993
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Projects Residency Grant: New York State Council on the Arts, Hillwood Art Museum
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1994
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Artist's Grant: Adolph and Esther Gottlieb Foundation
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Lives and works in New York, New York
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2010 |
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Precious, Heidi Cho Gallery, New York, NY |
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2010 |
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One Big Love, Jack Shainman Gallery, NY (solo) |
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2010 |
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Halsey Institute for Contemporary Art, Charleston, SC (solo) |
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2009 |
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This...is your..., This...is my..., UTSA Satellite Space, San Antonio, TX |
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2009 |
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New Abstraction Carol Jazzar Contemporary Art, Miami, FL |
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2009 |
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Better Half The Educational Alliance, New York, NY |
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2008 |
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Material Color curated by Mary Birmingham, Hunterdon Museum of Art, Clinton, NJ |
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2008 |
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Art in Richard Meier on Prospect Park. Richard Meier on Prospect Park, Brooklyn, NY |
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2008 |
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No Going Back Solomon Projects, Atlanta, GA (solo) |
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2008 |
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The Idea of Nature 33 Bond Gallery, New York, NY |
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2008 |
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Revision, Reiteration, Recombination: Process and the Contemporary Print, University of Central Florida, Orlando and College of Visual Art, St Paul, curated by Leslie Wayne |
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2008 |
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Couples, Islip Art Museum, Islip, NY |
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2007 |
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Making and Finding, curated by Katy Siegel. The Foundation To-Life, Inc. New York, NY |
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2007 |
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Trouble in Paradise, Jack Shainman Gallery, New York, NY (solo) |
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2006 |
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Jack Shainman Gallery, New York City (solo)
Red Gallery, Savannah College of Art and Design, GA. Leslie Wayne and Don Porcaro |
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2005 |
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Byron Cohen Gallery for Contemporary Art, Kansas City, MO. Surface
Governor’s Island, New York. The Muster |
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2004 |
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University Gallery, University of Florida, Gainesville, FL; Crossley Gallery, Ringling School of Art and Design, Sarasota, FL, “The Object of Time; Charting a Decade” (solo)
Heidi Cho Gallery, New York, NY. A Coat Of… |
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2003 |
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Analogues of Reality: Sight and Fantasy, Solomon Projects, Atlanta, GA (solo) |
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2002 |
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Don Porcaro and Leslie Wayne, Samuel Dorsky Museum of Art, New Paltz, NY (catalogue) (solo)
Beyond Pale: Material Possibilities, Neuberger Museum of Art, Purchase, NY
Two Years in the World, Jack Shainman Gallery, New York, NY (solo) |
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2001 |
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Selections from the Permanent Collection, Museum of Contemporary Art, Miami, FL
In Cold Blood: Art in the Age of Violence, Samue Dorsky Museum of Art, New Paltz, NY
Breaking & Entering, Galerie Bugdahn und Kaimer, Dusseldorf, Germany (solo) |
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2000 |
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Under My Skin, Solomon Projects, Atlanta, GA (solo)
Re-entering, Jack Shainman Gallery, New York, NY (solo)
The Blue Space, London, England
Absolut Bottled Secret, Santa Monica Museum of Art, Santa Monica, CA |
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1999 |
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Galerie Doris Wullkopf, Darmstadt, Germany (solo)
Insides Out, Haines Gallery San Francisco, CA (solo)
In Site: Constructing the JCCC Collection, Johnson County Community College, Kansas City, MO
Pushing Paint, Guggenheim Gallery, Chapman University, Orange, CA
Dimension, curated by Cathy Byrd, Dalton Gallery, Agnes Scott College, Atlanta, GA
Galore: The Continuous Painting Wall, curated by David Moos, Birmingham Museum of Art, Birmingham, AL
Beyond Bounds -- Beyond Borders!, Johnson County Community College, Kansas City, MO
Absolut Secret, Royal College of Art, London, England
Zwischern Raum #2, Galerie Bugdahn und Kaimer, Dusseldorf, Germany |
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1998 |
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Folding Time, LA Louver, Venice, CA (solo)
Byron Cohen Gallery, Kansas City, MO (solo)
Breaking and Entering, Jack Shainman Gallery New York City (solo)
Painting Language, L.A. Louver Venice, CA
From Here to Eternity: Painting in the 90s, Max Protetch Gallery, New York, NY
The Corcoran Collects: Selections from the Permanent Collection, Corcoran Gallery of Art, Washington, DC |
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1997 |
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Theories of the Decorative. Abstraction and Ornament in Contemporary Painting, Ulrich Museum of Art Wichita State University, Wichita (travelling ex.)
Byron C. Cohen Gallery, Baltimore, Kansas City & Montana |
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1996 |
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Paintings and Works on Paper, Galerie Bugdahn und Kaimer Düsseldorf
Black, Grey & White, Galerie Bugdahn und Kaimer Düsseldorf |
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1995 |
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44th Biennial Exhibition of Contemporary American Painting: Painting Outside Painting, The Corcoran Gallery of Art Washington, D.C.
Art at the Edge: Tampering - Artists and Abstraction Today, The High Museum Atlanta, Georgia |
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1994 |
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Recent Paintings, Galerie Bugdahn und Kaimer Düsseldorf (solo)
Matter Matters: Navigating the Terrain of Contemporary Painting, Proctor Gallery, Bard College, Annandale, New York City |
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1993 |
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Jack Shainman Gallery, New York, NY (solo)
Irony and Ecstasy, Salama-Caro Gallery, London
Inaugural, The Painting Center, New York City |
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2003 |
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Koplos, Janet. "Leslie Wayne and Don Porcaro at the Dorsky Museum," Art in America, March, p. 128. |
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2003 |
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Gronlund, Melissa. "Leslie Wayne," Artnews, February 2003. |
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2002 |
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Zimmer, William. "When the Subject of Painting is the Manipulation of the Paint," The New York Times, February 24, 2002. |
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2001 |
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Ewald, Gudrun. "Fabriss: Leslie Wayne in der Galerie Bugdhan und Kaimer," Kunst, Une 2001. |
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2001 |
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Meister, Helga. "Lavabrei der Farbe: Leslie Wayne stellt bei Bugdahn and Kaimer aus," Westdeutsche Zeitung, June 2001. |
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2001 |
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Ortner-Giertz, Carolin. "Gehautet und zersabelt: Leslie Wayne in der Galerie Bugdahn und Kaimer," Rheinische Post, June 6, 2001. |
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2000 |
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Berman, Greta. "Women Headline the Fall Art Season on New York City," The Juilliard Journal, October 2000. |
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2000 |
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Feaster, Felicia. "Wayne's Embedded Paintings Toy with the Convention of Canvas," Creative Loafing, November 18 2000. |
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2000 |
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Fox, Catherine. "Abstract Realities," The Atlanta Journal Constitution, 2000. |
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2000 |
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Johnson, Ken. "Art in Review," The New York Times, September 22, p. B31. |
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2000 |
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Moos, David. "Dimension," Art Papers, March/ April. |
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